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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59E3B3 it is the complementary color #A61C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59E3B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59E3B3 shade: #5EE3AE, #6FF5C1, #80FFD4, #91FFE7 and #A2FFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59E3B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59E3B3 shade: #59E3B3, #48D1A0, #37BF8D, #26AD7A and #159B67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59E3B3 shade: #59E2B3, #59E28D, #59E268, #6EE259 and #93E259

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59E3B3 shade: #59E2B3, #59E2D8, #59C8E2, #59A3E2 and #597EE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59E3B3 shade matches the following richer shades: #59E2B3 and #49F2B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59E3B3 shade: #59E2B3, #68D3AE, #78C3A9, #88B3A4 and #98A49F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59E3B3 shade: #59E269, #59E28E, #59E2B2, #59E2D7 and #59C9E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59E3B3 shade: #21C78E, #36DCA2, #59E2B3, #7CE8C3 and #9FEED3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59E3B3 shade: #59E3B3, #596DE2 and #E27B59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59E3B3 shade: #59E3B3, #B259E2 and #E2B259

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59E3B3 shade: #59E3B3, #596DE2, #E25989 and #E2CE59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59E3B3 shade: #59E3B3, #6D59E2, #E25989 and #CEE259

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 21 / 11

HEX #59E3B3

RGB 89 227 179

HSL 159.13, 0.71%, 0.62%

LAB 82.01, -48.62, 12.46

 

Complementary color

CMYK 0 / 83 / 54 / 35

HEX #A61C4C

RGB 166 28 76

HSL 339.13, 0.71%, 0.38%

LAB 36.85, 56.33, 8.26

 

CMYK 59 / 0 / 23 / 11

HEX #5EE3AE

RGB 94 227 174

HSL 156.09, 0.7%, 0.63%

LAB 82.04, -48.76, 15.14

 

CMYK 55 / 0 / 21 / 4

HEX #6FF5C1

RGB 111 245 193

HSL 156.72, 0.87%, 0.7%

LAB 88.23, -48.78, 14.04

 

CMYK 50 / 0 / 17 / 0

HEX #80FFD4

RGB 128 255 212

HSL 159.69, 1%, 0.75%

LAB 92.07, -45.3, 9.77

 

CMYK 43 / 0 / 9 / 0

HEX #91FFE7

RGB 145 255 231

HSL 166.91, 1%, 0.78%

LAB 93.15, -37.17, 1.6

 

CMYK 36 / 0 / 2 / 0

HEX #A2FFFA

RGB 162 255 250

HSL 176.77, 1%, 0.82%

LAB 94.36, -28.67, -6.37

 

CMYK 61 / 0 / 21 / 11

HEX #59E3B3

RGB 89 227 179

HSL 159.13, 0.71%, 0.62%

LAB 82.01, -48.62, 12.46

 

CMYK 66 / 0 / 23 / 18

HEX #48D1A0

RGB 72 209 160

HSL 158.54, 0.6%, 0.55%

LAB 75.77, -48.39, 13.64

 

CMYK 71 / 0 / 26 / 25

HEX #37BF8D

RGB 55 191 141

HSL 157.94, 0.55%, 0.48%

LAB 69.47, -47.97, 14.94

 

CMYK 78 / 0 / 29 / 32

HEX #26AD7A

RGB 38 173 122

HSL 157.33, 0.64%, 0.41%

LAB 63.1, -47.28, 16.38

 

CMYK 86 / 0 / 34 / 39

HEX #159B67

RGB 21 155 103

HSL 156.72, 0.76%, 0.35%

LAB 56.67, -46.18, 17.99

 

CMYK 61 / 0 / 21 / 11

HEX #59E2B3

RGB 89 226 179

HSL 159.42, 0.7%, 0.62%

LAB 81.71, -48.2, 12.04

 

CMYK 61 / 0 / 38 / 11

HEX #59E28D

RGB 89 226 141

HSL 142.77, 0.7%, 0.62%

LAB 80.98, -55.85, 30.76

 

