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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A501F it is the complementary color #A5AFE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A501F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A501F shade: #5F501A, #70622D, #817440, #928653 and #A39866

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A501F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A501F shade: #5A501F, #493E0C, #382C00, #271A00 and #160800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A501F shade: #5B511F, #5B401F, #5B301F, #5B201F and #5B1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A501F shade: #5B511F, #555B1F, #455B1F, #345B1F and #245B1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A501F shade matches the following richer shades: #5B511F, #655715, #6E5E0B and #786401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A501F shade: #5B511F, #514A29, #474333, #3D3D3C and #333646

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A501F shade: #5B301F, #5B401F, #5B501F, #565B1F and #465B1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A501F shade: #1D1A0A, #3C3514, #5B511F, #796C29 and #988734

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A501F shade: #5A501F, #1F5B20 and #381F5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A501F shade: #5A501F, #1F5B50 and #501F5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A501F shade: #5A501F, #1F5B20, #1F2A5B and #5B1F5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A501F shade: #5A501F, #1F5B32, #1F2A5B and #5B1F48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 66 / 65

HEX #5A501F

RGB 90 80 31

HSL 49.83, 0.49%, 0.24%

LAB 34, -2.68, 29.7

 

Complementary color

CMYK 26 / 22 / 0 / 12

HEX #A5AFE0

RGB 165 175 224

HSL 229.83, 0.49%, 0.76%

LAB 72.26, 7.26, -25.78

 

CMYK 0 / 16 / 73 / 63

HEX #5F501A

RGB 95 80 26

HSL 46.96, 0.57%, 0.24%

LAB 34.49, -0.58, 32.92

 

CMYK 0 / 13 / 60 / 56

HEX #70622D

RGB 112 98 45

HSL 47.46, 0.43%, 0.31%

LAB 41.8, -1.66, 31.74

 

CMYK 0 / 10 / 50 / 49

HEX #817440

RGB 129 116 64

HSL 48, 0.34%, 0.38%

LAB 48.92, -2.46, 30.39

 

CMYK 0 / 8 / 43 / 43

HEX #928653

RGB 146 134 83

HSL 48.57, 0.28%, 0.45%

LAB 55.87, -3.08, 29.06

 

CMYK 0 / 7 / 37 / 36

HEX #A39866

RGB 163 152 102

HSL 49.18, 0.25%, 0.52%

LAB 62.68, -3.57, 27.79

 

CMYK 0 / 11 / 66 / 65

HEX #5A501F

RGB 90 80 31

HSL 49.83, 0.49%, 0.24%

LAB 34, -2.68, 29.7

 

CMYK 0 / 15 / 84 / 71

HEX #493E0C

RGB 73 62 12

HSL 49.18, 0.72%, 0.17%

LAB 26.41, -1.45, 30.53

 

CMYK 0 / 21 / 100 / 78

HEX #382C00

RGB 56 44 0

HSL 47.14, 1%, 0.11%

LAB 18.55, 0.4, 26.6

 

CMYK 0 / 33 / 100 / 85

HEX #271A00

RGB 39 26 0

HSL 40, 1%, 0.08%

LAB 10.34, 3.11, 15.5

 

CMYK 0 / 64 / 100 / 91

HEX #160800

RGB 22 8 0

HSL 21.82, 1%, 0.04%

LAB 3.11, 3.71, 4.73

 

CMYK 0 / 11 / 66 / 64

HEX #5B511F

RGB 91 81 31

HSL 50, 0.49%, 0.24%

LAB 34.41, -2.8, 30.19

 

CMYK 0 / 30 / 66 / 64

HEX #5B401F

RGB 91 64 31

HSL 33, 0.49%, 0.24%

LAB 29.39, 7.73, 24.49

 

CMYK 0 / 47 / 66 / 64

HEX #5B301F

RGB 91 48 31

HSL 17, 0.49%, 0.24%

LAB 25.07, 17.77, 19.33

 

CMYK 0 / 65 / 66 / 64

HEX #5B201F

RGB 91 32 31

HSL 1, 0.49%, 0.24%

LAB 21.42, 27.04, 14.76

 

CMYK 0 / 66 / 66 / 64

HEX #5B1F1F

RGB 91 31 31

HSL 0, 0.49%, 0.24%

LAB 21.22, 27.56, 14.5

 

CMYK 0 / 11 / 66 / 64

HEX #5B511F

RGB 91 81 31

HSL 50, 0.49%, 0.24%

LAB 34.41, -2.8, 30.19

 

CMYK 7 / 0 / 66 / 64

HEX #555B1F

RGB 85 91 31

HSL 66, 0.49%, 0.24%

LAB 36.95, -11.57, 32.8

 

CMYK 24 / 0 / 66 / 64

HEX #455B1F

RGB 69 91 31

HSL 82, 0.49%, 0.24%

LAB 35.69, -18.92, 31.05

 

CMYK 43 / 0 / 66 / 64

HEX #345B1F

RGB 52 91 31

HSL 99, 0.49%, 0.24%

LAB 34.62, -25.93, 29.57

 

CMYK 60 / 0 / 66 / 64

HEX #245B1F

RGB 36 91 31

HSL 115, 0.49%, 0.24%

LAB 33.89, -31.32, 28.55

 

