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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A2E26 it is the complementary color #A5D1D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A2E26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A2E26 shade: #5F2E21, #704034, #815247, #92645A and #A3766D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A2E26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A2E26 shade: #5A2E26, #491C13, #380A00, #270000 and #160000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A2E26 shade: #592D25 and #592525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A2E26 shade: #592D25, #593B25, #594925, #595725 and #4D5925

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A2E26 shade matches the following richer shades: #592D25, #64261B, #6E1F10 and #781806

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A2E26 shade: #592D25, #4F342F, #453B3A, #3A4344 and #304A4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A2E26 shade: #592539, #59252B, #592D25, #593B25 and #594925

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A2E26 shade: #1F100D, #3C1E19, #592D25, #763C31 and #944B3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A2E26 shade: #5A2E26, #475925 and #253259

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A2E26 shade: #5A2E26, #25592D and #2D2559

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A2E26 shade: #5A2E26, #475925, #255259 and #372559

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A2E26 shade: #5A2E26, #375925, #255259 and #472559

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 58 / 65

HEX #5A2E26

RGB 90 46 38

HSL 9.23, 0.41%, 0.25%

LAB 24.54, 19.17, 14.09

 

Complementary color

CMYK 24 / 4 / 0 / 15

HEX #A5D1D9

RGB 165 209 217

HSL 189.23, 0.41%, 0.75%

LAB 81.08, -12.55, -8.69

 

CMYK 0 / 52 / 65 / 63

HEX #5F2E21

RGB 95 46 33

HSL 12.58, 0.48%, 0.25%

LAB 25.25, 20.96, 18.42

 

CMYK 0 / 43 / 54 / 56

HEX #704034

RGB 112 64 52

HSL 12, 0.37%, 0.32%

LAB 32.61, 19.5, 16.3

 

CMYK 0 / 36 / 45 / 49

HEX #815247

RGB 129 82 71

HSL 11.38, 0.29%, 0.39%

LAB 39.84, 18.28, 14.59

 

CMYK 0 / 32 / 38 / 43

HEX #92645A

RGB 146 100 90

HSL 10.71, 0.24%, 0.46%

LAB 46.93, 17.26, 13.16

 

CMYK 0 / 28 / 33 / 36

HEX #A3766D

RGB 163 118 109

HSL 10, 0.23%, 0.53%

LAB 53.86, 16.39, 11.92

 

CMYK 0 / 49 / 58 / 65

HEX #5A2E26

RGB 90 46 38

HSL 9.23, 0.41%, 0.25%

LAB 24.54, 19.17, 14.09

 

CMYK 0 / 62 / 74 / 71

HEX #491C13

RGB 73 28 19

HSL 10, 0.59%, 0.18%

LAB 16.96, 20.72, 16.57

 

CMYK 0 / 82 / 100 / 78

HEX #380A00

RGB 56 10 0

HSL 10.71, 1%, 0.11%

LAB 9.46, 22, 14.71

 

CMYK 0 / 100 / 100 / 85

HEX #270000

RGB 39 0 0

HSL 0, 1%, 0.08%

LAB 3.9, 17.48, 6.16

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22 0 0

HSL 0, 1%, 0.04%

LAB 1.54, 6.91, 2.44

 

CMYK 0 / 49 / 58 / 65

HEX #592D25

RGB 89 45 37

HSL 9.23, 0.41%, 0.25%

LAB 24.11, 19.23, 14.16

 

CMYK 0 / 58 / 58 / 65

HEX #592525

RGB 89 37 37

HSL 0, 0.41%, 0.25%

LAB 22.23, 23.98, 11.68

 

CMYK 0 / 49 / 58 / 65

HEX #592D25

RGB 89 45 37

HSL 9.23, 0.41%, 0.25%

LAB 24.11, 19.23, 14.16

 

CMYK 0 / 34 / 58 / 65

HEX #593B25

RGB 89 59 37

HSL 25.38, 0.41%, 0.25%

LAB 27.81, 10.46, 18.89

 

CMYK 0 / 18 / 58 / 65

HEX #594925

RGB 89 73 37

HSL 41.54, 0.41%, 0.25%

LAB 31.86, 1.65, 23.87

 

CMYK 0 / 2 / 58 / 65

HEX #595725

RGB 89 87 37

HSL 57.69, 0.41%, 0.25%

LAB 36.13, -6.83, 28.89

 

CMYK 13 / 0 / 58 / 65

HEX #4D5925

RGB 77 89 37

HSL 73.85, 0.41%, 0.25%

LAB 35.71, -13.62, 28.13

 

CMYK 0 / 49 / 58 / 65

HEX #592D25

RGB 89 45 37

HSL 9.23, 0.41%, 0.25%

LAB 24.11, 19.23, 14.16

 

CMYK 0 / 62 / 73 / 61

HEX #64261B

RGB 100 38 27

HSL 9.04, 0.57%, 0.25%

LAB 24.24, 27.24, 21.24

 

CMYK 0 / 72 / 85 / 57

HEX #6E1F10

RGB 110 31 16

HSL 9.57, 0.75%, 0.25%

LAB 24.74, 34.11, 28.97

 

CMYK 0 / 80 / 95 / 53

HEX #781806

RGB 120 24 6

HSL 9.47, 0.9%, 0.25%

LAB 25.74, 40.16, 35.16

 

CMYK 0 / 49 / 58 / 65

HEX #592D25

RGB 89 45 37

HSL 9.23, 0.41%, 0.25%

LAB 24.11, 19.23, 14.16

 

