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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A2471 it is the complementary color #A5DB8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A2471. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A2471 shade: #5F246C, #70367F, #814892, #925AA5 and #A36CB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A2471. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A2471 shade: #5A2471, #49125E, #38004B, #270038 and #160025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A2471 shade: #592370, #6E2370, #70235D, #702349 and #702334

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A2471 shade: #592370, #442370, #2F2370 and #232370

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A2471 shade matches the following richer shades: #592370, #5E177C and #630B88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A2471 shade: #592370, #542F64, #4F3B58, #4A474C and #465340

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A2471 shade: #302370, #442370, #592370, #6D2370 and #70235E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A2471 shade: #270F31, #401951, #592370, #722D8F and #8B37AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A2471 shade: #5A2471, #70232B and #23703A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A2471 shade: #5A2471, #705923 and #237059

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A2471 shade: #5A2471, #70232B, #3A7023 and #237068

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A2471 shade: #5A2471, #703223, #3A7023 and #236170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 68 / 0 / 56

HEX #5A2471

RGB 90 36 113

HSL 282.08, 0.52%, 0.29%

LAB 25.65, 38.03, -33.96

 

Complementary color

CMYK 25 / 0 / 35 / 14

HEX #A5DB8E

RGB 165 219 142

HSL 102.08, 0.52%, 0.71%

LAB 82.17, -31.36, 32.41

 

CMYK 12 / 67 / 0 / 58

HEX #5F246C

RGB 95 36 108

HSL 289.17, 0.5%, 0.28%

LAB 26.09, 38.22, -29.99

 

CMYK 12 / 57 / 0 / 50

HEX #70367F

RGB 112 54 127

HSL 287.67, 0.4%, 0.35%

LAB 33.17, 37.72, -30.64

 

CMYK 12 / 51 / 0 / 43

HEX #814892

RGB 129 72 146

HSL 286.22, 0.34%, 0.43%

LAB 40.21, 36.98, -31.05

 

CMYK 12 / 45 / 0 / 35

HEX #925AA5

RGB 146 90 165

HSL 284.8, 0.29%, 0.5%

LAB 47.16, 36.16, -31.35

 

CMYK 11 / 41 / 0 / 28

HEX #A36CB8

RGB 163 108 184

HSL 283.42, 0.35%, 0.57%

LAB 54, 35.35, -31.59

 

CMYK 20 / 68 / 0 / 56

HEX #5A2471

RGB 90 36 113

HSL 282.08, 0.52%, 0.29%

LAB 25.65, 38.03, -33.96

 

CMYK 22 / 81 / 0 / 63

HEX #49125E

RGB 73 18 94

HSL 283.42, 0.68%, 0.22%

LAB 18.62, 37.95, -33.01

 

CMYK 25 / 100 / 0 / 71

HEX #38004B

RGB 56 0 75

HSL 284.8, 1%, 0.15%

LAB 11.61, 37.24, -31.6

 

CMYK 30 / 100 / 0 / 78

HEX #270038

RGB 39 0 56

HSL 281.79, 1%, 0.11%

LAB 6.48, 29.93, -26.6

 

CMYK 41 / 100 / 0 / 85

HEX #160025

RGB 22 0 37

HSL 275.68, 1%, 0.07%

LAB 2.75, 15.39, -18.38

 

CMYK 21 / 69 / 0 / 56

HEX #592370

RGB 89 35 112

HSL 282.08, 0.52%, 0.29%

LAB 25.25, 38.05, -33.97

 

CMYK 2 / 69 / 0 / 56

HEX #6E2370

RGB 110 35 112

HSL 298.44, 0.52%, 0.29%

LAB 28.61, 43.42, -28.41

 

CMYK 0 / 69 / 17 / 56

HEX #70235D

RGB 112 35 93

HSL 314.81, 0.52%, 0.29%

LAB 27.95, 40.64, -17.15

 

CMYK 0 / 69 / 35 / 56

HEX #702349

RGB 112 35 73

HSL 330.39, 0.52%, 0.29%

LAB 27.1, 37.71, -5.22

 

CMYK 0 / 69 / 54 / 56

HEX #702334

RGB 112 35 52

HSL 346.75, 0.52%, 0.29%

LAB 26.43, 35.33, 7.93

 

CMYK 21 / 69 / 0 / 56

HEX #592370

RGB 89 35 112

HSL 282.08, 0.52%, 0.29%

LAB 25.25, 38.05, -33.97

 

CMYK 39 / 69 / 0 / 56

HEX #442370

RGB 68 35 112

HSL 265.71, 0.52%, 0.29%

LAB 22.31, 32.97, -38.86

 

CMYK 58 / 69 / 0 / 56

HEX #2F2370

RGB 47 35 112

HSL 249.35, 0.52%, 0.29%

LAB 19.95, 28.55, -42.8

 

CMYK 69 / 69 / 0 / 56

HEX #232370

RGB 35 35 112

HSL 240, 0.52%, 0.29%

LAB 18.93, 26.49, -44.51

 

CMYK 21 / 69 / 0 / 56

HEX #592370

RGB 89 35 112

HSL 282.08, 0.52%, 0.29%

LAB 25.25, 38.05, -33.97

 

CMYK 24 / 81 / 0 / 51

HEX #5E177C

RGB 94 23 124

HSL 282.18, 0.69%, 0.29%

LAB 25.1, 46.97, -41.83

 

CMYK 27 / 92 / 0 / 47

HEX #630B88

RGB 99 11 136

HSL 282.24, 0.85%, 0.29%

LAB 25.77, 53.68, -48.26

 

