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Color name
HEX #59E296

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59E296 it is the complementary color #A61D69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59E296. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59E296 shade: #5EE291, #6FF4A4, #80FFB7, #91FFCA and #A2FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59E296. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59E296 shade: #59E296, #48D083, #37BE70, #26AC5D and #159A4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59E296 shade: #5AE196, #5AE172, #67E15A, #8BE15A and #B0E15A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59E296 shade: #5AE196, #5AE1BB, #5AE1DF, #5ABFE1 and #5A9AE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59E296 shade matches the following richer shades: #5AE196 and #4AF194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59E296 shade: #5AE196, #69D298, #79C29A, #89B29B and #98A39D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59E296 shade: #67E15A, #5AE170, #5AE195, #5AE1B9 and #5AE1DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59E296 shade: #23C66B, #37DB80, #5AE196, #7DE8AC and #A0EEC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59E296 shade: #59E296, #5A8CE1 and #E15E5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59E296 shade: #59E296, #955AE1 and #E1955A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59E296 shade: #59E296, #5A8CE1, #E15AA7 and #E1B05A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59E296 shade: #59E296, #5A63E1, #E15AA7 and #E1D85A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 34 / 11

HEX #59E296

RGB 89 226 150

HSL 146.72, 0.7%, 0.62%

LAB 81.14, -54.2, 26.36

 

Complementary color

CMYK 0 / 83 / 37 / 35

HEX #A61D69

RGB 166 29 105

HSL 326.72, 0.7%, 0.38%

LAB 37.85, 58.76, -8.83

 

CMYK 58 / 0 / 36 / 11

HEX #5EE291

RGB 94 226 145

HSL 143.18, 0.69%, 0.63%

LAB 81.19, -54.1, 29.02

 

CMYK 55 / 0 / 33 / 4

HEX #6FF4A4

RGB 111 244 164

HSL 143.91, 0.86%, 0.7%

LAB 87.37, -54.11, 27.74

 

CMYK 50 / 0 / 28 / 0

HEX #80FFB7

RGB 128 255 183

HSL 145.98, 1%, 0.75%

LAB 91.47, -51.16, 23.78

 

CMYK 43 / 0 / 21 / 0

HEX #91FFCA

RGB 145 255 202

HSL 151.09, 1%, 0.78%

LAB 92.49, -43.29, 15.59

 

CMYK 36 / 0 / 13 / 0

HEX #A2FFDD

RGB 162 255 221

HSL 158.06, 1%, 0.82%

LAB 93.63, -34.97, 7.55

 

CMYK 61 / 0 / 34 / 11

HEX #59E296

RGB 89 226 150

HSL 146.72, 0.7%, 0.62%

LAB 81.14, -54.2, 26.36

 

CMYK 65 / 0 / 37 / 18

HEX #48D083

RGB 72 208 131

HSL 146.03, 0.59%, 0.55%

LAB 74.91, -53.97, 27.73

 

CMYK 71 / 0 / 41 / 25

HEX #37BE70

RGB 55 190 112

HSL 145.33, 0.55%, 0.48%

LAB 68.61, -53.52, 29.22

 

CMYK 78 / 0 / 46 / 33

HEX #26AC5D

RGB 38 172 93

HSL 144.63, 0.64%, 0.41%

LAB 62.26, -52.73, 30.82

 

CMYK 86 / 0 / 52 / 40

HEX #159A4A

RGB 21 154 74

HSL 143.91, 0.76%, 0.34%

LAB 55.85, -51.43, 32.53

 

CMYK 60 / 0 / 33 / 12

HEX #5AE196

RGB 90 225 150

HSL 146.67, 0.69%, 0.62%

LAB 80.86, -53.6, 26

 

CMYK 60 / 0 / 49 / 12

HEX #5AE172

RGB 90 225 114

HSL 130.67, 0.69%, 0.62%

LAB 80.31, -59.59, 43.32

 

