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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A3A64 it is the complementary color #A5C59B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A3A64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A3A64 shade: #5F3A5F, #704C72, #815E85, #927098 and #A382AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A3A64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A3A64 shade: #5A3A64, #492851, #38163E, #27042B and #160018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A3A64 shade: #5A3964, #643963, #643957, #64394C and #643940

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A3A64 shade: #5A3964, #4E3964, #433964 and #393964

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A3A64 shade matches the following richer shades: #5A3964, #602C71, #67207D, #6E138A and #750697

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A3A64 shade: #5A3964, #534657, #4C534A, #46603E and #3F6C31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A3A64 shade: #423964, #4E3964, #593964, #643963 and #643958

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A3A64 shade: #2B1B2F, #422A4A, #5A3964, #71487E and #895798

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A3A64 shade: #5A3A64, #64393B and #396448

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A3A64 shade: #5A3A64, #645939 and #396459

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A3A64 shade: #5A3A64, #64393B, #446439 and #396462

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A3A64 shade: #5A3A64, #644439, #446439 and #395964

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 42 / 0 / 61

HEX #5A3A64

RGB 90 58 100

HSL 285.71, 0.27%, 0.31%

LAB 29.71, 22.36, -19.2

 

Complementary color

CMYK 16 / 0 / 21 / 23

HEX #A5C59B

RGB 165 197 155

HSL 105.71, 0.27%, 0.69%

LAB 76.25, -18.62, 17.58

 

CMYK 0 / 39 / 0 / 63

HEX #5F3A5F

RGB 95 58 95

HSL 300, 0.24%, 0.3%

LAB 30.12, 23.01, -15.3

 

CMYK 2 / 33 / 0 / 55

HEX #704C72

RGB 112 76 114

HSL 296.84, 0.2%, 0.37%

LAB 37.53, 22.19, -15.75

 

CMYK 3 / 29 / 0 / 48

HEX #815E85

RGB 129 94 133

HSL 293.85, 0.17%, 0.45%

LAB 44.75, 21.44, -16.15

 

CMYK 4 / 26 / 0 / 40

HEX #927098

RGB 146 112 152

HSL 291, 0.16%, 0.52%

LAB 51.8, 20.76, -16.53

 

CMYK 5 / 24 / 0 / 33

HEX #A382AB

RGB 163 130 171

HSL 288.29, 0.2%, 0.59%

LAB 58.69, 20.15, -16.9

 

CMYK 10 / 42 / 0 / 61

HEX #5A3A64

RGB 90 58 100

HSL 285.71, 0.27%, 0.31%

LAB 29.71, 22.36, -19.2

 

CMYK 10 / 51 / 0 / 68

HEX #492851

RGB 73 40 81

HSL 288.29, 0.34%, 0.24%

LAB 22.05, 23.25, -18.87

 

CMYK 10 / 65 / 0 / 76

HEX #38163E

RGB 56 22 62

HSL 291, 0.48%, 0.16%

LAB 14.19, 24.07, -18.36

 

CMYK 9 / 91 / 0 / 83

HEX #27042B

RGB 39 4 43

HSL 293.85, 0.83%, 0.09%

LAB 6.26, 24.14, -17.31

 

CMYK 8 / 100 / 0 / 91

HEX #160018

RGB 22 0 24

HSL 295, 1%, 0.05%

LAB 2.14, 11.1, -8.96

 

CMYK 10 / 43 / 0 / 61

HEX #5A3964

RGB 90 57 100

HSL 286.05, 0.27%, 0.31%

LAB 29.46, 22.98, -19.59

 

CMYK 0 / 43 / 1 / 61

HEX #643963

RGB 100 57 99

HSL 301.4, 0.27%, 0.31%

LAB 30.73, 26.24, -16.88

 

CMYK 0 / 43 / 13 / 61

HEX #643957

RGB 100 57 87

HSL 318.14, 0.27%, 0.31%

LAB 30.21, 23.86, -9.93

 

