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Color name
HEX #5CCD50

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CCD50 it is the complementary color #A332AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CCD50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CCD50 shade: #61CD4B, #72DF5E, #83F171, #94FF84 and #A5FF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CCD50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CCD50 shade: #5CCD50, #4BBB3D, #3AA92A, #299717 and #188504

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CCD50 shade: #5CCD4F, #7DCD4F, #9FCD4F, #C1CD4F and #CDB74F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CCD50 shade: #5CCD4F, #4FCD65, #4FCD87, #4FCDA9 and #4FCDCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CCD50 shade matches the following richer shades: #5CCD4F, #4DDF3D and #3EF12B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CCD50 shade: #5CCD4F, #6ABB62, #79A974, #889786 and #968598

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CCD50 shade: #9FCD4F, #7ECD4F, #5CCD4F, #4FCD64 and #4FCD86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CCD50 shade: #379E2C, #42BE35, #5CCD4F, #79D670 and #97DF90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CCD50 shade: #5CCD50, #4FC1CD and #CD4F8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CCD50 shade: #5CCD50, #4F5CCD and #CD4F5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CCD50 shade: #5CCD50, #4FC1CD, #C14FCD and #CD5C4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CCD50 shade: #5CCD50, #4F9BCD, #C14FCD and #CD824F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 61 / 20

HEX #5CCD50

RGB 92 205 80

HSL 114.24, 0.56%, 0.56%

LAB 73.88, -55.94, 51.42

 

Complementary color

CMYK 7 / 71 / 0 / 31

HEX #A332AF

RGB 163 50 175

HSL 294.24, 0.56%, 0.44%

LAB 43.01, 61.61, -43.66

 

CMYK 53 / 0 / 63 / 20

HEX #61CD4B

RGB 97 205 75

HSL 109.85, 0.57%, 0.55%

LAB 74.01, -55.14, 53.77

 

CMYK 49 / 0 / 58 / 13

HEX #72DF5E

RGB 114 223 94

HSL 110.7, 0.67%, 0.62%

LAB 80.27, -55.39, 52.75

 

CMYK 46 / 0 / 53 / 5

HEX #83F171

RGB 131 241 113

HSL 111.56, 0.82%, 0.69%

LAB 86.47, -55.48, 51.61

 

CMYK 42 / 0 / 48 / 0

HEX #94FF84

RGB 148 255 132

HSL 112.2, 1%, 0.76%

LAB 91.45, -53.86, 49.01

 

CMYK 35 / 0 / 41 / 0

HEX #A5FF97

RGB 165 255 151

HSL 111.92, 1%, 0.8%

LAB 92.47, -46.22, 41.35

 

CMYK 55 / 0 / 61 / 20

HEX #5CCD50

RGB 92 205 80

HSL 114.24, 0.56%, 0.56%

LAB 73.88, -55.94, 51.42

 

CMYK 60 / 0 / 67 / 27

HEX #4BBB3D

RGB 75 187 61

HSL 113.33, 0.51%, 0.49%

LAB 67.56, -55.44, 52.36

 

CMYK 66 / 0 / 75 / 34

HEX #3AA92A

RGB 58 169 42

HSL 112.44, 0.6%, 0.41%

LAB 61.17, -54.55, 52.89

 

CMYK 73 / 0 / 85 / 41

HEX #299717

RGB 41 151 23

HSL 111.56, 0.74%, 0.34%

LAB 54.73, -53.08, 52.56

 

CMYK 82 / 0 / 97 / 48

HEX #188504

RGB 24 133 4

HSL 110.7, 0.94%, 0.27%

LAB 48.23, -50.79, 50.82

 

CMYK 55 / 0 / 61 / 20

HEX #5CCD4F

RGB 92 205 79

HSL 113.81, 0.56%, 0.56%

LAB 73.87, -56.05, 51.85

 

CMYK 39 / 0 / 61 / 20

HEX #7DCD4F

RGB 125 205 79

HSL 98.1, 0.56%, 0.56%

LAB 75.19, -46.33, 53.7

 

