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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CCC30 it is the complementary color #A333CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CCC30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CCC30 shade: #61CC2B, #72DE3E, #83F051, #94FF64 and #A5FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CCC30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CCC30 shade: #5CCC30, #4BBA1D, #3AA80A, #299600 and #188400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CCC30 shade: #5BCA2F, #84CA2F, #AECA2F, #CABC2F and #CA922F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CCC30 shade: #5BCA2F, #31CA2F, #2FCA57, #2FCA81 and #2FCAAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CCC30 shade matches the following richer shades: #5BCA2F, #52DE1B and #49F207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CCC30 shade: #5BCA2F, #63B643, #6CA157, #758D6C and #7E7980

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CCC30 shade: #AECA2F, #84CA2F, #5BCA2F, #32CA2F and #2FCA56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CCC30 shade: #3D871F, #4CA827, #5BCA2F, #74D54D and #8EDD6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CCC30 shade: #5CCC30, #2FCABD and #CA2F99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CCC30 shade: #5CCC30, #2F5BCA and #CA2F5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CCC30 shade: #5CCC30, #2FCABD, #9E2FCA and #CA2F3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CCC30 shade: #5CCC30, #2FA8CA, #9E2FCA and #CA512F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 76 / 20

HEX #5CCC30

RGB 92 204 48

HSL 103.08, 0.62%, 0.49%

LAB 73.33, -58.25, 63.15

 

Complementary color

CMYK 21 / 75 / 0 / 19

HEX #A333CF

RGB 163 51 207

HSL 283.08, 0.62%, 0.51%

LAB 45.16, 67.27, -58.89

 

CMYK 52 / 0 / 79 / 20

HEX #61CC2B

RGB 97 204 43

HSL 99.88, 0.65%, 0.48%

LAB 73.48, -57.18, 64.88

 

CMYK 49 / 0 / 72 / 13

HEX #72DE3E

RGB 114 222 62

HSL 100.5, 0.71%, 0.56%

LAB 79.71, -57.85, 65.02

 

CMYK 45 / 0 / 66 / 6

HEX #83F051

RGB 131 240 81

HSL 101.13, 0.84%, 0.63%

LAB 85.88, -58.27, 64.59

 

CMYK 42 / 0 / 61 / 0

HEX #94FF64

RGB 148 255 100

HSL 101.42, 1%, 0.7%

LAB 91.11, -57.34, 62.86

 

CMYK 35 / 0 / 53 / 0

HEX #A5FF77

RGB 165 255 119

HSL 99.71, 1%, 0.73%

LAB 92.07, -50.14, 55.92

 

CMYK 55 / 0 / 76 / 20

HEX #5CCC30

RGB 92 204 48

HSL 103.08, 0.62%, 0.49%

LAB 73.33, -58.25, 63.15

 

CMYK 60 / 0 / 84 / 27

HEX #4BBA1D

RGB 75 186 29

HSL 102.42, 0.73%, 0.42%

LAB 67.05, -57.25, 62.48

 

CMYK 65 / 0 / 94 / 34

HEX #3AA80A

RGB 58 168 10

HSL 101.77, 0.89%, 0.35%

LAB 60.72, -55.74, 60.47

 

CMYK 73 / 0 / 100 / 41

HEX #299600

RGB 41 150 0

HSL 103.6, 1%, 0.29%

LAB 54.33, -53.56, 56.6

 

CMYK 82 / 0 / 100 / 48

HEX #188400

RGB 24 132 0

HSL 109.09, 1%, 0.26%

LAB 47.88, -50.61, 51.32

 

CMYK 55 / 0 / 77 / 21

HEX #5BCA2F

RGB 91 202 47

HSL 102.97, 0.62%, 0.49%

LAB 72.67, -57.86, 62.82

 

CMYK 35 / 0 / 77 / 21

HEX #84CA2F

RGB 132 202 47

HSL 87.1, 0.62%, 0.49%

LAB 74.41, -44.99, 65.09

 