CMYK 0 / 34 / 41 / 69

HEX #4F342F

RGB 79 52 47

HSL 9.37, 0.25%, 0.25%

LAB 24.71, 11.43, 8.08

 

CMYK 0 / 14 / 16 / 73

HEX #453B3A

RGB 69 59 58

HSL 5.45, 0.09%, 0.25%

LAB 25.86, 4.16, 2.22

 

CMYK 15 / 1 / 0 / 73

HEX #3A4344

RGB 58 67 68

HSL 186, 0.08%, 0.25%

LAB 27.66, -3.43, -1.86

 

CMYK 38 / 5 / 0 / 69

HEX #304A4E

RGB 48 74 78

HSL 188, 0.24%, 0.25%

LAB 29.6, -8.69, -5.54

 

CMYK 0 / 58 / 36 / 65

HEX #592539

RGB 89 37 57

HSL 336.92, 0.41%, 0.25%

LAB 22.8, 26.38, -1.22

 

CMYK 0 / 58 / 52 / 65

HEX #59252B

RGB 89 37 43

HSL 353.08, 0.41%, 0.25%

LAB 22.38, 24.6, 7.78

 

CMYK 0 / 49 / 58 / 65

HEX #592D25

RGB 89 45 37

HSL 9.23, 0.41%, 0.25%

LAB 24.11, 19.23, 14.16

 

CMYK 0 / 34 / 58 / 65

HEX #593B25

RGB 89 59 37

HSL 25.38, 0.41%, 0.25%

LAB 27.81, 10.46, 18.89

 

CMYK 0 / 18 / 58 / 65

HEX #594925

RGB 89 73 37

HSL 41.54, 0.41%, 0.25%

LAB 31.86, 1.65, 23.87

 

CMYK 0 / 48 / 58 / 88

HEX #1F100D

RGB 31 16 13

HSL 10, 0.41%, 0.09%

LAB 6.24, 6.81, 4.03

 

CMYK 0 / 50 / 58 / 76

HEX #3C1E19

RGB 60 30 25

HSL 8.57, 0.41%, 0.17%

LAB 15.27, 13.97, 9.84

 

CMYK 0 / 49 / 58 / 65

HEX #592D25

RGB 89 45 37

HSL 9.23, 0.41%, 0.25%

LAB 24.11, 19.23, 14.16

 

CMYK 0 / 49 / 58 / 54

HEX #763C31

RGB 118 60 49

HSL 9.57, 0.41%, 0.33%

LAB 32.49, 24.17, 18.2

 

CMYK 0 / 49 / 59 / 42

HEX #944B3D

RGB 148 75 61

HSL 9.66, 0.42%, 0.41%

LAB 40.68, 29.28, 22.27

 

CMYK 0 / 49 / 58 / 65

HEX #5A2E26

RGB 90 46 38

HSL 9.23, 0.41%, 0.25%

LAB 24.54, 19.17, 14.09

 

CMYK 20 / 0 / 58 / 65

HEX #475925

RGB 71 89 37

HSL 80.77, 0.41%, 0.25%

LAB 35.24, -16.33, 27.46

 

CMYK 58 / 44 / 0 / 65

HEX #253259

RGB 37 50 89

HSL 225, 0.41%, 0.25%

LAB 21.56, 7.65, -25.2

 

CMYK 0 / 49 / 58 / 65

HEX #5A2E26

RGB 90 46 38

HSL 9.23, 0.41%, 0.25%

LAB 24.54, 19.17, 14.09

 

CMYK 58 / 0 / 49 / 65

HEX #25592D

RGB 37 89 45

HSL 129.23, 0.41%, 0.25%

LAB 33.41, -28.04, 20.29

 

CMYK 49 / 58 / 0 / 65

HEX #2D2559

RGB 45 37 89

HSL 249.23, 0.41%, 0.25%

LAB 18.38, 18.92, -30.26

 

CMYK 0 / 49 / 58 / 65

HEX #5A2E26

RGB 90 46 38

HSL 9.23, 0.41%, 0.25%

LAB 24.54, 19.17, 14.09

 

CMYK 20 / 0 / 58 / 65

HEX #475925

RGB 71 89 37

HSL 80.77, 0.41%, 0.25%

LAB 35.24, -16.33, 27.46

 

CMYK 58 / 8 / 0 / 65

HEX #255259

RGB 37 82 89

HSL 188.08, 0.41%, 0.25%

LAB 32.14, -13.15, -8.81

 

CMYK 38 / 58 / 0 / 65

HEX #372559

RGB 55 37 89

HSL 260.77, 0.41%, 0.25%

LAB 19.46, 21.65, -28.46

 

CMYK 0 / 49 / 58 / 65

HEX #5A2E26

RGB 90 46 38

HSL 9.23, 0.41%, 0.25%

LAB 24.54, 19.17, 14.09

 

CMYK 38 / 0 / 58 / 65

HEX #375925

RGB 55 89 37

HSL 99.23, 0.41%, 0.25%

LAB 34.17, -23.07, 25.94

 

CMYK 58 / 8 / 0 / 65

HEX #255259

RGB 37 82 89

HSL 188.08, 0.41%, 0.25%

LAB 32.14, -13.15, -8.81

 

CMYK 20 / 58 / 0 / 65

HEX #472559

RGB 71 37 89

HSL 279.23, 0.41%, 0.25%

LAB 21.52, 26.41, -25.05

 

Description

Color code: HEX #5A2E26 | qconv.com Color code: HEX #5A2E26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 46 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 46 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 58 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 58% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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