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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CBE27 it is the complementary color #A341D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CBE27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CBE27 shade: #61BE22, #72D035, #83E248, #94F45B and #A5FF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CBE27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CBE27 shade: #5CBE27, #4BAC14, #3A9A01, #298800 and #187600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CBE27 shade: #5CBE27, #85BE27, #ADBE27, #BEA627 and #BE7D27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CBE27 shade: #5CBE27, #33BE27, #27BE43, #27BE6C and #27BE95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CBE27 shade matches the following richer shades: #5CBE27, #56D114 and #51E301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CBE27 shade: #5CBE27, #61AB39, #67994C, #6C865E and #727471

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CBE27 shade: #AFBE27, #86BE27, #5EBE27, #36BE27 and #27BE40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CBE27 shade: #3B7918, #4B9C20, #5CBE27, #6FD638 and #88DD5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CBE27 shade: #5CBE27, #27BEA5 and #BE279B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CBE27 shade: #5CBE27, #275EBE and #BE275E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CBE27 shade: #5CBE27, #27BEA5, #8627BE and #BE2740

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CBE27 shade: #5CBE27, #27AABE, #8627BE and #BE3B27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 79 / 25

HEX #5CBE27

RGB 92 190 39

HSL 98.94, 0.66%, 0.45%

LAB 68.93, -53.63, 61.72

 

Complementary color

CMYK 25 / 70 / 0 / 15

HEX #A341D8

RGB 163 65 216

HSL 278.94, 0.66%, 0.55%

LAB 47.66, 63.73, -60.03

 

CMYK 49 / 0 / 82 / 25

HEX #61BE22

RGB 97 190 34

HSL 95.77, 0.7%, 0.44%

LAB 69.1, -52.41, 63.35

 

CMYK 45 / 0 / 75 / 18

HEX #72D035

RGB 114 208 53

HSL 96.39, 0.62%, 0.51%

LAB 75.42, -53.09, 63.83

 

CMYK 42 / 0 / 68 / 11

HEX #83E248

RGB 131 226 72

HSL 97.01, 0.73%, 0.58%

LAB 81.67, -53.52, 63.6

 

CMYK 39 / 0 / 63 / 4

HEX #94F45B

RGB 148 244 91

HSL 97.65, 0.87%, 0.66%

LAB 87.85, -53.78, 62.95

 

CMYK 35 / 0 / 57 / 0

HEX #A5FF6E

RGB 165 255 110

HSL 97.24, 1%, 0.72%

LAB 91.97, -51.05, 59.79

 

CMYK 52 / 0 / 79 / 25

HEX #5CBE27

RGB 92 190 39

HSL 98.94, 0.66%, 0.45%

LAB 68.93, -53.63, 61.72

 

CMYK 56 / 0 / 88 / 33

HEX #4BAC14

RGB 75 172 20

HSL 98.29, 0.79%, 0.38%

LAB 62.55, -52.62, 60.54

 

CMYK 62 / 0 / 99 / 40

HEX #3A9A01

RGB 58 154 1

HSL 97.65, 0.99%, 0.3%

LAB 56.1, -51.16, 58.03

 

CMYK 70 / 0 / 100 / 47

HEX #298800

RGB 41 136 0

HSL 101.91, 1%, 0.27%

LAB 49.59, -48.92, 52.84

 

CMYK 80 / 0 / 100 / 54

HEX #187600

RGB 24 118 0

HSL 107.8, 1%, 0.23%

LAB 42.99, -46.14, 47.42

 

CMYK 52 / 0 / 79 / 25

HEX #5CBE27

RGB 92 190 39

HSL 98.94, 0.66%, 0.45%

LAB 68.93, -53.63, 61.72

 

CMYK 30 / 0 / 79 / 25

HEX #85BE27

RGB 133 190 39

HSL 82.65, 0.66%, 0.45%

LAB 70.84, -39.85, 64.19

 

