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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A5765 it is the complementary color #A5A89A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A5765. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A5765 shade: #5F5760, #706973, #817B86, #928D99 and #A39FAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A5765. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A5765 shade: #5A5765, #494552, #38333F, #27212C and #160F19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A5765 shade: #5A5764, #5E5764, #615764, #645764 and #645761

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A5765 shade: #5A5764 and #575764

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A5765 shade matches the following richer shades: #5A5764, #514874, #493983, #402992 and #371AA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A5765 shade: #5A5764, #636755, #6C7646, #748537 and #7D9427

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A5765 shade: #575C64, #575864, #5A5764, #5D5764 and #615764

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A5765 shade: #323138, #46444E, #5A5764, #6E6A7B and #827F8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A5765 shade: #5A5765, #64575F and #5A6457

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A5765 shade: #5A5765, #645A57 and #57645A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A5765 shade: #5A5765, #64575F, #626457 and #57645D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A5765 shade: #5A5765, #64575B, #626457 and #576460

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 14 / 0 / 60

HEX #5A5765

RGB 90 87 101

HSL 252.86, 0.07%, 0.37%

LAB 37.72, 4.3, -7.61

 

Complementary color

CMYK 2 / 0 / 8 / 34

HEX #A5A89A

RGB 165 168 154

HSL 72.86, 0.07%, 0.63%

LAB 68.27, -3.65, 6.86

 

CMYK 1 / 9 / 0 / 62

HEX #5F5760

RGB 95 87 96

HSL 293.33, 0.05%, 0.36%

LAB 38.01, 5.1, -4.02

 

CMYK 3 / 9 / 0 / 55

HEX #706973

RGB 112 105 115

HSL 282, 0.05%, 0.43%

LAB 45.34, 4.77, -4.6

 

CMYK 4 / 8 / 0 / 47

HEX #817B86

RGB 129 123 134

HSL 272.73, 0.04%, 0.5%

LAB 52.46, 4.48, -5.16

 

CMYK 5 / 8 / 0 / 40

HEX #928D99

RGB 146 141 153

HSL 265, 0.06%, 0.58%

LAB 59.4, 4.21, -5.7

 

CMYK 5 / 8 / 0 / 33

HEX #A39FAC

RGB 163 159 172

HSL 258.46, 0.07%, 0.65%

LAB 66.18, 3.97, -6.23

 

CMYK 11 / 14 / 0 / 60

HEX #5A5765

RGB 90 87 101

HSL 252.86, 0.07%, 0.37%

LAB 37.72, 4.3, -7.61

 

CMYK 11 / 16 / 0 / 68

HEX #494552

RGB 73 69 82

HSL 258.46, 0.09%, 0.3%

LAB 30.11, 4.64, -7.16

 

CMYK 11 / 19 / 0 / 75

HEX #38333F

RGB 56 51 63

HSL 265, 0.11%, 0.22%

LAB 22.19, 5.04, -6.7

 

CMYK 11 / 25 / 0 / 83

HEX #27212C

RGB 39 33 44

HSL 272.73, 0.14%, 0.15%

LAB 13.83, 5.55, -6.26

 

CMYK 12 / 40 / 0 / 90

HEX #160F19

RGB 22 15 25

HSL 282, 0.25%, 0.08%

LAB 5.26, 5.06, -5.18

 

CMYK 10 / 13 / 0 / 61

HEX #5A5764

RGB 90 87 100

HSL 253.85, 0.07%, 0.37%

LAB 37.68, 4.07, -7.04

 

CMYK 6 / 13 / 0 / 61

HEX #5E5764

RGB 94 87 100

HSL 272.31, 0.07%, 0.37%

LAB 38.05, 5.59, -6.45

 

CMYK 3 / 13 / 0 / 61

HEX #615764

RGB 97 87 100

HSL 286.15, 0.07%, 0.37%

LAB 38.34, 6.75, -6

 

CMYK 0 / 13 / 0 / 61

HEX #645764

RGB 100 87 100

HSL 300, 0.07%, 0.37%

LAB 38.63, 7.92, -5.53

 

CMYK 0 / 13 / 3 / 61

HEX #645761

RGB 100 87 97

HSL 313.85, 0.07%, 0.37%

LAB 38.53, 7.29, -3.81

 

CMYK 10 / 13 / 0 / 61

HEX #5A5764

RGB 90 87 100

HSL 253.85, 0.07%, 0.37%

LAB 37.68, 4.07, -7.04

 

CMYK 13 / 13 / 0 / 61

HEX #575764

RGB 87 87 100

HSL 240, 0.07%, 0.37%

LAB 37.41, 2.94, -7.47

 

CMYK 10 / 13 / 0 / 61

HEX #5A5764

RGB 90 87 100

HSL 253.85, 0.07%, 0.37%

LAB 37.68, 4.07, -7.04

 

CMYK 30 / 38 / 0 / 55

HEX #514874

RGB 81 72 116

HSL 252.27, 0.23%, 0.37%

LAB 33.23, 14.53, -23.92

 

CMYK 44 / 56 / 0 / 49

HEX #493983

RGB 73 57 131

HSL 252.97, 0.39%, 0.37%

LAB 29.37, 26.35, -39.48

 

CMYK 56 / 72 / 0 / 43

HEX #402992

RGB 64 41 146

HSL 253.14, 0.56%, 0.37%

LAB 26.01, 38.9, -54.27

 

CMYK 66 / 84 / 0 / 36

HEX #371AA2

RGB 55 26 162

HSL 252.79, 0.72%, 0.37%

LAB 24.19, 50.06, -67.1

 

