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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59C534 it is the complementary color #A63ACB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59C534. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59C534 shade: #5EC52F, #6FD742, #80E955, #91FB68 and #A2FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59C534. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59C534 shade: #59C534, #48B321, #37A10E, #268F00 and #157D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59C534 shade: #59C534, #80C534, #A7C534, #C5BC34 and #C59534

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59C534 shade: #59C534, #34C536, #34C55D, #34C584 and #34C5AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59C534 shade matches the following richer shades: #59C534, #4FD920 and #45ED0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59C534 shade: #59C534, #63B148, #6D9C5C, #778871 and #817485

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59C534 shade: #A8C534, #81C534, #5BC534, #34C534 and #34C55B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59C534 shade: #3B8423, #4AA42B, #59C534, #72D152 and #8CD972

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59C534 shade: #59C534, #34C5BB and #C53495

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59C534 shade: #59C534, #345BC5 and #C5345B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59C534 shade: #59C534, #34C5BB, #9E34C5 and #C5343E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59C534 shade: #59C534, #34A3C5, #9E34C5 and #C55634

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 74 / 23

HEX #59C534

RGB 89 197 52

HSL 104.69, 0.58%, 0.49%

LAB 71.08, -56.25, 59.57

 

Complementary color

CMYK 18 / 71 / 0 / 20

HEX #A63ACB

RGB 166 58 203

HSL 284.69, 0.58%, 0.51%

LAB 46.24, 64.5, -54.82

 

CMYK 52 / 0 / 76 / 23

HEX #5EC52F

RGB 94 197 47

HSL 101.2, 0.61%, 0.48%

LAB 71.23, -55.21, 61.46

 

CMYK 48 / 0 / 69 / 16

HEX #6FD742

RGB 111 215 66

HSL 101.88, 0.65%, 0.55%

LAB 77.5, -55.78, 61.27

 

CMYK 45 / 0 / 64 / 9

HEX #80E955

RGB 128 233 85

HSL 102.57, 0.77%, 0.62%

LAB 83.72, -56.12, 60.63

 

CMYK 42 / 0 / 59 / 2

HEX #91FB68

RGB 145 251 104

HSL 103.27, 0.95%, 0.7%

LAB 89.87, -56.29, 59.73

 

CMYK 36 / 0 / 52 / 0

HEX #A2FF7B

RGB 162 255 123

HSL 102.27, 1%, 0.74%

LAB 91.97, -50.66, 53.95

 

CMYK 55 / 0 / 74 / 23

HEX #59C534

RGB 89 197 52

HSL 104.69, 0.58%, 0.49%

LAB 71.08, -56.25, 59.57

 

CMYK 60 / 0 / 82 / 30

HEX #48B321

RGB 72 179 33

HSL 103.97, 0.69%, 0.42%

LAB 64.75, -55.35, 59.31

 

CMYK 66 / 0 / 91 / 37

HEX #37A10E

RGB 55 161 14

HSL 103.27, 0.84%, 0.34%

LAB 58.35, -53.94, 57.84

 

CMYK 73 / 0 / 100 / 44

HEX #268F00

RGB 38 143 0

HSL 104.06, 1%, 0.28%

LAB 51.9, -51.84, 54.64

 

CMYK 83 / 0 / 100 / 51

HEX #157D00

RGB 21 125 0

HSL 109.92, 1%, 0.25%

LAB 45.4, -48.83, 49.32

 

CMYK 55 / 0 / 74 / 23

HEX #59C534

RGB 89 197 52

HSL 104.69, 0.58%, 0.49%

LAB 71.08, -56.25, 59.57

 

CMYK 35 / 0 / 74 / 23

HEX #80C534

RGB 128 197 52

HSL 88.55, 0.58%, 0.49%

LAB 72.74, -44.01, 61.76

 

CMYK 15 / 0 / 74 / 23

HEX #A7C534

RGB 167 197 52

HSL 72.41, 0.58%, 0.49%

LAB 75.07, -29.06, 64.83

 

