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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CD36C it is the complementary color #A32C93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CD36C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CD36C shade: #61D367, #72E57A, #83F78D, #94FFA0 and #A5FFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CD36C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CD36C shade: #5CD36C, #4BC159, #3AAF46, #299D33 and #188B20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CD36C shade: #5AD26A, #6AD25A, #8BD25A, #ABD25A and #CBD25A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CD36C shade: #5AD26A, #5AD28B, #5AD2AB, #5AD2CB and #5AB8D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CD36C shade matches the following richer shades: #5AD26A, #49E25E and #39F352

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CD36C shade: #5AD26A, #6BC177, #7CB083, #8D9F8F and #9E8E9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CD36C shade: #8AD25A, #6AD25A, #5AD26A, #5AD28A and #5AD2AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CD36C shade: #2EAB3F, #3AC94D, #5AD26A, #7BDA88 and #9BE3A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CD36C shade: #5CD36C, #5AAAD2 and #D25A7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CD36C shade: #5CD36C, #6A5AD2 and #D26A5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CD36C shade: #5CD36C, #5AAAD2, #D25AC2 and #D2825A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CD36C shade: #5CD36C, #5A86D2, #D25AC2 and #D2A65A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 49 / 17

HEX #5CD36C

RGB 92 211 108

HSL 128.07, 0.57%, 0.59%

LAB 76.04, -54.71, 40.93

 

Complementary color

CMYK 0 / 73 / 10 / 36

HEX #A32C93

RGB 163 44 147

HSL 308.07, 0.57%, 0.41%

LAB 40.73, 59.06, -30.49

 

CMYK 54 / 0 / 51 / 17

HEX #61D367

RGB 97 211 103

HSL 123.16, 0.56%, 0.6%

LAB 76.14, -54.18, 43.51

 

CMYK 50 / 0 / 47 / 10

HEX #72E57A

RGB 114 229 122

HSL 124.17, 0.69%, 0.67%

LAB 82.39, -54.24, 42.21

 

CMYK 47 / 0 / 43 / 3

HEX #83F78D

RGB 131 247 141

HSL 125.17, 0.88%, 0.74%

LAB 88.58, -54.17, 40.94

 

CMYK 42 / 0 / 37 / 0

HEX #94FFA0

RGB 148 255 160

HSL 126.73, 1%, 0.79%

LAB 91.84, -49.92, 35.97

 

CMYK 35 / 0 / 30 / 0

HEX #A5FFB3

RGB 165 255 179

HSL 129.33, 1%, 0.82%

LAB 92.92, -41.95, 28.03

 

CMYK 56 / 0 / 49 / 17

HEX #5CD36C

RGB 92 211 108

HSL 128.07, 0.57%, 0.59%

LAB 76.04, -54.71, 40.93

 

CMYK 61 / 0 / 54 / 24

HEX #4BC159

RGB 75 193 89

HSL 127.12, 0.49%, 0.53%

LAB 69.72, -54.46, 42.29

 

CMYK 67 / 0 / 60 / 31

HEX #3AAF46

RGB 58 175 70

HSL 126.15, 0.5%, 0.46%

LAB 63.34, -53.91, 43.62

 

CMYK 74 / 0 / 68 / 38

HEX #299D33

RGB 41 157 51

HSL 125.17, 0.59%, 0.39%

LAB 56.9, -52.92, 44.79

 

CMYK 83 / 0 / 77 / 45

HEX #188B20

RGB 24 139 32

HSL 124.17, 0.71%, 0.32%

LAB 50.41, -51.23, 45.52

 

CMYK 57 / 0 / 50 / 18

HEX #5AD26A

RGB 90 210 106

HSL 128, 0.57%, 0.59%

LAB 75.64, -55.09, 41.4

 

CMYK 50 / 0 / 57 / 18

HEX #6AD25A

RGB 106 210 90

HSL 112, 0.57%, 0.59%

LAB 76.01, -53.01, 49.52

 

