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Color name
HEX #5CDA72

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CDA72 it is the complementary color #A3258D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CDA72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CDA72 shade: #61DA6D, #72EC80, #83FE93, #94FFA6 and #A5FFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CDA72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CDA72 shade: #5CDA72, #4BC85F, #3AB64C, #29A439 and #189226

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CDA72 shade: #5CDA72, #68DA5C, #8ADA5C, #ACDA5C and #CEDA5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CDA72 shade: #5CDA72, #5CDA94, #5CDAB6, #5CDAD8 and #5CBADA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CDA72 shade matches the following richer shades: #5CDA72, #4CEA68 and #3CFA5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CDA72 shade: #5CDA72, #6CCA7D, #7DBA87, #8DA992 and #9D999C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CDA72 shade: #8ADA5C, #69DA5C, #5CDA71, #5CDA93 and #5CDAB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CDA72 shade: #2ABA43, #3BD255, #5CDA72, #7EE18F and #A0E9AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CDA72 shade: #5CDA72, #5CACDA and #DA5C7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CDA72 shade: #5CDA72, #715CDA and #DA715C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CDA72 shade: #5CDA72, #5CACDA, #DA5CC5 and #DA8A5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CDA72 shade: #5CDA72, #5C86DA, #DA5CC5 and #DAB05C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 48 / 15

HEX #5CDA72

RGB 92 218 114

HSL 130.48, 0.63%, 0.61%

LAB 78.25, -56.52, 40.75

 

Complementary color

CMYK 0 / 77 / 13 / 36

HEX #A3258D

RGB 163 37 141

HSL 310.48, 0.63%, 0.39%

LAB 39.64, 60.4, -28.54

 

CMYK 56 / 0 / 50 / 15

HEX #61DA6D

RGB 97 218 109

HSL 125.95, 0.62%, 0.62%

LAB 78.34, -56.06, 43.33

 

CMYK 52 / 0 / 46 / 7

HEX #72EC80

RGB 114 236 128

HSL 126.89, 0.76%, 0.69%

LAB 84.55, -56.13, 42.01

 

CMYK 48 / 0 / 42 / 0

HEX #83FE93

RGB 131 254 147

HSL 127.8, 0.98%, 0.75%

LAB 90.7, -56.08, 40.74

 

CMYK 42 / 0 / 35 / 0

HEX #94FFA6

RGB 148 255 166

HSL 130.09, 1%, 0.79%

LAB 91.94, -48.97, 33.11

 

CMYK 35 / 0 / 27 / 0

HEX #A5FFB9

RGB 165 255 185

HSL 133.33, 1%, 0.82%

LAB 93.02, -40.93, 25.14

 

CMYK 58 / 0 / 48 / 15

HEX #5CDA72

RGB 92 218 114

HSL 130.48, 0.63%, 0.61%

LAB 78.25, -56.52, 40.75

 

CMYK 63 / 0 / 53 / 22

HEX #4BC85F

RGB 75 200 95

HSL 129.6, 0.53%, 0.54%

LAB 71.98, -56.24, 42.13

 

CMYK 68 / 0 / 58 / 29

HEX #3AB64C

RGB 58 182 76

HSL 128.71, 0.52%, 0.47%

LAB 65.65, -55.66, 43.51

 

CMYK 75 / 0 / 65 / 36

HEX #29A439

RGB 41 164 57

HSL 127.8, 0.6%, 0.4%

LAB 59.27, -54.66, 44.78

 

CMYK 84 / 0 / 74 / 43

HEX #189226

RGB 24 146 38

HSL 126.89, 0.72%, 0.33%

LAB 52.83, -52.98, 45.71

 

CMYK 58 / 0 / 48 / 15

HEX #5CDA72

RGB 92 218 114

HSL 130.48, 0.63%, 0.61%

LAB 78.25, -56.52, 40.75

 

CMYK 52 / 0 / 58 / 15

HEX #68DA5C

RGB 104 218 92

HSL 114.29, 0.63%, 0.61%

LAB 78.38, -56.41, 51.36

 

