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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A4A48 it is the complementary color #A5B5B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A4A48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A4A48 shade: #5F4A43, #705C56, #816E69, #92807C and #A3928F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A4A48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A4A48 shade: #5A4A48, #493835, #382622, #27140F and #160200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A4A48 shade: #5A4A48 and #5A4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A4A48 shade: #5A4A48, #5A4F48, #5A5448, #5A5948 and #575A48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A4A48 shade matches the following richer shades: #5A4A48, #67403B, #74362E, #822B21 and #8F2113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A4A48 shade: #5A4A48, #4D5455, #405F63, #326970 and #25737D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A4A48 shade: #5A4850, #5A484B, #5A4A48, #5A4F48 and #5A5348

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A4A48 shade: #2C2423, #433736, #5A4A48, #715D5A and #88706D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A4A48 shade: #5A4A48, #555A48 and #484E5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A4A48 shade: #5A4A48, #485A4A and #4A485A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A4A48 shade: #5A4A48, #555A48, #48585A and #4E485A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A4A48 shade: #5A4A48, #4F5A48, #48585A and #53485A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 20 / 65

HEX #5A4A48

RGB 90 74 72

HSL 6.67, 0.11%, 0.32%

LAB 33, 6.38, 3.71

 

Complementary color

CMYK 10 / 1 / 0 / 28

HEX #A5B5B7

RGB 165 181 183

HSL 186.67, 0.11%, 0.68%

LAB 72.54, -5.11, -2.92

 

CMYK 0 / 22 / 29 / 63

HEX #5F4A43

RGB 95 74 67

HSL 15, 0.17%, 0.32%

LAB 33.43, 7.72, 7.57

 

CMYK 0 / 18 / 23 / 56

HEX #705C56

RGB 112 92 86

HSL 13.85, 0.13%, 0.39%

LAB 40.85, 7.1, 6.5

 

CMYK 0 / 15 / 19 / 49

HEX #816E69

RGB 129 110 105

HSL 12.5, 0.1%, 0.46%

LAB 48.06, 6.59, 5.55

 

CMYK 0 / 12 / 15 / 43

HEX #92807C

RGB 146 128 124

HSL 10.91, 0.09%, 0.53%

LAB 55.08, 6.16, 4.68

 

CMYK 0 / 10 / 12 / 36

HEX #A3928F

RGB 163 146 143

HSL 9, 0.1%, 0.6%

LAB 61.94, 5.79, 3.88

 

CMYK 0 / 18 / 20 / 65

HEX #5A4A48

RGB 90 74 72

HSL 6.67, 0.11%, 0.32%

LAB 33, 6.38, 3.71

 

CMYK 0 / 23 / 27 / 71

HEX #493835

RGB 73 56 53

HSL 9, 0.16%, 0.25%

LAB 25.27, 7, 4.75

 

CMYK 0 / 32 / 39 / 78

HEX #382622

RGB 56 38 34

HSL 10.91, 0.24%, 0.18%

LAB 17.19, 7.84, 6.02

 

CMYK 0 / 49 / 62 / 85

HEX #27140F

RGB 39 20 15

HSL 12.5, 0.44%, 0.11%

LAB 8.71, 9.06, 6.76

 

CMYK 0 / 91 / 100 / 91

HEX #160200

RGB 22 2 0

HSL 5.45, 1%, 0.04%

LAB 1.93, 6.11, 3.01

 

CMYK 0 / 18 / 20 / 65

HEX #5A4A48

RGB 90 74 72

HSL 6.67, 0.11%, 0.32%

LAB 33, 6.38, 3.71

 

CMYK 0 / 20 / 20 / 65

HEX #5A4848

RGB 90 72 72

HSL 0, 0.11%, 0.32%

LAB 32.43, 7.64, 2.89

 

CMYK 0 / 18 / 20 / 65

HEX #5A4A48

RGB 90 74 72

HSL 6.67, 0.11%, 0.32%

LAB 33, 6.38, 3.71

 

CMYK 0 / 12 / 20 / 65

HEX #5A4F48

RGB 90 79 72

HSL 23.33, 0.11%, 0.32%

LAB 34.46, 3.25, 5.8

 

CMYK 0 / 7 / 20 / 65

HEX #5A5448

RGB 90 84 72

HSL 40, 0.11%, 0.32%

LAB 35.95, 0.17, 7.9

HEX #5A5448

CMYK 0 / 1 / 20 / 65

HEX #5A5948

RGB 90 89 72

HSL 56.67, 0.11%, 0.32%

LAB 37.46, -2.87, 10.01

HEX #5A5948

CMYK 3 / 0 / 20 / 65

HEX #575A48

RGB 87 90 72

HSL 70, 0.11%, 0.32%

LAB 37.49, -4.75, 10.02

HEX #575A48

CMYK 0 / 18 / 20 / 65

HEX #5A4A48

RGB 90 74 72

HSL 6.67, 0.11%, 0.32%

LAB 33, 6.38, 3.71

 

CMYK 0 / 38 / 43 / 60

HEX #67403B

RGB 103 64 59

HSL 6.82, 0.27%, 0.32%

LAB 31.5, 16.34, 10.13

 

CMYK 0 / 53 / 60 / 55

HEX #74362E

RGB 116 54 46

HSL 6.86, 0.43%, 0.32%

LAB 30.76, 26.49, 17.8

 

CMYK 0 / 67 / 75 / 49

HEX #822B21

RGB 130 43 33

HSL 6.19, 0.6%, 0.32%

LAB 30.84, 36.83, 26.58

 

CMYK 0 / 77 / 87 / 44

HEX #8F2113

RGB 143 33 19

HSL 6.77, 0.77%, 0.32%

LAB 31.75, 44.94, 36.26

 