CMYK 0 / 5 / 74 / 23

HEX #C5BC34

RGB 197 188 52

HSL 56.28, 0.58%, 0.49%

LAB 74.88, -12, 65.45

 

CMYK 0 / 24 / 74 / 23

HEX #C59534

RGB 197 149 52

HSL 40.14, 0.58%, 0.49%

LAB 64.65, 8.65, 55.56

 

CMYK 55 / 0 / 74 / 23

HEX #59C534

RGB 89 197 52

HSL 104.69, 0.58%, 0.49%

LAB 71.08, -56.25, 59.57

 

CMYK 74 / 0 / 73 / 23

HEX #34C536

RGB 52 197 54

HSL 120.83, 0.58%, 0.49%

LAB 70.13, -64.01, 57.58

 

CMYK 74 / 0 / 53 / 23

HEX #34C55D

RGB 52 197 93

HSL 136.97, 0.58%, 0.49%

LAB 70.49, -59.62, 41.16

 

CMYK 74 / 0 / 33 / 23

HEX #34C584

RGB 52 197 132

HSL 153.1, 0.58%, 0.49%

LAB 71.1, -52.74, 22

 

CMYK 74 / 0 / 13 / 23

HEX #34C5AB

RGB 52 197 171

HSL 169.24, 0.58%, 0.49%

LAB 71.96, -43.58, 2.21

 

CMYK 55 / 0 / 74 / 23

HEX #59C534

RGB 89 197 52

HSL 104.69, 0.58%, 0.49%

LAB 71.08, -56.25, 59.57

 

CMYK 64 / 0 / 85 / 15

HEX #4FD920

RGB 79 217 32

HSL 104.76, 0.74%, 0.49%

LAB 76.92, -66.63, 70.59

 

CMYK 71 / 0 / 95 / 7

HEX #45ED0C

RGB 69 237 12

HSL 104.8, 0.9%, 0.49%

LAB 82.84, -75.3, 78.53

 

CMYK 55 / 0 / 74 / 23

HEX #59C534

RGB 89 197 52

HSL 104.69, 0.58%, 0.49%

LAB 71.08, -56.25, 59.57

 

CMYK 44 / 0 / 59 / 31

HEX #63B148

RGB 99 177 72

HSL 104.57, 0.42%, 0.49%

LAB 65.41, -43.73, 45.44

 

CMYK 30 / 0 / 41 / 39

HEX #6D9C5C

RGB 109 156 92

HSL 104.06, 0.26%, 0.49%

LAB 59.71, -28.31, 28.56

 

CMYK 13 / 0 / 17 / 47

HEX #778871

RGB 119 136 113

HSL 104.35, 0.09%, 0.49%

LAB 54.79, -10.76, 10.31

 

CMYK 3 / 13 / 0 / 48

HEX #817485

RGB 129 116 133

HSL 285.88, 0.07%, 0.49%

LAB 50.51, 8.37, -7.46

 

CMYK 15 / 0 / 74 / 23

HEX #A8C534

RGB 168 197 52

HSL 72, 0.58%, 0.49%

LAB 75.14, -28.65, 64.92

 

CMYK 35 / 0 / 74 / 23

HEX #81C534

RGB 129 197 52

HSL 88.14, 0.58%, 0.49%

LAB 72.79, -43.66, 61.83

 

CMYK 54 / 0 / 74 / 23

HEX #5BC534

RGB 91 197 52

HSL 103.86, 0.58%, 0.49%

LAB 71.15, -55.71, 59.66

 

CMYK 74 / 0 / 74 / 23

HEX #34C534

RGB 52 197 52

HSL 120, 0.58%, 0.49%

LAB 70.11, -64.17, 58.28

 

CMYK 74 / 0 / 54 / 23

HEX #34C55B

RGB 52 197 91

HSL 136.14, 0.58%, 0.49%

LAB 70.47, -59.91, 42.1

 

