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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A3898 it is the complementary color #A5C767. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A3898. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A3898 shade: #5F3893, #704AA6, #815CB9, #926ECC and #A380DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A3898. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A3898 shade: #5A3898, #492685, #381472, #27025F and #16004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A3898 shade: #5A3898, #743898, #8E3898, #983888 and #98386F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A3898 shade: #5A3898, #403898 and #383898

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A3898 shade matches the following richer shades: #5A3898, #5527A9, #5016BA and #4B05CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A3898 shade: #5A3898, #5F4987, #645A76, #696B65 and #6E7C54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A3898 shade: #384A98, #403898, #5A3898, #733898 and #8D3898

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A3898 shade: #36225C, #482D7A, #5A3898, #6C43B6 and #835FC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A3898 shade: #5A3898, #983863 and #3D9838

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A3898 shade: #5A3898, #985A38 and #38985A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A3898 shade: #5A3898, #983863, #769838 and #38986D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A3898 shade: #5A3898, #983846, #769838 and #38988A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 63 / 0 / 40

HEX #5A3898

RGB 90 56 152

HSL 261.25, 0.46%, 0.41%

LAB 32.41, 37.17, -47.41

 

Complementary color

CMYK 17 / 0 / 48 / 22

HEX #A5C767

RGB 165 199 103

HSL 81.25, 0.46%, 0.59%

LAB 75.96, -26.79, 44.06

 

CMYK 35 / 62 / 0 / 42

HEX #5F3893

RGB 95 56 147

HSL 265.71, 0.45%, 0.4%

LAB 32.63, 36.97, -43.98

 

CMYK 33 / 55 / 0 / 35

HEX #704AA6

RGB 112 74 166

HSL 264.78, 0.38%, 0.47%

LAB 39.74, 35.89, -43.93

 

CMYK 30 / 50 / 0 / 27

HEX #815CB9

RGB 129 92 185

HSL 263.87, 0.4%, 0.54%

LAB 46.74, 34.85, -43.84

 

CMYK 28 / 46 / 0 / 20

HEX #926ECC

RGB 146 110 204

HSL 262.98, 0.48%, 0.62%

LAB 53.62, 33.89, -43.75

 

CMYK 27 / 43 / 0 / 13

HEX #A380DF

RGB 163 128 223

HSL 262.11, 0.6%, 0.69%

LAB 60.38, 33, -43.68

 

CMYK 41 / 63 / 0 / 40

HEX #5A3898

RGB 90 56 152

HSL 261.25, 0.46%, 0.41%

LAB 32.41, 37.17, -47.41

 

CMYK 45 / 71 / 0 / 48

HEX #492685

RGB 73 38 133

HSL 262.11, 0.56%, 0.34%

LAB 25.25, 38.31, -47.39

 

CMYK 51 / 82 / 0 / 55

HEX #381472

RGB 56 20 114

HSL 262.98, 0.7%, 0.26%

LAB 18.17, 39.04, -46.96

 

CMYK 59 / 98 / 0 / 63

HEX #27025F

RGB 39 2 95

HSL 263.87, 0.96%, 0.19%

LAB 11.28, 39.07, -45.89

 

CMYK 71 / 100 / 0 / 70

HEX #16004C

RGB 22 0 76

HSL 257.37, 1%, 0.15%

LAB 6.25, 33.16, -41.31

 

CMYK 41 / 63 / 0 / 40

HEX #5A3898

RGB 90 56 152

HSL 261.25, 0.46%, 0.41%

LAB 32.41, 37.17, -47.41

 

CMYK 24 / 63 / 0 / 40

HEX #743898

RGB 116 56 152

HSL 277.5, 0.46%, 0.41%

LAB 35.61, 43.36, -42.09

 

CMYK 7 / 63 / 0 / 40

HEX #8E3898

RGB 142 56 152

HSL 293.75, 0.46%, 0.41%

LAB 39.32, 49.94, -35.96

 

CMYK 0 / 63 / 11 / 40

HEX #983888

RGB 152 56 136

HSL 310, 0.46%, 0.41%

LAB 40.05, 49.76, -24.97

 

CMYK 0 / 63 / 27 / 40

HEX #98386F

RGB 152 56 111

HSL 325.63, 0.46%, 0.41%

LAB 38.99, 45.98, -11.14

 

CMYK 41 / 63 / 0 / 40

HEX #5A3898

RGB 90 56 152

HSL 261.25, 0.46%, 0.41%

LAB 32.41, 37.17, -47.41

 

CMYK 58 / 63 / 0 / 40

HEX #403898

RGB 64 56 152

HSL 245, 0.46%, 0.41%

LAB 29.88, 31.8, -51.64

 

CMYK 63 / 63 / 0 / 40

HEX #383898

RGB 56 56 152

HSL 240, 0.46%, 0.41%

LAB 29.25, 30.4, -52.69

 

CMYK 41 / 63 / 0 / 40

HEX #5A3898

RGB 90 56 152

HSL 261.25, 0.46%, 0.41%

LAB 32.41, 37.17, -47.41

 

CMYK 50 / 77 / 0 / 34

HEX #5527A9

RGB 85 39 169

HSL 261.23, 0.63%, 0.41%

LAB 30.03, 49.86, -61.61

 

CMYK 57 / 88 / 0 / 27

HEX #5016BA

RGB 80 22 186

HSL 261.22, 0.79%, 0.41%

LAB 28.97, 60.17, -73.54

 

CMYK 63 / 98 / 0 / 20

HEX #4B05CB

RGB 75 5 203

HSL 261.21, 0.95%, 0.41%

LAB 29.2, 67.56, -83.18

 

