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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CD740 it is the complementary color #A328BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CD740. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CD740 shade: #61D73B, #72E94E, #83FB61, #94FF74 and #A5FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CD740. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CD740 shade: #5CD740, #4BC52D, #3AB31A, #29A107 and #188F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CD740 shade: #5DD641, #85D641, #ADD641, #D6D641 and #D6AF41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CD740 shade: #5DD641, #41D64E, #41D676, #41D69E and #41D6C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CD740 shade matches the following richer shades: #5DD641, #51E92F and #45FB1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CD740 shade: #5DD641, #69C454, #74B166, #809F79 and #8C8C8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CD740 shade: #AFD641, #87D641, #5FD641, #41D64B and #41D673

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CD740 shade: #3AA322, #46C529, #5DD641, #7ADE63 and #97E585

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CD740 shade: #5CD740, #41D6D6 and #D6419B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CD740 shade: #5CD740, #415FD6 and #D6415F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CD740 shade: #5CD740, #41D6D6, #B941D6 and #D64141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CD740 shade: #5CD740, #41AAD6, #B941D6 and #D66E41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 70 / 16

HEX #5CD740

RGB 92 215 64

HSL 108.87, 0.65%, 0.55%

LAB 76.83, -61.06, 61.11

 

Complementary color

CMYK 15 / 79 / 0 / 25

HEX #A328BF

RGB 163 40 191

HSL 288.87, 0.65%, 0.45%

LAB 42.86, 67.78, -53.31

 

CMYK 55 / 0 / 73 / 16

HEX #61D73B

RGB 97 215 59

HSL 105.38, 0.66%, 0.54%

LAB 76.96, -60.16, 63.1

 

CMYK 51 / 0 / 67 / 9

HEX #72E94E

RGB 114 233 78

HSL 106.06, 0.78%, 0.61%

LAB 83.13, -60.71, 62.63

 

CMYK 48 / 0 / 61 / 2

HEX #83FB61

RGB 131 251 97

HSL 106.75, 0.95%, 0.68%

LAB 89.24, -61.03, 61.83

 

CMYK 42 / 0 / 55 / 0

HEX #94FF74

RGB 148 255 116

HSL 106.19, 1%, 0.73%

LAB 91.27, -55.73, 56.13

 

CMYK 35 / 0 / 47 / 0

HEX #A5FF87

RGB 165 255 135

HSL 105, 1%, 0.76%

LAB 92.25, -48.31, 48.76

 

CMYK 57 / 0 / 70 / 16

HEX #5CD740

RGB 92 215 64

HSL 108.87, 0.65%, 0.55%

LAB 76.83, -61.06, 61.11

 

CMYK 62 / 0 / 77 / 23

HEX #4BC52D

RGB 75 197 45

HSL 108.16, 0.63%, 0.47%

LAB 70.61, -60.19, 61.29

 

CMYK 68 / 0 / 85 / 30

HEX #3AB31A

RGB 58 179 26

HSL 107.45, 0.75%, 0.4%

LAB 64.33, -58.86, 60.6

 

CMYK 75 / 0 / 96 / 37

HEX #29A107

RGB 41 161 7

HSL 106.75, 0.92%, 0.33%

LAB 58.01, -56.89, 58.5

 

CMYK 83 / 0 / 100 / 44

HEX #188F00

RGB 24 143 0

HSL 109.93, 1%, 0.28%

LAB 51.65, -54.02, 54.34

 

CMYK 57 / 0 / 70 / 16

HEX #5DD641

RGB 93 214 65

HSL 108.72, 0.65%, 0.55%

LAB 76.56, -60.37, 60.47

 

CMYK 38 / 0 / 70 / 16

HEX #85D641

RGB 133 214 65

HSL 92.62, 0.65%, 0.55%

LAB 78.15, -48.54, 62.61

 

CMYK 19 / 0 / 70 / 16

HEX #ADD641

RGB 173 214 65

HSL 76.51, 0.65%, 0.55%

LAB 80.38, -33.89, 65.6

 

