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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A57EE it is the complementary color #A5A811. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A57EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A57EE shade: #5F57E9, #7069FC, #817BFF, #928DFF and #A39FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A57EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A57EE shade: #5A57EE, #4945DB, #3833C8, #2721B5 and #160FA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A57EE shade: #5A57EE, #8357EE, #AC57EE, #D457EE and #EE57DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A57EE shade: #5A57EE and #5757EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A57EE shade matches the following richer shades: #5A57EE and #4C49FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A57EE shade: #5A57EE, #6966DF, #7775D0, #8584C1 and #9393B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A57EE shade: #57A5EE, #577DEE, #5A57EE, #8257EE and #AA57EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A57EE shade: #1915DD, #3632EA, #5A57EE, #7F7DF2 and #A4A3F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A57EE shade: #5A57EE, #EE57CD and #91EE57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A57EE shade: #5A57EE, #EE5A57 and #57EE5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A57EE shade: #5A57EE, #EE57CD, #EBEE57 and #57EE78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A57EE shade: #5A57EE, #EE57A0, #EBEE57 and #57EEA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 63 / 0 / 7

HEX #5A57EE

RGB 90 87 238

HSL 241.19, 0.82%, 0.64%

LAB 45.86, 45.21, -75.76

 

Complementary color

CMYK 2 / 0 / 90 / 34

HEX #A5A811

RGB 165 168 17

HSL 61.19, 0.82%, 0.36%

LAB 66.55, -16.85, 66.54

 

CMYK 59 / 63 / 0 / 9

HEX #5F57E9

RGB 95 87 233

HSL 243.29, 0.77%, 0.63%

LAB 45.82, 44.39, -72.99

 

CMYK 56 / 58 / 0 / 1

HEX #7069FC

RGB 112 105 252

HSL 242.86, 0.96%, 0.7%

LAB 52.48, 42.6, -72.72

 

CMYK 49 / 52 / 0 / 0

HEX #817BFF

RGB 129 123 255

HSL 242.73, 1%, 0.74%

LAB 58.09, 36.24, -65.26

 

CMYK 43 / 45 / 0 / 0

HEX #928DFF

RGB 146 141 255

HSL 242.63, 1%, 0.78%

LAB 63.66, 29.56, -56.27

 

CMYK 36 / 38 / 0 / 0

HEX #A39FFF

RGB 163 159 255

HSL 242.5, 1%, 0.81%

LAB 69.33, 23.49, -47.22

 

CMYK 62 / 63 / 0 / 7

HEX #5A57EE

RGB 90 87 238

HSL 241.19, 0.82%, 0.64%

LAB 45.86, 45.21, -75.76

 

CMYK 67 / 68 / 0 / 14

HEX #4945DB

RGB 73 69 219

HSL 241.6, 0.68%, 0.56%

LAB 39.22, 47.31, -75.89

 

CMYK 72 / 75 / 0 / 22

HEX #3833C8

RGB 56 51 200

HSL 242.01, 0.59%, 0.49%

LAB 32.65, 49.48, -75.75

 

CMYK 78 / 82 / 0 / 29

HEX #2721B5

RGB 39 33 181

HSL 242.43, 0.69%, 0.42%

LAB 26.32, 51.42, -75.06

 

CMYK 86 / 91 / 0 / 36

HEX #160FA2

RGB 22 15 162

HSL 242.86, 0.83%, 0.35%

LAB 20.52, 52.39, -73.27

 

CMYK 62 / 63 / 0 / 7

HEX #5A57EE

RGB 90 87 238

HSL 241.19, 0.82%, 0.64%

LAB 45.86, 45.21, -75.76

 

CMYK 45 / 63 / 0 / 7

HEX #8357EE

RGB 131 87 238

HSL 257.48, 0.82%, 0.64%

LAB 49.27, 52.15, -70.05

 

CMYK 28 / 63 / 0 / 7

HEX #AC57EE

RGB 172 87 238

HSL 273.77, 0.82%, 0.64%

LAB 53.77, 60.53, -62.55

 

CMYK 11 / 63 / 0 / 7

HEX #D457EE

RGB 212 87 238

HSL 289.67, 0.82%, 0.64%

LAB 58.96, 69.43, -53.95

 

CMYK 0 / 63 / 6 / 7

HEX #EE57DF

RGB 238 87 223

HSL 305.96, 0.82%, 0.64%

LAB 61.93, 73, -40.62

 

CMYK 62 / 63 / 0 / 7

HEX #5A57EE

RGB 90 87 238

HSL 241.19, 0.82%, 0.64%

LAB 45.86, 45.21, -75.76

 

CMYK 63 / 63 / 0 / 7

HEX #5757EE

RGB 87 87 238

HSL 240, 0.82%, 0.64%

LAB 45.66, 44.78, -76.09

 

CMYK 62 / 63 / 0 / 7

HEX #5A57EE

RGB 90 87 238

HSL 241.19, 0.82%, 0.64%

LAB 45.86, 45.21, -75.76

 

CMYK 70 / 71 / 0 / 1

HEX #4C49FD

RGB 76 73 253

HSL 241, 0.98%, 0.64%

LAB 43.35, 56.18, -88.31

 

CMYK 62 / 63 / 0 / 7

HEX #5A57EE

RGB 90 87 238

HSL 241.19, 0.82%, 0.64%

LAB 45.86, 45.21, -75.76

 

CMYK 53 / 54 / 0 / 13

HEX #6966DF

RGB 105 102 223

HSL 241.49, 0.65%, 0.64%

LAB 49.29, 34.14, -61.66

 

