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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A2F88 it is the complementary color #A5D077. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A2F88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A2F88 shade: #5F2F83, #704196, #8153A9, #9265BC and #A377CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A2F88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A2F88 shade: #5A2F88, #491D75, #380B62, #27004F and #16003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A2F88 shade: #5A2E88, #722E88, #882E86, #882E6E and #882E56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A2F88 shade: #5A2E88, #422E88 and #2E2E88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A2F88 shade matches the following richer shades: #5A2E88, #591F97, #5911A6 and #5802B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A2F88 shade: #5A2E88, #5A3D79, #5B4C6B, #5B5B5C and #5C6A4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A2F88 shade: #2E3488, #402E88, #582E88, #702E88 and #882E88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A2F88 shade: #31194B, #45246A, #5A2E88, #6E39A7 and #8349C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A2F88 shade: #5A2F88, #882E4C and #2E8834

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A2F88 shade: #5A2F88, #88582E and #2E8858

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A2F88 shade: #5A2F88, #882E4C, #5E882E and #2E886A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A2F88 shade: #5A2F88, #882E31, #5E882E and #2E8885

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 65 / 0 / 47

HEX #5A2F88

RGB 90 47 136

HSL 268.99, 0.49%, 0.36%

LAB 29.37, 37.9, -42.48

 

Complementary color

CMYK 21 / 0 / 43 / 18

HEX #A5D077

RGB 165 208 119

HSL 88.99, 0.49%, 0.64%

LAB 78.72, -29.25, 39.58

 

CMYK 27 / 64 / 0 / 49

HEX #5F2F83

RGB 95 47 131

HSL 274.29, 0.47%, 0.35%

LAB 29.67, 37.84, -38.85

 

CMYK 25 / 57 / 0 / 41

HEX #704196

RGB 112 65 150

HSL 273.18, 0.4%, 0.42%

LAB 36.79, 36.98, -39.02

 

CMYK 24 / 51 / 0 / 34

HEX #8153A9

RGB 129 83 169

HSL 272.09, 0.34%, 0.49%

LAB 43.83, 36.05, -39.09

 

CMYK 22 / 46 / 0 / 26

HEX #9265BC

RGB 146 101 188

HSL 271.03, 0.39%, 0.57%

LAB 50.74, 35.15, -39.13

 

CMYK 21 / 43 / 0 / 19

HEX #A377CF

RGB 163 119 207

HSL 270, 0.48%, 0.64%

LAB 57.55, 34.29, -39.16

 

CMYK 34 / 65 / 0 / 47

HEX #5A2F88

RGB 90 47 136

HSL 268.99, 0.49%, 0.36%

LAB 29.37, 37.9, -42.48

 

CMYK 38 / 75 / 0 / 54

HEX #491D75

RGB 73 29 117

HSL 270, 0.6%, 0.29%

LAB 22.23, 38.61, -42.17

 

CMYK 43 / 89 / 0 / 62

HEX #380B62

RGB 56 11 98

HSL 271.03, 0.8%, 0.21%

LAB 15.29, 38.41, -41.21

 

CMYK 51 / 100 / 0 / 69

HEX #27004F

RGB 39 0 79

HSL 269.62, 1%, 0.15%

LAB 8.96, 35.95, -38.85

 

CMYK 63 / 100 / 0 / 76

HEX #16003C

RGB 22 0 60

HSL 262, 1%, 0.12%

LAB 4.49, 26.36, -32.84

 

CMYK 34 / 66 / 0 / 47

HEX #5A2E88

RGB 90 46 136

HSL 269.33, 0.49%, 0.36%

LAB 29.17, 38.45, -42.8

 

CMYK 16 / 66 / 0 / 47

HEX #722E88

RGB 114 46 136

HSL 285.33, 0.49%, 0.36%

LAB 32.5, 44.27, -37.28

 

CMYK 0 / 66 / 1 / 47

HEX #882E86

RGB 136 46 134

HSL 301.33, 0.49%, 0.36%

LAB 35.81, 49.46, -30.57

 

CMYK 0 / 66 / 19 / 47

HEX #882E6E

RGB 136 46 110

HSL 317.33, 0.49%, 0.36%

LAB 34.63, 45.48, -17.41

 

CMYK 0 / 66 / 37 / 47

HEX #882E56

RGB 136 46 86

HSL 333.33, 0.49%, 0.36%

LAB 33.69, 42.17, -3.49

 

CMYK 34 / 66 / 0 / 47

HEX #5A2E88

RGB 90 46 136

HSL 269.33, 0.49%, 0.36%

LAB 29.17, 38.45, -42.8

 

CMYK 51 / 66 / 0 / 47

HEX #422E88

RGB 66 46 136

HSL 253.33, 0.49%, 0.36%

LAB 26.42, 33.21, -47.4

 

CMYK 66 / 66 / 0 / 47

HEX #2E2E88

RGB 46 46 136

HSL 240, 0.49%, 0.36%

LAB 24.68, 29.63, -50.31

 

CMYK 34 / 66 / 0 / 47

HEX #5A2E88

RGB 90 46 136

HSL 269.33, 0.49%, 0.36%

LAB 29.17, 38.45, -42.8

 

CMYK 41 / 79 / 0 / 41

HEX #591F97

RGB 89 31 151

HSL 269, 0.66%, 0.36%

LAB 27.68, 49.31, -54.5

 

CMYK 46 / 90 / 0 / 35

HEX #5911A6

RGB 89 17 166

HSL 268.99, 0.81%, 0.36%

LAB 27.51, 57.6, -63.92

 

CMYK 51 / 99 / 0 / 29

HEX #5802B5

RGB 88 2 181

HSL 268.83, 0.98%, 0.36%

LAB 27.99, 63.88, -72.15

 