CMYK 61 / 0 / 54 / 11

HEX #59E268

RGB 89 226 104

HSL 126.57, 0.7%, 0.62%

LAB 80.47, -61.52, 48.23

 

CMYK 51 / 0 / 61 / 11

HEX #6EE259

RGB 110 226 89

HSL 110.8, 0.7%, 0.62%

LAB 80.98, -58.16, 55.71

 

CMYK 35 / 0 / 61 / 11

HEX #93E259

RGB 147 226 89

HSL 94.6, 0.7%, 0.62%

LAB 82.55, -46.89, 57.91

 

CMYK 61 / 0 / 21 / 11

HEX #59E2B3

RGB 89 226 179

HSL 159.42, 0.7%, 0.62%

LAB 81.71, -48.2, 12.04

 

CMYK 61 / 0 / 4 / 11

HEX #59E2D8

RGB 89 226 216

HSL 175.62, 0.7%, 0.62%

LAB 82.63, -39.2, -6.2

 

CMYK 61 / 12 / 0 / 11

HEX #59C8E2

RGB 89 200 226

HSL 191.39, 0.7%, 0.62%

LAB 75.4, -24.03, -22.4

 

CMYK 61 / 28 / 0 / 11

HEX #59A3E2

RGB 89 163 226

HSL 207.59, 0.7%, 0.62%

LAB 64.81, -4.35, -38.74

 

CMYK 61 / 44 / 0 / 11

HEX #597EE2

RGB 89 126 226

HSL 223.8, 0.7%, 0.62%

LAB 54.59, 17.4, -54.89

 

CMYK 61 / 0 / 21 / 11

HEX #59E2B3

RGB 89 226 179

HSL 159.42, 0.7%, 0.62%

LAB 81.71, -48.2, 12.04

 

CMYK 70 / 0 / 24 / 5

HEX #49F2B7

RGB 73 242 183

HSL 159.05, 0.87%, 0.62%

LAB 86.18, -56.44, 16.19

 

CMYK 61 / 0 / 21 / 11

HEX #59E2B3

RGB 89 226 179

HSL 159.42, 0.7%, 0.62%

LAB 81.71, -48.2, 12.04

 

CMYK 51 / 0 / 18 / 17

HEX #68D3AE

RGB 104 211 174

HSL 159.25, 0.55%, 0.62%

LAB 77.63, -39.68, 8.94

 

CMYK 38 / 0 / 13 / 24

HEX #78C3A9

RGB 120 195 169

HSL 159.2, 0.38%, 0.62%

LAB 73.47, -29.26, 5.75

 

CMYK 24 / 0 / 8 / 30

HEX #88B3A4

RGB 136 179 164

HSL 159.07, 0.22%, 0.62%

LAB 69.58, -17.55, 2.97

 

CMYK 7 / 0 / 3 / 36

HEX #98A49F

RGB 152 164 159

HSL 155, 0.06%, 0.62%

LAB 66.31, -5.22, 1.13

 

CMYK 61 / 0 / 54 / 11

HEX #59E269

RGB 89 226 105

HSL 127.01, 0.7%, 0.62%

LAB 80.48, -61.39, 47.78

 

CMYK 61 / 0 / 37 / 11

HEX #59E28E

RGB 89 226 142

HSL 143.21, 0.7%, 0.62%

LAB 81, -55.67, 30.28

 

CMYK 61 / 0 / 21 / 11

HEX #59E2B2

RGB 89 226 178

HSL 158.98, 0.7%, 0.62%

LAB 81.69, -48.42, 12.53

 

CMYK 61 / 0 / 5 / 11

HEX #59E2D7

RGB 89 226 215

HSL 175.18, 0.7%, 0.62%

LAB 82.61, -39.46, -5.71

 

CMYK 61 / 11 / 0 / 11

HEX #59C9E2

RGB 89 201 226

HSL 190.95, 0.7%, 0.62%

LAB 75.69, -24.53, -21.96

 

