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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A4F2F it is the complementary color #A5B0D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A4F2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A4F2F shade: #5F4F2A, #70613D, #817350, #928563 and #A39776

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A4F2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A4F2F shade: #5A4F2F, #493D1C, #382B09, #271900 and #160700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A4F2F shade: #5A4F2F, #5A432F, #5A382F and #5A2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A4F2F shade: #5A4F2F, #595A2F, #4E5A2F, #425A2F and #375A2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A4F2F shade matches the following richer shades: #5A4F2F, #655424, #705A19, #7B5F0E and #866502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A4F2F shade: #5A4F2F, #4F493A, #434445, #383E50 and #2D395C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A4F2F shade: #5A382F, #5A432F, #5A4E2F, #5A5A2F and #4E5A2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A4F2F shade: #241F13, #3F3721, #5A4F2F, #75673D and #907E4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A4F2F shade: #5A4F2F, #325A2F and #3D2F5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A4F2F shade: #5A4F2F, #2F5A4E and #4E2F5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A4F2F shade: #5A4F2F, #325A2F, #2F3A5A and #572F5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A4F2F shade: #5A4F2F, #2F5A39, #2F3A5A and #5A2F50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 48 / 65

HEX #5A4F2F

RGB 90 79 47

HSL 44.65, 0.31%, 0.27%

LAB 33.92, -0.48, 20.54

 

Complementary color

CMYK 21 / 15 / 0 / 18

HEX #A5B0D0

RGB 165 176 208

HSL 224.65, 0.31%, 0.73%

LAB 71.96, 2.97, -17.48

 

CMYK 0 / 17 / 56 / 63

HEX #5F4F2A

RGB 95 79 42

HSL 41.89, 0.39%, 0.27%

LAB 34.38, 1.36, 24.17

 

CMYK 0 / 13 / 46 / 56

HEX #70613D

RGB 112 97 61

HSL 42.35, 0.29%, 0.34%

LAB 41.74, 0.56, 22.71

 

CMYK 0 / 11 / 38 / 49

HEX #817350

RGB 129 115 80

HSL 42.86, 0.23%, 0.41%

LAB 48.89, -0.05, 21.37

 

CMYK 0 / 9 / 32 / 43

HEX #928563

RGB 146 133 99

HSL 43.4, 0.19%, 0.48%

LAB 55.87, -0.53, 20.15

 

CMYK 0 / 7 / 28 / 36

HEX #A39776

RGB 163 151 118

HSL 44, 0.2%, 0.55%

LAB 62.7, -0.92, 19.02

 

CMYK 0 / 12 / 48 / 65

HEX #5A4F2F

RGB 90 79 47

HSL 44.65, 0.31%, 0.27%

LAB 33.92, -0.48, 20.54

 

CMYK 0 / 16 / 62 / 71

HEX #493D1C

RGB 73 61 28

HSL 44, 0.45%, 0.2%

LAB 26.27, 0.37, 22.03

 

CMYK 0 / 23 / 84 / 78

HEX #382B09

RGB 56 43 9

HSL 43.4, 0.72%, 0.13%

LAB 18.31, 1.67, 22.65

 

CMYK 0 / 36 / 100 / 85

HEX #271900

RGB 39 25 0

HSL 38.46, 1%, 0.08%

LAB 10, 3.83, 15.03

 

CMYK 0 / 68 / 100 / 91

HEX #160700

RGB 22 7 0

HSL 19.09, 1%, 0.04%

LAB 2.91, 4.11, 4.44

 

CMYK 0 / 12 / 48 / 65

HEX #5A4F2F

RGB 90 79 47

HSL 44.65, 0.31%, 0.27%

LAB 33.92, -0.48, 20.54

 

CMYK 0 / 26 / 48 / 65

HEX #5A432F

RGB 90 67 47

HSL 27.91, 0.31%, 0.27%

LAB 30.38, 6.99, 15.97

 

CMYK 0 / 38 / 48 / 65

HEX #5A382F

RGB 90 56 47

HSL 12.56, 0.31%, 0.27%

LAB 27.32, 13.95, 11.89

 

