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Color name
HEX #5A544C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A544C it is the complementary color #A5ABB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A544C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A544C shade: #5F5447, #70665A, #81786D, #928A80 and #A39C93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A544C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A544C shade: #5A544C, #494239, #383026, #271E13 and #160C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A544C shade: #5A554D, #5A514D, #5A4D4D and #5A4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A544C shade: #5A554D, #5A584D, #595A4D, #555A4D and #525A4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A544C shade matches the following richer shades: #5A554D, #68573F, #765932, #835A24 and #915C16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A544C shade: #5A554D, #4D535B, #3F5168, #324F76 and #244D83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A544C shade: #5A4D4D, #5A514D, #5A554D, #5A584D and #595A4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A544C shade: #2E2B27, #44403A, #5A554D, #716960 and #877E73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A544C shade: #5A544C, #505A4D and #4F4D5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A544C shade: #5A544C, #4D5A55 and #554D5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A544C shade: #5A544C, #505A4D, #4D535A and #574D5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A544C shade: #5A544C, #4D5A4E, #4D535A and #5A4D59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 16 / 65

HEX #5A544C

RGB 90 84 76

HSL 34.29, 0.08%, 0.33%

LAB 36.05, 0.89, 5.55

 

Complementary color

CMYK 8 / 4 / 0 / 30

HEX #A5ABB3

RGB 165 171 179

HSL 214.29, 0.08%, 0.67%

LAB 69.74, -0.52, -4.84

 

CMYK 0 / 12 / 25 / 63

HEX #5F5447

RGB 95 84 71

HSL 32.5, 0.14%, 0.33%

LAB 36.42, 2.17, 9.25

 

CMYK 0 / 9 / 20 / 56

HEX #70665A

RGB 112 102 90

HSL 32.73, 0.11%, 0.4%

LAB 43.78, 1.78, 8.22

 

CMYK 0 / 7 / 16 / 49

HEX #81786D

RGB 129 120 109

HSL 33, 0.08%, 0.47%

LAB 50.93, 1.45, 7.28

 

CMYK 0 / 5 / 12 / 43

HEX #928A80

RGB 146 138 128

HSL 33.33, 0.08%, 0.54%

LAB 57.89, 1.17, 6.41

 

CMYK 0 / 4 / 10 / 36

HEX #A39C93

RGB 163 156 147

HSL 33.75, 0.08%, 0.61%

LAB 64.7, 0.93, 5.61

 

CMYK 0 / 7 / 16 / 65

HEX #5A544C

RGB 90 84 76

HSL 34.29, 0.08%, 0.33%

LAB 36.05, 0.89, 5.55

 

CMYK 0 / 10 / 22 / 71

HEX #494239

RGB 73 66 57

HSL 33.75, 0.12%, 0.25%

LAB 28.4, 1.24, 6.56

 

CMYK 0 / 14 / 32 / 78

HEX #383026

RGB 56 48 38

HSL 33.33, 0.19%, 0.18%

LAB 20.42, 1.7, 7.74

 

CMYK 0 / 23 / 51 / 85

HEX #271E13

RGB 39 30 19

HSL 33, 0.34%, 0.11%

LAB 12, 2.4, 9.07

 

CMYK 0 / 45 / 100 / 91

HEX #160C00

RGB 22 12 0

HSL 32.73, 1%, 0.04%

LAB 3.92, 2.06, 5.9

 

CMYK 0 / 6 / 14 / 65

HEX #5A554D

RGB 90 85 77

HSL 36.92, 0.08%, 0.33%

LAB 36.38, 0.46, 5.39

 

CMYK 0 / 10 / 14 / 65

HEX #5A514D

RGB 90 81 77

HSL 18.46, 0.08%, 0.33%

LAB 35.19, 2.93, 3.69

 

CMYK 0 / 14 / 14 / 65

HEX #5A4D4D

RGB 90 77 77

HSL 0, 0.08%, 0.33%

LAB 34.02, 5.42, 2

 

