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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59E799 it is the complementary color #A61866. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59E799. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59E799 shade: #5EE794, #6FF9A7, #80FFBA, #91FFCD and #A2FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59E799. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59E799 shade: #59E799, #48D586, #37C373, #26B160 and #159F4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59E799 shade: #59E799, #59E773, #66E759, #8CE759 and #B2E759

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59E799 shade: #59E799, #59E7BF, #59E7E5, #59C2E7 and #599CE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59E799 shade matches the following richer shades: #59E799 and #4AF698

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59E799 shade: #59E799, #69D89B, #78C89C, #87B99E and #96AA9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59E799 shade: #65E759, #59E773, #59E799, #59E7BF and #59E7E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59E799 shade: #1DD06E, #35E283, #59E799, #7DECAF and #A2F1C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59E799 shade: #59E799, #598BE7 and #E76059

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59E799 shade: #59E799, #9959E7 and #E79959

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59E799 shade: #59E799, #598BE7, #E759A7 and #E7B559

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59E799 shade: #59E799, #5960E7, #E759A7 and #E7E059

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 34 / 9

HEX #59E799

RGB 89 231 153

HSL 147.04, 0.75%, 0.63%

LAB 82.69, -55.6, 26.92

 

Complementary color

CMYK 0 / 86 / 39 / 35

HEX #A61866

RGB 166 24 102

HSL 327.04, 0.75%, 0.37%

LAB 37.33, 59.62, -7.71

 

CMYK 59 / 0 / 36 / 9

HEX #5EE794

RGB 94 231 148

HSL 143.65, 0.74%, 0.64%

LAB 82.74, -55.52, 29.56

 

CMYK 55 / 0 / 33 / 2

HEX #6FF9A7

RGB 111 249 167

HSL 144.35, 0.92%, 0.71%

LAB 88.89, -55.57, 28.27

 

CMYK 50 / 0 / 27 / 0

HEX #80FFBA

RGB 128 255 186

HSL 147.4, 1%, 0.75%

LAB 91.53, -50.59, 22.34

 

CMYK 43 / 0 / 20 / 0

HEX #91FFCD

RGB 145 255 205

HSL 152.73, 1%, 0.78%

LAB 92.55, -42.69, 14.14

 

CMYK 36 / 0 / 12 / 0

HEX #A2FFE0

RGB 162 255 224

HSL 160, 1%, 0.82%

LAB 93.7, -34.35, 6.1

 

CMYK 61 / 0 / 34 / 9

HEX #59E799

RGB 89 231 153

HSL 147.04, 0.75%, 0.63%

LAB 82.69, -55.6, 26.92

 

CMYK 66 / 0 / 37 / 16

HEX #48D586

RGB 72 213 134

HSL 146.38, 0.63%, 0.56%

LAB 76.49, -55.34, 28.29

 

CMYK 72 / 0 / 41 / 24

HEX #37C373

RGB 55 195 115

HSL 145.71, 0.56%, 0.49%

LAB 70.23, -54.85, 29.78

 

CMYK 79 / 0 / 46 / 31

HEX #26B160

RGB 38 177 96

HSL 145.04, 0.65%, 0.42%

LAB 63.92, -54.02, 31.39

 

CMYK 87 / 0 / 52 / 38

HEX #159F4D

RGB 21 159 77

HSL 144.35, 0.77%, 0.35%

LAB 57.55, -52.68, 33.1

 

CMYK 61 / 0 / 34 / 9

HEX #59E799

RGB 89 231 153

HSL 147.04, 0.75%, 0.63%

LAB 82.69, -55.6, 26.92

 

CMYK 61 / 0 / 50 / 9

HEX #59E773

RGB 89 231 115

HSL 130.99, 0.75%, 0.63%

LAB 82.12, -61.86, 45.06

 

CMYK 56 / 0 / 61 / 9

HEX #66E759

RGB 102 231 89

HSL 114.51, 0.75%, 0.63%

LAB 82.22, -62.06, 57.04

 

CMYK 39 / 0 / 61 / 9

HEX #8CE759

RGB 140 231 89

HSL 98.45, 0.75%, 0.63%

LAB 83.68, -51.26, 59.07

 

CMYK 23 / 0 / 61 / 9

HEX #B2E759

RGB 178 231 89

HSL 82.39, 0.75%, 0.63%

LAB 85.67, -38.05, 61.84

 

CMYK 61 / 0 / 34 / 9

HEX #59E799

RGB 89 231 153

HSL 147.04, 0.75%, 0.63%

LAB 82.69, -55.6, 26.92

 

CMYK 61 / 0 / 17 / 9

HEX #59E7BF

RGB 89 231 191

HSL 163.1, 0.75%, 0.63%

LAB 83.46, -47.58, 8.21

 

CMYK 61 / 0 / 1 / 9

HEX #59E7E5

RGB 89 231 229

HSL 179.15, 0.75%, 0.63%

LAB 84.45, -38.04, -10.38

 

CMYK 61 / 16 / 0 / 9

HEX #59C2E7

RGB 89 194 231

HSL 195.63, 0.75%, 0.63%

LAB 73.85, -19.49, -27.47

 

CMYK 61 / 32 / 0 / 9

HEX #599CE7

RGB 89 156 231

HSL 211.69, 0.75%, 0.63%

LAB 63.07, 1.24, -44.23

 

CMYK 61 / 0 / 34 / 9

HEX #59E799

RGB 89 231 153

HSL 147.04, 0.75%, 0.63%

LAB 82.69, -55.6, 26.92

 

CMYK 70 / 0 / 38 / 4

HEX #4AF698

RGB 74 246 152

HSL 147.21, 0.91%, 0.63%

LAB 86.82, -64.02, 32.89

 