CMYK 0 / 43 / 24 / 61

HEX #64394C

RGB 100 57 76

HSL 333.49, 0.27%, 0.31%

LAB 29.81, 21.89, -3.38

 

CMYK 0 / 43 / 36 / 61

HEX #643940

RGB 100 57 64

HSL 350.23, 0.27%, 0.31%

LAB 29.43, 20.02, 3.92

 

CMYK 10 / 43 / 0 / 61

HEX #5A3964

RGB 90 57 100

HSL 286.05, 0.27%, 0.31%

LAB 29.46, 22.98, -19.59

 

CMYK 22 / 43 / 0 / 61

HEX #4E3964

RGB 78 57 100

HSL 269.3, 0.27%, 0.31%

LAB 28.02, 18.88, -21.94

 

CMYK 33 / 43 / 0 / 61

HEX #433964

RGB 67 57 100

HSL 253.95, 0.27%, 0.31%

LAB 26.85, 15.26, -23.87

 

CMYK 43 / 43 / 0 / 61

HEX #393964

RGB 57 57 100

HSL 240, 0.27%, 0.31%

LAB 25.91, 12.17, -25.41

 

CMYK 10 / 43 / 0 / 61

HEX #5A3964

RGB 90 57 100

HSL 286.05, 0.27%, 0.31%

LAB 29.46, 22.98, -19.59

 

CMYK 15 / 61 / 0 / 56

HEX #602C71

RGB 96 44 113

HSL 285.22, 0.44%, 0.31%

LAB 28.06, 35.46, -30.06

 

CMYK 18 / 74 / 0 / 51

HEX #67207D

RGB 103 32 125

HSL 285.81, 0.59%, 0.31%

LAB 27.84, 45.6, -37.97

 

CMYK 20 / 86 / 0 / 46

HEX #6E138A

RGB 110 19 138

HSL 285.88, 0.76%, 0.31%

LAB 28.42, 54.03, -45.12

 

CMYK 23 / 96 / 0 / 41

HEX #750697

RGB 117 6 151

HSL 285.93, 0.92%, 0.31%

LAB 29.78, 60.21, -50.89

 

CMYK 10 / 43 / 0 / 61

HEX #5A3964

RGB 90 57 100

HSL 286.05, 0.27%, 0.31%

LAB 29.46, 22.98, -19.59

 

CMYK 5 / 20 / 0 / 66

HEX #534657

RGB 83 70 87

HSL 285.88, 0.11%, 0.31%

LAB 31.6, 9.09, -8.04

 

CMYK 8 / 0 / 11 / 67

HEX #4C534A

RGB 76 83 74

HSL 106.67, 0.06%, 0.31%

LAB 34.43, -4.75, 4.32

 

CMYK 27 / 0 / 35 / 62

HEX #46603E

RGB 70 96 62

HSL 105.88, 0.22%, 0.31%

LAB 37.87, -17, 16.39

 

CMYK 42 / 0 / 55 / 58

HEX #3F6C31

RGB 63 108 49

HSL 105.76, 0.38%, 0.31%

LAB 41.22, -27.83, 27.99

 

CMYK 34 / 43 / 0 / 61

HEX #423964

RGB 66 57 100

HSL 252.56, 0.27%, 0.31%

LAB 26.75, 14.94, -24.03

 

CMYK 22 / 43 / 0 / 61

HEX #4E3964

RGB 78 57 100

HSL 269.3, 0.27%, 0.31%

LAB 28.02, 18.88, -21.94

 

CMYK 11 / 43 / 0 / 61

HEX #593964

RGB 89 57 100

HSL 284.65, 0.27%, 0.31%

LAB 29.34, 22.63, -19.79

 

CMYK 0 / 43 / 1 / 61

HEX #643963

RGB 100 57 99

HSL 301.4, 0.27%, 0.31%

LAB 30.73, 26.24, -16.88

 