CMYK 0 / 48 / 48 / 65

HEX #5A2F2F

RGB 90 47 47

HSL 0, 0.31%, 0.27%

LAB 24.99, 19.56, 8.71

 

CMYK 0 / 12 / 48 / 65

HEX #5A4F2F

RGB 90 79 47

HSL 44.65, 0.31%, 0.27%

LAB 33.92, -0.48, 20.54

 

CMYK 1 / 0 / 48 / 65

HEX #595A2F

RGB 89 90 47

HSL 61.4, 0.31%, 0.27%

LAB 37.19, -7.54, 24.6

 

CMYK 13 / 0 / 48 / 65

HEX #4E5A2F

RGB 78 90 47

HSL 76.74, 0.31%, 0.27%

LAB 36.25, -12.56, 23.22

 

CMYK 27 / 0 / 48 / 65

HEX #425A2F

RGB 66 90 47

HSL 93.49, 0.31%, 0.27%

LAB 35.35, -17.76, 21.91

 

CMYK 39 / 0 / 48 / 65

HEX #375A2F

RGB 55 90 47

HSL 108.84, 0.31%, 0.27%

LAB 34.66, -22.14, 20.89

 

CMYK 0 / 12 / 48 / 65

HEX #5A4F2F

RGB 90 79 47

HSL 44.65, 0.31%, 0.27%

LAB 33.92, -0.48, 20.54

 

CMYK 0 / 17 / 64 / 60

HEX #655424

RGB 101 84 36

HSL 44.31, 0.47%, 0.27%

LAB 36.43, 0.67, 30.1

 

CMYK 0 / 20 / 78 / 56

HEX #705A19

RGB 112 90 25

HSL 44.83, 0.64%, 0.27%

LAB 39.29, 1.71, 38.82

 

CMYK 0 / 23 / 89 / 52

HEX #7B5F0E

RGB 123 95 14

HSL 44.59, 0.8%, 0.27%

LAB 41.89, 3.67, 45.63

 

CMYK 0 / 25 / 99 / 47

HEX #866502

RGB 134 101 2

HSL 45, 0.97%, 0.27%

LAB 44.77, 5.19, 51.41

 

CMYK 0 / 12 / 48 / 65

HEX #5A4F2F

RGB 90 79 47

HSL 44.65, 0.31%, 0.27%

LAB 33.92, -0.48, 20.54

 

CMYK 0 / 8 / 27 / 69

HEX #4F493A

RGB 79 73 58

HSL 42.86, 0.15%, 0.27%

LAB 31.19, -0.3, 9.9

 

CMYK 3 / 1 / 0 / 73

HEX #434445

RGB 67 68 69

HSL 210, 0.01%, 0.27%

LAB 28.79, -0.19, -0.75

 

CMYK 30 / 23 / 0 / 69

HEX #383E50

RGB 56 62 80

HSL 225, 0.18%, 0.27%

LAB 26.35, 2.3, -11.71

 

CMYK 51 / 38 / 0 / 64

HEX #2D395C

RGB 45 57 92

HSL 224.68, 0.34%, 0.27%

LAB 24.5, 5.99, -22.49

 

CMYK 0 / 38 / 48 / 65

HEX #5A382F

RGB 90 56 47

HSL 12.56, 0.31%, 0.27%

LAB 27.32, 13.95, 11.89

 

CMYK 0 / 26 / 48 / 65

HEX #5A432F

RGB 90 67 47

HSL 27.91, 0.31%, 0.27%

LAB 30.38, 6.99, 15.97

 

CMYK 0 / 13 / 48 / 65

HEX #5A4E2F

RGB 90 78 47

HSL 43.26, 0.31%, 0.27%

LAB 33.62, 0.13, 20.15

 

CMYK 0 / 0 / 48 / 65

HEX #5A5A2F

RGB 90 90 47

HSL 60, 0.31%, 0.27%

LAB 37.28, -7.08, 24.73

 