CMYK 37 / 0 / 58 / 15

HEX #8ADA5C

RGB 138 218 92

HSL 98.1, 0.63%, 0.61%

LAB 79.79, -46.24, 53.36

 

CMYK 21 / 0 / 58 / 15

HEX #ACDA5C

RGB 172 218 92

HSL 81.9, 0.63%, 0.61%

LAB 81.67, -34.14, 55.99

 

CMYK 6 / 0 / 58 / 15

HEX #CEDA5C

RGB 206 218 92

HSL 65.71, 0.63%, 0.61%

LAB 83.99, -20.84, 59.23

 

CMYK 58 / 0 / 48 / 15

HEX #5CDA72

RGB 92 218 114

HSL 130.48, 0.63%, 0.61%

LAB 78.25, -56.52, 40.75

 

CMYK 58 / 0 / 32 / 15

HEX #5CDA94

RGB 92 218 148

HSL 146.67, 0.63%, 0.61%

LAB 78.78, -50.75, 24.22

 

CMYK 58 / 0 / 17 / 15

HEX #5CDAB6

RGB 92 218 182

HSL 162.86, 0.63%, 0.61%

LAB 79.5, -43.51, 7.3

 

CMYK 58 / 0 / 1 / 15

HEX #5CDAD8

RGB 92 218 216

HSL 179.05, 0.63%, 0.61%

LAB 80.39, -35, -9.52

 

CMYK 58 / 15 / 0 / 15

HEX #5CBADA

RGB 92 186 218

HSL 195.24, 0.63%, 0.61%

LAB 71.18, -18.69, -24.49

 

CMYK 58 / 0 / 48 / 15

HEX #5CDA72

RGB 92 218 114

HSL 130.48, 0.63%, 0.61%

LAB 78.25, -56.52, 40.75

 

CMYK 68 / 0 / 56 / 8

HEX #4CEA68

RGB 76 234 104

HSL 130.63, 0.79%, 0.61%

LAB 82.58, -66.88, 50.68

 

CMYK 76 / 0 / 63 / 2

HEX #3CFA5D

RGB 60 250 93

HSL 130.42, 0.95%, 0.61%

LAB 87.06, -75.79, 60.53

 

CMYK 58 / 0 / 48 / 15

HEX #5CDA72

RGB 92 218 114

HSL 130.48, 0.63%, 0.61%

LAB 78.25, -56.52, 40.75

 

CMYK 47 / 0 / 38 / 21

HEX #6CCA7D

RGB 108 202 125

HSL 130.85, 0.47%, 0.61%

LAB 74.13, -44.3, 30.03

 

CMYK 33 / 0 / 27 / 27

HEX #7DBA87

RGB 125 186 135

HSL 129.84, 0.31%, 0.61%

LAB 70.33, -30.23, 19.76

 

CMYK 17 / 0 / 14 / 34

HEX #8DA992

RGB 141 169 146

HSL 130.71, 0.14%, 0.61%

LAB 66.61, -14.27, 8.68

 

CMYK 0 / 3 / 1 / 38

HEX #9D999C

RGB 157 153 156

HSL 315, 0.02%, 0.61%

LAB 63.63, 2.03, -1.06

 

CMYK 37 / 0 / 58 / 15

HEX #8ADA5C

RGB 138 218 92

HSL 98.1, 0.63%, 0.61%

LAB 79.79, -46.24, 53.36

 

CMYK 52 / 0 / 58 / 15

HEX #69DA5C

RGB 105 218 92

HSL 113.81, 0.63%, 0.61%

LAB 78.41, -56.15, 51.41

 

CMYK 58 / 0 / 48 / 15

HEX #5CDA71

RGB 92 218 113

HSL 130, 0.63%, 0.61%

LAB 78.23, -56.67, 41.23

 

CMYK 58 / 0 / 33 / 15

HEX #5CDA93

RGB 92 218 147

HSL 146.19, 0.63%, 0.61%

LAB 78.77, -50.95, 24.72

 