CMYK 14 / 0 / 77 / 21

HEX #AECA2F

RGB 174 202 47

HSL 70.84, 0.62%, 0.49%

LAB 76.95, -28.81, 68.37

 

CMYK 0 / 7 / 77 / 21

HEX #CABC2F

RGB 202 188 47

HSL 54.58, 0.62%, 0.49%

LAB 75.28, -10.06, 67.64

 

CMYK 0 / 28 / 77 / 21

HEX #CA922F

RGB 202 146 47

HSL 38.32, 0.62%, 0.49%

LAB 64.42, 12.26, 57.52

 

CMYK 55 / 0 / 77 / 21

HEX #5BCA2F

RGB 91 202 47

HSL 102.97, 0.62%, 0.49%

LAB 72.67, -57.86, 62.82

 

CMYK 76 / 0 / 77 / 21

HEX #31CA2F

RGB 49 202 47

HSL 119.23, 0.62%, 0.49%

LAB 71.62, -66.56, 61.44

 

CMYK 77 / 0 / 57 / 21

HEX #2FCA57

RGB 47 202 87

HSL 135.48, 0.62%, 0.49%

LAB 71.92, -62.86, 45.7

 

CMYK 77 / 0 / 36 / 21

HEX #2FCA81

RGB 47 202 129

HSL 151.74, 0.62%, 0.49%

LAB 72.52, -55.9, 25.49

 

CMYK 77 / 0 / 16 / 21

HEX #2FCAAA

RGB 47 202 170

HSL 167.61, 0.62%, 0.49%

LAB 73.38, -46.55, 4.8

 

CMYK 55 / 0 / 77 / 21

HEX #5BCA2F

RGB 91 202 47

HSL 102.97, 0.62%, 0.49%

LAB 72.67, -57.86, 62.82

 

CMYK 63 / 0 / 88 / 13

HEX #52DE1B

RGB 82 222 27

HSL 103.08, 0.78%, 0.49%

LAB 78.53, -67.78, 73.01

 

CMYK 70 / 0 / 97 / 5

HEX #49F207

RGB 73 242 7

HSL 103.15, 0.94%, 0.49%

LAB 84.45, -76.18, 80.28

 

CMYK 55 / 0 / 77 / 21

HEX #5BCA2F

RGB 91 202 47

HSL 102.97, 0.62%, 0.49%

LAB 72.67, -57.86, 62.82

 

CMYK 46 / 0 / 63 / 29

HEX #63B643

RGB 99 182 67

HSL 103.3, 0.46%, 0.49%

LAB 66.91, -46.31, 49.37

 

CMYK 33 / 0 / 46 / 37

HEX #6CA157

RGB 108 161 87

HSL 102.97, 0.3%, 0.49%

LAB 61.1, -31.76, 32.97

 

CMYK 17 / 0 / 23 / 45

HEX #758D6C

RGB 117 141 108

HSL 103.64, 0.13%, 0.49%

LAB 56, -15.12, 14.84

 

CMYK 2 / 5 / 0 / 50

HEX #7E7980

RGB 126 121 128

HSL 282.86, 0.03%, 0.49%

LAB 51.46, 3.3, -3.14

 

CMYK 14 / 0 / 77 / 21

HEX #AECA2F

RGB 174 202 47

HSL 70.84, 0.62%, 0.49%

LAB 76.95, -28.81, 68.37

 

CMYK 35 / 0 / 77 / 21

HEX #84CA2F

RGB 132 202 47

HSL 87.1, 0.62%, 0.49%

LAB 74.41, -44.99, 65.09

 

CMYK 55 / 0 / 77 / 21

HEX #5BCA2F

RGB 91 202 47

HSL 102.97, 0.62%, 0.49%

LAB 72.67, -57.86, 62.82

 

CMYK 75 / 0 / 77 / 21

HEX #32CA2F

RGB 50 202 47

HSL 118.84, 0.62%, 0.49%

LAB 71.64, -66.41, 61.46

 

CMYK 77 / 0 / 57 / 21

HEX #2FCA56

RGB 47 202 86

HSL 135.1, 0.62%, 0.49%

LAB 71.9, -62.99, 46.15

 

