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Color name
HEX #5A4B28

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A4B28 it is the complementary color #A5B4D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A4B28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A4B28 shade: #5F4B23, #705D36, #816F49, #92815C and #A3936F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A4B28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A4B28 shade: #5A4B28, #493915, #382702, #271500 and #160300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A4B28 shade: #574927, #573C27, #572F27 and #572727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A4B28 shade: #574927, #575627, #4C5727, #3F5727 and #325727

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A4B28 shade matches the following richer shades: #574927, #624D1D, #6C5112 and #765508

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A4B28 shade: #574927, #4D4531, #43413C, #393D46 and #2E3850

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A4B28 shade: #572F27, #573C27, #574927, #575627 and #4C5727

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A4B28 shade: #1F190D, #3B311A, #574927, #746134 and #907841

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A4B28 shade: #5A4B28, #2C5727 and #362757

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A4B28 shade: #5A4B28, #275749 and #492757

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A4B28 shade: #5A4B28, #2C5727, #273657 and #532757

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A4B28 shade: #5A4B28, #275731, #273657 and #57274E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 56 / 65

HEX #5A4B28

RGB 90 75 40

HSL 42, 0.38%, 0.25%

LAB 32.61, 1.2, 23.05

 

Complementary color

CMYK 23 / 16 / 0 / 16

HEX #A5B4D7

RGB 165 180 215

HSL 222, 0.38%, 0.75%

LAB 73.25, 2.39, -19.35

 

CMYK 0 / 21 / 63 / 63

HEX #5F4B23

RGB 95 75 35

HSL 40, 0.46%, 0.25%

LAB 33.11, 3.16, 26.65

 

CMYK 0 / 17 / 52 / 56

HEX #705D36

RGB 112 93 54

HSL 40.34, 0.35%, 0.33%

LAB 40.48, 2.16, 25.16

 

CMYK 0 / 14 / 43 / 49

HEX #816F49

RGB 129 111 73

HSL 40.71, 0.28%, 0.4%

LAB 47.65, 1.4, 23.75

 

CMYK 0 / 12 / 37 / 43

HEX #92815C

RGB 146 129 92

HSL 41.11, 0.23%, 0.47%

LAB 54.64, 0.8, 22.45

 

CMYK 0 / 10 / 32 / 36

HEX #A3936F

RGB 163 147 111

HSL 41.54, 0.22%, 0.54%

LAB 61.48, 0.32, 21.26

 

CMYK 0 / 17 / 56 / 65

HEX #5A4B28

RGB 90 75 40

HSL 42, 0.38%, 0.25%

LAB 32.61, 1.2, 23.05

 

CMYK 0 / 22 / 71 / 71

HEX #493915

RGB 73 57 21

HSL 41.54, 0.55%, 0.18%

LAB 24.94, 2.32, 24.54

 

CMYK 0 / 30 / 96 / 78

HEX #382702

RGB 56 39 2

HSL 41.11, 0.93%, 0.11%

LAB 16.97, 3.91, 23.88

 

CMYK 0 / 46 / 100 / 85

HEX #271500

RGB 39 21 0

HSL 32.31, 1%, 0.08%

LAB 8.72, 6.72, 13.19

 

CMYK 0 / 86 / 100 / 91

HEX #160300

RGB 22 3 0

HSL 8.18, 1%, 0.04%

LAB 2.13, 5.71, 3.29

 

CMYK 0 / 16 / 55 / 66

HEX #574927

RGB 87 73 39

HSL 42.5, 0.38%, 0.25%

LAB 31.66, 0.88, 22.41

 

CMYK 0 / 31 / 55 / 66

HEX #573C27

RGB 87 60 39

HSL 26.25, 0.38%, 0.25%

LAB 27.86, 9.07, 17.65

 

CMYK 0 / 46 / 55 / 66

HEX #572F27

RGB 87 47 39

HSL 10, 0.38%, 0.25%

LAB 24.34, 17.3, 13.08

 