CMYK 58 / 0 / 17 / 15

HEX #5CDAB4

RGB 92 218 180

HSL 161.9, 0.63%, 0.61%

LAB 79.45, -43.98, 8.29

 

CMYK 77 / 0 / 64 / 27

HEX #2ABA43

RGB 42 186 67

HSL 130.42, 0.63%, 0.45%

LAB 66.53, -60.71, 48.5

 

CMYK 72 / 0 / 60 / 18

HEX #3BD255

RGB 59 210 85

HSL 130.33, 0.63%, 0.53%

LAB 74.62, -64.01, 49.83

 

CMYK 58 / 0 / 48 / 15

HEX #5CDA72

RGB 92 218 114

HSL 130.48, 0.63%, 0.61%

LAB 78.25, -56.52, 40.75

 

CMYK 44 / 0 / 36 / 12

HEX #7EE18F

RGB 126 225 143

HSL 130.3, 0.62%, 0.69%

LAB 81.98, -46.14, 31.3

 

CMYK 31 / 0 / 26 / 9

HEX #A0E9AC

RGB 160 233 172

HSL 129.86, 0.62%, 0.77%

LAB 86.37, -34.73, 22.61

 

CMYK 58 / 0 / 48 / 15

HEX #5CDA72

RGB 92 218 114

HSL 130.48, 0.63%, 0.61%

LAB 78.25, -56.52, 40.75

 

CMYK 58 / 21 / 0 / 15

HEX #5CACDA

RGB 92 172 218

HSL 201.9, 0.63%, 0.61%

LAB 67.16, -11.26, -30.67

 

CMYK 0 / 58 / 44 / 15

HEX #DA5C7A

RGB 218 92 122

HSL 345.71, 0.63%, 0.61%

LAB 56.05, 52.04, 8.44

 

CMYK 58 / 0 / 48 / 15

HEX #5CDA72

RGB 92 218 114

HSL 130.48, 0.63%, 0.61%

LAB 78.25, -56.52, 40.75

 

CMYK 48 / 58 / 0 / 15

HEX #715CDA

RGB 113 92 218

HSL 250, 0.63%, 0.61%

LAB 47.27, 40.17, -62.06

 

CMYK 0 / 48 / 58 / 15

HEX #DA715C

RGB 218 113 92

HSL 10, 0.63%, 0.61%

LAB 59.42, 39.16, 30.33

 

CMYK 58 / 0 / 48 / 15

HEX #5CDA72

RGB 92 218 114

HSL 130.48, 0.63%, 0.61%

LAB 78.25, -56.52, 40.75

 

CMYK 58 / 21 / 0 / 15

HEX #5CACDA

RGB 92 172 218

HSL 201.9, 0.63%, 0.61%

LAB 67.16, -11.26, -30.67

 

CMYK 0 / 58 / 10 / 15

HEX #DA5CC5

RGB 218 92 197

HSL 310, 0.63%, 0.61%

LAB 58.59, 61.77, -31.34

 

CMYK 0 / 37 / 58 / 15

HEX #DA8A5C

RGB 218 138 92

HSL 21.9, 0.63%, 0.61%

LAB 64.85, 26.01, 37.13

 

CMYK 58 / 0 / 48 / 15

HEX #5CDA72

RGB 92 218 114

HSL 130.48, 0.63%, 0.61%

LAB 78.25, -56.52, 40.75

 

CMYK 58 / 39 / 0 / 15

HEX #5C86DA

RGB 92 134 218

HSL 220, 0.63%, 0.61%

LAB 56.47, 10.49, -47.4

 

CMYK 0 / 58 / 10 / 15

HEX #DA5CC5

RGB 218 92 197

HSL 310, 0.63%, 0.61%

LAB 58.59, 61.77, -31.34

 

CMYK 0 / 19 / 58 / 15

HEX #DAB05C

RGB 218 176 92

HSL 40, 0.63%, 0.61%

LAB 74.02, 5.61, 48.14

 

Description

Color code: HEX #5CDA72 | qconv.com Color code: HEX #5CDA72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 218 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 218 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 48 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 48% 15% C M Y K

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Provide designers and agencies with accurate color values.

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