CMYK 0 / 0 / 70 / 16

HEX #D6D641

RGB 214 214 65

HSL 60, 0.65%, 0.55%

LAB 83.32, -17.26, 69.49

 

CMYK 0 / 18 / 70 / 16

HEX #D6AF41

RGB 214 175 65

HSL 44.3, 0.65%, 0.55%

LAB 73.11, 2.72, 59.29

 

CMYK 57 / 0 / 70 / 16

HEX #5DD641

RGB 93 214 65

HSL 108.72, 0.65%, 0.55%

LAB 76.56, -60.37, 60.47

 

CMYK 70 / 0 / 64 / 16

HEX #41D64E

RGB 65 214 78

HSL 125.23, 0.65%, 0.55%

LAB 75.93, -65.13, 54.38

 

CMYK 70 / 0 / 45 / 16

HEX #41D676

RGB 65 214 118

HSL 141.34, 0.65%, 0.55%

LAB 76.39, -59.72, 36.28

 

CMYK 70 / 0 / 26 / 16

HEX #41D69E

RGB 65 214 158

HSL 157.45, 0.65%, 0.55%

LAB 77.09, -51.99, 16.53

 

CMYK 70 / 0 / 7 / 16

HEX #41D6C6

RGB 65 214 198

HSL 173.56, 0.65%, 0.55%

LAB 78.05, -42.22, -3.43

 

CMYK 57 / 0 / 70 / 16

HEX #5DD641

RGB 93 214 65

HSL 108.72, 0.65%, 0.55%

LAB 76.56, -60.37, 60.47

 

CMYK 65 / 0 / 80 / 9

HEX #51E92F

RGB 81 233 47

HSL 109.03, 0.81%, 0.55%

LAB 81.96, -70.68, 71.51

 

CMYK 73 / 0 / 89 / 2

HEX #45FB1C

RGB 69 251 28

HSL 108.97, 0.97%, 0.55%

LAB 87.17, -79.07, 80.11

 

CMYK 57 / 0 / 70 / 16

HEX #5DD641

RGB 93 214 65

HSL 108.72, 0.65%, 0.55%

LAB 76.56, -60.37, 60.47

 

CMYK 46 / 0 / 57 / 23

HEX #69C454

RGB 105 196 84

HSL 108.75, 0.49%, 0.55%

LAB 71.64, -48.4, 47.17

 

CMYK 34 / 0 / 42 / 31

HEX #74B166

RGB 116 177 102

HSL 108.8, 0.32%, 0.55%

LAB 66.61, -34.34, 32.24

 

CMYK 19 / 0 / 24 / 38

HEX #809F79

RGB 128 159 121

HSL 108.95, 0.17%, 0.55%

LAB 62.31, -18.25, 16.39

 

CMYK 0 / 0 / 1 / 45

HEX #8C8C8B

RGB 140 140 139

HSL 60, 0%, 0.55%

LAB 58.22, -0.19, 0.53

 

CMYK 18 / 0 / 70 / 16

HEX #AFD641

RGB 175 214 65

HSL 75.7, 0.65%, 0.55%

LAB 80.51, -33.11, 65.77

 

CMYK 37 / 0 / 70 / 16

HEX #87D641

RGB 135 214 65

HSL 91.81, 0.65%, 0.55%

LAB 78.24, -47.86, 62.74

 

CMYK 56 / 0 / 70 / 16

HEX #5FD641

RGB 95 214 65

HSL 107.92, 0.65%, 0.55%

LAB 76.62, -59.87, 60.56

 

CMYK 70 / 0 / 65 / 16

HEX #41D64B

RGB 65 214 75

HSL 124.03, 0.65%, 0.55%

LAB 75.9, -65.43, 55.6

 

CMYK 70 / 0 / 46 / 16

HEX #41D673

RGB 65 214 115

HSL 140.13, 0.65%, 0.55%

LAB 76.35, -60.21, 37.72

 

