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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CFC2B it is the complementary color #A303D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CFC2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CFC2B shade: #61FC26, #72FF39, #83FF4C, #94FF5F and #A5FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CFC2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CFC2B shade: #5CFC2B, #4BEA18, #3AD805, #29C600 and #18B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CFC2B shade: #5CFB2C, #94FB2C, #CCFB2C, #FBF22C and #FBBA2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CFC2B shade: #5CFB2C, #2CFB33, #2CFB6B, #2CFBA3 and #2CFBDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CFC2B shade matches the following richer shades: #5CFB2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CFC2B shade: #5CFB2C, #65EA3D, #6FD94E, #78C75F and #81B671

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CFC2B shade: #CEFB2C, #97FB2C, #5FFB2C, #2CFB2F and #2CFB66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CFC2B shade: #33D203, #3DFA03, #5CFB2C, #7BFC54 and #9BFD7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CFC2B shade: #5CFC2B, #2CFBF1 and #FB2CB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CFC2B shade: #5CFC2B, #2C5FFB and #FB2C5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CFC2B shade: #5CFC2B, #2CFBF1, #C72CFB and #FB2C36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CFC2B shade: #5CFC2B, #2CC7FB, #C72CFB and #FB5F2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 83 / 1

HEX #5CFC2B

RGB 92 252 43

HSL 105.93, 0.97%, 0.58%

LAB 88, -74.66, 78.11

 

Complementary color

CMYK 23 / 99 / 0 / 17

HEX #A303D4

RGB 163 3 212

HSL 285.93, 0.97%, 0.42%

LAB 42.16, 78.07, -66.64

 

CMYK 62 / 0 / 85 / 1

HEX #61FC26

RGB 97 252 38

HSL 103.46, 0.97%, 0.57%

LAB 88.11, -73.79, 79.34

 

CMYK 55 / 0 / 78 / 0

HEX #72FF39

RGB 114 255 57

HSL 102.73, 1%, 0.61%

LAB 89.58, -69.94, 76.2

 

CMYK 49 / 0 / 70 / 0

HEX #83FF4C

RGB 131 255 76

HSL 101.56, 1%, 0.65%

LAB 90.26, -64.25, 71

 

CMYK 42 / 0 / 63 / 0

HEX #94FF5F

RGB 148 255 95

HSL 100.13, 1%, 0.69%

LAB 91.07, -57.79, 64.86

 

CMYK 35 / 0 / 55 / 0

HEX #A5FF72

RGB 165 255 114

HSL 98.3, 1%, 0.72%

LAB 92.01, -50.66, 58.08

 

CMYK 63 / 0 / 83 / 1

HEX #5CFC2B

RGB 92 252 43

HSL 105.93, 0.97%, 0.58%

LAB 88, -74.66, 78.11

 

CMYK 68 / 0 / 90 / 8

HEX #4BEA18

RGB 75 234 24

HSL 105.43, 0.83%, 0.51%

LAB 82.06, -73.07, 76.45

 

CMYK 73 / 0 / 98 / 15

HEX #3AD805

RGB 58 216 5

HSL 104.93, 0.95%, 0.43%

LAB 76.08, -70.97, 73.59

 

CMYK 79 / 0 / 100 / 22

HEX #29C600

RGB 41 198 0

HSL 107.58, 1%, 0.39%

LAB 70.08, -68.23, 69.16

 

CMYK 87 / 0 / 100 / 29

HEX #18B400

RGB 24 180 0

HSL 112, 1%, 0.35%

LAB 64.03, -64.92, 64.24

 

CMYK 63 / 0 / 82 / 2

HEX #5CFB2C

RGB 92 251 44

HSL 106.09, 0.96%, 0.58%

LAB 87.7, -74.3, 77.62

 

CMYK 41 / 0 / 82 / 2

HEX #94FB2C

RGB 148 251 44

HSL 89.86, 0.96%, 0.58%

LAB 89.61, -59.38, 80.04

 

