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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59C968 it is the complementary color #A63697. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59C968. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59C968 shade: #5EC963, #6FDB76, #80ED89, #91FF9C and #A2FFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59C968. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59C968 shade: #59C968, #48B755, #37A542, #26932F and #15811C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59C968 shade: #59C968, #68C959, #86C959, #A4C959 and #C3C959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59C968 shade: #59C968, #59C986, #59C9A4, #59C9C2 and #59B1C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59C968 shade matches the following richer shades: #59C968, #47DB5B, #35EC4E and #24FE41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59C968 shade: #59C968, #6BB775, #7CA582, #8E948F and #A0829C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59C968 shade: #86C959, #68C959, #59C968, #59C986 and #59C9A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59C968 shade: #339D41, #3DBC4E, #59C968, #78D384 and #97DDA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59C968 shade: #59C968, #59A3C9 and #C95977

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59C968 shade: #59C968, #6859C9 and #C96859

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59C968 shade: #59C968, #59A3C9, #C959BA and #C97E59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59C968 shade: #59C968, #5982C9, #C959BA and #C9A059

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 48 / 21

HEX #59C968

RGB 89 201 104

HSL 128.04, 0.51%, 0.57%

LAB 72.82, -52.14, 38.87

 

Complementary color

CMYK 0 / 67 / 9 / 35

HEX #A63697

RGB 166 54 151

HSL 308.04, 0.51%, 0.43%

LAB 42.73, 56.74, -29.73

 

CMYK 53 / 0 / 51 / 21

HEX #5EC963

RGB 94 201 99

HSL 122.8, 0.5%, 0.58%

LAB 72.93, -51.59, 41.49

 

CMYK 49 / 0 / 46 / 14

HEX #6FDB76

RGB 111 219 118

HSL 123.89, 0.6%, 0.65%

LAB 79.24, -51.61, 40.18

 

CMYK 46 / 0 / 42 / 7

HEX #80ED89

RGB 128 237 137

HSL 124.95, 0.75%, 0.72%

LAB 85.49, -51.52, 38.91

 

CMYK 43 / 0 / 39 / 0

HEX #91FF9C

RGB 145 255 156

HSL 126, 1%, 0.78%

LAB 91.66, -51.37, 37.68

 

CMYK 36 / 0 / 31 / 0

HEX #A2FFAF

RGB 162 255 175

HSL 128.39, 1%, 0.82%

LAB 92.71, -43.49, 29.74

 

CMYK 56 / 0 / 48 / 21

HEX #59C968

RGB 89 201 104

HSL 128.04, 0.51%, 0.57%

LAB 72.82, -52.14, 38.87

 

CMYK 61 / 0 / 54 / 28

HEX #48B755

RGB 72 183 85

HSL 127.03, 0.44%, 0.5%

LAB 66.44, -51.92, 40.24

 

CMYK 67 / 0 / 60 / 35

HEX #37A542

RGB 55 165 66

HSL 126, 0.5%, 0.43%

LAB 59.99, -51.4, 41.59

 

CMYK 74 / 0 / 68 / 42

HEX #26932F

RGB 38 147 47

HSL 124.95, 0.59%, 0.36%

LAB 53.48, -50.41, 42.77

 

CMYK 84 / 0 / 78 / 49

HEX #15811C

RGB 21 129 28

HSL 123.89, 0.72%, 0.29%

LAB 46.9, -48.68, 43.47

 

CMYK 56 / 0 / 48 / 21

HEX #59C968

RGB 89 201 104

HSL 128.04, 0.51%, 0.57%

LAB 72.82, -52.14, 38.87

 

CMYK 48 / 0 / 56 / 21

HEX #68C959

RGB 104 201 89

HSL 111.96, 0.51%, 0.57%

LAB 73.18, -50.13, 46.65

 

CMYK 33 / 0 / 56 / 21

HEX #86C959

RGB 134 201 89

HSL 95.89, 0.51%, 0.57%

LAB 74.55, -40.58, 48.6

 

