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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A0A62 it is the complementary color #A5F59D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A0A62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A0A62 shade: #5F0A5D, #701C70, #812E83, #924096 and #A352A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A0A62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A0A62 shade: #5A0A62, #49004F, #38003C, #270029 and #160016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A0A62 shade: #590A60, #600A51, #600A3A, #600A22 and #600A0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A0A62 shade: #590A60, #410A60, #2A0A60, #120A60 and #0A0A60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A0A62 shade matches the following richer shades: #590A60 and #600169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A0A62 shade: #590A60, #511258, #4A1B4F, #432446 and #3C2C3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A0A62 shade: #290A60, #410A60, #580A60, #600A52 and #600A3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A0A62 shade: #140216, #36063B, #590A60, #7B0E86 and #9D12AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A0A62 shade: #5A0A62, #60120A and #0A6035

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A0A62 shade: #5A0A62, #60580A and #0A6058

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A0A62 shade: #5A0A62, #60120A, #12600A and #0A5860

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A0A62 shade: #5A0A62, #602C0A, #12600A and #0A3E60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 90 / 0 / 62

HEX #5A0A62

RGB 90 10 98

HSL 294.55, 0.81%, 0.21%

LAB 21.1, 44.85, -31.5

 

Complementary color

CMYK 33 / 0 / 36 / 4

HEX #A5F59D

RGB 165 245 157

HSL 114.55, 0.81%, 0.79%

LAB 89.74, -41, 34.83

 

CMYK 0 / 89 / 2 / 63

HEX #5F0A5D

RGB 95 10 93

HSL 301.41, 0.81%, 0.21%

LAB 21.73, 44.99, -27.14

 

CMYK 0 / 75 / 0 / 56

HEX #701C70

RGB 112 28 112

HSL 300, 0.6%, 0.27%

LAB 27.97, 46.7, -29.41

 

CMYK 2 / 65 / 0 / 49

HEX #812E83

RGB 129 46 131

HSL 298.59, 0.48%, 0.35%

LAB 34.52, 47.1, -30.83

 

CMYK 3 / 57 / 0 / 41

HEX #924096

RGB 146 64 150

HSL 297.21, 0.4%, 0.42%

LAB 41.18, 46.85, -31.77

 

CMYK 4 / 51 / 0 / 34

HEX #A352A9

RGB 163 82 169

HSL 295.86, 0.35%, 0.49%

LAB 47.86, 46.3, -32.44

 

CMYK 8 / 90 / 0 / 62

HEX #5A0A62

RGB 90 10 98

HSL 294.55, 0.81%, 0.21%

LAB 21.1, 44.85, -31.5

 

CMYK 8 / 100 / 0 / 69

HEX #49004F

RGB 73 0 79

HSL 295.44, 1%, 0.15%

LAB 15.39, 40.9, -28.09

 

CMYK 7 / 100 / 0 / 76

HEX #38003C

RGB 56 0 60

HSL 296, 1%, 0.12%

LAB 10.31, 34.22, -23.12

 

CMYK 5 / 100 / 0 / 84

HEX #270029

RGB 39 0 41

HSL 297.07, 1%, 0.08%

LAB 5.34, 25.62, -17.23

 

CMYK 0 / 100 / 0 / 91

HEX #160016

RGB 22 0 22

HSL 300, 1%, 0.04%

LAB 2.06, 10.59, -7.57

 

CMYK 7 / 90 / 0 / 62

HEX #590A60

RGB 89 10 96

HSL 295.12, 0.81%, 0.21%

LAB 20.77, 44.28, -30.72

 

CMYK 0 / 90 / 16 / 62

HEX #600A51

RGB 96 10 81

HSL 310.47, 0.81%, 0.21%

LAB 21.2, 43.26, -19.92

 

CMYK 0 / 90 / 40 / 62

HEX #600A3A

RGB 96 10 58

HSL 326.51, 0.81%, 0.21%

LAB 20.08, 40.14, -5.81

 

CMYK 0 / 90 / 65 / 62

HEX #600A22

RGB 96 10 34

HSL 343.26, 0.81%, 0.21%

LAB 19.31, 37.89, 10.09

 

CMYK 0 / 90 / 89 / 62

HEX #600A0B

RGB 96 10 11

HSL 359.3, 0.81%, 0.21%

LAB 18.92, 36.74, 24.32

 

CMYK 7 / 90 / 0 / 62

HEX #590A60

RGB 89 10 96

HSL 295.12, 0.81%, 0.21%

LAB 20.77, 44.28, -30.72

 

CMYK 32 / 90 / 0 / 62

HEX #410A60

RGB 65 10 96

HSL 278.37, 0.81%, 0.21%

LAB 16.43, 39.74, -37.95

 

CMYK 56 / 90 / 0 / 62

HEX #2A0A60

RGB 42 10 96

HSL 262.33, 0.81%, 0.21%

LAB 12.95, 36.26, -43.8

 

CMYK 81 / 90 / 0 / 62

HEX #120A60

RGB 18 10 96

HSL 245.58, 0.81%, 0.21%

LAB 10.48, 33.93, -47.95

 

CMYK 90 / 90 / 0 / 62

HEX #0A0A60

RGB 10 10 96

HSL 240, 0.81%, 0.21%

LAB 10, 33.49, -48.77

 

CMYK 7 / 90 / 0 / 62

HEX #590A60

RGB 89 10 96

HSL 295.12, 0.81%, 0.21%

LAB 20.77, 44.28, -30.72

 

CMYK 9 / 99 / 0 / 59

HEX #600169

RGB 96 1 105

HSL 294.81, 0.98%, 0.21%

LAB 22.05, 49.36, -34.51

 