CMYK 19 / 0 / 82 / 2

HEX #CCFB2C

RGB 204 251 44

HSL 73.62, 0.96%, 0.58%

LAB 92.58, -39.45, 83.78

 

CMYK 0 / 4 / 82 / 2

HEX #FBF22C

RGB 251 242 44

HSL 57.39, 0.96%, 0.58%

LAB 93.54, -16.36, 85.93

 

CMYK 0 / 26 / 82 / 2

HEX #FBBA2C

RGB 251 186 44

HSL 41.16, 0.96%, 0.58%

LAB 79.5, 11.94, 74.1

 

CMYK 63 / 0 / 82 / 2

HEX #5CFB2C

RGB 92 251 44

HSL 106.09, 0.96%, 0.58%

LAB 87.7, -74.3, 77.62

 

CMYK 82 / 0 / 80 / 2

HEX #2CFB33

RGB 44 251 51

HSL 122.03, 0.96%, 0.58%

LAB 86.88, -81.25, 74.8

 

CMYK 82 / 0 / 57 / 2

HEX #2CFB6B

RGB 44 251 107

HSL 138.26, 0.96%, 0.58%

LAB 87.29, -76.24, 54.76

 

CMYK 82 / 0 / 35 / 2

HEX #2CFBA3

RGB 44 251 163

HSL 154.49, 0.96%, 0.58%

LAB 88.05, -67.22, 28.94

 

CMYK 82 / 0 / 13 / 2

HEX #2CFBDB

RGB 44 251 219

HSL 170.72, 0.96%, 0.58%

LAB 89.23, -54.5, 1.8

 

CMYK 63 / 0 / 82 / 2

HEX #5CFB2C

RGB 92 251 44

HSL 106.09, 0.96%, 0.58%

LAB 87.7, -74.3, 77.62

 

CMYK 63 / 0 / 82 / 2

HEX #5CFB2C

RGB 92 251 44

HSL 106.09, 0.96%, 0.58%

LAB 87.7, -74.3, 77.62

 

CMYK 57 / 0 / 74 / 8

HEX #65EA3D

RGB 101 234 61

HSL 106.13, 0.8%, 0.58%

LAB 82.89, -65.71, 68.37

 

CMYK 49 / 0 / 64 / 15

HEX #6FD94E

RGB 111 217 78

HSL 105.76, 0.65%, 0.58%

LAB 78.2, -55.53, 57.28

 

CMYK 40 / 0 / 52 / 22

HEX #78C75F

RGB 120 199 95

HSL 105.58, 0.48%, 0.58%

LAB 73.33, -43.72, 44.15

 

CMYK 29 / 0 / 38 / 29

HEX #81B671

RGB 129 182 113

HSL 106.09, 0.32%, 0.58%

LAB 68.98, -30.61, 29.7

 

CMYK 18 / 0 / 82 / 2

HEX #CEFB2C

RGB 206 251 44

HSL 73.04, 0.96%, 0.58%

LAB 92.71, -38.68, 83.94

 

CMYK 40 / 0 / 82 / 2

HEX #97FB2C

RGB 151 251 44

HSL 88.99, 0.96%, 0.58%

LAB 89.75, -58.42, 80.21

 

CMYK 62 / 0 / 82 / 2

HEX #5FFB2C

RGB 95 251 44

HSL 105.22, 0.96%, 0.58%

LAB 87.78, -73.66, 77.71

 

CMYK 82 / 0 / 81 / 2

HEX #2CFB2F

RGB 44 251 47

HSL 120.87, 0.96%, 0.58%

LAB 86.87, -81.46, 75.81

 

CMYK 82 / 0 / 59 / 2

HEX #2CFB66

RGB 44 251 102

HSL 136.81, 0.96%, 0.58%

LAB 87.24, -76.85, 56.88

 