CMYK 41 / 63 / 0 / 40

HEX #5A3898

RGB 90 56 152

HSL 261.25, 0.46%, 0.41%

LAB 32.41, 37.17, -47.41

 

CMYK 30 / 46 / 0 / 47

HEX #5F4987

RGB 95 73 135

HSL 261.29, 0.3%, 0.41%

LAB 35.88, 23.49, -31.43

 

CMYK 15 / 24 / 0 / 54

HEX #645A76

RGB 100 90 118

HSL 261.43, 0.13%, 0.41%

LAB 40.13, 10.15, -14.36

 

CMYK 2 / 0 / 6 / 58

HEX #696B65

RGB 105 107 101

HSL 80, 0.03%, 0.41%

LAB 44.88, -1.99, 3.09

 

CMYK 11 / 0 / 32 / 51

HEX #6E7C54

RGB 110 124 84

HSL 81, 0.19%, 0.41%

LAB 49.94, -12.61, 20.18

 

CMYK 63 / 51 / 0 / 40

HEX #384A98

RGB 56 74 152

HSL 228.75, 0.46%, 0.41%

LAB 33.99, 18.55, -45

 

CMYK 58 / 63 / 0 / 40

HEX #403898

RGB 64 56 152

HSL 245, 0.46%, 0.41%

LAB 29.88, 31.8, -51.64

 

CMYK 41 / 63 / 0 / 40

HEX #5A3898

RGB 90 56 152

HSL 261.25, 0.46%, 0.41%

LAB 32.41, 37.17, -47.41

 

CMYK 24 / 63 / 0 / 40

HEX #733898

RGB 115 56 152

HSL 276.88, 0.46%, 0.41%

LAB 35.48, 43.12, -42.31

 

CMYK 7 / 63 / 0 / 40

HEX #8D3898

RGB 141 56 152

HSL 293.13, 0.46%, 0.41%

LAB 39.17, 49.68, -36.21

 

CMYK 41 / 63 / 0 / 64

HEX #36225C

RGB 54 34 92

HSL 260.69, 0.46%, 0.25%

LAB 18.8, 24.26, -31.52

 

CMYK 41 / 63 / 0 / 52

HEX #482D7A

RGB 72 45 122

HSL 261.04, 0.46%, 0.33%

LAB 25.74, 30.89, -39.67

 

CMYK 41 / 63 / 0 / 40

HEX #5A3898

RGB 90 56 152

HSL 261.25, 0.46%, 0.41%

LAB 32.41, 37.17, -47.41

 

CMYK 41 / 63 / 0 / 29

HEX #6C43B6

RGB 108 67 182

HSL 261.39, 0.46%, 0.49%

LAB 38.86, 43.2, -54.85

 

CMYK 33 / 52 / 0 / 23

HEX #835FC4

RGB 131 95 196

HSL 261.39, 0.46%, 0.57%

LAB 48.25, 36.49, -47.79

 

CMYK 41 / 63 / 0 / 40

HEX #5A3898

RGB 90 56 152

HSL 261.25, 0.46%, 0.41%

LAB 32.41, 37.17, -47.41

 

CMYK 0 / 63 / 35 / 40

HEX #983863

RGB 152 56 99

HSL 333.13, 0.46%, 0.41%

LAB 38.56, 44.4, -4.26

 

CMYK 60 / 0 / 63 / 40

HEX #3D9838

RGB 61 152 56

HSL 116.88, 0.46%, 0.41%

LAB 55.82, -46.36, 41.51

 

CMYK 41 / 63 / 0 / 40

HEX #5A3898

RGB 90 56 152

HSL 261.25, 0.46%, 0.41%

LAB 32.41, 37.17, -47.41

 

CMYK 0 / 41 / 63 / 40

HEX #985A38

RGB 152 90 56

HSL 21.25, 0.46%, 0.41%

LAB 44.62, 22.16, 30.22

 

CMYK 63 / 0 / 41 / 40

HEX #38985A

RGB 56 152 90

HSL 141.25, 0.46%, 0.41%

LAB 56.12, -42.46, 24.53

 

CMYK 41 / 63 / 0 / 40

HEX #5A3898

RGB 90 56 152

HSL 261.25, 0.46%, 0.41%

LAB 32.41, 37.17, -47.41

 

CMYK 0 / 63 / 35 / 40

HEX #983863

RGB 152 56 99

HSL 333.13, 0.46%, 0.41%

LAB 38.56, 44.4, -4.26

 

CMYK 22 / 0 / 63 / 40

HEX #769838

RGB 118 152 56

HSL 81.25, 0.46%, 0.41%

LAB 58.6, -27.08, 45.37

 

CMYK 63 / 0 / 28 / 40

HEX #38986D

RGB 56 152 109

HSL 153.13, 0.46%, 0.41%

LAB 56.49, -38.57, 14.5

 

CMYK 41 / 63 / 0 / 40

HEX #5A3898

RGB 90 56 152

HSL 261.25, 0.46%, 0.41%

LAB 32.41, 37.17, -47.41

 

CMYK 0 / 63 / 54 / 40

HEX #983846

RGB 152 56 70

HSL 351.25, 0.46%, 0.41%

LAB 37.75, 41.33, 12.93

 

CMYK 22 / 0 / 63 / 40

HEX #769838

RGB 118 152 56

HSL 81.25, 0.46%, 0.41%

LAB 58.6, -27.08, 45.37

 

CMYK 63 / 0 / 9 / 40

HEX #38988A

RGB 56 152 138

HSL 171.25, 0.46%, 0.41%

LAB 57.2, -31.38, -0.93

 

Description

Color code: HEX #5A3898 | qconv.com Color code: HEX #5A3898 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 56 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 56 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 63 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 63% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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