CMYK 0 / 14 / 14 / 65

HEX #5A4D4D

RGB 90 77 77

HSL 0, 0.08%, 0.33%

LAB 34.02, 5.42, 2

 

CMYK 0 / 6 / 14 / 65

HEX #5A554D

RGB 90 85 77

HSL 36.92, 0.08%, 0.33%

LAB 36.38, 0.46, 5.39

 

CMYK 0 / 2 / 14 / 65

HEX #5A584D

RGB 90 88 77

HSL 50.77, 0.08%, 0.33%

LAB 37.28, -1.37, 6.67

 

CMYK 1 / 0 / 14 / 65

HEX #595A4D

RGB 89 90 77

HSL 64.62, 0.08%, 0.33%

LAB 37.79, -2.99, 7.38

 

CMYK 6 / 0 / 14 / 65

HEX #555A4D

RGB 85 90 77

HSL 83.08, 0.08%, 0.33%

LAB 37.44, -4.66, 6.84

 

CMYK 9 / 0 / 14 / 65

HEX #525A4D

RGB 82 90 77

HSL 96.92, 0.08%, 0.33%

LAB 37.19, -5.9, 6.45

 

CMYK 0 / 6 / 14 / 65

HEX #5A554D

RGB 90 85 77

HSL 36.92, 0.08%, 0.33%

LAB 36.38, 0.46, 5.39

 

CMYK 0 / 16 / 39 / 59

HEX #68573F

RGB 104 87 63

HSL 35.12, 0.25%, 0.33%

LAB 38.05, 3.16, 16.55

 

CMYK 0 / 25 / 58 / 54

HEX #765932

RGB 118 89 50

HSL 34.41, 0.4%, 0.33%

LAB 39.96, 6.95, 26.97

 

CMYK 0 / 31 / 73 / 49

HEX #835A24

RGB 131 90 36

HSL 34.11, 0.57%, 0.33%

LAB 41.63, 11.38, 36.8

 

CMYK 0 / 37 / 85 / 43

HEX #915C16

RGB 145 92 22

HSL 34.15, 0.74%, 0.33%

LAB 43.85, 16.09, 45.7

 

CMYK 0 / 6 / 14 / 65

HEX #5A554D

RGB 90 85 77

HSL 36.92, 0.08%, 0.33%

LAB 36.38, 0.46, 5.39

 

CMYK 15 / 9 / 0 / 64

HEX #4D535B

RGB 77 83 91

HSL 214.29, 0.08%, 0.33%

LAB 35.04, -0.5, -5.48

 

CMYK 39 / 22 / 0 / 59

HEX #3F5168

RGB 63 81 104

HSL 213.66, 0.25%, 0.33%

LAB 33.86, -0.54, -15.54

 

CMYK 58 / 33 / 0 / 54

HEX #324F76

RGB 50 79 118

HSL 214.41, 0.4%, 0.33%

LAB 33.09, 1.74, -25.56

 

CMYK 73 / 41 / 0 / 49

HEX #244D83

RGB 36 77 131

HSL 214.11, 0.57%, 0.33%

LAB 32.53, 5.08, -34.56

 

CMYK 0 / 14 / 14 / 65

HEX #5A4D4D

RGB 90 77 77

HSL 0, 0.08%, 0.33%

LAB 34.02, 5.42, 2

 

CMYK 0 / 10 / 14 / 65

HEX #5A514D

RGB 90 81 77

HSL 18.46, 0.08%, 0.33%

LAB 35.19, 2.93, 3.69

 

CMYK 0 / 6 / 14 / 65

HEX #5A554D

RGB 90 85 77

HSL 36.92, 0.08%, 0.33%

LAB 36.38, 0.46, 5.39

 

CMYK 0 / 2 / 14 / 65

HEX #5A584D

RGB 90 88 77

HSL 50.77, 0.08%, 0.33%

LAB 37.28, -1.37, 6.67

 

CMYK 1 / 0 / 14 / 65

HEX #595A4D

RGB 89 90 77

HSL 64.62, 0.08%, 0.33%

LAB 37.79, -2.99, 7.38

 