CMYK 55 / 0 / 73 / 48

HEX #3B8423

RGB 59 132 35

HSL 105.15, 0.58%, 0.33%

LAB 48.95, -41.13, 43.18

 

CMYK 55 / 0 / 74 / 36

HEX #4AA42B

RGB 74 164 43

HSL 104.63, 0.58%, 0.41%

LAB 60.05, -48.69, 51.57

 

CMYK 55 / 0 / 74 / 23

HEX #59C534

RGB 89 197 52

HSL 104.69, 0.58%, 0.49%

LAB 71.08, -56.25, 59.57

 

CMYK 45 / 0 / 61 / 18

HEX #72D152

RGB 114 209 82

HSL 104.88, 0.58%, 0.57%

LAB 75.94, -51.14, 53.1

 

CMYK 35 / 0 / 47 / 15

HEX #8CD972

RGB 140 217 114

HSL 104.85, 0.58%, 0.65%

LAB 79.85, -42.67, 43.17

 

CMYK 55 / 0 / 74 / 23

HEX #59C534

RGB 89 197 52

HSL 104.69, 0.58%, 0.49%

LAB 71.08, -56.25, 59.57

 

CMYK 74 / 0 / 5 / 23

HEX #34C5BB

RGB 52 197 187

HSL 175.86, 0.58%, 0.49%

LAB 72.4, -39.26, -5.86

 

CMYK 0 / 74 / 24 / 23

HEX #C53495

RGB 197 52 149

HSL 319.86, 0.58%, 0.49%

LAB 47.62, 64.99, -20.53

 

CMYK 55 / 0 / 74 / 23

HEX #59C534

RGB 89 197 52

HSL 104.69, 0.58%, 0.49%

LAB 71.08, -56.25, 59.57

 

CMYK 74 / 54 / 0 / 23

HEX #345BC5

RGB 52 91 197

HSL 223.86, 0.58%, 0.49%

LAB 41.6, 23.33, -59.37

 

CMYK 0 / 74 / 54 / 23

HEX #C5345B

RGB 197 52 91

HSL 343.86, 0.58%, 0.49%

LAB 45.75, 59.02, 12.11

 

CMYK 55 / 0 / 74 / 23

HEX #59C534

RGB 89 197 52

HSL 104.69, 0.58%, 0.49%

LAB 71.08, -56.25, 59.57

 

CMYK 74 / 0 / 5 / 23

HEX #34C5BB

RGB 52 197 187

HSL 175.86, 0.58%, 0.49%

LAB 72.4, -39.26, -5.86

 

CMYK 20 / 74 / 0 / 23

HEX #9E34C5

RGB 158 52 197

HSL 283.86, 0.58%, 0.49%

LAB 43.88, 63.98, -55.2

 

CMYK 0 / 74 / 69 / 23

HEX #C5343E

RGB 197 52 62

HSL 355.86, 0.58%, 0.49%

LAB 45.18, 57.16, 29.11

 

CMYK 55 / 0 / 74 / 23

HEX #59C534

RGB 89 197 52

HSL 104.69, 0.58%, 0.49%

LAB 71.08, -56.25, 59.57

 

CMYK 74 / 17 / 0 / 23

HEX #34A3C5

RGB 52 163 197

HSL 194.07, 0.58%, 0.49%

LAB 62.47, -19.63, -26.37

 

CMYK 20 / 74 / 0 / 23

HEX #9E34C5

RGB 158 52 197

HSL 283.86, 0.58%, 0.49%

LAB 43.88, 63.98, -55.2

 

CMYK 0 / 56 / 74 / 23

HEX #C55634

RGB 197 86 52

HSL 14.07, 0.58%, 0.49%

LAB 50.42, 42.28, 40.81

 

Description

Color code: HEX #59C534 | qconv.com Color code: HEX #59C534 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 197 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 197 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 74 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 74% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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