CMYK 83 / 0 / 29 / 22

HEX #21C78E

RGB 33 199 142

HSL 159.4, 0.72%, 0.45%

LAB 71.64, -53.46, 17.37

 

CMYK 75 / 0 / 26 / 14

HEX #36DCA2

RGB 54 220 162

HSL 159.04, 0.7%, 0.54%

LAB 78.8, -54.95, 16.77

 

CMYK 61 / 0 / 21 / 11

HEX #59E2B3

RGB 89 226 179

HSL 159.42, 0.7%, 0.62%

LAB 81.71, -48.2, 12.04

 

CMYK 47 / 0 / 16 / 9

HEX #7CE8C3

RGB 124 232 195

HSL 159.44, 0.7%, 0.7%

LAB 84.97, -39.75, 8.42

 

CMYK 33 / 0 / 11 / 7

HEX #9FEED3

RGB 159 238 211

HSL 159.49, 0.7%, 0.78%

LAB 88.55, -29.93, 5.4

 

CMYK 61 / 0 / 21 / 11

HEX #59E3B3

RGB 89 227 179

HSL 159.13, 0.71%, 0.62%

LAB 82.01, -48.62, 12.46

 

CMYK 61 / 52 / 0 / 11

HEX #596DE2

RGB 89 109 226

HSL 231.24, 0.7%, 0.62%

LAB 50.16, 27.83, -62.01

 

CMYK 0 / 46 / 61 / 11

HEX #E27B59

RGB 226 123 89

HSL 14.89, 0.7%, 0.62%

LAB 62.55, 36.88, 36.15

 

CMYK 61 / 0 / 21 / 11

HEX #59E3B3

RGB 89 227 179

HSL 159.13, 0.71%, 0.62%

LAB 82.01, -48.62, 12.46

 

CMYK 21 / 61 / 0 / 11

HEX #B259E2

RGB 178 89 226

HSL 278.98, 0.7%, 0.62%

LAB 54.13, 58.32, -55.19

 

CMYK 0 / 21 / 61 / 11

HEX #E2B259

RGB 226 178 89

HSL 38.98, 0.7%, 0.62%

LAB 75.28, 7.69, 51.26

 

CMYK 61 / 0 / 21 / 11

HEX #59E3B3

RGB 89 227 179

HSL 159.13, 0.71%, 0.62%

LAB 82.01, -48.62, 12.46

 

CMYK 61 / 52 / 0 / 11

HEX #596DE2

RGB 89 109 226

HSL 231.24, 0.7%, 0.62%

LAB 50.16, 27.83, -62.01

 

CMYK 0 / 61 / 39 / 11

HEX #E25989

RGB 226 89 137

HSL 338.98, 0.7%, 0.62%

LAB 57.19, 57.49, 1.42

 

CMYK 0 / 9 / 61 / 11

HEX #E2CE59

RGB 226 206 89

HSL 51.24, 0.7%, 0.62%

LAB 82.4, -6.86, 59.24

 

CMYK 61 / 0 / 21 / 11

HEX #59E3B3

RGB 89 227 179

HSL 159.13, 0.71%, 0.62%

LAB 82.01, -48.62, 12.46

 

CMYK 52 / 61 / 0 / 11

HEX #6D59E2

RGB 109 89 226

HSL 248.76, 0.7%, 0.62%

LAB 46.83, 43.49, -67.34

 

CMYK 0 / 61 / 39 / 11

HEX #E25989

RGB 226 89 137

HSL 338.98, 0.7%, 0.62%

LAB 57.19, 57.49, 1.42

 

CMYK 9 / 0 / 61 / 11

HEX #CEE259

RGB 206 226 89

HSL 68.76, 0.7%, 0.62%

LAB 86.12, -24.92, 62.86

 

Description

Color code: HEX #59E3B3 | qconv.com Color code: HEX #59E3B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 227 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 227 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 21 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 21% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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