CMYK 13 / 0 / 48 / 65

HEX #4E5A2F

RGB 78 90 47

HSL 76.74, 0.31%, 0.27%

LAB 36.25, -12.56, 23.22

 

CMYK 0 / 14 / 47 / 86

HEX #241F13

RGB 36 31 19

HSL 42.35, 0.31%, 0.11%

LAB 11.97, 0.07, 8.96

 

CMYK 0 / 13 / 48 / 75

HEX #3F3721

RGB 63 55 33

HSL 44, 0.31%, 0.19%

LAB 23.33, -0.23, 15.08

 

CMYK 0 / 12 / 48 / 65

HEX #5A4F2F

RGB 90 79 47

HSL 44.65, 0.31%, 0.27%

LAB 33.92, -0.48, 20.54

 

CMYK 0 / 12 / 48 / 54

HEX #75673D

RGB 117 103 61

HSL 45, 0.31%, 0.35%

LAB 43.97, -0.7, 25.66

 

CMYK 0 / 13 / 48 / 44

HEX #907E4B

RGB 144 126 75

HSL 44.35, 0.32%, 0.43%

LAB 53.34, -0.34, 30.19

 

CMYK 0 / 12 / 48 / 65

HEX #5A4F2F

RGB 90 79 47

HSL 44.65, 0.31%, 0.27%

LAB 33.92, -0.48, 20.54

 

CMYK 44 / 0 / 48 / 65

HEX #325A2F

RGB 50 90 47

HSL 115.81, 0.31%, 0.27%

LAB 34.39, -23.97, 20.49

 

CMYK 32 / 48 / 0 / 65

HEX #3D2F5A

RGB 61 47 90

HSL 259.53, 0.31%, 0.27%

LAB 22.87, 17.08, -23.65

 

CMYK 0 / 12 / 48 / 65

HEX #5A4F2F

RGB 90 79 47

HSL 44.65, 0.31%, 0.27%

LAB 33.92, -0.48, 20.54

 

CMYK 48 / 0 / 13 / 65

HEX #2F5A4E

RGB 47 90 78

HSL 163.26, 0.31%, 0.27%

LAB 34.94, -18.24, 2.29

 

CMYK 13 / 48 / 0 / 65

HEX #4E2F5A

RGB 78 47 90

HSL 283.26, 0.31%, 0.27%

LAB 24.92, 22.73, -20.29

 

CMYK 0 / 12 / 48 / 65

HEX #5A4F2F

RGB 90 79 47

HSL 44.65, 0.31%, 0.27%

LAB 33.92, -0.48, 20.54

 

CMYK 44 / 0 / 48 / 65

HEX #325A2F

RGB 50 90 47

HSL 115.81, 0.31%, 0.27%

LAB 34.39, -23.97, 20.49

 

CMYK 48 / 36 / 0 / 65

HEX #2F3A5A

RGB 47 58 90

HSL 224.65, 0.31%, 0.27%

LAB 24.85, 5.2, -20.62

 

CMYK 3 / 48 / 0 / 65

HEX #572F5A

RGB 87 47 90

HSL 295.81, 0.31%, 0.27%

LAB 26.15, 25.81, -18.28

 

CMYK 0 / 12 / 48 / 65

HEX #5A4F2F

RGB 90 79 47

HSL 44.65, 0.31%, 0.27%

LAB 33.92, -0.48, 20.54

 

CMYK 48 / 0 / 37 / 65

HEX #2F5A39

RGB 47 90 57

HSL 133.95, 0.31%, 0.27%

LAB 34.42, -23.15, 14.54

 

CMYK 48 / 36 / 0 / 65

HEX #2F3A5A

RGB 47 58 90

HSL 224.65, 0.31%, 0.27%

LAB 24.85, 5.2, -20.62

 

CMYK 0 / 48 / 11 / 65

HEX #5A2F50

RGB 90 47 80

HSL 313.95, 0.31%, 0.27%

LAB 26.12, 24.82, -11.71

 

Description

Color code: HEX #5A4F2F | qconv.com Color code: HEX #5A4F2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 79 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 79 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 48 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 48% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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