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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CC845 it is the complementary color #A337BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CC845. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CC845 shade: #61C840, #72DA53, #83EC66, #94FE79 and #A5FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CC845. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CC845 shade: #5CC845, #4BB632, #3AA41F, #29920C and #188000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CC845 shade: #5DC746, #80C746, #A2C746, #C5C746 and #C7A646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CC845 shade: #5DC746, #46C752, #46C775, #46C798 and #46C7BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CC845 shade matches the following richer shades: #5DC746, #50DB33 and #43EE1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CC845 shade: #5DC746, #69B459, #76A16D, #828D80 and #8F7A93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CC845 shade: #A3C746, #80C746, #5EC746, #46C751 and #46C773

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CC845 shade: #3C902B, #4AB034, #5DC746, #79D166 and #94DA85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CC845 shade: #5CC845, #46C5C7 and #C74691

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CC845 shade: #5CC845, #465EC7 and #C7465E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CC845 shade: #5CC845, #46C5C7, #B046C7 and #C74846

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CC845 shade: #5CC845, #469EC7, #B046C7 and #C76F46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 66 / 22

HEX #5CC845

RGB 92 200 69

HSL 109.47, 0.54%, 0.53%

LAB 72.24, -55.17, 54.29

 

Complementary color

CMYK 12 / 70 / 0 / 27

HEX #A337BA

RGB 163 55 186

HSL 289.47, 0.54%, 0.47%

LAB 44.32, 61.76, -48.03

 

CMYK 52 / 0 / 68 / 22

HEX #61C840

RGB 97 200 64

HSL 105.44, 0.55%, 0.52%

LAB 72.38, -54.25, 56.51

 

CMYK 48 / 0 / 62 / 15

HEX #72DA53

RGB 114 218 83

HSL 106.22, 0.65%, 0.59%

LAB 78.66, -54.59, 55.72

 

CMYK 44 / 0 / 57 / 7

HEX #83EC66

RGB 131 236 102

HSL 107.01, 0.78%, 0.66%

LAB 84.88, -54.74, 54.71

 

CMYK 42 / 0 / 52 / 0

HEX #94FE79

RGB 148 254 121

HSL 107.82, 0.99%, 0.74%

LAB 91.03, -54.78, 53.6

 

CMYK 35 / 0 / 45 / 0

HEX #A5FF8C

RGB 165 255 140

HSL 106.96, 1%, 0.77%

LAB 92.32, -47.68, 46.47

 

CMYK 54 / 0 / 66 / 22

HEX #5CC845

RGB 92 200 69

HSL 109.47, 0.54%, 0.53%

LAB 72.24, -55.17, 54.29

 

CMYK 59 / 0 / 73 / 29

HEX #4BB632

RGB 75 182 50

HSL 108.64, 0.57%, 0.45%

LAB 65.89, -54.57, 54.9

 

CMYK 65 / 0 / 81 / 36

HEX #3AA41F

RGB 58 164 31

HSL 107.82, 0.68%, 0.38%

LAB 59.48, -53.54, 54.84

 

CMYK 72 / 0 / 92 / 43

HEX #29920C

RGB 41 146 12

HSL 107.01, 0.85%, 0.31%

LAB 53.01, -51.89, 53.52

 

CMYK 81 / 0 / 100 / 50

HEX #188000

RGB 24 128 0

HSL 108.75, 1%, 0.25%

LAB 46.49, -49.35, 50.22

 

CMYK 53 / 0 / 65 / 22

HEX #5DC746

RGB 93 199 70

HSL 109.3, 0.54%, 0.53%

LAB 71.97, -54.43, 53.6

 

CMYK 36 / 0 / 65 / 22

HEX #80C746

RGB 128 199 70

HSL 93.02, 0.54%, 0.53%

LAB 73.47, -43.58, 55.65

 

CMYK 19 / 0 / 65 / 22

HEX #A2C746

RGB 162 199 70

HSL 77.21, 0.54%, 0.53%

LAB 75.43, -30.91, 58.34

 

