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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A3983 it is the complementary color #A5C67C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A3983. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A3983 shade: #5F397E, #704B91, #815DA4, #926FB7 and #A381CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A3983. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A3983 shade: #5A3983, #492770, #38155D, #27034A and #160037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A3983 shade: #5A3983, #6E3983, #823983, #833970 and #83395C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A3983 shade: #5A3983, #463983 and #393983

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A3983 shade matches the following richer shades: #5A3983, #582A92, #571BA1 and #550BB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A3983 shade: #5A3983, #5C4873, #5D5864, #5F6755 and #607646

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A3983 shade: #394083, #453983, #593983, #6D3983 and #803983

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A3983 shade: #322049, #462C66, #5A3983, #6E469F and #8259B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A3983 shade: #5A3983, #833954 and #39833C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A3983 shade: #5A3983, #835939 and #398359

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A3983 shade: #5A3983, #833954, #638339 and #398368

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A3983 shade: #5A3983, #83393E, #638339 and #39837E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 56 / 0 / 49

HEX #5A3983

RGB 90 57 131

HSL 266.76, 0.39%, 0.37%

LAB 31.2, 30.8, -36.43

 

Complementary color

CMYK 17 / 0 / 37 / 22

HEX #A5C67C

RGB 165 198 124

HSL 86.76, 0.39%, 0.63%

LAB 75.97, -23.78, 33.52

 

CMYK 25 / 55 / 0 / 51

HEX #5F397E

RGB 95 57 126

HSL 273.04, 0.38%, 0.36%

LAB 31.5, 30.9, -32.81

 

CMYK 23 / 48 / 0 / 43

HEX #704B91

RGB 112 75 145

HSL 271.71, 0.32%, 0.43%

LAB 38.76, 29.94, -32.86

 

CMYK 21 / 43 / 0 / 36

HEX #815DA4

RGB 129 93 164

HSL 270.42, 0.28%, 0.5%

LAB 45.87, 29.04, -32.9

 

CMYK 20 / 39 / 0 / 28

HEX #926FB7

RGB 146 111 183

HSL 269.17, 0.33%, 0.58%

LAB 52.84, 28.21, -32.95

 

CMYK 19 / 36 / 0 / 21

HEX #A381CA

RGB 163 129 202

HSL 267.95, 0.41%, 0.65%

LAB 59.66, 27.46, -33.02

 

CMYK 31 / 56 / 0 / 49

HEX #5A3983

RGB 90 57 131

HSL 266.76, 0.39%, 0.37%

LAB 31.2, 30.8, -36.43

 

CMYK 35 / 65 / 0 / 56

HEX #492770

RGB 73 39 112

HSL 267.95, 0.48%, 0.3%

LAB 23.79, 31.86, -36.42

 

CMYK 40 / 77 / 0 / 64

HEX #38155D

RGB 56 21 93

HSL 269.17, 0.63%, 0.22%

LAB 16.34, 32.68, -36.16

 

CMYK 47 / 96 / 0 / 71

HEX #27034A

RGB 39 3 74

HSL 270.42, 0.92%, 0.15%

LAB 8.92, 33.03, -35.44

 

CMYK 60 / 100 / 0 / 78

HEX #160037

RGB 22 0 55

HSL 264, 1%, 0.11%

LAB 4.03, 23.96, -29.93

 

CMYK 31 / 56 / 0 / 49

HEX #5A3983

RGB 90 57 131

HSL 266.76, 0.39%, 0.37%

LAB 31.2, 30.8, -36.43

 

CMYK 16 / 56 / 0 / 49

HEX #6E3983

RGB 110 57 131

HSL 282.97, 0.39%, 0.37%

LAB 33.73, 36.4, -32.25

 

CMYK 1 / 56 / 0 / 49

HEX #823983

RGB 130 57 131

HSL 299.19, 0.39%, 0.37%

LAB 36.58, 42.17, -27.58

 

CMYK 0 / 56 / 15 / 49

HEX #833970

RGB 131 57 112

HSL 315.41, 0.39%, 0.37%

LAB 35.83, 39.05, -16.89

 

CMYK 0 / 56 / 30 / 49

HEX #83395C

RGB 131 57 92

HSL 331.62, 0.39%, 0.37%

LAB 35.05, 35.94, -5.4

 

CMYK 31 / 56 / 0 / 49

HEX #5A3983

RGB 90 57 131

HSL 266.76, 0.39%, 0.37%

LAB 31.2, 30.8, -36.43

 

CMYK 47 / 56 / 0 / 49

HEX #463983

RGB 70 57 131

HSL 250.54, 0.39%, 0.37%

LAB 29.07, 25.62, -39.96

 

CMYK 56 / 56 / 0 / 49

HEX #393983

RGB 57 57 131

HSL 240, 0.39%, 0.37%

LAB 27.94, 22.63, -41.85

 

CMYK 31 / 56 / 0 / 49

HEX #5A3983

RGB 90 57 131

HSL 266.76, 0.39%, 0.37%

LAB 31.2, 30.8, -36.43

 

CMYK 40 / 71 / 0 / 43

HEX #582A92

RGB 88 42 146

HSL 266.54, 0.55%, 0.37%

LAB 28.92, 42.75, -49.41

 

CMYK 46 / 83 / 0 / 37

HEX #571BA1

RGB 87 27 161

HSL 266.87, 0.71%, 0.37%

LAB 27.8, 53.05, -60.42

 

CMYK 52 / 94 / 0 / 31

HEX #550BB0

RGB 85 11 176

HSL 266.91, 0.88%, 0.37%

LAB 27.59, 60.87, -69.84

 

