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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59D444 it is the complementary color #A62BBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59D444. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59D444 shade: #5ED43F, #6FE652, #80F865, #91FF78 and #A2FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59D444. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59D444 shade: #59D444, #48C231, #37B01E, #269E0B and #158C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59D444 shade: #59D443, #80D443, #A7D443, #CED443 and #D4B443

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59D444 shade: #59D443, #43D455, #43D47C, #43D4A3 and #43D4CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59D444 shade matches the following richer shades: #59D443, #4BE731 and #3EF91E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59D444 shade: #59D443, #66C156, #73AF69, #809C7B and #8D8A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59D444 shade: #A6D443, #80D443, #59D443, #43D454 and #43D47B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59D444 shade: #36A124, #42C22C, #59D443, #76DC65 and #94E387

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59D444 shade: #59D444, #43CDD4 and #D44393

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59D444 shade: #59D444, #4359D4 and #D44359

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59D444 shade: #59D444, #43CDD4, #BE43D4 and #D44B43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59D444 shade: #59D444, #43A1D4, #BE43D4 and #D47643

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 68 / 17

HEX #59D444

RGB 89 212 68

HSL 111.25, 0.63%, 0.55%

LAB 75.84, -60.4, 58.53

 

Complementary color

CMYK 11 / 77 / 0 / 27

HEX #A62BBB

RGB 166 43 187

HSL 291.25, 0.63%, 0.45%

LAB 43.39, 66.73, -50.08

 

CMYK 56 / 0 / 70 / 17

HEX #5ED43F

RGB 94 212 63

HSL 107.52, 0.63%, 0.54%

LAB 75.96, -59.56, 60.61

 

CMYK 52 / 0 / 64 / 10

HEX #6FE652

RGB 111 230 82

HSL 108.24, 0.75%, 0.61%

LAB 82.15, -60.06, 59.96

 

CMYK 48 / 0 / 59 / 3

HEX #80F865

RGB 128 248 101

HSL 108.98, 0.91%, 0.68%

LAB 88.29, -60.34, 59.03

 

CMYK 43 / 0 / 53 / 0

HEX #91FF78

RGB 145 255 120

HSL 108.89, 1%, 0.74%

LAB 91.19, -56.17, 54.2

 

CMYK 36 / 0 / 45 / 0

HEX #A2FF8B

RGB 162 255 139

HSL 108.1, 1%, 0.77%

LAB 92.16, -48.75, 46.72

 

CMYK 58 / 0 / 68 / 17

HEX #59D444

RGB 89 212 68

HSL 111.25, 0.63%, 0.55%

LAB 75.84, -60.4, 58.53

 

CMYK 63 / 0 / 75 / 24

HEX #48C231

RGB 72 194 49

HSL 110.48, 0.6%, 0.48%

LAB 69.6, -59.58, 58.96

 

CMYK 69 / 0 / 83 / 31

HEX #37B01E

RGB 55 176 30

HSL 109.73, 0.71%, 0.4%

LAB 63.31, -58.29, 58.64

 

CMYK 76 / 0 / 93 / 38

HEX #269E0B

RGB 38 158 11

HSL 108.98, 0.87%, 0.33%

LAB 56.97, -56.33, 57.01

 

CMYK 85 / 0 / 100 / 45

HEX #158C00

RGB 21 140 0

HSL 111, 1%, 0.27%

LAB 50.59, -53.46, 53.47

 

CMYK 58 / 0 / 68 / 17

HEX #59D443

RGB 89 212 67

HSL 110.9, 0.63%, 0.55%

LAB 75.83, -60.48, 58.91

 

CMYK 40 / 0 / 68 / 17

HEX #80D443

RGB 128 212 67

HSL 94.76, 0.63%, 0.55%

LAB 77.33, -49.24, 60.94

 

CMYK 21 / 0 / 68 / 17

HEX #A7D443

RGB 167 212 67

HSL 78.62, 0.63%, 0.55%

LAB 79.45, -35.18, 63.79

 