CMYK 43 / 44 / 0 / 18

HEX #7775D0

RGB 119 117 208

HSL 241.32, 0.49%, 0.64%

LAB 53.17, 23.74, -46.9

 

CMYK 31 / 32 / 0 / 24

HEX #8584C1

RGB 133 132 193

HSL 240.98, 0.33%, 0.64%

LAB 57.4, 14.5, -31.64

 

CMYK 18 / 18 / 0 / 30

HEX #9393B3

RGB 147 147 179

HSL 240, 0.17%, 0.64%

LAB 61.93, 6.78, -16.66

 

CMYK 63 / 31 / 0 / 7

HEX #57A5EE

RGB 87 165 238

HSL 209.01, 0.82%, 0.64%

LAB 65.83, -1.96, -43.74

 

CMYK 63 / 47 / 0 / 7

HEX #577DEE

RGB 87 125 238

HSL 224.9, 0.82%, 0.64%

LAB 54.93, 21.7, -61.05

 

CMYK 62 / 63 / 0 / 7

HEX #5A57EE

RGB 90 87 238

HSL 241.19, 0.82%, 0.64%

LAB 45.86, 45.21, -75.76

 

CMYK 45 / 63 / 0 / 7

HEX #8257EE

RGB 130 87 238

HSL 257.09, 0.82%, 0.64%

LAB 49.17, 51.96, -70.21

 

CMYK 29 / 63 / 0 / 7

HEX #AA57EE

RGB 170 87 238

HSL 272.98, 0.82%, 0.64%

LAB 53.53, 60.1, -62.95

 

CMYK 89 / 90 / 0 / 13

HEX #1915DD

RGB 25 21 221

HSL 241.2, 0.83%, 0.47%

LAB 29.32, 66.94, -93.51

 

CMYK 77 / 79 / 0 / 8

HEX #3632EA

RGB 54 50 234

HSL 241.3, 0.81%, 0.56%

LAB 36, 60.4, -89.81

 

CMYK 62 / 63 / 0 / 7

HEX #5A57EE

RGB 90 87 238

HSL 241.19, 0.82%, 0.64%

LAB 45.86, 45.21, -75.76

 

CMYK 48 / 48 / 0 / 5

HEX #7F7DF2

RGB 127 125 242

HSL 241.03, 0.82%, 0.72%

LAB 57.65, 30.81, -58.79

 

CMYK 33 / 33 / 0 / 4

HEX #A4A3F5

RGB 164 163 245

HSL 240.73, 0.8%, 0.8%

LAB 69.95, 18.9, -40.8

 

CMYK 62 / 63 / 0 / 7

HEX #5A57EE

RGB 90 87 238

HSL 241.19, 0.82%, 0.64%

LAB 45.86, 45.21, -75.76

 

CMYK 0 / 63 / 14 / 7

HEX #EE57CD

RGB 238 87 205

HSL 313.11, 0.82%, 0.64%

LAB 61.13, 70.31, -31.72

 

CMYK 39 / 0 / 63 / 7

HEX #91EE57

RGB 145 238 87

HSL 96.95, 0.82%, 0.64%

LAB 85.93, -52.67, 62.45

 

CMYK 62 / 63 / 0 / 7

HEX #5A57EE

RGB 90 87 238

HSL 241.19, 0.82%, 0.64%

LAB 45.86, 45.21, -75.76

 

CMYK 0 / 62 / 63 / 7

HEX #EE5A57

RGB 238 90 87

HSL 1.19, 0.82%, 0.64%

LAB 58.21, 56.82, 32.24

 

CMYK 63 / 0 / 62 / 7

HEX #57EE5A

RGB 87 238 90

HSL 121.19, 0.82%, 0.64%

LAB 83.92, -67.76, 58.41

 

CMYK 62 / 63 / 0 / 7

HEX #5A57EE

RGB 90 87 238

HSL 241.19, 0.82%, 0.64%

LAB 45.86, 45.21, -75.76

 

CMYK 0 / 63 / 14 / 7

HEX #EE57CD

RGB 238 87 205

HSL 313.11, 0.82%, 0.64%

LAB 61.13, 70.31, -31.72

 

CMYK 1 / 0 / 63 / 7

HEX #EBEE57

RGB 235 238 87

HSL 61.19, 0.82%, 0.64%

LAB 91.46, -19.19, 69.99

 

CMYK 63 / 0 / 50 / 7

HEX #57EE78

RGB 87 238 120

HSL 133.11, 0.82%, 0.64%

LAB 84.24, -64.07, 45.3

 

CMYK 62 / 63 / 0 / 7

HEX #5A57EE

RGB 90 87 238

HSL 241.19, 0.82%, 0.64%

LAB 45.86, 45.21, -75.76

 

CMYK 0 / 63 / 33 / 7

HEX #EE57A0

RGB 238 87 160

HSL 330.99, 0.82%, 0.64%

LAB 59.46, 64.46, -8.44

 

CMYK 1 / 0 / 63 / 7

HEX #EBEE57

RGB 235 238 87

HSL 61.19, 0.82%, 0.64%

LAB 91.46, -19.19, 69.99

 

CMYK 63 / 0 / 31 / 7

HEX #57EEA5

RGB 87 238 165

HSL 150.99, 0.82%, 0.64%

LAB 84.94, -56.39, 23.81

 

Description

Color code: HEX #5A57EE | qconv.com Color code: HEX #5A57EE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 87 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 87 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 63 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 63% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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