CMYK 22 / 0 / 61 / 20

HEX #9FCD4F

RGB 159 205 79

HSL 81.9, 0.56%, 0.56%

LAB 77.04, -34.18, 56.26

 

CMYK 6 / 0 / 61 / 20

HEX #C1CD4F

RGB 193 205 79

HSL 65.71, 0.56%, 0.56%

LAB 79.37, -20.68, 59.46

 

CMYK 0 / 11 / 61 / 20

HEX #CDB74F

RGB 205 183 79

HSL 49.52, 0.56%, 0.56%

LAB 74.45, -4.5, 54.4

 

CMYK 55 / 0 / 61 / 20

HEX #5CCD4F

RGB 92 205 79

HSL 113.81, 0.56%, 0.56%

LAB 73.87, -56.05, 51.85

 

CMYK 61 / 0 / 51 / 20

HEX #4FCD65

RGB 79 205 101

HSL 130.48, 0.56%, 0.56%

LAB 73.72, -56.39, 41.38

 

CMYK 61 / 0 / 34 / 20

HEX #4FCD87

RGB 79 205 135

HSL 146.67, 0.56%, 0.56%

LAB 74.24, -50.69, 24.78

 

CMYK 61 / 0 / 18 / 20

HEX #4FCDA9

RGB 79 205 169

HSL 162.86, 0.56%, 0.56%

LAB 74.94, -43.38, 7.67

 

CMYK 61 / 0 / 1 / 20

HEX #4FCDCB

RGB 79 205 203

HSL 179.05, 0.56%, 0.56%

LAB 75.85, -34.68, -9.35

 

CMYK 55 / 0 / 61 / 20

HEX #5CCD4F

RGB 92 205 79

HSL 113.81, 0.56%, 0.56%

LAB 73.87, -56.05, 51.85

 

CMYK 65 / 0 / 73 / 13

HEX #4DDF3D

RGB 77 223 61

HSL 114.07, 0.72%, 0.56%

LAB 78.86, -67.36, 64.14

 

CMYK 74 / 0 / 82 / 5

HEX #3EF12B

RGB 62 241 43

HSL 114.24, 0.88%, 0.56%

LAB 84.02, -76.62, 74.29

 

CMYK 55 / 0 / 61 / 20

HEX #5CCD4F

RGB 92 205 79

HSL 113.81, 0.56%, 0.56%

LAB 73.87, -56.05, 51.85

 

CMYK 43 / 0 / 48 / 27

HEX #6ABB62

RGB 106 187 98

HSL 114.61, 0.4%, 0.56%

LAB 69.1, -42.58, 37.35

 

CMYK 28 / 0 / 31 / 34

HEX #79A974

RGB 121 169 116

HSL 114.34, 0.24%, 0.56%

LAB 64.73, -26.63, 22.36

 

CMYK 10 / 0 / 11 / 41

HEX #889786

RGB 136 151 134

HSL 112.94, 0.08%, 0.56%

LAB 60.86, -8.71, 7.14

 

CMYK 1 / 13 / 0 / 40

HEX #968598

RGB 150 133 152

HSL 293.68, 0.08%, 0.56%

LAB 57.58, 10.01, -7.78

 

CMYK 22 / 0 / 61 / 20

HEX #9FCD4F

RGB 159 205 79

HSL 81.9, 0.56%, 0.56%

LAB 77.04, -34.18, 56.26

 

CMYK 39 / 0 / 61 / 20

HEX #7ECD4F

RGB 126 205 79

HSL 97.62, 0.56%, 0.56%

LAB 75.24, -46, 53.76

 

CMYK 55 / 0 / 61 / 20

HEX #5CCD4F

RGB 92 205 79

HSL 113.81, 0.56%, 0.56%

LAB 73.87, -56.05, 51.85

 

CMYK 61 / 0 / 51 / 20

HEX #4FCD64

RGB 79 205 100

HSL 130, 0.56%, 0.56%

LAB 73.7, -56.53, 41.85

 