CMYK 1 / 0 / 65 / 22

HEX #C5C746

RGB 197 199 70

HSL 60.93, 0.54%, 0.53%

LAB 77.97, -16.63, 61.78

 

CMYK 0 / 17 / 65 / 22

HEX #C7A646

RGB 199 166 70

HSL 44.65, 0.54%, 0.53%

LAB 69.37, 1.33, 52.73

 

CMYK 53 / 0 / 65 / 22

HEX #5DC746

RGB 93 199 70

HSL 109.3, 0.54%, 0.53%

LAB 71.97, -54.43, 53.6

 

CMYK 65 / 0 / 59 / 22

HEX #46C752

RGB 70 199 82

HSL 125.58, 0.54%, 0.53%

LAB 71.39, -58.59, 47.5

 

CMYK 65 / 0 / 41 / 22

HEX #46C775

RGB 70 199 117

HSL 141.86, 0.54%, 0.53%

LAB 71.85, -53.42, 30.93

 

CMYK 65 / 0 / 24 / 22

HEX #46C798

RGB 70 199 152

HSL 158.14, 0.54%, 0.53%

LAB 72.51, -46.37, 13.32

 

CMYK 65 / 0 / 6 / 22

HEX #46C7BB

RGB 70 199 187

HSL 174.42, 0.54%, 0.53%

LAB 73.37, -37.69, -4.37

 

CMYK 53 / 0 / 65 / 22

HEX #5DC746

RGB 93 199 70

HSL 109.3, 0.54%, 0.53%

LAB 71.97, -54.43, 53.6

 

CMYK 63 / 0 / 77 / 14

HEX #50DB33

RGB 80 219 51

HSL 109.64, 0.7%, 0.53%

LAB 77.64, -66.11, 66.25

 

CMYK 72 / 0 / 87 / 7

HEX #43EE1F

RGB 67 238 31

HSL 109.57, 0.86%, 0.53%

LAB 83.15, -75.45, 76.13

 

CMYK 53 / 0 / 65 / 22

HEX #5DC746

RGB 93 199 70

HSL 109.3, 0.54%, 0.53%

LAB 71.97, -54.43, 53.6

 

CMYK 42 / 0 / 51 / 29

HEX #69B459

RGB 105 180 89

HSL 109.45, 0.38%, 0.53%

LAB 66.8, -41.08, 38.99

 

CMYK 27 / 0 / 32 / 37

HEX #76A16D

RGB 118 161 109

HSL 109.62, 0.22%, 0.53%

LAB 62.04, -24.89, 22.52

 

CMYK 8 / 0 / 9 / 45

HEX #828D80

RGB 130 141 128

HSL 110.77, 0.05%, 0.53%

LAB 57.42, -6.58, 5.56

 

CMYK 3 / 17 / 0 / 42

HEX #8F7A93

RGB 143 122 147

HSL 290.4, 0.1%, 0.53%

LAB 53.88, 12.84, -10.49

 

CMYK 18 / 0 / 65 / 22

HEX #A3C746

RGB 163 199 70

HSL 76.74, 0.54%, 0.53%

LAB 75.5, -30.52, 58.43

 

CMYK 36 / 0 / 65 / 22

HEX #80C746

RGB 128 199 70

HSL 93.02, 0.54%, 0.53%

LAB 73.47, -43.58, 55.65

 

CMYK 53 / 0 / 65 / 22

HEX #5EC746

RGB 94 199 70

HSL 108.84, 0.54%, 0.53%

LAB 72.01, -54.16, 53.65

 

CMYK 65 / 0 / 59 / 22

HEX #46C751

RGB 70 199 81

HSL 125.12, 0.54%, 0.53%

LAB 71.38, -58.71, 47.95

 

CMYK 65 / 0 / 42 / 22

HEX #46C773

RGB 70 199 115

HSL 140.93, 0.54%, 0.53%

LAB 71.82, -53.76, 31.92

 