CMYK 0 / 43 / 12 / 61

HEX #643958

RGB 100 57 88

HSL 316.74, 0.27%, 0.31%

LAB 30.25, 24.05, -10.51

 

CMYK 9 / 43 / 0 / 82

HEX #2B1B2F

RGB 43 27 47

HSL 288, 0.27%, 0.15%

LAB 12.63, 12.34, -10.23

 

CMYK 11 / 43 / 0 / 71

HEX #422A4A

RGB 66 42 74

HSL 285, 0.28%, 0.23%

LAB 21.24, 17.79, -15.49

 

CMYK 10 / 43 / 0 / 61

HEX #5A3964

RGB 90 57 100

HSL 286.05, 0.27%, 0.31%

LAB 29.46, 22.98, -19.59

 

CMYK 10 / 43 / 0 / 51

HEX #71487E

RGB 113 72 126

HSL 285.56, 0.27%, 0.39%

LAB 37.21, 27.55, -23.67

 

CMYK 10 / 43 / 0 / 40

HEX #895798

RGB 137 87 152

HSL 286.15, 0.27%, 0.47%

LAB 44.8, 32.27, -27.39

 

CMYK 10 / 42 / 0 / 61

HEX #5A3A64

RGB 90 58 100

HSL 285.71, 0.27%, 0.31%

LAB 29.71, 22.36, -19.2

 

CMYK 0 / 43 / 41 / 61

HEX #64393B

RGB 100 57 59

HSL 357.21, 0.27%, 0.31%

LAB 29.29, 19.32, 6.99

 

CMYK 43 / 0 / 28 / 61

HEX #396448

RGB 57 100 72

HSL 140.93, 0.27%, 0.31%

LAB 38.64, -21.89, 11.3

 

CMYK 10 / 42 / 0 / 61

HEX #5A3A64

RGB 90 58 100

HSL 285.71, 0.27%, 0.31%

LAB 29.71, 22.36, -19.2

 

CMYK 0 / 11 / 43 / 61

HEX #645939

RGB 100 89 57

HSL 44.65, 0.27%, 0.31%

LAB 38.11, -0.65, 20.15

 

CMYK 43 / 0 / 11 / 61

HEX #396459

RGB 57 100 89

HSL 164.65, 0.27%, 0.31%

LAB 39.08, -17.86, 1.55

 

CMYK 10 / 42 / 0 / 61

HEX #5A3A64

RGB 90 58 100

HSL 285.71, 0.27%, 0.31%

LAB 29.71, 22.36, -19.2

 

CMYK 0 / 43 / 41 / 61

HEX #64393B

RGB 100 57 59

HSL 357.21, 0.27%, 0.31%

LAB 29.29, 19.32, 6.99

 

CMYK 32 / 0 / 43 / 61

HEX #446439

RGB 68 100 57

HSL 104.65, 0.27%, 0.31%

LAB 38.97, -20.76, 20.75

 

CMYK 43 / 0 / 2 / 61

HEX #396462

RGB 57 100 98

HSL 177.21, 0.27%, 0.31%

LAB 39.35, -15.45, -3.57

 

CMYK 10 / 42 / 0 / 61

HEX #5A3A64

RGB 90 58 100

HSL 285.71, 0.27%, 0.31%

LAB 29.71, 22.36, -19.2

 

CMYK 0 / 32 / 43 / 61

HEX #644439

RGB 100 68 57

HSL 15.35, 0.27%, 0.31%

LAB 32.12, 12.26, 12.2

 

CMYK 32 / 0 / 43 / 61

HEX #446439

RGB 68 100 57

HSL 104.65, 0.27%, 0.31%

LAB 38.97, -20.76, 20.75

 

CMYK 43 / 11 / 0 / 61

HEX #395964

RGB 57 89 100

HSL 195.35, 0.27%, 0.31%

LAB 35.86, -8.5, -10.03

 

Description

Color code: HEX #5A3A64 | qconv.com Color code: HEX #5A3A64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 58 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 58 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 42 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 42% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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