CMYK 31 / 56 / 0 / 49

HEX #5A3983

RGB 90 57 131

HSL 266.76, 0.39%, 0.37%

LAB 31.2, 30.8, -36.43

 

CMYK 20 / 37 / 0 / 55

HEX #5C4873

RGB 92 72 115

HSL 267.91, 0.23%, 0.37%

LAB 34.29, 17.9, -21.57

 

CMYK 7 / 12 / 0 / 61

HEX #5D5864

RGB 93 88 100

HSL 265, 0.06%, 0.37%

LAB 38.25, 4.59, -6.17

 

CMYK 8 / 0 / 17 / 60

HEX #5F6755

RGB 95 103 85

HSL 86.67, 0.1%, 0.37%

LAB 42.44, -6.72, 9.13

 

CMYK 19 / 0 / 41 / 54

HEX #607646

RGB 96 118 70

HSL 87.5, 0.26%, 0.37%

LAB 46.82, -17.15, 23.84

 

CMYK 56 / 51 / 0 / 49

HEX #394083

RGB 57 64 131

HSL 234.32, 0.39%, 0.37%

LAB 29.85, 17.94, -38.77

 

CMYK 47 / 56 / 0 / 49

HEX #453983

RGB 69 57 131

HSL 249.73, 0.39%, 0.37%

LAB 28.98, 25.37, -40.12

 

CMYK 32 / 56 / 0 / 49

HEX #593983

RGB 89 57 131

HSL 265.95, 0.39%, 0.37%

LAB 31.09, 30.53, -36.62

 

CMYK 17 / 56 / 0 / 49

HEX #6D3983

RGB 109 57 131

HSL 282.16, 0.39%, 0.37%

LAB 33.6, 36.12, -32.48

 

CMYK 2 / 56 / 0 / 49

HEX #803983

RGB 128 57 131

HSL 297.57, 0.39%, 0.37%

LAB 36.28, 41.59, -28.07

 

CMYK 32 / 56 / 0 / 71

HEX #322049

RGB 50 32 73

HSL 266.34, 0.39%, 0.21%

LAB 16.47, 18.68, -22.46

 

CMYK 31 / 57 / 0 / 60

HEX #462C66

RGB 70 44 102

HSL 266.9, 0.4%, 0.29%

LAB 23.88, 25.24, -29.85

 

CMYK 31 / 56 / 0 / 49

HEX #5A3983

RGB 90 57 131

HSL 266.76, 0.39%, 0.37%

LAB 31.2, 30.8, -36.43

 

CMYK 31 / 56 / 0 / 38

HEX #6E469F

RGB 110 70 159

HSL 266.97, 0.39%, 0.45%

LAB 38.2, 35.87, -42.22

 

CMYK 29 / 51 / 0 / 29

HEX #8259B6

RGB 130 89 182

HSL 266.45, 0.39%, 0.53%

LAB 46, 36.09, -43.27

 

CMYK 31 / 56 / 0 / 49

HEX #5A3983

RGB 90 57 131

HSL 266.76, 0.39%, 0.37%

LAB 31.2, 30.8, -36.43

 

CMYK 0 / 56 / 36 / 49

HEX #833954

RGB 131 57 84

HSL 338.11, 0.39%, 0.37%

LAB 34.79, 34.85, -0.68

 

CMYK 56 / 0 / 54 / 49

HEX #39833C

RGB 57 131 60

HSL 122.43, 0.39%, 0.37%

LAB 48.8, -38.47, 31.29

 

CMYK 31 / 56 / 0 / 49

HEX #5A3983

RGB 90 57 131

HSL 266.76, 0.39%, 0.37%

LAB 31.2, 30.8, -36.43

 

CMYK 0 / 32 / 56 / 49

HEX #835939

RGB 131 89 57

HSL 25.95, 0.39%, 0.37%

LAB 41.63, 13.55, 25.36

 

CMYK 56 / 0 / 32 / 49

HEX #398359

RGB 57 131 89

HSL 145.95, 0.39%, 0.37%

LAB 49.28, -33.32, 15.93

 

CMYK 31 / 56 / 0 / 49

HEX #5A3983

RGB 90 57 131

HSL 266.76, 0.39%, 0.37%

LAB 31.2, 30.8, -36.43

 

CMYK 0 / 56 / 36 / 49

HEX #833954

RGB 131 57 84

HSL 338.11, 0.39%, 0.37%

LAB 34.79, 34.85, -0.68

 

CMYK 24 / 0 / 56 / 49

HEX #638339

RGB 99 131 57

HSL 85.95, 0.39%, 0.37%

LAB 50.9, -24.29, 35.85

 

CMYK 56 / 0 / 21 / 49

HEX #398368

RGB 57 131 104

HSL 158.11, 0.39%, 0.37%

LAB 49.62, -29.92, 7.72

 

CMYK 31 / 56 / 0 / 49

HEX #5A3983

RGB 90 57 131

HSL 266.76, 0.39%, 0.37%

LAB 31.2, 30.8, -36.43

 

CMYK 0 / 56 / 53 / 49

HEX #83393E

RGB 131 57 62

HSL 355.95, 0.39%, 0.37%

LAB 34.19, 32.34, 12.58

 

CMYK 24 / 0 / 56 / 49

HEX #638339

RGB 99 131 57

HSL 85.95, 0.39%, 0.37%

LAB 50.9, -24.29, 35.85

 

CMYK 56 / 0 / 4 / 49

HEX #39837E

RGB 57 131 126

HSL 175.95, 0.39%, 0.37%

LAB 50.23, -24.13, -4.26

 

Description

Color code: HEX #5A3983 | qconv.com Color code: HEX #5A3983 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 57 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 57 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 56 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 56% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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