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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59C238 it is the complementary color #A63DC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59C238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59C238 shade: #5EC233, #6FD446, #80E659, #91F86C and #A2FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59C238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59C238 shade: #59C238, #48B025, #379E12, #268C00 and #157A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59C238 shade: #59C138, #7EC138, #A3C138, #C1BB38 and #C19538

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59C238 shade: #59C138, #38C13C, #38C161, #38C186 and #38C1AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59C238 shade matches the following richer shades: #59C138, #4ED524 and #44EA0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59C238 shade: #59C138, #63AD4C, #6E9960, #788574 and #837089

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59C238 shade: #A3C138, #7FC138, #5AC138, #38C13A and #38C15F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59C238 shade: #3B8125, #4AA12E, #59C138, #72CD55 and #8CD775

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59C238 shade: #59C238, #38C1BA and #C13891

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59C238 shade: #59C238, #385AC1 and #C1385A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59C238 shade: #59C238, #38C1BA, #9F38C1 and #C1383F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59C238 shade: #59C238, #389FC1, #9F38C1 and #C15A38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 71 / 24

HEX #59C238

RGB 89 194 56

HSL 105.65, 0.55%, 0.49%

LAB 70.17, -54.85, 57.2

 

Complementary color

CMYK 17 / 69 / 0 / 22

HEX #A63DC7

RGB 166 61 199

HSL 285.65, 0.55%, 0.51%

LAB 46.4, 62.54, -52.25

 

CMYK 52 / 0 / 74 / 24

HEX #5EC233

RGB 94 194 51

HSL 101.96, 0.58%, 0.48%

LAB 70.32, -53.83, 59.21

 

CMYK 48 / 0 / 67 / 17

HEX #6FD446

RGB 111 212 70

HSL 102.68, 0.62%, 0.55%

LAB 76.62, -54.31, 58.81

 

CMYK 44 / 0 / 61 / 10

HEX #80E659

RGB 128 230 89

HSL 103.4, 0.74%, 0.63%

LAB 82.86, -54.58, 58.02

 

CMYK 42 / 0 / 56 / 3

HEX #91F86C

RGB 145 248 108

HSL 104.14, 0.91%, 0.7%

LAB 89.03, -54.7, 57.03

 

CMYK 36 / 0 / 50 / 0

HEX #A2FF7F

RGB 162 255 127

HSL 103.59, 1%, 0.75%

LAB 92.01, -50.21, 52.17

 

CMYK 54 / 0 / 71 / 24

HEX #59C238

RGB 89 194 56

HSL 105.65, 0.55%, 0.49%

LAB 70.17, -54.85, 57.2

 

CMYK 59 / 0 / 79 / 31

HEX #48B025

RGB 72 176 37

HSL 104.89, 0.65%, 0.42%

LAB 63.8, -54.05, 57.25

 

CMYK 65 / 0 / 89 / 38

HEX #379E12

RGB 55 158 18

HSL 104.14, 0.8%, 0.35%

LAB 57.38, -52.77, 56.23

 

CMYK 73 / 0 / 100 / 45

HEX #268C00

RGB 38 140 0

HSL 103.71, 1%, 0.27%

LAB 50.88, -50.86, 53.83

 

CMYK 83 / 0 / 100 / 52

HEX #157A00

RGB 21 122 0

HSL 109.67, 1%, 0.24%

LAB 44.35, -47.88, 48.48

 

CMYK 54 / 0 / 71 / 24

HEX #59C138

RGB 89 193 56

HSL 105.55, 0.55%, 0.49%

LAB 69.86, -54.48, 56.88

 

CMYK 35 / 0 / 71 / 24

HEX #7EC138

RGB 126 193 56

HSL 89.34, 0.55%, 0.49%

LAB 71.46, -42.76, 59.03

 

CMYK 16 / 0 / 71 / 24

HEX #A3C138

RGB 163 193 56

HSL 73.14, 0.55%, 0.49%

LAB 73.68, -28.56, 61.98

 