CMYK 3 / 0 / 68 / 17

HEX #CED443

RGB 206 212 67

HSL 62.48, 0.63%, 0.55%

LAB 82.17, -19.5, 67.42

 

CMYK 0 / 15 / 68 / 17

HEX #D4B443

RGB 212 180 67

HSL 46.76, 0.63%, 0.55%

LAB 74.22, -0.66, 59.54

 

CMYK 58 / 0 / 68 / 17

HEX #59D443

RGB 89 212 67

HSL 110.9, 0.63%, 0.55%

LAB 75.83, -60.48, 58.91

 

CMYK 68 / 0 / 60 / 17

HEX #43D455

RGB 67 212 85

HSL 127.45, 0.63%, 0.55%

LAB 75.41, -63.32, 50.78

 

CMYK 68 / 0 / 42 / 17

HEX #43D47C

RGB 67 212 124

HSL 143.59, 0.63%, 0.55%

LAB 75.91, -57.63, 32.63

 

CMYK 68 / 0 / 23 / 17

HEX #43D4A3

RGB 67 212 163

HSL 159.72, 0.63%, 0.55%

LAB 76.63, -49.75, 13.24

 

CMYK 68 / 0 / 5 / 17

HEX #43D4CA

RGB 67 212 202

HSL 175.86, 0.63%, 0.55%

LAB 77.61, -39.98, -6.23

 

CMYK 58 / 0 / 68 / 17

HEX #59D443

RGB 89 212 67

HSL 110.9, 0.63%, 0.55%

LAB 75.83, -60.48, 58.91

 

CMYK 68 / 0 / 79 / 9

HEX #4BE731

RGB 75 231 49

HSL 111.43, 0.79%, 0.55%

LAB 81.22, -71.1, 70.21

 

CMYK 75 / 0 / 88 / 2

HEX #3EF91E

RGB 62 249 30

HSL 111.23, 0.95%, 0.55%

LAB 86.44, -79.46, 79.11

 

CMYK 58 / 0 / 68 / 17

HEX #59D443

RGB 89 212 67

HSL 110.9, 0.63%, 0.55%

LAB 75.83, -60.48, 58.91

 

CMYK 47 / 0 / 55 / 24

HEX #66C156

RGB 102 193 86

HSL 111.03, 0.46%, 0.55%

LAB 70.62, -47.83, 45.01

 

CMYK 34 / 0 / 40 / 31

HEX #73AF69

RGB 115 175 105

HSL 111.43, 0.3%, 0.55%

LAB 66, -33.31, 29.88

 

CMYK 18 / 0 / 21 / 39

HEX #809C7B

RGB 128 156 123

HSL 110.91, 0.14%, 0.55%

LAB 61.48, -16.33, 14.12

 

CMYK 1 / 3 / 0 / 44

HEX #8D8A8E

RGB 141 138 142

HSL 285, 0.02%, 0.55%

LAB 57.84, 1.89, -1.74

 

CMYK 22 / 0 / 68 / 17

HEX #A6D443

RGB 166 212 67

HSL 79.03, 0.63%, 0.55%

LAB 79.39, -35.57, 63.71

 

CMYK 40 / 0 / 68 / 17

HEX #80D443

RGB 128 212 67

HSL 94.76, 0.63%, 0.55%

LAB 77.33, -49.24, 60.94

 

CMYK 58 / 0 / 68 / 17

HEX #59D443

RGB 89 212 67

HSL 110.9, 0.63%, 0.55%

LAB 75.83, -60.48, 58.91

 

CMYK 68 / 0 / 60 / 17

HEX #43D454

RGB 67 212 84

HSL 127.03, 0.63%, 0.55%

LAB 75.4, -63.44, 51.21

 

CMYK 68 / 0 / 42 / 17

HEX #43D47B

RGB 67 212 123

HSL 143.17, 0.63%, 0.55%

LAB 75.89, -57.81, 33.12

 