CMYK 10 / 13 / 0 / 61

HEX #5A5764

RGB 90 87 100

HSL 253.85, 0.07%, 0.37%

LAB 37.68, 4.07, -7.04

 

CMYK 4 / 0 / 17 / 60

HEX #636755

RGB 99 103 85

HSL 73.33, 0.1%, 0.37%

LAB 42.78, -5.08, 9.65

 

CMYK 8 / 0 / 41 / 54

HEX #6C7646

RGB 108 118 70

HSL 72.5, 0.26%, 0.37%

LAB 47.74, -12.13, 25.19

 

CMYK 13 / 0 / 59 / 48

HEX #748537

RGB 116 133 55

HSL 73.08, 0.41%, 0.37%

LAB 52.69, -18.4, 39.22

 

CMYK 16 / 0 / 74 / 42

HEX #7D9427

RGB 125 148 39

HSL 72.66, 0.58%, 0.37%

LAB 57.74, -23.38, 51.65

 

CMYK 13 / 8 / 0 / 61

HEX #575C64

RGB 87 92 100

HSL 216.92, 0.07%, 0.37%

LAB 38.9, -0.14, -5.25

 

CMYK 13 / 12 / 0 / 61

HEX #575864

RGB 87 88 100

HSL 235.38, 0.07%, 0.37%

LAB 37.71, 2.32, -7.03

 

CMYK 10 / 13 / 0 / 61

HEX #5A5764

RGB 90 87 100

HSL 253.85, 0.07%, 0.37%

LAB 37.68, 4.07, -7.04

 

CMYK 7 / 13 / 0 / 61

HEX #5D5764

RGB 93 87 100

HSL 267.69, 0.07%, 0.37%

LAB 37.96, 5.21, -6.6

 

CMYK 3 / 13 / 0 / 61

HEX #615764

RGB 97 87 100

HSL 286.15, 0.07%, 0.37%

LAB 38.34, 6.75, -6

 

CMYK 11 / 13 / 0 / 78

HEX #323138

RGB 50 49 56

HSL 248.57, 0.07%, 0.21%

LAB 20.67, 2.14, -4.27

 

CMYK 10 / 13 / 0 / 69

HEX #46444E

RGB 70 68 78

HSL 252, 0.07%, 0.29%

LAB 29.38, 3.14, -5.7

 

CMYK 10 / 13 / 0 / 61

HEX #5A5764

RGB 90 87 100

HSL 253.85, 0.07%, 0.37%

LAB 37.68, 4.07, -7.04

 

CMYK 11 / 14 / 0 / 52

HEX #6E6A7B

RGB 110 106 123

HSL 254.12, 0.07%, 0.45%

LAB 45.71, 5.18, -8.88

 

CMYK 9 / 11 / 0 / 44

HEX #827F8F

RGB 130 127 143

HSL 251.25, 0.07%, 0.53%

LAB 53.93, 4.42, -8.21

 

CMYK 11 / 14 / 0 / 60

HEX #5A5765

RGB 90 87 101

HSL 252.86, 0.07%, 0.37%

LAB 37.72, 4.3, -7.61

 

CMYK 0 / 13 / 5 / 61

HEX #64575F

RGB 100 87 95

HSL 323.08, 0.07%, 0.37%

LAB 38.47, 6.88, -2.67

 

CMYK 10 / 0 / 13 / 61

HEX #5A6457

RGB 90 100 87

HSL 106.15, 0.07%, 0.37%

LAB 41.18, -6.59, 6.07

 

CMYK 11 / 14 / 0 / 60

HEX #5A5765

RGB 90 87 101

HSL 252.86, 0.07%, 0.37%

LAB 37.72, 4.3, -7.61

 

CMYK 0 / 10 / 13 / 61

HEX #645A57

RGB 100 90 87

HSL 13.85, 0.07%, 0.37%

LAB 39.09, 3.47, 3.19

 

CMYK 13 / 0 / 10 / 61

HEX #57645A

RGB 87 100 90

HSL 133.85, 0.07%, 0.37%

LAB 41.02, -7.15, 3.99

 

CMYK 11 / 14 / 0 / 60

HEX #5A5765

RGB 90 87 101

HSL 252.86, 0.07%, 0.37%

LAB 37.72, 4.3, -7.61

 

CMYK 0 / 13 / 5 / 61

HEX #64575F

RGB 100 87 95

HSL 323.08, 0.07%, 0.37%

LAB 38.47, 6.88, -2.67

 

CMYK 2 / 0 / 13 / 61

HEX #626457

RGB 98 100 87

HSL 69.23, 0.07%, 0.37%

LAB 41.84, -3.36, 7.11

 

CMYK 13 / 0 / 7 / 61

HEX #57645D

RGB 87 100 93

HSL 147.69, 0.07%, 0.37%

LAB 41.11, -6.51, 2.28

 

CMYK 11 / 14 / 0 / 60

HEX #5A5765

RGB 90 87 101

HSL 252.86, 0.07%, 0.37%

LAB 37.72, 4.3, -7.61

 

CMYK 0 / 13 / 9 / 61

HEX #64575B

RGB 100 87 91

HSL 341.54, 0.07%, 0.37%

LAB 38.34, 6.08, -0.37

 

CMYK 2 / 0 / 13 / 61

HEX #626457

RGB 98 100 87

HSL 69.23, 0.07%, 0.37%

LAB 41.84, -3.36, 7.11

 

CMYK 13 / 0 / 4 / 61

HEX #576460

RGB 87 100 96

HSL 161.54, 0.07%, 0.37%

LAB 41.19, -5.85, 0.58

 

Description

Color code: HEX #5A5765 | qconv.com Color code: HEX #5A5765 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 87 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 87 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 14 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 14% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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