CMYK 76 / 0 / 99 / 18

HEX #33D203

RGB 51 210 3

HSL 106.09, 0.97%, 0.42%

LAB 74.06, -70.31, 72.1

 

CMYK 76 / 0 / 99 / 2

HEX #3DFA03

RGB 61 250 3

HSL 105.91, 0.98%, 0.5%

LAB 86.69, -80.43, 82.31

 

CMYK 63 / 0 / 82 / 2

HEX #5CFB2C

RGB 92 251 44

HSL 106.09, 0.96%, 0.58%

LAB 87.7, -74.3, 77.62

 

CMYK 51 / 0 / 67 / 1

HEX #7BFC54

RGB 123 252 84

HSL 106.07, 0.97%, 0.66%

LAB 89.15, -64.73, 66.82

 

CMYK 39 / 0 / 51 / 1

HEX #9BFD7D

RGB 155 253 125

HSL 105.94, 0.97%, 0.74%

LAB 91.1, -51.79, 51.91

 

CMYK 63 / 0 / 83 / 1

HEX #5CFC2B

RGB 92 252 43

HSL 105.93, 0.97%, 0.58%

LAB 88, -74.66, 78.11

 

CMYK 82 / 0 / 4 / 2

HEX #2CFBF1

RGB 44 251 241

HSL 177.1, 0.96%, 0.58%

LAB 89.8, -48.66, -8.79

 

CMYK 0 / 82 / 29 / 2

HEX #FB2CB3

RGB 251 44 179

HSL 320.87, 0.96%, 0.58%

LAB 57.62, 83.09, -22.05

 

CMYK 63 / 0 / 83 / 1

HEX #5CFC2B

RGB 92 252 43

HSL 105.93, 0.97%, 0.58%

LAB 88, -74.66, 78.11

 

CMYK 82 / 62 / 0 / 2

HEX #2C5FFB

RGB 44 95 251

HSL 225.22, 0.96%, 0.58%

LAB 46.56, 39.85, -81.97

 

CMYK 0 / 82 / 62 / 2

HEX #FB2C5F

RGB 251 44 95

HSL 345.22, 0.96%, 0.58%

LAB 55.21, 76.14, 24.2

 

CMYK 63 / 0 / 83 / 1

HEX #5CFC2B

RGB 92 252 43

HSL 105.93, 0.97%, 0.58%

LAB 88, -74.66, 78.11

 

CMYK 82 / 0 / 4 / 2

HEX #2CFBF1

RGB 44 251 241

HSL 177.1, 0.96%, 0.58%

LAB 89.8, -48.66, -8.79

 

CMYK 21 / 82 / 0 / 2

HEX #C72CFB

RGB 199 44 251

HSL 284.93, 0.96%, 0.58%

LAB 52.85, 83.67, -71.12

 

CMYK 0 / 82 / 78 / 2

HEX #FB2C36

RGB 251 44 54

HSL 357.1, 0.96%, 0.58%

LAB 54.63, 74.41, 47.1

 

CMYK 63 / 0 / 83 / 1

HEX #5CFC2B

RGB 92 252 43

HSL 105.93, 0.97%, 0.58%

LAB 88, -74.66, 78.11

 

CMYK 82 / 21 / 0 / 2

HEX #2CC7FB

RGB 44 199 251

HSL 195.07, 0.96%, 0.58%

LAB 75.04, -21.28, -36.49

 

CMYK 21 / 82 / 0 / 2

HEX #C72CFB

RGB 199 44 251

HSL 284.93, 0.96%, 0.58%

LAB 52.85, 83.67, -71.12

 

CMYK 0 / 62 / 82 / 2

HEX #FB5F2C

RGB 251 95 44

HSL 14.78, 0.96%, 0.58%

LAB 60.67, 57.27, 57.73

 

Description

Color code: HEX #5CFC2B | qconv.com Color code: HEX #5CFC2B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 252 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 252 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 83 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 83% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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