CMYK 61 / 0 / 34 / 9

HEX #59E799

RGB 89 231 153

HSL 147.04, 0.75%, 0.63%

LAB 82.69, -55.6, 26.92

 

CMYK 51 / 0 / 28 / 15

HEX #69D89B

RGB 105 216 155

HSL 147.03, 0.59%, 0.63%

LAB 78.74, -45.61, 20.57

 

CMYK 40 / 0 / 22 / 22

HEX #78C89C

RGB 120 200 156

HSL 147, 0.42%, 0.63%

LAB 74.64, -34.35, 14.42

 

CMYK 27 / 0 / 15 / 27

HEX #87B99E

RGB 135 185 158

HSL 147.6, 0.26%, 0.63%

LAB 71.09, -22.15, 8.42

 

CMYK 12 / 0 / 6 / 33

HEX #96AA9F

RGB 150 170 159

HSL 147, 0.11%, 0.63%

LAB 67.83, -9.15, 3.3

 

CMYK 56 / 0 / 61 / 9

HEX #65E759

RGB 101 231 89

HSL 114.93, 0.75%, 0.63%

LAB 82.18, -62.3, 56.99

 

CMYK 61 / 0 / 50 / 9

HEX #59E773

RGB 89 231 115

HSL 130.99, 0.75%, 0.63%

LAB 82.12, -61.86, 45.06

 

CMYK 61 / 0 / 34 / 9

HEX #59E799

RGB 89 231 153

HSL 147.04, 0.75%, 0.63%

LAB 82.69, -55.6, 26.92

 

CMYK 61 / 0 / 17 / 9

HEX #59E7BF

RGB 89 231 191

HSL 163.1, 0.75%, 0.63%

LAB 83.46, -47.58, 8.21

 

CMYK 61 / 0 / 1 / 9

HEX #59E7E5

RGB 89 231 229

HSL 179.15, 0.75%, 0.63%

LAB 84.45, -38.04, -10.38

 

CMYK 86 / 0 / 47 / 18

HEX #1DD06E

RGB 29 208 110

HSL 147.15, 0.76%, 0.46%

LAB 73.87, -63.3, 36.94

 

CMYK 77 / 0 / 42 / 11

HEX #35E283

RGB 53 226 131

HSL 147.05, 0.75%, 0.55%

LAB 80.06, -63.48, 34.46

 

CMYK 61 / 0 / 34 / 9

HEX #59E799

RGB 89 231 153

HSL 147.04, 0.75%, 0.63%

LAB 82.69, -55.6, 26.92

 

CMYK 47 / 0 / 26 / 7

HEX #7DECAF

RGB 125 236 175

HSL 147.03, 0.74%, 0.71%

LAB 85.73, -45.38, 19.93

 

CMYK 33 / 0 / 18 / 5

HEX #A2F1C5

RGB 162 241 197

HSL 146.58, 0.74%, 0.79%

LAB 89.22, -33.27, 13.65

 

CMYK 61 / 0 / 34 / 9

HEX #59E799

RGB 89 231 153

HSL 147.04, 0.75%, 0.63%

LAB 82.69, -55.6, 26.92

 

CMYK 61 / 40 / 0 / 9

HEX #598BE7

RGB 89 139 231

HSL 218.87, 0.75%, 0.63%

LAB 58.38, 11.22, -51.65

 

CMYK 0 / 58 / 61 / 9

HEX #E76059

RGB 231 96 89

HSL 2.96, 0.75%, 0.63%

LAB 58.11, 51.92, 30.75

 

CMYK 61 / 0 / 34 / 9

HEX #59E799

RGB 89 231 153

HSL 147.04, 0.75%, 0.63%

LAB 82.69, -55.6, 26.92

 

CMYK 34 / 61 / 0 / 9

HEX #9959E7

RGB 153 89 231

HSL 267.04, 0.75%, 0.63%

LAB 51.48, 53.8, -62.42

 

CMYK 0 / 34 / 61 / 9

HEX #E79959

RGB 231 153 89

HSL 27.04, 0.75%, 0.63%

LAB 69.82, 23.08, 45.05

 

CMYK 61 / 0 / 34 / 9

HEX #59E799

RGB 89 231 153

HSL 147.04, 0.75%, 0.63%

LAB 82.69, -55.6, 26.92

 

CMYK 61 / 40 / 0 / 9

HEX #598BE7

RGB 89 139 231

HSL 218.87, 0.75%, 0.63%

LAB 58.38, 11.22, -51.65

 

CMYK 0 / 61 / 28 / 9

HEX #E759A7

RGB 231 89 167

HSL 327.04, 0.75%, 0.63%

LAB 58.9, 62.47, -13.45

 

CMYK 0 / 22 / 61 / 9

HEX #E7B559

RGB 231 181 89

HSL 38.87, 0.75%, 0.63%

LAB 76.53, 8.2, 52.81

 

CMYK 61 / 0 / 34 / 9

HEX #59E799

RGB 89 231 153

HSL 147.04, 0.75%, 0.63%

LAB 82.69, -55.6, 26.92

 

CMYK 61 / 58 / 0 / 9

HEX #5960E7

RGB 89 96 231

HSL 237.04, 0.75%, 0.63%

LAB 47.31, 37.44, -69.44

 

CMYK 0 / 61 / 28 / 9

HEX #E759A7

RGB 231 89 167

HSL 327.04, 0.75%, 0.63%

LAB 58.9, 62.47, -13.45

 

CMYK 0 / 3 / 61 / 9

HEX #E7E059

RGB 231 224 89

HSL 57.04, 0.75%, 0.63%

LAB 87.5, -13.84, 64.9

 

Description

Color code: HEX #59E799 | qconv.com Color code: HEX #59E799 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 231 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 231 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 34 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 34% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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