CMYK 64 / 0 / 79 / 36

HEX #3AA322

RGB 58 163 34

HSL 108.84, 0.65%, 0.39%

LAB 59.17, -53.01, 53.63

 

CMYK 64 / 0 / 79 / 23

HEX #46C529

RGB 70 197 41

HSL 108.85, 0.66%, 0.47%

LAB 70.45, -61.55, 62.32

 

CMYK 57 / 0 / 70 / 16

HEX #5DD641

RGB 93 214 65

HSL 108.72, 0.65%, 0.55%

LAB 76.56, -60.37, 60.47

 

CMYK 45 / 0 / 55 / 13

HEX #7ADE63

RGB 122 222 99

HSL 108.78, 0.65%, 0.63%

LAB 80.34, -52.15, 50.65

 

CMYK 34 / 0 / 42 / 10

HEX #97E585

RGB 151 229 133

HSL 108.75, 0.65%, 0.71%

LAB 84.13, -41.84, 39.34

 

CMYK 57 / 0 / 70 / 16

HEX #5CD740

RGB 92 215 64

HSL 108.87, 0.65%, 0.55%

LAB 76.83, -61.06, 61.11

 

CMYK 70 / 0 / 0 / 16

HEX #41D6D6

RGB 65 214 214

HSL 180, 0.65%, 0.55%

LAB 78.5, -37.83, -11.33

 

CMYK 0 / 70 / 28 / 16

HEX #D6419B

RGB 214 65 155

HSL 323.76, 0.65%, 0.55%

LAB 52.33, 65.66, -16.64

 

CMYK 57 / 0 / 70 / 16

HEX #5CD740

RGB 92 215 64

HSL 108.87, 0.65%, 0.55%

LAB 76.83, -61.06, 61.11

 

CMYK 70 / 56 / 0 / 16

HEX #415FD6

RGB 65 95 214

HSL 227.92, 0.65%, 0.55%

LAB 44.47, 28.66, -64.48

 

CMYK 0 / 70 / 56 / 16

HEX #D6415F

RGB 214 65 95

HSL 347.92, 0.65%, 0.55%

LAB 50.57, 59.74, 16.79

 

CMYK 57 / 0 / 70 / 16

HEX #5CD740

RGB 92 215 64

HSL 108.87, 0.65%, 0.55%

LAB 76.83, -61.06, 61.11

 

CMYK 70 / 0 / 0 / 16

HEX #41D6D6

RGB 65 214 214

HSL 180, 0.65%, 0.55%

LAB 78.5, -37.83, -11.33

 

CMYK 14 / 70 / 0 / 16

HEX #B941D6

RGB 185 65 214

HSL 288.32, 0.65%, 0.55%

LAB 50.63, 67.87, -53.94

 

CMYK 0 / 70 / 70 / 16

HEX #D64141

RGB 214 65 65

HSL 0, 0.65%, 0.55%

LAB 50.05, 57.91, 33.94

 

CMYK 57 / 0 / 70 / 16

HEX #5CD740

RGB 92 215 64

HSL 108.87, 0.65%, 0.55%

LAB 76.83, -61.06, 61.11

 

CMYK 70 / 21 / 0 / 16

HEX #41AAD6

RGB 65 170 214

HSL 197.72, 0.65%, 0.55%

LAB 65.54, -16.04, -31.05

 

CMYK 14 / 70 / 0 / 16

HEX #B941D6

RGB 185 65 214

HSL 288.32, 0.65%, 0.55%

LAB 50.63, 67.87, -53.94

 

CMYK 0 / 49 / 70 / 16

HEX #D66E41

RGB 214 110 65

HSL 18.12, 0.65%, 0.55%

LAB 57.88, 37.42, 42.98

 

Description

Color code: HEX #5CD740 | qconv.com Color code: HEX #5CD740 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 215 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 215 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 70 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 70% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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