CMYK 54 / 0 / 60 / 12

HEX #67E15A

RGB 103 225 90

HSL 114.22, 0.69%, 0.62%

LAB 80.44, -59.51, 54.61

 

CMYK 38 / 0 / 60 / 12

HEX #8BE15A

RGB 139 225 90

HSL 98.22, 0.69%, 0.62%

LAB 81.88, -49.03, 56.62

 

CMYK 22 / 0 / 60 / 12

HEX #B0E15A

RGB 176 225 90

HSL 81.78, 0.69%, 0.62%

LAB 83.87, -36.01, 59.4

 

CMYK 60 / 0 / 33 / 12

HEX #5AE196

RGB 90 225 150

HSL 146.67, 0.69%, 0.62%

LAB 80.86, -53.6, 26

 

CMYK 60 / 0 / 17 / 12

HEX #5AE1BB

RGB 90 225 187

HSL 163.11, 0.69%, 0.62%

LAB 81.63, -45.76, 7.7

 

CMYK 60 / 0 / 1 / 12

HEX #5AE1DF

RGB 90 225 223

HSL 179.11, 0.69%, 0.62%

LAB 82.57, -36.72, -10.01

 

CMYK 60 / 15 / 0 / 12

HEX #5ABFE1

RGB 90 191 225

HSL 195.11, 0.69%, 0.62%

LAB 72.81, -19.57, -25.82

 

CMYK 60 / 32 / 0 / 12

HEX #5A9AE1

RGB 90 154 225

HSL 211.56, 0.69%, 0.62%

LAB 62.27, 0.63, -42.16

 

CMYK 60 / 0 / 33 / 12

HEX #5AE196

RGB 90 225 150

HSL 146.67, 0.69%, 0.62%

LAB 80.86, -53.6, 26

 

CMYK 69 / 0 / 39 / 5

HEX #4AF194

RGB 74 241 148

HSL 146.59, 0.86%, 0.62%

LAB 85.25, -62.92, 32.82

 

CMYK 60 / 0 / 33 / 12

HEX #5AE196

RGB 90 225 150

HSL 146.67, 0.69%, 0.62%

LAB 80.86, -53.6, 26

 

CMYK 50 / 0 / 28 / 18

HEX #69D298

RGB 105 210 152

HSL 146.86, 0.54%, 0.62%

LAB 76.9, -43.62, 19.61

 

CMYK 38 / 0 / 21 / 24

HEX #79C29A

RGB 121 194 154

HSL 147.12, 0.37%, 0.62%

LAB 72.88, -31.65, 13.03

 

CMYK 23 / 0 / 13 / 30

HEX #89B29B

RGB 137 178 155

HSL 146.34, 0.21%, 0.62%

LAB 69.13, -18.55, 7.28

 

CMYK 7 / 0 / 4 / 36

HEX #98A39D

RGB 152 163 157

HSL 147.27, 0.06%, 0.62%

LAB 65.98, -5.07, 1.76

 

CMYK 54 / 0 / 60 / 12

HEX #67E15A

RGB 103 225 90

HSL 114.22, 0.69%, 0.62%

LAB 80.44, -59.51, 54.61

 

CMYK 60 / 0 / 50 / 12

HEX #5AE170

RGB 90 225 112

HSL 129.78, 0.69%, 0.62%

LAB 80.29, -59.87, 44.25

 

CMYK 60 / 0 / 34 / 12

HEX #5AE195

RGB 90 225 149

HSL 146.22, 0.69%, 0.62%

LAB 80.85, -53.79, 26.49

 

CMYK 60 / 0 / 18 / 12

HEX #5AE1B9

RGB 90 225 185

HSL 162.22, 0.69%, 0.62%

LAB 81.58, -46.23, 8.69

 

CMYK 60 / 0 / 2 / 12

HEX #5AE1DD

RGB 90 225 221

HSL 178.22, 0.69%, 0.62%

LAB 82.51, -37.26, -9.03

 