CMYK 7 / 90 / 0 / 62

HEX #590A60

RGB 89 10 96

HSL 295.12, 0.81%, 0.21%

LAB 20.77, 44.28, -30.72

 

CMYK 8 / 80 / 0 / 65

HEX #511258

RGB 81 18 88

HSL 294, 0.66%, 0.21%

LAB 19.58, 38.49, -27.38

 

CMYK 6 / 66 / 0 / 69

HEX #4A1B4F

RGB 74 27 79

HSL 294.23, 0.49%, 0.21%

LAB 19.24, 30.67, -21.92

 

CMYK 4 / 49 / 0 / 73

HEX #432446

RGB 67 36 70

HSL 294.71, 0.32%, 0.21%

LAB 19.63, 21.09, -15.27

 

CMYK 3 / 29 / 0 / 76

HEX #3C2C3E

RGB 60 44 62

HSL 293.33, 0.17%, 0.21%

LAB 20.48, 11.2, -8.56

 

CMYK 57 / 90 / 0 / 62

HEX #290A60

RGB 41 10 96

HSL 261.63, 0.81%, 0.21%

LAB 12.82, 36.13, -44.02

 

CMYK 32 / 90 / 0 / 62

HEX #410A60

RGB 65 10 96

HSL 278.37, 0.81%, 0.21%

LAB 16.43, 39.74, -37.95

 

CMYK 8 / 90 / 0 / 62

HEX #580A60

RGB 88 10 96

HSL 294.42, 0.81%, 0.21%

LAB 20.58, 44.07, -31.03

 

CMYK 0 / 90 / 15 / 62

HEX #600A52

RGB 96 10 82

HSL 309.77, 0.81%, 0.21%

LAB 21.26, 43.41, -20.5

 

CMYK 0 / 90 / 39 / 62

HEX #600A3B

RGB 96 10 59

HSL 325.81, 0.81%, 0.21%

LAB 20.12, 40.26, -6.45

 

CMYK 9 / 91 / 0 / 91

HEX #140216

RGB 20 2 22

HSL 294, 0.83%, 0.05%

LAB 2.26, 8.9, -7.31

 

CMYK 8 / 90 / 0 / 77

HEX #36063B

RGB 54 6 59

HSL 294.34, 0.82%, 0.13%

LAB 10.78, 30.77, -21.67

 

CMYK 7 / 90 / 0 / 62

HEX #590A60

RGB 89 10 96

HSL 295.12, 0.81%, 0.21%

LAB 20.77, 44.28, -30.72

 

CMYK 8 / 90 / 0 / 47

HEX #7B0E86

RGB 123 14 134

HSL 294.5, 0.81%, 0.29%

LAB 30.03, 56.75, -39.92

 

CMYK 8 / 89 / 0 / 33

HEX #9D12AB

RGB 157 18 171

HSL 294.51, 0.81%, 0.37%

LAB 38.8, 68.33, -48.08

 

CMYK 8 / 90 / 0 / 62

HEX #5A0A62

RGB 90 10 98

HSL 294.55, 0.81%, 0.21%

LAB 21.1, 44.85, -31.5

 

CMYK 0 / 81 / 90 / 62

HEX #60120A

RGB 96 18 10

HSL 5.58, 0.81%, 0.21%

LAB 19.81, 34.18, 25.76

 

CMYK 90 / 0 / 45 / 62

HEX #0A6035

RGB 10 96 53

HSL 150, 0.81%, 0.21%

LAB 35.38, -34.72, 18

 

CMYK 8 / 90 / 0 / 62

HEX #5A0A62

RGB 90 10 98

HSL 294.55, 0.81%, 0.21%

LAB 21.1, 44.85, -31.5

 

CMYK 0 / 8 / 90 / 62

HEX #60580A

RGB 96 88 10

HSL 54.42, 0.81%, 0.21%

LAB 36.91, -5.61, 41.45

 

CMYK 90 / 0 / 8 / 62

HEX #0A6058

RGB 10 96 88

HSL 174.42, 0.81%, 0.21%

LAB 36.24, -25.33, -2.15

 

CMYK 8 / 90 / 0 / 62

HEX #5A0A62

RGB 90 10 98

HSL 294.55, 0.81%, 0.21%

LAB 21.1, 44.85, -31.5

 

CMYK 0 / 81 / 90 / 62

HEX #60120A

RGB 96 18 10

HSL 5.58, 0.81%, 0.21%

LAB 19.81, 34.18, 25.76

 

CMYK 81 / 0 / 90 / 62

HEX #12600A

RGB 18 96 10

HSL 114.42, 0.81%, 0.21%

LAB 35.04, -39.27, 38.06

 

CMYK 90 / 8 / 0 / 62

HEX #0A5860

RGB 10 88 96

HSL 185.58, 0.81%, 0.21%

LAB 33.75, -18.43, -10.87

 

CMYK 8 / 90 / 0 / 62

HEX #5A0A62

RGB 90 10 98

HSL 294.55, 0.81%, 0.21%

LAB 21.1, 44.85, -31.5

 

CMYK 0 / 54 / 90 / 62

HEX #602C0A

RGB 96 44 10

HSL 23.72, 0.81%, 0.21%

LAB 24.67, 21.31, 30.89

 

CMYK 81 / 0 / 90 / 62

HEX #12600A

RGB 18 96 10

HSL 114.42, 0.81%, 0.21%

LAB 35.04, -39.27, 38.06

 

CMYK 90 / 35 / 0 / 62

HEX #0A3E60

RGB 10 62 96

HSL 203.72, 0.81%, 0.21%

LAB 24.81, -2.58, -24.72

 

Description

Color code: HEX #5A0A62 | qconv.com Color code: HEX #5A0A62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 10 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 10 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 90 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 90% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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