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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A47F9 it is the complementary color #A5B806. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A47F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A47F9 shade: #5F47F4, #7059FF, #816BFF, #927DFF and #A38FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A47F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A47F9 shade: #5A47F9, #4935E6, #3823D3, #2711C0 and #1600AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A47F9 shade: #5A47F9, #8A47F9, #BA47F9, #EA47F9 and #F947D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A47F9 shade: #5A47F9 and #4747F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A47F9 shade matches the following richer shades: #5A47F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A47F9 shade: #5A47F9, #6657EA, #7266DA, #7E75CB and #8A85BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A47F9 shade: #4794F9, #4765F9, #5947F9, #8847F9 and #B847F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A47F9 shade: #1F07E7, #361FF8, #5A47F9, #7E6FFA and #A298FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A47F9 shade: #5A47F9, #F947C4 and #7DF947

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A47F9 shade: #5A47F9, #F95947 and #47F959

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A47F9 shade: #5A47F9, #F947C4, #E7F947 and #47F97D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A47F9 shade: #5A47F9, #F9478E, #E7F947 and #47F9B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 71 / 0 / 2

HEX #5A47F9

RGB 90 71 249

HSL 246.4, 0.94%, 0.63%

LAB 43.54, 57.5, -85.73

 

Complementary color

CMYK 10 / 0 / 97 / 28

HEX #A5B806

RGB 165 184 6

HSL 66.4, 0.94%, 0.37%

LAB 71.07, -24.99, 71.51

 

CMYK 61 / 71 / 0 / 4

HEX #5F47F4

RGB 95 71 244

HSL 248.32, 0.89%, 0.62%

LAB 43.46, 56.62, -83.03

 

CMYK 56 / 65 / 0 / 0

HEX #7059FF

RGB 112 89 255

HSL 248.31, 1%, 0.67%

LAB 49.26, 52.58, -79.62

 

CMYK 49 / 58 / 0 / 0

HEX #816BFF

RGB 129 107 255

HSL 248.92, 1%, 0.71%

LAB 54.45, 45.47, -71.12

 

CMYK 43 / 51 / 0 / 0

HEX #927DFF

RGB 146 125 255

HSL 249.69, 1%, 0.75%

LAB 59.89, 38.76, -62.29

 

CMYK 36 / 44 / 0 / 0

HEX #A38FFF

RGB 163 143 255

HSL 250.71, 1%, 0.78%

LAB 65.48, 32.58, -53.3

 

CMYK 64 / 71 / 0 / 2

HEX #5A47F9

RGB 90 71 249

HSL 246.4, 0.94%, 0.63%

LAB 43.54, 57.5, -85.73

 

CMYK 68 / 77 / 0 / 10

HEX #4935E6

RGB 73 53 230

HSL 246.78, 0.78%, 0.55%

LAB 37.25, 59.19, -85.41

 

CMYK 73 / 83 / 0 / 17

HEX #3823D3

RGB 56 35 211

HSL 247.16, 0.72%, 0.48%

LAB 31.22, 60.45, -84.53

 

CMYK 80 / 91 / 0 / 25

HEX #2711C0

RGB 39 17 192

HSL 247.54, 0.84%, 0.41%

LAB 25.68, 60.66, -82.66

 

CMYK 87 / 100 / 0 / 32

HEX #1600AD

RGB 22 0 173

HSL 247.63, 1%, 0.34%

LAB 20.78, 59.43, -79.51

 

CMYK 64 / 71 / 0 / 2

HEX #5A47F9

RGB 90 71 249

HSL 246.4, 0.94%, 0.63%

LAB 43.54, 57.5, -85.73

 

CMYK 45 / 71 / 0 / 2

HEX #8A47F9

RGB 138 71 249

HSL 262.58, 0.94%, 0.63%

LAB 47.94, 64.19, -78.34

 

CMYK 25 / 71 / 0 / 2

HEX #BA47F9

RGB 186 71 249

HSL 278.76, 0.94%, 0.63%

LAB 53.8, 72.59, -68.56

 

CMYK 6 / 71 / 0 / 2

HEX #EA47F9

RGB 234 71 249

HSL 294.94, 0.94%, 0.63%

LAB 60.64, 81.94, -57.2

 

CMYK 0 / 71 / 13 / 2

HEX #F947D8

RGB 249 71 216

HSL 311.12, 0.94%, 0.63%

LAB 61.31, 80.15, -37.53

 

CMYK 64 / 71 / 0 / 2

HEX #5A47F9

RGB 90 71 249

HSL 246.4, 0.94%, 0.63%

LAB 43.54, 57.5, -85.73

 

CMYK 71 / 71 / 0 / 2

HEX #4747F9

RGB 71 71 249

HSL 240, 0.94%, 0.63%

LAB 42.29, 55.53, -87.84

 

CMYK 64 / 71 / 0 / 2

HEX #5A47F9

RGB 90 71 249

HSL 246.4, 0.94%, 0.63%

LAB 43.54, 57.5, -85.73

 

CMYK 64 / 71 / 0 / 2

HEX #5A47F9

RGB 90 71 249

HSL 246.4, 0.94%, 0.63%

LAB 43.54, 57.5, -85.73

 

CMYK 56 / 63 / 0 / 8

HEX #6657EA

RGB 102 87 234

HSL 246.12, 0.78%, 0.63%

LAB 46.42, 45.82, -72.55

 

