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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A4856 it is the complementary color #A5B7A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A4856. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A4856 shade: #5F4851, #705A64, #816C77, #927E8A and #A3909D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A4856. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A4856 shade: #5A4856, #493643, #382430, #27121D and #16000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A4856 shade: #5A4856, #5A4851, #5A484C and #5A4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A4856 shade: #5A4856, #59485A, #54485A, #50485A and #4B485A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A4856 shade matches the following richer shades: #5A4856, #673B5D, #742E65, #82216C and #8F1373

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A4856 shade: #5A4856, #4D554F, #406347, #327040 and #257D39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A4856 shade: #54485A, #59485A, #5A4856, #5A4851 and #5A484D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A4856 shade: #2C232A, #433640, #5A4856, #715A6C and #886D82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A4856 shade: #5A4856, #5A5048 and #485A57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A4856 shade: #5A4856, #565A48 and #48565A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A4856 shade: #5A4856, #5A5048, #485A4C and #48535A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A4856 shade: #5A4856, #5A5548, #485A4C and #484D5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 4 / 65

HEX #5A4856

RGB 90 72 86

HSL 313.33, 0.11%, 0.32%

LAB 32.88, 10.38, -5.41

 

Complementary color

CMYK 10 / 0 / 8 / 28

HEX #A5B7A9

RGB 165 183 169

HSL 133.33, 0.11%, 0.68%

LAB 72.71, -8.91, 5

 

CMYK 0 / 24 / 15 / 63

HEX #5F4851

RGB 95 72 81

HSL 336.52, 0.14%, 0.33%

LAB 33.27, 11.42, -1.57

 

CMYK 0 / 20 / 11 / 56

HEX #705A64

RGB 112 90 100

HSL 332.73, 0.11%, 0.4%

LAB 40.7, 10.82, -2.33

 

CMYK 0 / 16 / 8 / 49

HEX #816C77

RGB 129 108 119

HSL 328.57, 0.09%, 0.46%

LAB 47.91, 10.3, -3.01

 

CMYK 0 / 14 / 5 / 43

HEX #927E8A

RGB 146 126 138

HSL 324, 0.08%, 0.53%

LAB 54.94, 9.84, -3.66

 

CMYK 0 / 12 / 4 / 36

HEX #A3909D

RGB 163 144 157

HSL 318.95, 0.09%, 0.6%

LAB 61.8, 9.44, -4.26

 

CMYK 0 / 20 / 4 / 65

HEX #5A4856

RGB 90 72 86

HSL 313.33, 0.11%, 0.32%

LAB 32.88, 10.38, -5.41

 

CMYK 0 / 26 / 8 / 71

HEX #493643

RGB 73 54 67

HSL 318.95, 0.15%, 0.25%

LAB 25.14, 11.02, -4.77

 

CMYK 0 / 36 / 14 / 78

HEX #382430

RGB 56 36 48

HSL 324, 0.22%, 0.18%

LAB 17.06, 11.81, -4.04

 

CMYK 0 / 54 / 26 / 85

HEX #27121D

RGB 39 18 29

HSL 328.57, 0.37%, 0.11%

LAB 8.59, 12.8, -3.07

 

CMYK 0 / 100 / 55 / 91

HEX #16000A

RGB 22 0 10

HSL 332.73, 1%, 0.04%

LAB 1.74, 8.3, -1.35

 

CMYK 0 / 20 / 4 / 65

HEX #5A4856

RGB 90 72 86

HSL 313.33, 0.11%, 0.32%

LAB 32.88, 10.38, -5.41

 

CMYK 0 / 20 / 10 / 65

HEX #5A4851

RGB 90 72 81

HSL 330, 0.11%, 0.32%

LAB 32.71, 9.36, -2.46

 

CMYK 0 / 20 / 16 / 65

HEX #5A484C

RGB 90 72 76

HSL 346.67, 0.11%, 0.32%

LAB 32.55, 8.38, 0.5

 