CMYK 21 / 69 / 0 / 56

HEX #592370

RGB 89 35 112

HSL 282.08, 0.52%, 0.29%

LAB 25.25, 38.05, -33.97

 

CMYK 16 / 53 / 0 / 61

HEX #542F64

RGB 84 47 100

HSL 281.89, 0.36%, 0.29%

LAB 26.27, 27.12, -24.64

 

CMYK 10 / 33 / 0 / 65

HEX #4F3B58

RGB 79 59 88

HSL 281.38, 0.2%, 0.29%

LAB 28.1, 14.9, -14.04

 

CMYK 3 / 7 / 0 / 70

HEX #4A474C

RGB 74 71 76

HSL 276, 0.03%, 0.29%

LAB 30.6, 2.35, -2.55

 

CMYK 16 / 0 / 23 / 67

HEX #465340

RGB 70 83 64

HSL 101.05, 0.13%, 0.29%

LAB 33.69, -9.23, 9.47

 

CMYK 57 / 69 / 0 / 56

HEX #302370

RGB 48 35 112

HSL 250.13, 0.52%, 0.29%

LAB 20.05, 28.73, -42.64

 

CMYK 39 / 69 / 0 / 56

HEX #442370

RGB 68 35 112

HSL 265.71, 0.52%, 0.29%

LAB 22.31, 32.97, -38.86

 

CMYK 21 / 69 / 0 / 56

HEX #592370

RGB 89 35 112

HSL 282.08, 0.52%, 0.29%

LAB 25.25, 38.05, -33.97

 

CMYK 3 / 69 / 0 / 56

HEX #6D2370

RGB 109 35 112

HSL 297.66, 0.52%, 0.29%

LAB 28.44, 43.16, -28.69

 

CMYK 0 / 69 / 16 / 56

HEX #70235E

RGB 112 35 94

HSL 314.03, 0.52%, 0.29%

LAB 27.99, 40.8, -17.73

 

CMYK 20 / 69 / 0 / 81

HEX #270F31

RGB 39 15 49

HSL 282.35, 0.53%, 0.13%

LAB 8.95, 19.59, -17.5

 

CMYK 21 / 69 / 0 / 68

HEX #401951

RGB 64 25 81

HSL 281.79, 0.53%, 0.21%

LAB 17.36, 29.34, -26.37

 

CMYK 21 / 69 / 0 / 56

HEX #592370

RGB 89 35 112

HSL 282.08, 0.52%, 0.29%

LAB 25.25, 38.05, -33.97

 

CMYK 20 / 69 / 0 / 44

HEX #722D8F

RGB 114 45 143

HSL 282.24, 0.52%, 0.37%

LAB 32.78, 46.26, -41.15

 

CMYK 21 / 69 / 0 / 31

HEX #8B37AF

RGB 139 55 175

HSL 282, 0.52%, 0.45%

LAB 40.11, 54.31, -48.5

 

CMYK 20 / 68 / 0 / 56

HEX #5A2471

RGB 90 36 113

HSL 282.08, 0.52%, 0.29%

LAB 25.65, 38.03, -33.96

 

CMYK 0 / 69 / 62 / 56

HEX #70232B

RGB 112 35 43

HSL 353.77, 0.52%, 0.29%

LAB 26.22, 34.55, 13.69

 

CMYK 69 / 0 / 48 / 56

HEX #23703A

RGB 35 112 58

HSL 137.92, 0.52%, 0.29%

LAB 41.61, -36.27, 23.29

 

CMYK 20 / 68 / 0 / 56

HEX #5A2471

RGB 90 36 113

HSL 282.08, 0.52%, 0.29%

LAB 25.65, 38.03, -33.96

 

CMYK 0 / 21 / 69 / 56

HEX #705923

RGB 112 89 35

HSL 42.08, 0.52%, 0.29%

LAB 39.09, 2.9, 33.9

 

CMYK 69 / 0 / 21 / 56

HEX #237059

RGB 35 112 89

HSL 162.08, 0.52%, 0.29%

LAB 42.26, -29.36, 6.02

 

CMYK 20 / 68 / 0 / 56

HEX #5A2471

RGB 90 36 113

HSL 282.08, 0.52%, 0.29%

LAB 25.65, 38.03, -33.96

 

CMYK 0 / 69 / 62 / 56

HEX #70232B

RGB 112 35 43

HSL 353.77, 0.52%, 0.29%

LAB 26.22, 34.55, 13.69

 

CMYK 48 / 0 / 69 / 56

HEX #3A7023

RGB 58 112 35

HSL 102.08, 0.52%, 0.29%

LAB 42.17, -33.05, 36.04

 

CMYK 69 / 0 / 7 / 56

HEX #237068

RGB 35 112 104

HSL 173.77, 0.52%, 0.29%

LAB 42.68, -25.15, -2.4

 

CMYK 20 / 68 / 0 / 56

HEX #5A2471

RGB 90 36 113

HSL 282.08, 0.52%, 0.29%

LAB 25.65, 38.03, -33.96

 

CMYK 0 / 55 / 69 / 56

HEX #703223

RGB 112 50 35

HSL 11.69, 0.52%, 0.29%

LAB 29.02, 26.2, 22.42

 

CMYK 48 / 0 / 69 / 56

HEX #3A7023

RGB 58 112 35

HSL 102.08, 0.52%, 0.29%

LAB 42.17, -33.05, 36.04

 

CMYK 69 / 13 / 0 / 56

HEX #236170

RGB 35 97 112

HSL 191.69, 0.52%, 0.29%

LAB 37.98, -14.53, -14.33

 

Description

Color code: HEX #5A2471 | qconv.com Color code: HEX #5A2471 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 36 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 36 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 68 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 68% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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