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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A4591 it is the complementary color #A5BA6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A4591. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A4591 shade: #5F458C, #70579F, #8169B2, #927BC5 and #A38DD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A4591. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A4591 shade: #5A4591, #49337E, #38216B, #270F58 and #160045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A4591 shade: #594491, #6E4491, #834491, #91448B and #914476

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A4591 shade: #594491, #454491 and #444491

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A4591 shade matches the following richer shades: #594491, #5233A2, #4A21B4 and #4210C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A4591 shade: #594491, #615580, #69676E, #71785D and #78894C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A4591 shade: #445991, #444491, #594491, #6D4491 and #824491

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A4591 shade: #372A59, #483775, #594491, #6B51AD and #836DBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A4591 shade: #5A4591, #91446D and #4E9144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A4591 shade: #5A4591, #915944 and #449159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A4591 shade: #5A4591, #91446D, #7D9144 and #449168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A4591 shade: #5A4591, #914456, #7D9144 and #44917F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 52 / 0 / 43

HEX #5A4591

RGB 90 69 145

HSL 256.58, 0.36%, 0.42%

LAB 34.95, 27.36, -39.06

 

Complementary color

CMYK 11 / 0 / 41 / 27

HEX #A5BA6E

RGB 165 186 110

HSL 76.58, 0.36%, 0.58%

LAB 72.39, -19.6, 36.12

 

CMYK 32 / 51 / 0 / 45

HEX #5F458C

RGB 95 69 140

HSL 261.97, 0.34%, 0.41%

LAB 35.17, 27.33, -35.63

 

CMYK 30 / 45 / 0 / 38

HEX #70579F

RGB 112 87 159

HSL 260.83, 0.29%, 0.48%

LAB 42.41, 26.32, -35.52

 

CMYK 28 / 41 / 0 / 30

HEX #8169B2

RGB 129 105 178

HSL 259.73, 0.32%, 0.55%

LAB 49.48, 25.42, -35.44

 

CMYK 26 / 38 / 0 / 23

HEX #927BC5

RGB 146 123 197

HSL 258.65, 0.39%, 0.63%

LAB 56.39, 24.62, -35.41

 

CMYK 25 / 35 / 0 / 15

HEX #A38DD8

RGB 163 141 216

HSL 257.6, 0.49%, 0.7%

LAB 63.17, 23.9, -35.41

 

CMYK 38 / 52 / 0 / 43

HEX #5A4591

RGB 90 69 145

HSL 256.58, 0.36%, 0.42%

LAB 34.95, 27.36, -39.06

 

CMYK 42 / 60 / 0 / 51

HEX #49337E

RGB 73 51 126

HSL 257.6, 0.42%, 0.35%

LAB 27.55, 28.62, -39.28

 

CMYK 48 / 69 / 0 / 58

HEX #38216B

RGB 56 33 107

HSL 258.65, 0.53%, 0.27%

LAB 20, 29.99, -39.43

 

CMYK 56 / 83 / 0 / 65

HEX #270F58

RGB 39 15 88

HSL 259.73, 0.71%, 0.2%

LAB 12.46, 31.16, -39.23

 

CMYK 68 / 100 / 0 / 73

HEX #160045

RGB 22 0 69

HSL 259.13, 1%, 0.14%

LAB 5.42, 30.38, -37.76

 

CMYK 39 / 53 / 0 / 43

HEX #594491

RGB 89 68 145

HSL 256.36, 0.36%, 0.42%

LAB 34.6, 27.72, -39.62

 

CMYK 24 / 53 / 0 / 43

HEX #6E4491

RGB 110 68 145

HSL 272.73, 0.36%, 0.42%

LAB 36.92, 33.48, -35.8

 

CMYK 10 / 53 / 0 / 43

HEX #834491

RGB 131 68 145

HSL 289.09, 0.36%, 0.42%

LAB 39.59, 39.54, -31.4

 

CMYK 0 / 53 / 4 / 43

HEX #91448B

RGB 145 68 139

HSL 304.68, 0.36%, 0.42%

LAB 41.24, 42.52, -25.02

 

CMYK 0 / 53 / 19 / 43

HEX #914476

RGB 145 68 118

HSL 321.04, 0.36%, 0.42%

LAB 40.35, 38.91, -13.53

 

CMYK 39 / 53 / 0 / 43

HEX #594491

RGB 89 68 145

HSL 256.36, 0.36%, 0.42%

LAB 34.6, 27.72, -39.62

 

CMYK 52 / 53 / 0 / 43

HEX #454491

RGB 69 68 145

HSL 240.78, 0.36%, 0.42%

LAB 32.8, 22.78, -42.62

 

CMYK 53 / 53 / 0 / 43

HEX #444491

RGB 68 68 145

HSL 240, 0.36%, 0.42%

LAB 32.72, 22.56, -42.75

 

CMYK 39 / 53 / 0 / 43

HEX #594491

RGB 89 68 145

HSL 256.36, 0.36%, 0.42%

LAB 34.6, 27.72, -39.62

 

CMYK 49 / 69 / 0 / 36

HEX #5233A2

RGB 82 51 162

HSL 256.76, 0.52%, 0.42%

LAB 31.28, 41.24, -55.36

 

CMYK 59 / 82 / 0 / 29

HEX #4A21B4

RGB 74 33 180

HSL 256.73, 0.69%, 0.42%

LAB 29, 54.08, -69.93

 

CMYK 66 / 92 / 0 / 23

HEX #4210C5

RGB 66 16 197

HSL 256.57, 0.85%, 0.42%

LAB 28.27, 63.5, -81.23

 