CMYK 34 / 0 / 57 / 18

HEX #8BD25A

RGB 139 210 90

HSL 95.5, 0.57%, 0.59%

LAB 77.47, -42.68, 51.6

 

CMYK 19 / 0 / 57 / 18

HEX #ABD25A

RGB 171 210 90

HSL 79.5, 0.57%, 0.59%

LAB 79.32, -30.98, 54.21

 

CMYK 3 / 0 / 57 / 18

HEX #CBD25A

RGB 203 210 90

HSL 63.5, 0.57%, 0.59%

LAB 81.58, -18.27, 57.36

 

CMYK 57 / 0 / 50 / 18

HEX #5AD26A

RGB 90 210 106

HSL 128, 0.57%, 0.59%

LAB 75.64, -55.09, 41.4

 

CMYK 57 / 0 / 34 / 18

HEX #5AD28B

RGB 90 210 139

HSL 144.5, 0.57%, 0.59%

LAB 76.15, -49.64, 25.33

 

CMYK 57 / 0 / 19 / 18

HEX #5AD2AB

RGB 90 210 171

HSL 160.5, 0.57%, 0.59%

LAB 76.8, -42.96, 9.3

 

CMYK 57 / 0 / 3 / 18

HEX #5AD2CB

RGB 90 210 203

HSL 176.5, 0.57%, 0.59%

LAB 77.63, -35.08, -6.67

 

CMYK 57 / 12 / 0 / 18

HEX #5AB8D2

RGB 90 184 210

HSL 193, 0.57%, 0.59%

LAB 70.25, -20.39, -21.55

 

CMYK 57 / 0 / 50 / 18

HEX #5AD26A

RGB 90 210 106

HSL 128, 0.57%, 0.59%

LAB 75.64, -55.09, 41.4

 

CMYK 68 / 0 / 58 / 11

HEX #49E25E

RGB 73 226 94

HSL 128.24, 0.73%, 0.59%

LAB 79.96, -65.93, 52.08

 

CMYK 77 / 0 / 66 / 5

HEX #39F352

RGB 57 243 82

HSL 128.06, 0.89%, 0.59%

LAB 84.78, -75.13, 62.43

 

CMYK 57 / 0 / 50 / 18

HEX #5AD26A

RGB 90 210 106

HSL 128, 0.57%, 0.59%

LAB 75.64, -55.09, 41.4

 

CMYK 45 / 0 / 38 / 24

HEX #6BC177

RGB 107 193 119

HSL 128.37, 0.41%, 0.59%

LAB 71.28, -41.69, 29.38

 

CMYK 30 / 0 / 26 / 31

HEX #7CB083

RGB 124 176 131

HSL 128.08, 0.25%, 0.59%

LAB 67.26, -26.44, 17.68

 

CMYK 11 / 0 / 10 / 38

HEX #8D9F8F

RGB 141 159 143

HSL 126.67, 0.09%, 0.59%

LAB 63.71, -9.53, 6.2

 

CMYK 0 / 10 / 1 / 38

HEX #9E8E9C

RGB 158 142 156

HSL 307.5, 0.08%, 0.59%

LAB 60.8, 8.56, -5.23

 

CMYK 34 / 0 / 57 / 18

HEX #8AD25A

RGB 138 210 90

HSL 96, 0.57%, 0.59%

LAB 77.42, -43.02, 51.53

 

CMYK 50 / 0 / 57 / 18

HEX #6AD25A

RGB 106 210 90

HSL 112, 0.57%, 0.59%

LAB 76.01, -53.01, 49.52

 

CMYK 57 / 0 / 50 / 18

HEX #5AD26A

RGB 90 210 106

HSL 128, 0.57%, 0.59%

LAB 75.64, -55.09, 41.4

 

CMYK 57 / 0 / 34 / 18

HEX #5AD28A

RGB 90 210 138

HSL 144, 0.57%, 0.59%

LAB 76.13, -49.83, 25.83

 