CMYK 61 / 0 / 35 / 20

HEX #4FCD86

RGB 79 205 134

HSL 146.19, 0.56%, 0.56%

LAB 74.22, -50.89, 25.28

 

CMYK 65 / 0 / 72 / 38

HEX #379E2C

RGB 55 158 44

HSL 114.21, 0.56%, 0.4%

LAB 57.51, -51.19, 48.4

 

CMYK 65 / 0 / 72 / 25

HEX #42BE35

RGB 66 190 53

HSL 114.31, 0.56%, 0.48%

LAB 68.2, -59.21, 56.07

 

CMYK 55 / 0 / 61 / 20

HEX #5CCD4F

RGB 92 205 79

HSL 113.81, 0.56%, 0.56%

LAB 73.87, -56.05, 51.85

 

CMYK 43 / 0 / 48 / 16

HEX #79D670

RGB 121 214 112

HSL 114.71, 0.55%, 0.64%

LAB 78.07, -47.58, 41.73

 

CMYK 32 / 0 / 35 / 13

HEX #97DF90

RGB 151 223 144

HSL 114.68, 0.55%, 0.72%

LAB 82.58, -37.57, 31.79

 

CMYK 55 / 0 / 61 / 20

HEX #5CCD50

RGB 92 205 80

HSL 114.24, 0.56%, 0.56%

LAB 73.88, -55.94, 51.42

 

CMYK 61 / 6 / 0 / 20

HEX #4FC1CD

RGB 79 193 205

HSL 185.71, 0.56%, 0.56%

LAB 72.37, -28.37, -15.64

 

CMYK 0 / 61 / 31 / 20

HEX #CD4F8E

RGB 205 79 142

HSL 330, 0.56%, 0.56%

LAB 52.42, 55.97, -8.94

 

CMYK 55 / 0 / 61 / 20

HEX #5CCD50

RGB 92 205 80

HSL 114.24, 0.56%, 0.56%

LAB 73.88, -55.94, 51.42

 

CMYK 61 / 55 / 0 / 20

HEX #4F5CCD

RGB 79 92 205

HSL 233.81, 0.56%, 0.56%

LAB 43.83, 29.6, -60.31

 

CMYK 0 / 61 / 55 / 20

HEX #CD4F5C

RGB 205 79 92

HSL 353.81, 0.56%, 0.56%

LAB 51.09, 50.9, 19.03

 

CMYK 55 / 0 / 61 / 20

HEX #5CCD50

RGB 92 205 80

HSL 114.24, 0.56%, 0.56%

LAB 73.88, -55.94, 51.42

 

CMYK 61 / 6 / 0 / 20

HEX #4FC1CD

RGB 79 193 205

HSL 185.71, 0.56%, 0.56%

LAB 72.37, -28.37, -15.64

 

CMYK 6 / 61 / 0 / 20

HEX #C14FCD

RGB 193 79 205

HSL 294.29, 0.56%, 0.56%

LAB 53.32, 62.34, -44.45

 

CMYK 0 / 55 / 61 / 20

HEX #CD5C4F

RGB 205 92 79

HSL 6.19, 0.56%, 0.56%

LAB 53.17, 43.87, 29.36

 

CMYK 55 / 0 / 61 / 20

HEX #5CCD50

RGB 92 205 80

HSL 114.24, 0.56%, 0.56%

LAB 73.88, -55.94, 51.42

 

CMYK 61 / 24 / 0 / 20

HEX #4F9BCD

RGB 79 155 205

HSL 203.81, 0.56%, 0.56%

LAB 61.23, -8.46, -32.69

 

CMYK 6 / 61 / 0 / 20

HEX #C14FCD

RGB 193 79 205

HSL 294.29, 0.56%, 0.56%

LAB 53.32, 62.34, -44.45

 

CMYK 0 / 37 / 61 / 20

HEX #CD824F

RGB 205 130 79

HSL 24.29, 0.56%, 0.56%

LAB 61.23, 24.03, 39.25

 

Description

Color code: HEX #5CCD50 | qconv.com Color code: HEX #5CCD50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 205 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 205 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 61 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 61% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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