CMYK 0 / 55 / 55 / 66

HEX #572727

RGB 87 39 39

HSL 0, 0.38%, 0.25%

LAB 22.39, 22.17, 10.47

 

CMYK 0 / 16 / 55 / 66

HEX #574927

RGB 87 73 39

HSL 42.5, 0.38%, 0.25%

LAB 31.66, 0.88, 22.41

 

CMYK 0 / 1 / 55 / 66

HEX #575627

RGB 87 86 39

HSL 58.75, 0.38%, 0.25%

LAB 35.65, -7, 27.2

 

CMYK 13 / 0 / 55 / 66

HEX #4C5727

RGB 76 87 39

HSL 73.75, 0.38%, 0.25%

LAB 35, -12.73, 26.19

 

CMYK 28 / 0 / 55 / 66

HEX #3F5727

RGB 63 87 39

HSL 90, 0.38%, 0.25%

LAB 34.02, -18.5, 24.78

 

CMYK 43 / 0 / 55 / 66

HEX #325727

RGB 50 87 39

HSL 106.25, 0.38%, 0.25%

LAB 33.22, -23.71, 23.63

 

CMYK 0 / 16 / 55 / 66

HEX #574927

RGB 87 73 39

HSL 42.5, 0.38%, 0.25%

LAB 31.66, 0.88, 22.41

 

CMYK 0 / 21 / 70 / 62

HEX #624D1D

RGB 98 77 29

HSL 41.74, 0.54%, 0.25%

LAB 33.97, 2.94, 30.96

 

CMYK 0 / 25 / 83 / 58

HEX #6C5112

RGB 108 81 18

HSL 42, 0.71%, 0.25%

LAB 36.21, 4.84, 38.64

 

CMYK 0 / 28 / 93 / 54

HEX #765508

RGB 118 85 8

HSL 42, 0.87%, 0.25%

LAB 38.49, 7.03, 44.33

 

CMYK 0 / 16 / 55 / 66

HEX #574927

RGB 87 73 39

HSL 42.5, 0.38%, 0.25%

LAB 31.66, 0.88, 22.41

 

CMYK 0 / 10 / 36 / 70

HEX #4D4531

RGB 77 69 49

HSL 42.86, 0.22%, 0.25%

LAB 29.55, -0.15, 13.34

 

CMYK 0 / 3 / 10 / 74

HEX #43413C

RGB 67 65 60

HSL 42.86, 0.06%, 0.25%

LAB 27.57, -0.21, 3.35

 

CMYK 19 / 13 / 0 / 73

HEX #393D46

RGB 57 61 70

HSL 221.54, 0.1%, 0.25%

LAB 25.71, 0.57, -6.07

 

CMYK 43 / 30 / 0 / 69

HEX #2E3850

RGB 46 56 80

HSL 222.35, 0.27%, 0.25%

LAB 23.63, 2.92, -15.95

 

CMYK 0 / 46 / 55 / 66

HEX #572F27

RGB 87 47 39

HSL 10, 0.38%, 0.25%

LAB 24.34, 17.3, 13.08

 

CMYK 0 / 31 / 55 / 66

HEX #573C27

RGB 87 60 39

HSL 26.25, 0.38%, 0.25%

LAB 27.86, 9.07, 17.65

 

CMYK 0 / 16 / 55 / 66

HEX #574927

RGB 87 73 39

HSL 42.5, 0.38%, 0.25%

LAB 31.66, 0.88, 22.41

 

CMYK 0 / 1 / 55 / 66

HEX #575627

RGB 87 86 39

HSL 58.75, 0.38%, 0.25%

LAB 35.65, -7, 27.2

 

CMYK 13 / 0 / 55 / 66

HEX #4C5727

RGB 76 87 39

HSL 73.75, 0.38%, 0.25%

LAB 35, -12.73, 26.19

 