CMYK 18 / 0 / 56 / 21

HEX #A4C959

RGB 164 201 89

HSL 79.82, 0.51%, 0.57%

LAB 76.31, -29.53, 51.09

 

CMYK 3 / 0 / 56 / 21

HEX #C3C959

RGB 195 201 89

HSL 63.21, 0.51%, 0.57%

LAB 78.52, -17.14, 54.2

 

CMYK 56 / 0 / 48 / 21

HEX #59C968

RGB 89 201 104

HSL 128.04, 0.51%, 0.57%

LAB 72.82, -52.14, 38.87

 

CMYK 56 / 0 / 33 / 21

HEX #59C986

RGB 89 201 134

HSL 144.11, 0.51%, 0.57%

LAB 73.3, -47.1, 24.09

 

CMYK 56 / 0 / 18 / 21

HEX #59C9A4

RGB 89 201 164

HSL 160.18, 0.51%, 0.57%

LAB 73.92, -40.81, 8.94

 

CMYK 56 / 0 / 3 / 21

HEX #59C9C2

RGB 89 201 194

HSL 176.25, 0.51%, 0.57%

LAB 74.69, -33.41, -6.16

 

CMYK 56 / 12 / 0 / 21

HEX #59B1C9

RGB 89 177 201

HSL 192.86, 0.51%, 0.57%

LAB 67.86, -19.59, -20.24

 

CMYK 56 / 0 / 48 / 21

HEX #59C968

RGB 89 201 104

HSL 128.04, 0.51%, 0.57%

LAB 72.82, -52.14, 38.87

 

CMYK 68 / 0 / 58 / 14

HEX #47DB5B

RGB 71 219 91

HSL 128.11, 0.67%, 0.57%

LAB 77.73, -64.27, 50.82

 

CMYK 78 / 0 / 67 / 7

HEX #35EC4E

RGB 53 236 78

HSL 128.2, 0.83%, 0.57%

LAB 82.54, -73.89, 61.55

 

CMYK 86 / 0 / 74 / 0

HEX #24FE41

RGB 36 254 65

HSL 127.98, 0.99%, 0.57%

LAB 87.8, -81.9, 71.53

 

CMYK 56 / 0 / 48 / 21

HEX #59C968

RGB 89 201 104

HSL 128.04, 0.51%, 0.57%

LAB 72.82, -52.14, 38.87

 

CMYK 42 / 0 / 36 / 28

HEX #6BB775

RGB 107 183 117

HSL 127.89, 0.35%, 0.57%

LAB 68.22, -37.6, 26.39

 

CMYK 25 / 0 / 21 / 35

HEX #7CA582

RGB 124 165 130

HSL 128.78, 0.19%, 0.57%

LAB 64, -21.12, 13.71

 

CMYK 4 / 0 / 3 / 42

HEX #8E948F

RGB 142 148 143

HSL 130, 0.03%, 0.57%

LAB 60.71, -3.15, 1.88

 

CMYK 0 / 19 / 2 / 37

HEX #A0829C

RGB 160 130 156

HSL 308, 0.14%, 0.57%

LAB 57.88, 16.12, -9.54

 

CMYK 33 / 0 / 56 / 21

HEX #86C959

RGB 134 201 89

HSL 95.89, 0.51%, 0.57%

LAB 74.55, -40.58, 48.6

 

CMYK 48 / 0 / 56 / 21

HEX #68C959

RGB 104 201 89

HSL 111.96, 0.51%, 0.57%

LAB 73.18, -50.13, 46.65

 

CMYK 56 / 0 / 48 / 21

HEX #59C968

RGB 89 201 104

HSL 128.04, 0.51%, 0.57%

LAB 72.82, -52.14, 38.87

 

CMYK 56 / 0 / 33 / 21

HEX #59C986

RGB 89 201 134

HSL 144.11, 0.51%, 0.57%

LAB 73.3, -47.1, 24.09

 