CMYK 0 / 18 / 20 / 65

HEX #5A4A48

RGB 90 74 72

HSL 6.67, 0.11%, 0.32%

LAB 33, 6.38, 3.71

 

CMYK 9 / 1 / 0 / 67

HEX #4D5455

RGB 77 84 85

HSL 187.5, 0.05%, 0.32%

LAB 35.15, -2.55, -1.54

 

CMYK 35 / 4 / 0 / 61

HEX #405F63

RGB 64 95 99

HSL 186.86, 0.21%, 0.32%

LAB 38.16, -10.19, -5.92

 

CMYK 55 / 6 / 0 / 56

HEX #326970

RGB 50 105 112

HSL 186.77, 0.38%, 0.32%

LAB 41.14, -15.95, -9.49

 

CMYK 70 / 8 / 0 / 51

HEX #25737D

RGB 37 115 125

HSL 186.82, 0.54%, 0.32%

LAB 44.43, -19.82, -12.41

 

CMYK 0 / 20 / 11 / 65

HEX #5A4850

RGB 90 72 80

HSL 333.33, 0.11%, 0.32%

LAB 32.67, 9.16, -1.87

 

CMYK 0 / 20 / 17 / 65

HEX #5A484B

RGB 90 72 75

HSL 350, 0.11%, 0.32%

LAB 32.52, 8.19, 1.1

 

CMYK 0 / 18 / 20 / 65

HEX #5A4A48

RGB 90 74 72

HSL 6.67, 0.11%, 0.32%

LAB 33, 6.38, 3.71

 

CMYK 0 / 12 / 20 / 65

HEX #5A4F48

RGB 90 79 72

HSL 23.33, 0.11%, 0.32%

LAB 34.46, 3.25, 5.8

 

CMYK 0 / 8 / 20 / 65

HEX #5A5348

RGB 90 83 72

HSL 36.67, 0.11%, 0.32%

LAB 35.65, 0.78, 7.48

 

CMYK 0 / 18 / 20 / 83

HEX #2C2423

RGB 44 36 35

HSL 6.67, 0.11%, 0.15%

LAB 15.05, 3.56, 2.07

 

CMYK 0 / 18 / 19 / 74

HEX #433736

RGB 67 55 54

HSL 4.62, 0.11%, 0.24%

LAB 24.3, 5.11, 2.6

 

CMYK 0 / 18 / 20 / 65

HEX #5A4A48

RGB 90 74 72

HSL 6.67, 0.11%, 0.32%

LAB 33, 6.38, 3.71

 

CMYK 0 / 18 / 20 / 56

HEX #715D5A

RGB 113 93 90

HSL 7.83, 0.11%, 0.4%

LAB 41.34, 7.59, 4.76

 

CMYK 0 / 18 / 20 / 47

HEX #88706D

RGB 136 112 109

HSL 6.67, 0.11%, 0.48%

LAB 49.41, 8.92, 5.2

 

CMYK 0 / 18 / 20 / 65

HEX #5A4A48

RGB 90 74 72

HSL 6.67, 0.11%, 0.32%

LAB 33, 6.38, 3.71

 

CMYK 6 / 0 / 20 / 65

HEX #555A48

RGB 85 90 72

HSL 76.67, 0.11%, 0.32%

LAB 37.32, -5.6, 9.75

 

CMYK 20 / 13 / 0 / 65

HEX #484E5A

RGB 72 78 90

HSL 220, 0.11%, 0.32%

LAB 33.06, 0.51, -7.86

 

CMYK 0 / 18 / 20 / 65

HEX #5A4A48

RGB 90 74 72

HSL 6.67, 0.11%, 0.32%

LAB 33, 6.38, 3.71

 

CMYK 20 / 0 / 18 / 65

HEX #485A4A

RGB 72 90 74

HSL 126.67, 0.11%, 0.32%

LAB 36.34, -10.52, 6.99

 

CMYK 18 / 20 / 0 / 65

HEX #4A485A

RGB 74 72 90

HSL 246.67, 0.11%, 0.32%

LAB 31.41, 5.08, -10.32

 

CMYK 0 / 18 / 20 / 65

HEX #5A4A48

RGB 90 74 72

HSL 6.67, 0.11%, 0.32%

LAB 33, 6.38, 3.71

 

CMYK 6 / 0 / 20 / 65

HEX #555A48

RGB 85 90 72

HSL 76.67, 0.11%, 0.32%

LAB 37.32, -5.6, 9.75

 

CMYK 20 / 2 / 0 / 65

HEX #48585A

RGB 72 88 90

HSL 186.67, 0.11%, 0.32%

LAB 36.17, -5.67, -3.22

 

CMYK 13 / 20 / 0 / 65

HEX #4E485A

RGB 78 72 90

HSL 260, 0.11%, 0.32%

LAB 31.79, 6.59, -9.72

 

CMYK 0 / 18 / 20 / 65

HEX #5A4A48

RGB 90 74 72

HSL 6.67, 0.11%, 0.32%

LAB 33, 6.38, 3.71

 

CMYK 12 / 0 / 20 / 65

HEX #4F5A48

RGB 79 90 72

HSL 96.67, 0.11%, 0.32%

LAB 36.82, -8.1, 8.98

 

CMYK 20 / 2 / 0 / 65

HEX #48585A

RGB 72 88 90

HSL 186.67, 0.11%, 0.32%

LAB 36.17, -5.67, -3.22

 

CMYK 8 / 20 / 0 / 65

HEX #53485A

RGB 83 72 90

HSL 276.67, 0.11%, 0.32%

LAB 32.28, 8.51, -8.92

 

Description

Color code: HEX #5A4A48 | qconv.com Color code: HEX #5A4A48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 74 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 74 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 20 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 20% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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