CMYK 57 / 0 / 19 / 18

HEX #5AD2AA

RGB 90 210 170

HSL 160, 0.57%, 0.59%

LAB 76.78, -43.19, 9.8

 

CMYK 73 / 0 / 63 / 33

HEX #2EAB3F

RGB 46 171 63

HSL 128.16, 0.58%, 0.43%

LAB 61.71, -55.55, 44.87

 

CMYK 71 / 0 / 62 / 21

HEX #3AC94D

RGB 58 201 77

HSL 127.97, 0.57%, 0.51%

LAB 71.7, -62.1, 50.02

 

CMYK 57 / 0 / 50 / 18

HEX #5AD26A

RGB 90 210 106

HSL 128, 0.57%, 0.59%

LAB 75.64, -55.09, 41.4

 

CMYK 44 / 0 / 38 / 15

HEX #7BDA88

RGB 123 218 136

HSL 128.21, 0.56%, 0.67%

LAB 79.69, -45.13, 31.81

 

CMYK 32 / 0 / 27 / 11

HEX #9BE3A5

RGB 155 227 165

HSL 128.33, 0.56%, 0.75%

LAB 84.29, -34.72, 23.33

 

CMYK 56 / 0 / 49 / 17

HEX #5CD36C

RGB 92 211 108

HSL 128.07, 0.57%, 0.59%

LAB 76.04, -54.71, 40.93

 

CMYK 57 / 19 / 0 / 18

HEX #5AAAD2

RGB 90 170 210

HSL 200, 0.57%, 0.59%

LAB 66.19, -13.01, -27.76

 

CMYK 0 / 57 / 42 / 18

HEX #D25A7A

RGB 210 90 122

HSL 344, 0.57%, 0.59%

LAB 54.47, 50.31, 6.02

 

CMYK 56 / 0 / 49 / 17

HEX #5CD36C

RGB 92 211 108

HSL 128.07, 0.57%, 0.59%

LAB 76.04, -54.71, 40.93

 

CMYK 50 / 57 / 0 / 18

HEX #6A5AD2

RGB 106 90 210

HSL 248, 0.57%, 0.59%

LAB 45.67, 37.55, -60.1

 

CMYK 0 / 50 / 57 / 18

HEX #D26A5A

RGB 210 106 90

HSL 8, 0.57%, 0.59%

LAB 56.83, 39.54, 27.9

 

CMYK 56 / 0 / 49 / 17

HEX #5CD36C

RGB 92 211 108

HSL 128.07, 0.57%, 0.59%

LAB 76.04, -54.71, 40.93

 

CMYK 57 / 19 / 0 / 18

HEX #5AAAD2

RGB 90 170 210

HSL 200, 0.57%, 0.59%

LAB 66.19, -13.01, -27.76

 

CMYK 0 / 57 / 8 / 18

HEX #D25AC2

RGB 210 90 194

HSL 308, 0.57%, 0.59%

LAB 56.99, 60.01, -32.22

 

CMYK 0 / 38 / 57 / 18

HEX #D2825A

RGB 210 130 90

HSL 20, 0.57%, 0.59%

LAB 62, 26.9, 34.46

 

CMYK 56 / 0 / 49 / 17

HEX #5CD36C

RGB 92 211 108

HSL 128.07, 0.57%, 0.59%

LAB 76.04, -54.71, 40.93

 

CMYK 57 / 36 / 0 / 18

HEX #5A86D2

RGB 90 134 210

HSL 218, 0.57%, 0.59%

LAB 55.96, 7.47, -43.72

 

CMYK 0 / 57 / 8 / 18

HEX #D25AC2

RGB 210 90 194

HSL 308, 0.57%, 0.59%

LAB 56.99, 60.01, -32.22

 

CMYK 0 / 21 / 57 / 18

HEX #D2A65A

RGB 210 166 90

HSL 38, 0.57%, 0.59%

LAB 70.67, 7.43, 44.99

 

Description

Color code: HEX #5CD36C | qconv.com Color code: HEX #5CD36C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 211 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 211 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 49 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 49% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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