CMYK 66 / 0 / 78 / 37

HEX #36A124

RGB 54 161 36

HSL 111.36, 0.63%, 0.39%

LAB 58.42, -53.08, 52.21

 

CMYK 66 / 0 / 77 / 24

HEX #42C22C

RGB 66 194 44

HSL 111.2, 0.63%, 0.47%

LAB 69.42, -61.21, 60.37

 

CMYK 58 / 0 / 68 / 17

HEX #59D443

RGB 89 212 67

HSL 110.9, 0.63%, 0.55%

LAB 75.83, -60.48, 58.91

 

CMYK 46 / 0 / 54 / 14

HEX #76DC65

RGB 118 220 101

HSL 111.43, 0.63%, 0.63%

LAB 79.6, -52.29, 48.82

 

CMYK 35 / 0 / 41 / 11

HEX #94E387

RGB 148 227 135

HSL 111.52, 0.62%, 0.71%

LAB 83.43, -41.64, 37.43

 

CMYK 58 / 0 / 68 / 17

HEX #59D444

RGB 89 212 68

HSL 111.25, 0.63%, 0.55%

LAB 75.84, -60.4, 58.53

 

CMYK 68 / 3 / 0 / 17

HEX #43CDD4

RGB 67 205 212

HSL 182.9, 0.63%, 0.55%

LAB 75.83, -33.95, -14.26

 

CMYK 0 / 68 / 31 / 17

HEX #D44393

RGB 212 67 147

HSL 326.9, 0.63%, 0.55%

LAB 51.97, 63.43, -12.48

 

CMYK 58 / 0 / 68 / 17

HEX #59D444

RGB 89 212 68

HSL 111.25, 0.63%, 0.55%

LAB 75.84, -60.4, 58.53

 

CMYK 68 / 58 / 0 / 17

HEX #4359D4

RGB 67 89 212

HSL 230.9, 0.63%, 0.55%

LAB 42.9, 32.03, -65.87

 

CMYK 0 / 68 / 58 / 17

HEX #D44359

RGB 212 67 89

HSL 350.9, 0.63%, 0.55%

LAB 50.37, 57.94, 20.08

 

CMYK 58 / 0 / 68 / 17

HEX #59D444

RGB 89 212 68

HSL 111.25, 0.63%, 0.55%

LAB 75.84, -60.4, 58.53

 

CMYK 68 / 3 / 0 / 17

HEX #43CDD4

RGB 67 205 212

HSL 182.9, 0.63%, 0.55%

LAB 75.83, -33.95, -14.26

 

CMYK 10 / 68 / 0 / 17

HEX #BE43D4

RGB 190 67 212

HSL 290.9, 0.63%, 0.55%

LAB 51.51, 67.81, -51.34

 

CMYK 0 / 65 / 68 / 17

HEX #D44B43

RGB 212 75 67

HSL 3.31, 0.63%, 0.55%

LAB 51.19, 53.37, 34.07

 

CMYK 58 / 0 / 68 / 17

HEX #59D444

RGB 89 212 68

HSL 111.25, 0.63%, 0.55%

LAB 75.84, -60.4, 58.53

 

CMYK 68 / 24 / 0 / 17

HEX #43A1D4

RGB 67 161 212

HSL 201.1, 0.63%, 0.55%

LAB 62.87, -11.52, -34.07

 

CMYK 10 / 68 / 0 / 17

HEX #BE43D4

RGB 190 67 212

HSL 290.9, 0.63%, 0.55%

LAB 51.51, 67.81, -51.34

 

CMYK 0 / 44 / 68 / 17

HEX #D47643

RGB 212 118 67

HSL 21.1, 0.63%, 0.55%

LAB 59.31, 32.57, 43.48

 

Description

Color code: HEX #59D444 | qconv.com Color code: HEX #59D444 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 212 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 212 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 68 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 68% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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