CMYK 55 / 0 / 77 / 47

HEX #3D871F

RGB 61 135 31

HSL 102.69, 0.63%, 0.33%

LAB 50, -42.04, 45.79

 

CMYK 55 / 0 / 77 / 34

HEX #4CA827

RGB 76 168 39

HSL 102.79, 0.62%, 0.41%

LAB 61.38, -49.92, 54.32

 

CMYK 55 / 0 / 77 / 21

HEX #5BCA2F

RGB 91 202 47

HSL 102.97, 0.62%, 0.49%

LAB 72.67, -57.86, 62.82

 

CMYK 46 / 0 / 64 / 16

HEX #74D54D

RGB 116 213 77

HSL 102.79, 0.62%, 0.57%

LAB 77.18, -52.6, 56.63

 

CMYK 36 / 0 / 50 / 13

HEX #8EDD6F

RGB 142 221 111

HSL 103.09, 0.62%, 0.65%

LAB 81.08, -44.12, 46.14

 

CMYK 55 / 0 / 76 / 20

HEX #5CCC30

RGB 92 204 48

HSL 103.08, 0.62%, 0.49%

LAB 73.33, -58.25, 63.15

 

CMYK 77 / 0 / 6 / 21

HEX #2FCABD

RGB 47 202 189

HSL 174.97, 0.62%, 0.49%

LAB 73.88, -41.49, -4.76

 

CMYK 0 / 77 / 24 / 21

HEX #CA2F99

RGB 202 47 153

HSL 318.97, 0.62%, 0.49%

LAB 48.12, 68.25, -22.08

 

CMYK 55 / 0 / 76 / 20

HEX #5CCC30

RGB 92 204 48

HSL 103.08, 0.62%, 0.49%

LAB 73.33, -58.25, 63.15

 

CMYK 77 / 55 / 0 / 21

HEX #2F5BCA

RGB 47 91 202

HSL 222.97, 0.62%, 0.49%

LAB 41.77, 24.6, -62

 

CMYK 0 / 77 / 55 / 21

HEX #CA2F5B

RGB 202 47 91

HSL 342.97, 0.62%, 0.49%

LAB 46.1, 62.06, 12.75

 

CMYK 55 / 0 / 76 / 20

HEX #5CCC30

RGB 92 204 48

HSL 103.08, 0.62%, 0.49%

LAB 73.33, -58.25, 63.15

 

CMYK 77 / 0 / 6 / 21

HEX #2FCABD

RGB 47 202 189

HSL 174.97, 0.62%, 0.49%

LAB 73.88, -41.49, -4.76

 

CMYK 22 / 77 / 0 / 21

HEX #9E2FCA

RGB 158 47 202

HSL 282.97, 0.62%, 0.49%

LAB 43.6, 66.73, -58.55

 

CMYK 0 / 77 / 70 / 21

HEX #CA2F3C

RGB 202 47 60

HSL 354.97, 0.62%, 0.49%

LAB 45.52, 60.19, 30.93

 

CMYK 55 / 0 / 76 / 20

HEX #5CCC30

RGB 92 204 48

HSL 103.08, 0.62%, 0.49%

LAB 73.33, -58.25, 63.15

 

CMYK 77 / 17 / 0 / 21

HEX #2FA8CA

RGB 47 168 202

HSL 193.16, 0.62%, 0.49%

LAB 64.06, -21.19, -26.72

 

CMYK 22 / 77 / 0 / 21

HEX #9E2FCA

RGB 158 47 202

HSL 282.97, 0.62%, 0.49%

LAB 43.6, 66.73, -58.55

 

CMYK 0 / 60 / 77 / 21

HEX #CA512F

RGB 202 81 47

HSL 13.16, 0.62%, 0.49%

LAB 50.27, 46.3, 43.5

 

Description

Color code: HEX #5CCC30 | qconv.com Color code: HEX #5CCC30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 204 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 204 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 76 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 76% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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