CMYK 82 / 0 / 46 / 22

HEX #23C66B

RGB 35 198 107

HSL 146.5, 0.7%, 0.46%

LAB 70.74, -59.87, 34.48

 

CMYK 75 / 0 / 42 / 14

HEX #37DB80

RGB 55 219 128

HSL 146.71, 0.69%, 0.54%

LAB 77.89, -61.28, 33.16

 

CMYK 60 / 0 / 33 / 12

HEX #5AE196

RGB 90 225 150

HSL 146.67, 0.69%, 0.62%

LAB 80.86, -53.6, 26

 

CMYK 46 / 0 / 26 / 9

HEX #7DE8AC

RGB 125 232 172

HSL 146.36, 0.7%, 0.7%

LAB 84.51, -44.23, 19.79

 

CMYK 33 / 0 / 18 / 7

HEX #A0EEC3

RGB 160 238 195

HSL 146.92, 0.7%, 0.78%

LAB 88.24, -32.85, 13.29

 

CMYK 61 / 0 / 34 / 11

HEX #59E296

RGB 89 226 150

HSL 146.72, 0.7%, 0.62%

LAB 81.14, -54.2, 26.36

 

CMYK 60 / 38 / 0 / 12

HEX #5A8CE1

RGB 90 140 225

HSL 217.78, 0.69%, 0.62%

LAB 58.38, 8.82, -48.3

 

CMYK 0 / 58 / 60 / 12

HEX #E15E5A

RGB 225 94 90

HSL 1.78, 0.69%, 0.62%

LAB 56.83, 50.82, 28.36

 

CMYK 61 / 0 / 34 / 11

HEX #59E296

RGB 89 226 150

HSL 146.72, 0.7%, 0.62%

LAB 81.14, -54.2, 26.36

 

CMYK 34 / 60 / 0 / 12

HEX #955AE1

RGB 149 90 225

HSL 266.22, 0.69%, 0.62%

LAB 50.85, 50.93, -60.08

 

CMYK 0 / 34 / 60 / 12

HEX #E1955A

RGB 225 149 90

HSL 26.22, 0.69%, 0.62%

LAB 68.2, 22.82, 42.44

 

CMYK 61 / 0 / 34 / 11

HEX #59E296

RGB 89 226 150

HSL 146.72, 0.7%, 0.62%

LAB 81.14, -54.2, 26.36

 

CMYK 60 / 38 / 0 / 12

HEX #5A8CE1

RGB 90 140 225

HSL 217.78, 0.69%, 0.62%

LAB 58.38, 8.82, -48.3

 

CMYK 0 / 60 / 26 / 12

HEX #E15AA7

RGB 225 90 167

HSL 325.78, 0.69%, 0.62%

LAB 58.14, 60.3, -14.69

 

CMYK 0 / 22 / 60 / 12

HEX #E1B05A

RGB 225 176 90

HSL 38.22, 0.69%, 0.62%

LAB 74.7, 8.4, 50.08

 

CMYK 61 / 0 / 34 / 11

HEX #59E296

RGB 89 226 150

HSL 146.72, 0.7%, 0.62%

LAB 81.14, -54.2, 26.36

 

CMYK 60 / 56 / 0 / 12

HEX #5A63E1

RGB 90 99 225

HSL 236, 0.69%, 0.62%

LAB 47.67, 33.81, -65.48

 

CMYK 0 / 60 / 26 / 12

HEX #E15AA7

RGB 225 90 167

HSL 325.78, 0.69%, 0.62%

LAB 58.14, 60.3, -14.69

 

CMYK 0 / 4 / 60 / 12

HEX #E1D85A

RGB 225 216 90

HSL 56, 0.69%, 0.62%

LAB 84.92, -12.26, 61.55

 

Description

Color code: HEX #59E296 | qconv.com Color code: HEX #59E296 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 226 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 226 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 34 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 34% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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