CMYK 34 / 66 / 0 / 47

HEX #5A2E88

RGB 90 46 136

HSL 269.33, 0.49%, 0.36%

LAB 29.17, 38.45, -42.8

 

CMYK 26 / 50 / 0 / 53

HEX #5A3D79

RGB 90 61 121

HSL 269, 0.33%, 0.36%

LAB 31.56, 25.71, -29.62

 

CMYK 15 / 29 / 0 / 58

HEX #5B4C6B

RGB 91 76 107

HSL 269.03, 0.17%, 0.36%

LAB 34.91, 13.02, -15.6

 

CMYK 1 / 1 / 0 / 64

HEX #5B5B5C

RGB 91 91 92

HSL 240, 0.01%, 0.36%

LAB 38.69, 0.21, -0.58

 

CMYK 13 / 0 / 27 / 58

HEX #5C6A4D

RGB 92 106 77

HSL 88.97, 0.16%, 0.36%

LAB 42.94, -11.09, 14.57

 

CMYK 66 / 62 / 0 / 47

HEX #2E3488

RGB 46 52 136

HSL 236, 0.49%, 0.36%

LAB 26.2, 25.66, -47.83

 

CMYK 53 / 66 / 0 / 47

HEX #402E88

RGB 64 46 136

HSL 252, 0.49%, 0.36%

LAB 26.22, 32.81, -47.73

 

CMYK 35 / 66 / 0 / 47

HEX #582E88

RGB 88 46 136

HSL 268, 0.49%, 0.36%

LAB 28.92, 37.98, -43.23

 

CMYK 18 / 66 / 0 / 47

HEX #702E88

RGB 112 46 136

HSL 284, 0.49%, 0.36%

LAB 32.2, 43.77, -37.77

 

CMYK 0 / 66 / 0 / 47

HEX #882E88

RGB 136 46 136

HSL 300, 0.49%, 0.36%

LAB 35.92, 49.82, -31.64

 

CMYK 35 / 67 / 0 / 71

HEX #31194B

RGB 49 25 75

HSL 268.8, 0.5%, 0.2%

LAB 14.71, 23.57, -26.64

 

CMYK 35 / 66 / 0 / 58

HEX #45246A

RGB 69 36 106

HSL 268.29, 0.49%, 0.28%

LAB 22.19, 30.96, -35.16

 

CMYK 34 / 66 / 0 / 47

HEX #5A2E88

RGB 90 46 136

HSL 269.33, 0.49%, 0.36%

LAB 29.17, 38.45, -42.8

 

CMYK 34 / 66 / 0 / 35

HEX #6E39A7

RGB 110 57 167

HSL 268.91, 0.49%, 0.44%

LAB 36.04, 45.08, -50.48

 

CMYK 32 / 62 / 0 / 25

HEX #8349C0

RGB 131 73 192

HSL 269.24, 0.49%, 0.52%

LAB 43.35, 47.66, -53.33

 

CMYK 34 / 65 / 0 / 47

HEX #5A2F88

RGB 90 47 136

HSL 268.99, 0.49%, 0.36%

LAB 29.37, 37.9, -42.48

 

CMYK 0 / 66 / 44 / 47

HEX #882E4C

RGB 136 46 76

HSL 340, 0.49%, 0.36%

LAB 33.37, 41.02, 2.52

 

CMYK 66 / 0 / 62 / 47

HEX #2E8834

RGB 46 136 52

HSL 124, 0.49%, 0.36%

LAB 50.02, -44.28, 36.67

 

CMYK 34 / 65 / 0 / 47

HEX #5A2F88

RGB 90 47 136

HSL 268.99, 0.49%, 0.36%

LAB 29.37, 37.9, -42.48

 

CMYK 0 / 35 / 66 / 47

HEX #88582E

RGB 136 88 46

HSL 28, 0.49%, 0.36%

LAB 41.86, 15.51, 32

 

CMYK 66 / 0 / 35 / 47

HEX #2E8858

RGB 46 136 88

HSL 148, 0.49%, 0.36%

LAB 50.56, -38.24, 18.18

 

CMYK 34 / 65 / 0 / 47

HEX #5A2F88

RGB 90 47 136

HSL 268.99, 0.49%, 0.36%

LAB 29.37, 37.9, -42.48

 

CMYK 0 / 66 / 44 / 47

HEX #882E4C

RGB 136 46 76

HSL 340, 0.49%, 0.36%

LAB 33.37, 41.02, 2.52

 

CMYK 31 / 0 / 66 / 47

HEX #5E882E

RGB 94 136 46

HSL 88, 0.49%, 0.36%

LAB 52.05, -29.79, 42.3

 

CMYK 66 / 0 / 22 / 47

HEX #2E886A

RGB 46 136 106

HSL 160, 0.49%, 0.36%

LAB 50.95, -34.11, 8.41

 

CMYK 34 / 65 / 0 / 47

HEX #5A2F88

RGB 90 47 136

HSL 268.99, 0.49%, 0.36%

LAB 29.37, 37.9, -42.48

 

CMYK 0 / 66 / 64 / 47

HEX #882E31

RGB 136 46 49

HSL 358, 0.49%, 0.36%

LAB 32.72, 38.61, 19.11

 

CMYK 31 / 0 / 66 / 47

HEX #5E882E

RGB 94 136 46

HSL 88, 0.49%, 0.36%

LAB 52.05, -29.79, 42.3

 

CMYK 66 / 0 / 2 / 47

HEX #2E8885

RGB 46 136 133

HSL 178, 0.49%, 0.36%

LAB 51.7, -26.74, -6.19

 

Description

Color code: HEX #5A2F88 | qconv.com Color code: HEX #5A2F88 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 47 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 47 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 65 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 65% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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