CMYK 9 / 0 / 79 / 25

HEX #ADBE27

RGB 173 190 39

HSL 66.75, 0.66%, 0.45%

LAB 73.45, -23.77, 67.52

 

CMYK 0 / 13 / 79 / 25

HEX #BEA627

RGB 190 166 39

HSL 50.46, 0.66%, 0.45%

LAB 68.29, -4.13, 63.46

 

CMYK 0 / 34 / 79 / 25

HEX #BE7D27

RGB 190 125 39

HSL 34.17, 0.66%, 0.45%

LAB 57.81, 18.21, 53.93

 

CMYK 52 / 0 / 79 / 25

HEX #5CBE27

RGB 92 190 39

HSL 98.94, 0.66%, 0.45%

LAB 68.93, -53.63, 61.72

 

CMYK 73 / 0 / 79 / 25

HEX #33BE27

RGB 51 190 39

HSL 115.23, 0.66%, 0.45%

LAB 67.78, -63.02, 60.23

 

CMYK 79 / 0 / 65 / 25

HEX #27BE43

RGB 39 190 67

HSL 131.13, 0.66%, 0.45%

LAB 67.77, -62.39, 49.86

 

CMYK 79 / 0 / 43 / 25

HEX #27BE6C

RGB 39 190 108

HSL 147.42, 0.66%, 0.45%

LAB 68.27, -56.44, 30.8

 

CMYK 79 / 0 / 22 / 25

HEX #27BE95

RGB 39 190 149

HSL 163.71, 0.66%, 0.45%

LAB 69.06, -47.67, 9.99

 

CMYK 52 / 0 / 79 / 25

HEX #5CBE27

RGB 92 190 39

HSL 98.94, 0.66%, 0.45%

LAB 68.93, -53.63, 61.72

 

CMYK 59 / 0 / 90 / 18

HEX #56D114

RGB 86 209 20

HSL 99.05, 0.83%, 0.45%

LAB 74.59, -62.75, 70.9

 

CMYK 64 / 0 / 100 / 11

HEX #51E301

RGB 81 227 1

HSL 98.76, 0.99%, 0.45%

LAB 80, -70.13, 77.31

 

CMYK 52 / 0 / 79 / 25

HEX #5CBE27

RGB 92 190 39

HSL 98.94, 0.66%, 0.45%

LAB 68.93, -53.63, 61.72

 

CMYK 43 / 0 / 67 / 33

HEX #61AB39

RGB 97 171 57

HSL 98.95, 0.5%, 0.45%

LAB 63.31, -43.33, 49.71

 

CMYK 33 / 0 / 50 / 40

HEX #67994C

RGB 103 153 76

HSL 98.96, 0.34%, 0.45%

LAB 58.21, -31.23, 35.01

 

CMYK 19 / 0 / 30 / 47

HEX #6C865E

RGB 108 134 94

HSL 99, 0.18%, 0.45%

LAB 53, -17.2, 18.58

 

CMYK 2 / 0 / 3 / 55

HEX #727471

RGB 114 116 113

HSL 100, 0.01%, 0.45%

LAB 48.59, -1.36, 1.38

 

CMYK 8 / 0 / 79 / 25

HEX #AFBE27

RGB 175 190 39

HSL 65.96, 0.66%, 0.45%

LAB 73.6, -22.92, 67.71

 

CMYK 29 / 0 / 79 / 25

HEX #86BE27

RGB 134 190 39

HSL 82.25, 0.66%, 0.45%

LAB 70.9, -39.47, 64.26

 

CMYK 51 / 0 / 79 / 25

HEX #5EBE27

RGB 94 190 39

HSL 98.15, 0.66%, 0.45%

LAB 69.01, -53.05, 61.82

 

CMYK 72 / 0 / 79 / 25

HEX #36BE27

RGB 54 190 39

HSL 114.04, 0.66%, 0.45%

LAB 67.84, -62.51, 60.31

 

CMYK 79 / 0 / 66 / 25

HEX #27BE40

RGB 39 190 64

HSL 129.93, 0.66%, 0.45%

LAB 67.75, -62.71, 51.1

 