CMYK 0 / 3 / 71 / 24

HEX #C1BB38

RGB 193 187 56

HSL 57.37, 0.55%, 0.49%

LAB 74.29, -13.02, 63.35

 

CMYK 0 / 23 / 71 / 24

HEX #C19538

RGB 193 149 56

HSL 40.73, 0.55%, 0.49%

LAB 64.26, 7.09, 53.33

 

CMYK 54 / 0 / 71 / 24

HEX #59C138

RGB 89 193 56

HSL 105.55, 0.55%, 0.49%

LAB 69.86, -54.48, 56.88

 

CMYK 71 / 0 / 69 / 24

HEX #38C13C

RGB 56 193 60

HSL 121.75, 0.55%, 0.49%

LAB 68.97, -61.53, 54.13

 

CMYK 71 / 0 / 50 / 24

HEX #38C161

RGB 56 193 97

HSL 137.96, 0.55%, 0.49%

LAB 69.36, -56.99, 37.82

 

CMYK 71 / 0 / 31 / 24

HEX #38C186

RGB 56 193 134

HSL 154.16, 0.55%, 0.49%

LAB 69.97, -50.17, 19.4

 

CMYK 71 / 0 / 11 / 24

HEX #38C1AB

RGB 56 193 171

HSL 170.36, 0.55%, 0.49%

LAB 70.82, -41.31, 0.55

 

CMYK 54 / 0 / 71 / 24

HEX #59C138

RGB 89 193 56

HSL 105.55, 0.55%, 0.49%

LAB 69.86, -54.48, 56.88

 

CMYK 63 / 0 / 83 / 16

HEX #4ED524

RGB 78 213 36

HSL 105.76, 0.71%, 0.49%

LAB 75.66, -65.37, 68.54

 

CMYK 71 / 0 / 94 / 8

HEX #44EA0F

RGB 68 234 15

HSL 105.48, 0.88%, 0.49%

LAB 81.9, -74.52, 77.44

 

CMYK 54 / 0 / 71 / 24

HEX #59C138

RGB 89 193 56

HSL 105.55, 0.55%, 0.49%

LAB 69.86, -54.48, 56.88

 

CMYK 43 / 0 / 56 / 32

HEX #63AD4C

RGB 99 173 76

HSL 105.77, 0.39%, 0.49%

LAB 64.21, -41.59, 42.16

 

CMYK 28 / 0 / 37 / 40

HEX #6E9960

RGB 110 153 96

HSL 105.26, 0.23%, 0.49%

LAB 58.92, -25.87, 25.39

 

CMYK 10 / 0 / 13 / 48

HEX #788574

RGB 120 133 116

HSL 105.88, 0.07%, 0.49%

LAB 54.06, -8.16, 7.56

 

CMYK 4 / 18 / 0 / 46

HEX #837089

RGB 131 112 137

HSL 285.6, 0.1%, 0.49%

LAB 49.76, 12.29, -10.93

 

CMYK 16 / 0 / 71 / 24

HEX #A3C138

RGB 163 193 56

HSL 73.14, 0.55%, 0.49%

LAB 73.68, -28.56, 61.98

 

CMYK 34 / 0 / 71 / 24

HEX #7FC138

RGB 127 193 56

HSL 88.91, 0.55%, 0.49%

LAB 71.51, -42.41, 59.1

 

CMYK 53 / 0 / 71 / 24

HEX #5AC138

RGB 90 193 56

HSL 105.11, 0.55%, 0.49%

LAB 69.89, -54.2, 56.93

 

CMYK 71 / 0 / 70 / 24

HEX #38C13A

RGB 56 193 58

HSL 120.88, 0.55%, 0.49%

LAB 68.96, -61.71, 54.9

 

CMYK 71 / 0 / 51 / 24

HEX #38C15F

RGB 56 193 95

HSL 137.08, 0.55%, 0.49%

LAB 69.33, -57.29, 38.78

 