CMYK 0 / 20 / 20 / 65

HEX #5A4848

RGB 90 72 72

HSL 0, 0.11%, 0.32%

LAB 32.43, 7.64, 2.89

 

CMYK 0 / 20 / 4 / 65

HEX #5A4856

RGB 90 72 86

HSL 313.33, 0.11%, 0.32%

LAB 32.88, 10.38, -5.41

 

CMYK 1 / 20 / 0 / 65

HEX #59485A

RGB 89 72 90

HSL 296.67, 0.11%, 0.32%

LAB 32.91, 10.85, -7.91

 

CMYK 7 / 20 / 0 / 65

HEX #54485A

RGB 84 72 90

HSL 280, 0.11%, 0.32%

LAB 32.39, 8.89, -8.76

 

CMYK 11 / 20 / 0 / 65

HEX #50485A

RGB 80 72 90

HSL 266.67, 0.11%, 0.32%

LAB 31.98, 7.35, -9.4

 

CMYK 17 / 20 / 0 / 65

HEX #4B485A

RGB 75 72 90

HSL 250, 0.11%, 0.32%

LAB 31.51, 5.46, -10.17

 

CMYK 0 / 20 / 4 / 65

HEX #5A4856

RGB 90 72 86

HSL 313.33, 0.11%, 0.32%

LAB 32.88, 10.38, -5.41

 

CMYK 0 / 43 / 10 / 60

HEX #673B5D

RGB 103 59 93

HSL 313.64, 0.27%, 0.32%

LAB 31.35, 24.92, -12.03

 

CMYK 0 / 60 / 13 / 55

HEX #742E65

RGB 116 46 101

HSL 312.86, 0.43%, 0.32%

LAB 30.89, 38, -17.71

 

CMYK 0 / 75 / 17 / 49

HEX #82216C

RGB 130 33 108

HSL 313.61, 0.6%, 0.32%

LAB 31.62, 48.74, -20.89

 

CMYK 0 / 87 / 20 / 44

HEX #8F1373

RGB 143 19 115

HSL 313.55, 0.77%, 0.32%

LAB 33.01, 56.85, -22.98

 

CMYK 0 / 20 / 4 / 65

HEX #5A4856

RGB 90 72 86

HSL 313.33, 0.11%, 0.32%

LAB 32.88, 10.38, -5.41

 

CMYK 9 / 0 / 7 / 67

HEX #4D554F

RGB 77 85 79

HSL 135, 0.05%, 0.32%

LAB 35.28, -4.5, 2.41

 

CMYK 35 / 0 / 28 / 61

HEX #406347

RGB 64 99 71

HSL 132, 0.21%, 0.32%

LAB 38.67, -19.17, 12

 

CMYK 55 / 0 / 43 / 56

HEX #327040

RGB 50 112 64

HSL 133.55, 0.38%, 0.32%

LAB 42.21, -31.47, 20.76

 

CMYK 70 / 0 / 54 / 51

HEX #257D39

RGB 37 125 57

HSL 133.64, 0.54%, 0.32%

LAB 46.12, -41.25, 29.46

 

CMYK 7 / 20 / 0 / 65

HEX #54485A

RGB 84 72 90

HSL 280, 0.11%, 0.32%

LAB 32.39, 8.89, -8.76

 

CMYK 1 / 20 / 0 / 65

HEX #59485A

RGB 89 72 90

HSL 296.67, 0.11%, 0.32%

LAB 32.91, 10.85, -7.91

 

CMYK 0 / 20 / 4 / 65

HEX #5A4856

RGB 90 72 86

HSL 313.33, 0.11%, 0.32%

LAB 32.88, 10.38, -5.41

 

CMYK 0 / 20 / 10 / 65

HEX #5A4851

RGB 90 72 81

HSL 330, 0.11%, 0.32%

LAB 32.71, 9.36, -2.46

 

