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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CFCD5 it is the complementary color #A3032A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CFCD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CFCD5 shade: #61FCD0, #72FFE3, #83FFF6, #94FFFF and #A5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CFCD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CFCD5 shade: #5CFCD5, #4BEAC2, #3AD8AF, #29C69C and #18B489

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CFCD5 shade: #5AFBD4, #5AFBA8, #5AFB7D, #62FB5A and #8EFB5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CFCD5 shade: #5AFBD4, #5AF7FB, #5ACBFB, #5AA0FB and #5A74FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CFCD5 shade matches the following richer shades: #5AFBD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CFCD5 shade: #5AFBD4, #67EECD, #75E0C6, #82D2BF and #90C5B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CFCD5 shade: #5AFB7D, #5AFBA8, #5AFBD3, #5AF8FB and #5ACDFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CFCD5 shade: #09F9BF, #31FAC9, #5AFBD4, #82FCDE and #AAFDE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CFCD5 shade: #5CFCD5, #5A62FB and #FB925A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CFCD5 shade: #5CFCD5, #D35AFB and #FBD35A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CFCD5 shade: #5CFCD5, #5A62FB, #FB5A82 and #FBF35A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CFCD5 shade: #5CFCD5, #825AFB, #FB5A82 and #D3FB5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 15 / 1

HEX #5CFCD5

RGB 92 252 213

HSL 165.38, 0.96%, 0.67%

LAB 90.18, -50.77, 6.4

 

Complementary color

CMYK 0 / 98 / 74 / 36

HEX #A3032A

RGB 163 3 42

HSL 345.38, 0.96%, 0.33%

LAB 34.02, 57.88, 26.39

 

CMYK 62 / 0 / 17 / 1

HEX #61FCD0

RGB 97 252 208

HSL 162.97, 0.96%, 0.68%

LAB 90.19, -51.09, 9.02

 

CMYK 55 / 0 / 11 / 0

HEX #72FFE3

RGB 114 255 227

HSL 168.09, 1%, 0.72%

LAB 91.97, -44.83, 1.82

 

CMYK 49 / 0 / 4 / 0

HEX #83FFF6

RGB 131 255 246

HSL 175.65, 1%, 0.76%

LAB 93.01, -36.83, -6.42

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 63 / 0 / 15 / 1

HEX #5CFCD5

RGB 92 252 213

HSL 165.38, 0.96%, 0.67%

LAB 90.18, -50.77, 6.4

 

CMYK 68 / 0 / 17 / 8

HEX #4BEAC2

RGB 75 234 194

HSL 164.91, 0.79%, 0.61%

LAB 84.09, -50.39, 7.49

 

CMYK 73 / 0 / 19 / 15

HEX #3AD8AF

RGB 58 216 175

HSL 164.43, 0.67%, 0.54%

LAB 77.94, -49.83, 8.68

 

CMYK 79 / 0 / 21 / 22

HEX #29C69C

RGB 41 198 156

HSL 163.95, 0.66%, 0.47%

LAB 71.73, -49.02, 9.99

 

CMYK 87 / 0 / 24 / 29

HEX #18B489

RGB 24 180 137

HSL 163.46, 0.76%, 0.4%

LAB 65.47, -47.87, 11.44

 

CMYK 64 / 0 / 16 / 2

HEX #5AFBD4

RGB 90 251 212

HSL 165.47, 0.95%, 0.67%

LAB 89.82, -50.9, 6.39

 

CMYK 64 / 0 / 33 / 2

HEX #5AFBA8

RGB 90 251 168

HSL 149.07, 0.95%, 0.67%

LAB 88.92, -60.3, 27.72

 

CMYK 64 / 0 / 50 / 2

HEX #5AFB7D

RGB 90 251 125

HSL 133.04, 0.95%, 0.67%

LAB 88.28, -67.39, 47.95

 

CMYK 61 / 0 / 64 / 2

HEX #62FB5A

RGB 98 251 90

HSL 117.02, 0.95%, 0.67%

LAB 88.13, -69.87, 63.15

 

CMYK 43 / 0 / 64 / 2

HEX #8EFB5A

RGB 142 251 90

HSL 100.62, 0.95%, 0.67%

LAB 89.62, -58.47, 65.21

 

CMYK 64 / 0 / 16 / 2

HEX #5AFBD4

RGB 90 251 212

HSL 165.47, 0.95%, 0.67%

LAB 89.82, -50.9, 6.39

 

CMYK 64 / 2 / 0 / 2

HEX #5AF7FB

RGB 90 247 251

HSL 181.49, 0.95%, 0.67%

LAB 89.7, -39.23, -14.07

 

CMYK 64 / 19 / 0 / 2

HEX #5ACBFB

RGB 90 203 251

HSL 197.89, 0.95%, 0.67%

LAB 77.19, -17.89, -33.09

 

CMYK 64 / 36 / 0 / 2

HEX #5AA0FB

RGB 90 160 251

HSL 213.91, 0.95%, 0.67%

LAB 65.18, 5.7, -51.86

 

CMYK 64 / 54 / 0 / 2

HEX #5A74FB

RGB 90 116 251

HSL 230.31, 0.95%, 0.67%

LAB 53.63, 32.06, -70.36

 

CMYK 64 / 0 / 16 / 2

HEX #5AFBD4

RGB 90 251 212

HSL 165.47, 0.95%, 0.67%

LAB 89.82, -50.9, 6.39

 

CMYK 64 / 0 / 16 / 2

HEX #5AFBD4

RGB 90 251 212

HSL 165.47, 0.95%, 0.67%

LAB 89.82, -50.9, 6.39

 