CMYK 0 / 19 / 58 / 88

HEX #1F190D

RGB 31 25 13

HSL 40, 0.41%, 0.09%

LAB 9.12, 0.74, 8.22

 

CMYK 0 / 17 / 56 / 77

HEX #3B311A

RGB 59 49 26

HSL 41.82, 0.39%, 0.17%

LAB 20.83, 0.79, 16.29

 

CMYK 0 / 16 / 55 / 66

HEX #574927

RGB 87 73 39

HSL 42.5, 0.38%, 0.25%

LAB 31.66, 0.88, 22.41

 

CMYK 0 / 16 / 55 / 55

HEX #746134

RGB 116 97 52

HSL 42.19, 0.38%, 0.33%

LAB 42.02, 1.44, 28.28

 

CMYK 0 / 17 / 55 / 44

HEX #907841

RGB 144 120 65

HSL 41.77, 0.38%, 0.41%

LAB 51.55, 2.09, 33.39

 

CMYK 0 / 17 / 56 / 65

HEX #5A4B28

RGB 90 75 40

HSL 42, 0.38%, 0.25%

LAB 32.61, 1.2, 23.05

 

CMYK 49 / 0 / 55 / 66

HEX #2C5727

RGB 44 87 39

HSL 113.75, 0.38%, 0.25%

LAB 32.92, -25.86, 23.18

 

CMYK 38 / 55 / 0 / 66

HEX #362757

RGB 54 39 87

HSL 258.75, 0.38%, 0.25%

LAB 19.73, 19.41, -26.69

 

CMYK 0 / 17 / 56 / 65

HEX #5A4B28

RGB 90 75 40

HSL 42, 0.38%, 0.25%

LAB 32.61, 1.2, 23.05

 

CMYK 55 / 0 / 16 / 66

HEX #275749

RGB 39 87 73

HSL 162.5, 0.38%, 0.25%

LAB 33.41, -20.2, 3.18

 

CMYK 16 / 55 / 0 / 66

HEX #492757

RGB 73 39 87

HSL 282.5, 0.38%, 0.25%

LAB 22.14, 25.32, -22.72

 

CMYK 0 / 17 / 56 / 65

HEX #5A4B28

RGB 90 75 40

HSL 42, 0.38%, 0.25%

LAB 32.61, 1.2, 23.05

 

CMYK 49 / 0 / 55 / 66

HEX #2C5727

RGB 44 87 39

HSL 113.75, 0.38%, 0.25%

LAB 32.92, -25.86, 23.18

 

CMYK 55 / 38 / 0 / 66

HEX #273657

RGB 39 54 87

HSL 221.25, 0.38%, 0.25%

LAB 22.85, 4.63, -21.83

 

CMYK 5 / 55 / 0 / 66

HEX #532757

RGB 83 39 87

HSL 295, 0.38%, 0.25%

LAB 23.6, 28.55, -20.33

 

CMYK 0 / 17 / 56 / 65

HEX #5A4B28

RGB 90 75 40

HSL 42, 0.38%, 0.25%

LAB 32.61, 1.2, 23.05

 

CMYK 55 / 0 / 44 / 66

HEX #275731

RGB 39 87 49

HSL 132.5, 0.38%, 0.25%

LAB 32.85, -25.77, 17.22

 

CMYK 55 / 38 / 0 / 66

HEX #273657

RGB 39 54 87

HSL 221.25, 0.38%, 0.25%

LAB 22.85, 4.63, -21.83

 

CMYK 0 / 55 / 10 / 66

HEX #57274E

RGB 87 39 78

HSL 311.25, 0.38%, 0.25%

LAB 23.76, 28.04, -14.03

 

Description

Color code: HEX #5A4B28 | qconv.com Color code: HEX #5A4B28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 75 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 75 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 56 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 56% 65% C M Y K

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Provide designers and agencies with accurate color values.

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