CMYK 54 / 0 / 71 / 49

HEX #3B8125

RGB 59 129 37

HSL 105.65, 0.55%, 0.33%

LAB 47.96, -39.75, 41.34

 

CMYK 54 / 0 / 71 / 37

HEX #4AA12E

RGB 74 161 46

HSL 105.39, 0.56%, 0.41%

LAB 59.11, -47.3, 49.46

 

CMYK 54 / 0 / 71 / 24

HEX #59C138

RGB 89 193 56

HSL 105.55, 0.55%, 0.49%

LAB 69.86, -54.48, 56.88

 

CMYK 44 / 0 / 59 / 20

HEX #72CD55

RGB 114 205 85

HSL 105.5, 0.55%, 0.57%

LAB 74.76, -49.23, 50.42

 

CMYK 35 / 0 / 46 / 16

HEX #8CD775

RGB 140 215 117

HSL 105.92, 0.55%, 0.65%

LAB 79.31, -41.41, 41.02

 

CMYK 54 / 0 / 71 / 24

HEX #59C238

RGB 89 194 56

HSL 105.65, 0.55%, 0.49%

LAB 70.17, -54.85, 57.2

 

CMYK 71 / 0 / 4 / 24

HEX #38C1BA

RGB 56 193 186

HSL 176.93, 0.55%, 0.49%

LAB 71.23, -37.23, -7.03

 

CMYK 0 / 71 / 25 / 24

HEX #C13891

RGB 193 56 145

HSL 321.02, 0.55%, 0.49%

LAB 47.25, 62.1, -18.76

 

CMYK 54 / 0 / 71 / 24

HEX #59C238

RGB 89 194 56

HSL 105.65, 0.55%, 0.49%

LAB 70.17, -54.85, 57.2

 

CMYK 71 / 53 / 0 / 24

HEX #385AC1

RGB 56 90 193

HSL 225.11, 0.55%, 0.49%

LAB 41.22, 23.03, -57.66

 

CMYK 0 / 71 / 53 / 24

HEX #C1385A

RGB 193 56 90

HSL 345.11, 0.55%, 0.49%

LAB 45.5, 56.34, 12.28

 

CMYK 54 / 0 / 71 / 24

HEX #59C238

RGB 89 194 56

HSL 105.65, 0.55%, 0.49%

LAB 70.17, -54.85, 57.2

 

CMYK 71 / 0 / 4 / 24

HEX #38C1BA

RGB 56 193 186

HSL 176.93, 0.55%, 0.49%

LAB 71.23, -37.23, -7.03

 

CMYK 18 / 71 / 0 / 24

HEX #9F38C1

RGB 159 56 193

HSL 285.11, 0.55%, 0.49%

LAB 44.3, 61.87, -52.19

 

CMYK 0 / 71 / 67 / 24

HEX #C1383F

RGB 193 56 63

HSL 356.93, 0.55%, 0.49%

LAB 44.98, 54.53, 28.08

 

CMYK 54 / 0 / 71 / 24

HEX #59C238

RGB 89 194 56

HSL 105.65, 0.55%, 0.49%

LAB 70.17, -54.85, 57.2

 

CMYK 71 / 18 / 0 / 24

HEX #389FC1

RGB 56 159 193

HSL 194.89, 0.55%, 0.49%

LAB 61.21, -18.29, -26.06

 

CMYK 18 / 71 / 0 / 24

HEX #9F38C1

RGB 159 56 193

HSL 285.11, 0.55%, 0.49%

LAB 44.3, 61.87, -52.19

 

CMYK 0 / 53 / 71 / 24

HEX #C15A38

RGB 193 90 56

HSL 14.89, 0.55%, 0.49%

LAB 50.61, 38.96, 38.71

 

Description

Color code: HEX #59C238 | qconv.com Color code: HEX #59C238 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 194 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 194 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 71 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 71% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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