CMYK 0 / 7 / 15 / 82

HEX #2E2B27

RGB 46 43 39

HSL 34.29, 0.08%, 0.17%

LAB 17.71, 0.48, 3.09

 

CMYK 0 / 6 / 15 / 73

HEX #44403A

RGB 68 64 58

HSL 36, 0.08%, 0.25%

LAB 27.3, 0.47, 4.28

 

CMYK 0 / 6 / 14 / 65

HEX #5A554D

RGB 90 85 77

HSL 36.92, 0.08%, 0.33%

LAB 36.38, 0.46, 5.39

 

CMYK 0 / 7 / 15 / 56

HEX #716960

RGB 113 105 96

HSL 31.76, 0.08%, 0.41%

LAB 44.88, 1.46, 6.19

 

CMYK 0 / 7 / 15 / 47

HEX #877E73

RGB 135 126 115

HSL 33, 0.08%, 0.49%

LAB 53.29, 1.43, 7.21

 

CMYK 0 / 7 / 16 / 65

HEX #5A544C

RGB 90 84 76

HSL 34.29, 0.08%, 0.33%

LAB 36.05, 0.89, 5.55

 

CMYK 11 / 0 / 14 / 65

HEX #505A4D

RGB 80 90 77

HSL 106.15, 0.08%, 0.33%

LAB 37.03, -6.71, 6.2

 

CMYK 12 / 14 / 0 / 65

HEX #4F4D5A

RGB 79 77 90

HSL 249.23, 0.08%, 0.33%

LAB 33.37, 3.78, -7.33

 

CMYK 0 / 7 / 16 / 65

HEX #5A544C

RGB 90 84 76

HSL 34.29, 0.08%, 0.33%

LAB 36.05, 0.89, 5.55

 

CMYK 14 / 0 / 6 / 65

HEX #4D5A55

RGB 77 90 85

HSL 156.92, 0.08%, 0.33%

LAB 37.01, -6.18, 1.18

 

CMYK 6 / 14 / 0 / 65

HEX #554D5A

RGB 85 77 90

HSL 276.92, 0.08%, 0.33%

LAB 33.94, 6.1, -6.42

 

CMYK 0 / 7 / 16 / 65

HEX #5A544C

RGB 90 84 76

HSL 34.29, 0.08%, 0.33%

LAB 36.05, 0.89, 5.55

 

CMYK 11 / 0 / 14 / 65

HEX #505A4D

RGB 80 90 77

HSL 106.15, 0.08%, 0.33%

LAB 37.03, -6.71, 6.2

 

CMYK 14 / 8 / 0 / 65

HEX #4D535A

RGB 77 83 90

HSL 212.31, 0.08%, 0.33%

LAB 35.01, -0.75, -4.9

 

CMYK 3 / 14 / 0 / 65

HEX #574D5A

RGB 87 77 90

HSL 286.15, 0.08%, 0.33%

LAB 34.13, 6.89, -6.11

 

CMYK 0 / 7 / 16 / 65

HEX #5A544C

RGB 90 84 76

HSL 34.29, 0.08%, 0.33%

LAB 36.05, 0.89, 5.55

 

CMYK 14 / 0 / 13 / 65

HEX #4D5A4E

RGB 77 90 78

HSL 124.62, 0.08%, 0.33%

LAB 36.82, -7.71, 5.24

 

CMYK 14 / 8 / 0 / 65

HEX #4D535A

RGB 77 83 90

HSL 212.31, 0.08%, 0.33%

LAB 35.01, -0.75, -4.9

 

CMYK 0 / 14 / 1 / 65

HEX #5A4D59

RGB 90 77 89

HSL 304.62, 0.08%, 0.33%

LAB 34.4, 7.86, -5.04

 

Description

Color code: HEX #5A544C | qconv.com Color code: HEX #5A544C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 84 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 84 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 16 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 16% 65% C M Y K

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Provide designers and agencies with accurate color values.

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