CMYK 51 / 0 / 80 / 53

HEX #3B7918

RGB 59 121 24

HSL 98.35, 0.67%, 0.28%

LAB 45.18, -37.46, 43.56

 

CMYK 52 / 0 / 79 / 39

HEX #4B9C20

RGB 75 156 32

HSL 99.19, 0.66%, 0.37%

LAB 57.44, -46.05, 52.82

 

CMYK 52 / 0 / 79 / 25

HEX #5CBE27

RGB 92 190 39

HSL 98.94, 0.66%, 0.45%

LAB 68.93, -53.63, 61.72

 

CMYK 48 / 0 / 74 / 16

HEX #6FD638

RGB 111 214 56

HSL 99.11, 0.66%, 0.53%

LAB 77.14, -56.11, 64.47

 

CMYK 38 / 0 / 59 / 13

HEX #88DD5A

RGB 136 221 90

HSL 98.93, 0.66%, 0.61%

LAB 80.56, -48.35, 55.1

 

CMYK 52 / 0 / 79 / 25

HEX #5CBE27

RGB 92 190 39

HSL 98.94, 0.66%, 0.45%

LAB 68.93, -53.63, 61.72

 

CMYK 79 / 0 / 13 / 25

HEX #27BEA5

RGB 39 190 165

HSL 170.07, 0.66%, 0.45%

LAB 69.45, -43.58, 1.81

 

CMYK 0 / 79 / 18 / 25

HEX #BE279B

RGB 190 39 155

HSL 313.91, 0.66%, 0.45%

LAB 45.31, 67.94, -27.8

 

CMYK 52 / 0 / 79 / 25

HEX #5CBE27

RGB 92 190 39

HSL 98.94, 0.66%, 0.45%

LAB 68.93, -53.63, 61.72

 

CMYK 79 / 51 / 0 / 25

HEX #275EBE

RGB 39 94 190

HSL 218.15, 0.66%, 0.45%

LAB 41.46, 17.22, -55.56

 

CMYK 0 / 79 / 51 / 25

HEX #BE275E

RGB 190 39 94

HSL 338.15, 0.66%, 0.45%

LAB 43.07, 61.32, 6.29

 

CMYK 52 / 0 / 79 / 25

HEX #5CBE27

RGB 92 190 39

HSL 98.94, 0.66%, 0.45%

LAB 68.93, -53.63, 61.72

 

CMYK 79 / 0 / 13 / 25

HEX #27BEA5

RGB 39 190 165

HSL 170.07, 0.66%, 0.45%

LAB 69.45, -43.58, 1.81

 

CMYK 29 / 79 / 0 / 25

HEX #8627BE

RGB 134 39 190

HSL 277.75, 0.66%, 0.45%

LAB 38.26, 62.76, -60.37

 

CMYK 0 / 79 / 66 / 25

HEX #BE2740

RGB 190 39 64

HSL 350.07, 0.66%, 0.45%

LAB 42.41, 59.29, 24.15

 

CMYK 52 / 0 / 79 / 25

HEX #5CBE27

RGB 92 190 39

HSL 98.94, 0.66%, 0.45%

LAB 68.93, -53.63, 61.72

 

CMYK 79 / 11 / 0 / 25

HEX #27AABE

RGB 39 170 190

HSL 187.95, 0.66%, 0.45%

LAB 64.08, -26.93, -20.02

 

CMYK 29 / 79 / 0 / 25

HEX #8627BE

RGB 134 39 190

HSL 277.75, 0.66%, 0.45%

LAB 38.26, 62.76, -60.37

 

CMYK 0 / 69 / 79 / 25

HEX #BE3B27

RGB 190 59 39

HSL 7.95, 0.66%, 0.45%

LAB 44.55, 51.34, 41.15

 

Description

Color code: HEX #5CBE27 | qconv.com Color code: HEX #5CBE27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 190 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 190 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 79 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 79% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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