CMYK 56 / 0 / 19 / 21

HEX #59C9A3

RGB 89 201 163

HSL 159.64, 0.51%, 0.57%

LAB 73.9, -41.04, 9.44

 

CMYK 68 / 0 / 59 / 38

HEX #339D41

RGB 51 157 65

HSL 127.92, 0.51%, 0.41%

LAB 57.27, -49.41, 38.86

 

CMYK 68 / 0 / 59 / 26

HEX #3DBC4E

RGB 61 188 78

HSL 128.03, 0.51%, 0.49%

LAB 67.66, -56.97, 44.94

 

CMYK 56 / 0 / 48 / 21

HEX #59C968

RGB 89 201 104

HSL 128.04, 0.51%, 0.57%

LAB 72.82, -52.14, 38.87

 

CMYK 43 / 0 / 37 / 17

HEX #78D384

RGB 120 211 132

HSL 127.91, 0.51%, 0.65%

LAB 77.43, -43.63, 30.86

 

CMYK 32 / 0 / 27 / 13

HEX #97DDA1

RGB 151 221 161

HSL 128.57, 0.51%, 0.73%

LAB 82.31, -33.89, 22.65

 

CMYK 56 / 0 / 48 / 21

HEX #59C968

RGB 89 201 104

HSL 128.04, 0.51%, 0.57%

LAB 72.82, -52.14, 38.87

 

CMYK 56 / 19 / 0 / 21

HEX #59A3C9

RGB 89 163 201

HSL 200.36, 0.51%, 0.57%

LAB 63.78, -12.15, -26.48

 

CMYK 0 / 56 / 41 / 21

HEX #C95977

RGB 201 89 119

HSL 343.93, 0.51%, 0.57%

LAB 52.83, 47.44, 5.27

 

CMYK 56 / 0 / 48 / 21

HEX #59C968

RGB 89 201 104

HSL 128.04, 0.51%, 0.57%

LAB 72.82, -52.14, 38.87

 

CMYK 48 / 56 / 0 / 21

HEX #6859C9

RGB 104 89 201

HSL 248.04, 0.51%, 0.57%

LAB 44.67, 35.02, -56.57

 

CMYK 0 / 48 / 56 / 21

HEX #C96859

RGB 201 104 89

HSL 8.04, 0.51%, 0.57%

LAB 55.11, 37.06, 26

 

CMYK 56 / 0 / 48 / 21

HEX #59C968

RGB 89 201 104

HSL 128.04, 0.51%, 0.57%

LAB 72.82, -52.14, 38.87

 

CMYK 56 / 19 / 0 / 21

HEX #59A3C9

RGB 89 163 201

HSL 200.36, 0.51%, 0.57%

LAB 63.78, -12.15, -26.48

 

CMYK 0 / 56 / 7 / 21

HEX #C959BA

RGB 201 89 186

HSL 308.04, 0.51%, 0.57%

LAB 55.18, 56.68, -30.52

 

CMYK 0 / 37 / 56 / 21

HEX #C97E59

RGB 201 126 89

HSL 19.82, 0.51%, 0.57%

LAB 59.94, 25.32, 32.18

 

CMYK 56 / 0 / 48 / 21

HEX #59C968

RGB 89 201 104

HSL 128.04, 0.51%, 0.57%

LAB 72.82, -52.14, 38.87

 

CMYK 56 / 35 / 0 / 21

HEX #5982C9

RGB 89 130 201

HSL 218.04, 0.51%, 0.57%

LAB 54.35, 6.73, -41.18

 

CMYK 0 / 56 / 7 / 21

HEX #C959BA

RGB 201 89 186

HSL 308.04, 0.51%, 0.57%

LAB 55.18, 56.68, -30.52

 

CMYK 0 / 20 / 56 / 21

HEX #C9A059

RGB 201 160 89

HSL 38.04, 0.51%, 0.57%

LAB 68.23, 6.78, 42.36

 

Description

Color code: HEX #59C968 | qconv.com Color code: HEX #59C968 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 201 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 201 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 48 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 48% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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