CMYK 58 / 0 / 70 / 44

HEX #3C902B

RGB 60 144 43

HSL 109.9, 0.54%, 0.37%

LAB 53.04, -44.86, 44.18

 

CMYK 58 / 0 / 70 / 31

HEX #4AB034

RGB 74 176 52

HSL 109.35, 0.54%, 0.45%

LAB 63.96, -52.47, 52.15

 

CMYK 53 / 0 / 65 / 22

HEX #5DC746

RGB 93 199 70

HSL 109.3, 0.54%, 0.53%

LAB 71.97, -54.43, 53.6

 

CMYK 42 / 0 / 51 / 18

HEX #79D166

RGB 121 209 102

HSL 109.35, 0.54%, 0.61%

LAB 76.45, -46.78, 44.59

 

CMYK 32 / 0 / 39 / 15

HEX #94DA85

RGB 148 218 133

HSL 109.41, 0.53%, 0.69%

LAB 80.81, -37.92, 35.03

 

CMYK 54 / 0 / 66 / 22

HEX #5CC845

RGB 92 200 69

HSL 109.47, 0.54%, 0.53%

LAB 72.24, -55.17, 54.29

 

CMYK 65 / 1 / 0 / 22

HEX #46C5C7

RGB 70 197 199

HSL 180.93, 0.54%, 0.53%

LAB 73.13, -33.46, -11.26

 

CMYK 0 / 65 / 27 / 22

HEX #C74691

RGB 199 70 145

HSL 325.12, 0.54%, 0.53%

LAB 50.18, 58.39, -14.2

 

CMYK 54 / 0 / 66 / 22

HEX #5CC845

RGB 92 200 69

HSL 109.47, 0.54%, 0.53%

LAB 72.24, -55.17, 54.29

 

CMYK 65 / 53 / 0 / 22

HEX #465EC7

RGB 70 94 199

HSL 228.84, 0.54%, 0.53%

LAB 43.41, 24.75, -57.57

 

CMYK 0 / 65 / 53 / 22

HEX #C7465E

RGB 199 70 94

HSL 348.84, 0.54%, 0.53%

LAB 48.67, 52.99, 14.38

 

CMYK 54 / 0 / 66 / 22

HEX #5CC845

RGB 92 200 69

HSL 109.47, 0.54%, 0.53%

LAB 72.24, -55.17, 54.29

 

CMYK 65 / 1 / 0 / 22

HEX #46C5C7

RGB 70 197 199

HSL 180.93, 0.54%, 0.53%

LAB 73.13, -33.46, -11.26

 

CMYK 12 / 65 / 0 / 22

HEX #B046C7

RGB 176 70 199

HSL 289.3, 0.54%, 0.53%

LAB 49.17, 61.04, -47.74

 

CMYK 0 / 64 / 65 / 22

HEX #C74846

RGB 199 72 70

HSL 0.93, 0.54%, 0.53%

LAB 48.53, 50.42, 28.57

 

CMYK 54 / 0 / 66 / 22

HEX #5CC845

RGB 92 200 69

HSL 109.47, 0.54%, 0.53%

LAB 72.24, -55.17, 54.29

 

CMYK 65 / 21 / 0 / 22

HEX #469EC7

RGB 70 158 199

HSL 199.07, 0.54%, 0.53%

LAB 61.55, -13.65, -28.86

 

CMYK 12 / 65 / 0 / 22

HEX #B046C7

RGB 176 70 199

HSL 289.3, 0.54%, 0.53%

LAB 49.17, 61.04, -47.74

 

CMYK 0 / 44 / 65 / 22

HEX #C76F46

RGB 199 111 70

HSL 19.07, 0.54%, 0.53%

LAB 56.04, 31.2, 37.68

 

Description

Color code: HEX #5CC845 | qconv.com Color code: HEX #5CC845 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 200 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 200 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 66 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 66% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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