CMYK 39 / 53 / 0 / 43

HEX #594491

RGB 89 68 145

HSL 256.36, 0.36%, 0.42%

LAB 34.6, 27.72, -39.62

 

CMYK 24 / 34 / 0 / 50

HEX #615580

RGB 97 85 128

HSL 256.74, 0.2%, 0.42%

LAB 38.89, 14.74, -22.41

 

CMYK 5 / 6 / 0 / 57

HEX #69676E

RGB 105 103 110

HSL 257.14, 0.03%, 0.42%

LAB 43.99, 2.25, -3.65

 

CMYK 6 / 0 / 23 / 53

HEX #71785D

RGB 113 120 93

HSL 75.56, 0.13%, 0.42%

LAB 49.17, -7.73, 13.98

 

CMYK 12 / 0 / 45 / 46

HEX #78894C

RGB 120 137 76

HSL 76.72, 0.29%, 0.42%

LAB 54.46, -16.58, 30.6

 

CMYK 53 / 39 / 0 / 43

HEX #445991

RGB 68 89 145

HSL 223.64, 0.36%, 0.42%

LAB 38.58, 8.89, -33.4

 

CMYK 53 / 53 / 0 / 43

HEX #444491

RGB 68 68 145

HSL 240, 0.36%, 0.42%

LAB 32.72, 22.56, -42.75

 

CMYK 39 / 53 / 0 / 43

HEX #594491

RGB 89 68 145

HSL 256.36, 0.36%, 0.42%

LAB 34.6, 27.72, -39.62

 

CMYK 25 / 53 / 0 / 43

HEX #6D4491

RGB 109 68 145

HSL 271.95, 0.36%, 0.42%

LAB 36.8, 33.2, -35.99

 

CMYK 10 / 53 / 0 / 43

HEX #824491

RGB 130 68 145

HSL 288.31, 0.36%, 0.42%

LAB 39.45, 39.25, -31.62

 

CMYK 38 / 53 / 0 / 65

HEX #372A59

RGB 55 42 89

HSL 256.6, 0.36%, 0.26%

LAB 20.79, 18.3, -26.34

 

CMYK 38 / 53 / 0 / 54

HEX #483775

RGB 72 55 117

HSL 256.45, 0.36%, 0.34%

LAB 27.83, 23.12, -33.15

 

CMYK 39 / 53 / 0 / 43

HEX #594491

RGB 89 68 145

HSL 256.36, 0.36%, 0.42%

LAB 34.6, 27.72, -39.62

 

CMYK 38 / 53 / 0 / 32

HEX #6B51AD

RGB 107 81 173

HSL 256.96, 0.36%, 0.5%

LAB 41.26, 32.39, -45.68

 

CMYK 30 / 41 / 0 / 27

HEX #836DBA

RGB 131 109 186

HSL 257.14, 0.36%, 0.58%

LAB 51.05, 25.68, -37.6

 

CMYK 38 / 52 / 0 / 43

HEX #5A4591

RGB 90 69 145

HSL 256.58, 0.36%, 0.42%

LAB 34.95, 27.36, -39.06

 

CMYK 0 / 53 / 25 / 43

HEX #91446D

RGB 145 68 109

HSL 328.05, 0.36%, 0.42%

LAB 40.01, 37.52, -8.46

 

CMYK 46 / 0 / 53 / 43

HEX #4E9144

RGB 78 145 68

HSL 112.21, 0.36%, 0.42%

LAB 54.33, -37.15, 34.09

 

CMYK 38 / 52 / 0 / 43

HEX #5A4591

RGB 90 69 145

HSL 256.58, 0.36%, 0.42%

LAB 34.95, 27.36, -39.06

 

CMYK 0 / 39 / 53 / 43

HEX #915944

RGB 145 89 68

HSL 16.36, 0.36%, 0.42%

LAB 43.63, 20.74, 21.81

 

CMYK 53 / 0 / 39 / 43

HEX #449159

RGB 68 145 89

HSL 136.36, 0.36%, 0.42%

LAB 54.24, -36.75, 22.67

 

CMYK 38 / 52 / 0 / 43

HEX #5A4591

RGB 90 69 145

HSL 256.58, 0.36%, 0.42%

LAB 34.95, 27.36, -39.06

 

CMYK 0 / 53 / 25 / 43

HEX #91446D

RGB 145 68 109

HSL 328.05, 0.36%, 0.42%

LAB 40.01, 37.52, -8.46

 

CMYK 14 / 0 / 53 / 43

HEX #7D9144

RGB 125 145 68

HSL 75.58, 0.36%, 0.42%

LAB 57.1, -19.57, 38.07

 

CMYK 53 / 0 / 28 / 43

HEX #449168

RGB 68 145 104

HSL 148.05, 0.36%, 0.42%

LAB 54.53, -33.77, 14.67

 

CMYK 38 / 52 / 0 / 43

HEX #5A4591

RGB 90 69 145

HSL 256.58, 0.36%, 0.42%

LAB 34.95, 27.36, -39.06

 

CMYK 0 / 53 / 41 / 43

HEX #914456

RGB 145 68 86

HSL 345.97, 0.36%, 0.42%

LAB 39.29, 34.42, 4.84

 

CMYK 14 / 0 / 53 / 43

HEX #7D9144

RGB 125 145 68

HSL 75.58, 0.36%, 0.42%

LAB 57.1, -19.57, 38.07

 

CMYK 53 / 0 / 12 / 43

HEX #44917F

RGB 68 145 127

HSL 165.97, 0.36%, 0.42%

LAB 55.08, -28.38, 2.32

 

Description

Color code: HEX #5A4591 | qconv.com Color code: HEX #5A4591 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 69 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 69 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 52 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 52% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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