CMYK 0 / 20 / 14 / 65

HEX #5A484D

RGB 90 72 77

HSL 343.33, 0.11%, 0.32%

LAB 32.58, 8.57, -0.09

 

CMYK 0 / 20 / 5 / 83

HEX #2C232A

RGB 44 35 42

HSL 313.33, 0.11%, 0.15%

LAB 14.98, 5.82, -3.05

 

CMYK 0 / 19 / 4 / 74

HEX #433640

RGB 67 54 64

HSL 313.85, 0.11%, 0.24%

LAB 24.33, 7.85, -4.05

 

CMYK 0 / 20 / 4 / 65

HEX #5A4856

RGB 90 72 86

HSL 313.33, 0.11%, 0.32%

LAB 32.88, 10.38, -5.41

 

CMYK 0 / 20 / 4 / 56

HEX #715A6C

RGB 113 90 108

HSL 313.04, 0.11%, 0.4%

LAB 41.07, 12.78, -6.69

 

CMYK 0 / 20 / 4 / 47

HEX #886D82

RGB 136 109 130

HSL 313.33, 0.11%, 0.48%

LAB 49.23, 14.48, -7.53

 

CMYK 0 / 20 / 4 / 65

HEX #5A4856

RGB 90 72 86

HSL 313.33, 0.11%, 0.32%

LAB 32.88, 10.38, -5.41

 

CMYK 0 / 11 / 20 / 65

HEX #5A5048

RGB 90 80 72

HSL 26.67, 0.11%, 0.32%

LAB 34.76, 2.63, 6.22

 

CMYK 20 / 0 / 3 / 65

HEX #485A57

RGB 72 90 87

HSL 170, 0.11%, 0.32%

LAB 36.7, -7.6, -0.56

 

CMYK 0 / 20 / 4 / 65

HEX #5A4856

RGB 90 72 86

HSL 313.33, 0.11%, 0.32%

LAB 32.88, 10.38, -5.41

 

CMYK 4 / 0 / 20 / 65

HEX #565A48

RGB 86 90 72

HSL 73.33, 0.11%, 0.32%

LAB 37.41, -5.18, 9.88

 

CMYK 20 / 4 / 0 / 65

HEX #48565A

RGB 72 86 90

HSL 193.33, 0.11%, 0.32%

LAB 35.54, -4.45, -4.15

 

CMYK 0 / 20 / 4 / 65

HEX #5A4856

RGB 90 72 86

HSL 313.33, 0.11%, 0.32%

LAB 32.88, 10.38, -5.41

 

CMYK 0 / 11 / 20 / 65

HEX #5A5048

RGB 90 80 72

HSL 26.67, 0.11%, 0.32%

LAB 34.76, 2.63, 6.22

 

CMYK 20 / 0 / 16 / 65

HEX #485A4C

RGB 72 90 76

HSL 133.33, 0.11%, 0.32%

LAB 36.39, -10.09, 5.82

 

CMYK 20 / 8 / 0 / 65

HEX #48535A

RGB 72 83 90

HSL 203.33, 0.11%, 0.32%

LAB 34.6, -2.61, -5.54

 

CMYK 0 / 20 / 4 / 65

HEX #5A4856

RGB 90 72 86

HSL 313.33, 0.11%, 0.32%

LAB 32.88, 10.38, -5.41

 

CMYK 0 / 6 / 20 / 65

HEX #5A5548

RGB 90 85 72

HSL 43.33, 0.11%, 0.32%

LAB 36.25, -0.44, 8.32

 

CMYK 20 / 0 / 16 / 65

HEX #485A4C

RGB 72 90 76

HSL 133.33, 0.11%, 0.32%

LAB 36.39, -10.09, 5.82

 

CMYK 20 / 14 / 0 / 65

HEX #484D5A

RGB 72 77 90

HSL 223.33, 0.11%, 0.32%

LAB 32.75, 1.14, -8.32

 

Description

Color code: HEX #5A4856 | qconv.com Color code: HEX #5A4856 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 72 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 72 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 4 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 4% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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