CMYK 57 / 0 / 14 / 7

HEX #67EECD

RGB 103 238 205

HSL 165.33, 0.8%, 0.67%

LAB 86.23, -44.72, 4.9

 

CMYK 48 / 0 / 12 / 12

HEX #75E0C6

RGB 117 224 198

HSL 165.42, 0.63%, 0.67%

LAB 82.47, -37.11, 3.2

 

CMYK 38 / 0 / 9 / 18

HEX #82D2BF

RGB 130 210 191

HSL 165.75, 0.47%, 0.67%

LAB 78.81, -28.87, 1.68

 

CMYK 27 / 0 / 7 / 23

HEX #90C5B8

RGB 144 197 184

HSL 165.28, 0.31%, 0.67%

LAB 75.65, -19.98, 0.94

 

CMYK 64 / 0 / 50 / 2

HEX #5AFB7D

RGB 90 251 125

HSL 133.04, 0.95%, 0.67%

LAB 88.28, -67.39, 47.95

 

CMYK 64 / 0 / 33 / 2

HEX #5AFBA8

RGB 90 251 168

HSL 149.07, 0.95%, 0.67%

LAB 88.92, -60.3, 27.72

 

CMYK 64 / 0 / 16 / 2

HEX #5AFBD3

RGB 90 251 211

HSL 165.09, 0.95%, 0.67%

LAB 89.8, -51.14, 6.88

 

CMYK 64 / 1 / 0 / 2

HEX #5AF8FB

RGB 90 248 251

HSL 181.12, 0.95%, 0.67%

LAB 89.99, -39.69, -13.65

 

CMYK 64 / 18 / 0 / 2

HEX #5ACDFB

RGB 90 205 251

HSL 197.14, 0.95%, 0.67%

LAB 77.76, -18.93, -32.21

 

CMYK 96 / 0 / 23 / 2

HEX #09F9BF

RGB 9 249 191

HSL 165.5, 0.95%, 0.51%

LAB 87.76, -62.25, 14.19

 

CMYK 80 / 0 / 20 / 2

HEX #31FAC9

RGB 49 250 201

HSL 165.37, 0.95%, 0.59%

LAB 88.56, -58.15, 10.19

 

CMYK 64 / 0 / 16 / 2

HEX #5AFBD4

RGB 90 251 212

HSL 165.47, 0.95%, 0.67%

LAB 89.82, -50.9, 6.39

 

CMYK 48 / 0 / 12 / 1

HEX #82FCDE

RGB 130 252 222

HSL 165.25, 0.95%, 0.75%

LAB 91.52, -41.32, 3.82

 

CMYK 33 / 0 / 8 / 1

HEX #AAFDE9

RGB 170 253 233

HSL 165.54, 0.95%, 0.83%

LAB 93.74, -29.36, 1.56

 

CMYK 63 / 0 / 15 / 1

HEX #5CFCD5

RGB 92 252 213

HSL 165.38, 0.96%, 0.67%

LAB 90.18, -50.77, 6.4

 

CMYK 64 / 61 / 0 / 2

HEX #5A62FB

RGB 90 98 251

HSL 237.02, 0.95%, 0.67%

LAB 49.34, 42.91, -77.33

 

CMYK 0 / 42 / 64 / 2

HEX #FB925A

RGB 251 146 90

HSL 20.87, 0.95%, 0.67%

LAB 70.74, 34.83, 46.24

 

CMYK 63 / 0 / 15 / 1

HEX #5CFCD5

RGB 92 252 213

HSL 165.38, 0.96%, 0.67%

LAB 90.18, -50.77, 6.4

 

CMYK 16 / 64 / 0 / 2

HEX #D35AFB

RGB 211 90 251

HSL 285.09, 0.95%, 0.67%

LAB 60, 70.39, -59.51

 

CMYK 0 / 16 / 64 / 2

HEX #FBD35A

RGB 251 211 90

HSL 45.09, 0.95%, 0.67%

LAB 85.92, 1.01, 63.3

 

CMYK 63 / 0 / 15 / 1

HEX #5CFCD5

RGB 92 252 213

HSL 165.38, 0.96%, 0.67%

LAB 90.18, -50.77, 6.4

 

CMYK 64 / 61 / 0 / 2

HEX #5A62FB

RGB 90 98 251

HSL 237.02, 0.95%, 0.67%

LAB 49.34, 42.91, -77.33

 

CMYK 0 / 64 / 48 / 2

HEX #FB5A82

RGB 251 90 130

HSL 345.09, 0.95%, 0.67%

LAB 61.16, 64.1, 11.73

 

CMYK 0 / 3 / 64 / 2

HEX #FBF35A

RGB 251 243 90

HSL 57.02, 0.95%, 0.67%

LAB 94.03, -14.97, 71.89

 

CMYK 63 / 0 / 15 / 1

HEX #5CFCD5

RGB 92 252 213

HSL 165.38, 0.96%, 0.67%

LAB 90.18, -50.77, 6.4

 

CMYK 48 / 64 / 0 / 2

HEX #825AFB

RGB 130 90 251

HSL 254.91, 0.95%, 0.67%

LAB 50.71, 53.91, -74.97

 

CMYK 0 / 64 / 48 / 2

HEX #FB5A82

RGB 251 90 130

HSL 345.09, 0.95%, 0.67%

LAB 61.16, 64.1, 11.73

 

CMYK 16 / 0 / 64 / 2

HEX #D3FB5A

RGB 211 251 90

HSL 74.91, 0.95%, 0.67%

LAB 93.27, -34.56, 70.2

 

Description

Color code: HEX #5CFCD5 | qconv.com Color code: HEX #5CFCD5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 252 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 252 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 15 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 15% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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