CMYK 48 / 53 / 0 / 15

HEX #7266DA

RGB 114 102 218

HSL 246.21, 0.61%, 0.63%

LAB 49.67, 34.49, -58.19

 

CMYK 38 / 42 / 0 / 20

HEX #7E75CB

RGB 126 117 203

HSL 246.28, 0.45%, 0.63%

LAB 53.46, 24.11, -43.56

 

CMYK 27 / 29 / 0 / 26

HEX #8A85BC

RGB 138 133 188

HSL 245.45, 0.29%, 0.63%

LAB 57.86, 14.14, -28.07

 

CMYK 71 / 41 / 0 / 2

HEX #4794F9

RGB 71 148 249

HSL 214.04, 0.94%, 0.63%

LAB 61.1, 9.2, -57.3

 

CMYK 71 / 59 / 0 / 2

HEX #4765F9

RGB 71 101 249

HSL 229.89, 0.94%, 0.63%

LAB 48.87, 37.96, -77.04

 

CMYK 64 / 71 / 0 / 2

HEX #5947F9

RGB 89 71 249

HSL 246.07, 0.94%, 0.63%

LAB 43.46, 57.39, -85.86

 

CMYK 45 / 71 / 0 / 2

HEX #8847F9

RGB 136 71 249

HSL 261.91, 0.94%, 0.63%

LAB 47.73, 63.87, -78.7

 

CMYK 26 / 71 / 0 / 2

HEX #B847F9

RGB 184 71 249

HSL 278.09, 0.94%, 0.63%

LAB 53.53, 72.22, -69

 

CMYK 87 / 97 / 0 / 9

HEX #1F07E7

RGB 31 7 231

HSL 246.43, 0.94%, 0.47%

LAB 29.94, 72.56, -98.2

 

CMYK 78 / 88 / 0 / 3

HEX #361FF8

RGB 54 31 248

HSL 246.36, 0.94%, 0.55%

LAB 35.09, 71.92, -99.24

 

CMYK 64 / 71 / 0 / 2

HEX #5A47F9

RGB 90 71 249

HSL 246.4, 0.94%, 0.63%

LAB 43.54, 57.5, -85.73

 

CMYK 50 / 56 / 0 / 2

HEX #7E6FFA

RGB 126 111 250

HSL 246.47, 0.93%, 0.71%

LAB 54.77, 41.14, -67.86

 

CMYK 35 / 39 / 0 / 2

HEX #A298FB

RGB 162 152 251

HSL 246.06, 0.93%, 0.79%

LAB 67.35, 26.16, -48.15

 

CMYK 64 / 71 / 0 / 2

HEX #5A47F9

RGB 90 71 249

HSL 246.4, 0.94%, 0.63%

LAB 43.54, 57.5, -85.73

 

CMYK 0 / 71 / 21 / 2

HEX #F947C4

RGB 249 71 196

HSL 317.87, 0.94%, 0.63%

LAB 60.46, 77.5, -27.51

 

CMYK 50 / 0 / 71 / 2

HEX #7DF947

RGB 125 249 71

HSL 101.8, 0.94%, 0.63%

LAB 88.24, -64.08, 70.62

 

CMYK 64 / 71 / 0 / 2

HEX #5A47F9

RGB 90 71 249

HSL 246.4, 0.94%, 0.63%

LAB 43.54, 57.5, -85.73

 

CMYK 0 / 64 / 71 / 2

HEX #F95947

RGB 249 89 71

HSL 6.07, 0.94%, 0.63%

LAB 59.65, 60.05, 43.29

 

CMYK 71 / 0 / 64 / 2

HEX #47F959

RGB 71 249 89

HSL 126.07, 0.94%, 0.63%

LAB 86.9, -74.32, 62.04

 

CMYK 64 / 71 / 0 / 2

HEX #5A47F9

RGB 90 71 249

HSL 246.4, 0.94%, 0.63%

LAB 43.54, 57.5, -85.73

 

CMYK 0 / 71 / 21 / 2

HEX #F947C4

RGB 249 71 196

HSL 317.87, 0.94%, 0.63%

LAB 60.46, 77.5, -27.51

 

CMYK 7 / 0 / 71 / 2

HEX #E7F947

RGB 231 249 71

HSL 66.07, 0.94%, 0.63%

LAB 93.97, -26.88, 78.18

 

CMYK 71 / 0 / 50 / 2

HEX #47F97D

RGB 71 249 125

HSL 138.2, 0.94%, 0.63%

LAB 87.28, -69.91, 46.62

 

CMYK 64 / 71 / 0 / 2

HEX #5A47F9

RGB 90 71 249

HSL 246.4, 0.94%, 0.63%

LAB 43.54, 57.5, -85.73

 

CMYK 0 / 71 / 43 / 2

HEX #F9478E

RGB 249 71 142

HSL 336.07, 0.94%, 0.63%

LAB 58.6, 71.58, 1

 

CMYK 7 / 0 / 71 / 2

HEX #E7F947

RGB 231 249 71

HSL 66.07, 0.94%, 0.63%

LAB 93.97, -26.88, 78.18

 

CMYK 71 / 0 / 29 / 2

HEX #47F9B2

RGB 71 249 178

HSL 156.07, 0.94%, 0.63%

LAB 88.12, -60.49, 21.46

 

Description

Color code: HEX #5A47F9 | qconv.com Color code: HEX #5A47F9 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 71 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 71 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 71 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 71% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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