CMYK 0 / 11 / 66 / 64

HEX #5B511F

RGB 91 81 31

HSL 50, 0.49%, 0.24%

LAB 34.41, -2.8, 30.19

 

CMYK 0 / 14 / 79 / 60

HEX #655715

RGB 101 87 21

HSL 49.5, 0.66%, 0.24%

LAB 37.18, -2.1, 38.06

 

CMYK 0 / 15 / 90 / 57

HEX #6E5E0B

RGB 110 94 11

HSL 50.3, 0.82%, 0.24%

LAB 40.15, -2.18, 44.46

 

CMYK 0 / 17 / 99 / 53

HEX #786401

RGB 120 100 1

HSL 49.92, 0.98%, 0.24%

LAB 42.93, -1.04, 49.63

 

CMYK 0 / 11 / 66 / 64

HEX #5B511F

RGB 91 81 31

HSL 50, 0.49%, 0.24%

LAB 34.41, -2.8, 30.19

 

CMYK 0 / 9 / 49 / 68

HEX #514A29

RGB 81 74 41

HSL 49.5, 0.33%, 0.24%

LAB 31.36, -2.42, 20.7

 

CMYK 0 / 6 / 28 / 72

HEX #474333

RGB 71 67 51

HSL 48, 0.16%, 0.24%

LAB 28.36, -1.36, 10.35

 

CMYK 0 / 0 / 2 / 76

HEX #3D3D3C

RGB 61 61 60

HSL 60, 0.01%, 0.24%

LAB 25.73, -0.22, 0.61

 

CMYK 27 / 23 / 0 / 73

HEX #333646

RGB 51 54 70

HSL 230.53, 0.16%, 0.24%

LAB 22.95, 2.95, -10.31

 

CMYK 0 / 47 / 66 / 64

HEX #5B301F

RGB 91 48 31

HSL 17, 0.49%, 0.24%

LAB 25.07, 17.77, 19.33

 

CMYK 0 / 30 / 66 / 64

HEX #5B401F

RGB 91 64 31

HSL 33, 0.49%, 0.24%

LAB 29.39, 7.73, 24.49

 

CMYK 0 / 12 / 66 / 64

HEX #5B501F

RGB 91 80 31

HSL 49, 0.49%, 0.24%

LAB 34.11, -2.19, 29.85

 

CMYK 5 / 0 / 66 / 64

HEX #565B1F

RGB 86 91 31

HSL 65, 0.49%, 0.24%

LAB 37.04, -11.1, 32.92

 

CMYK 23 / 0 / 66 / 64

HEX #465B1F

RGB 70 91 31

HSL 81, 0.49%, 0.24%

LAB 35.76, -18.48, 31.15

 

CMYK 0 / 10 / 66 / 89

HEX #1D1A0A

RGB 29 26 10

HSL 50.53, 0.49%, 0.08%

LAB 9.17, -1.53, 9.59

 

CMYK 0 / 12 / 67 / 76

HEX #3C3514

RGB 60 53 20

HSL 49.5, 0.5%, 0.16%

LAB 22.15, -1.94, 21.56

 

CMYK 0 / 11 / 66 / 64

HEX #5B511F

RGB 91 81 31

HSL 50, 0.49%, 0.24%

LAB 34.41, -2.8, 30.19

 

CMYK 0 / 11 / 66 / 53

HEX #796C29

RGB 121 108 41

HSL 50.25, 0.49%, 0.32%

LAB 45.57, -3.54, 38.23

 

CMYK 0 / 11 / 66 / 40

HEX #988734

RGB 152 135 52

HSL 49.8, 0.49%, 0.4%

LAB 56.34, -3.73, 45.54

 

CMYK 0 / 11 / 66 / 65

HEX #5A501F

RGB 90 80 31

HSL 49.83, 0.49%, 0.24%

LAB 34, -2.68, 29.7

 

CMYK 66 / 0 / 65 / 64

HEX #1F5B20

RGB 31 91 32

HSL 121, 0.49%, 0.24%

LAB 33.73, -32.57, 27.8

 

CMYK 38 / 66 / 0 / 64

HEX #381F5B

RGB 56 31 91

HSL 265, 0.49%, 0.24%

LAB 18.26, 26.38, -31.72

 

CMYK 0 / 11 / 66 / 65

HEX #5A501F

RGB 90 80 31

HSL 49.83, 0.49%, 0.24%

LAB 34, -2.68, 29.7

 

CMYK 66 / 0 / 12 / 64

HEX #1F5B50

RGB 31 91 80

HSL 169, 0.49%, 0.24%

LAB 34.71, -22.24, 0.63

 

CMYK 12 / 66 / 0 / 64

HEX #501F5B

RGB 80 31 91

HSL 289, 0.49%, 0.24%

LAB 21.73, 32.93, -25.97

 

CMYK 0 / 11 / 66 / 65

HEX #5A501F

RGB 90 80 31

HSL 49.83, 0.49%, 0.24%

LAB 34, -2.68, 29.7

 

CMYK 66 / 0 / 65 / 64

HEX #1F5B20

RGB 31 91 32

HSL 121, 0.49%, 0.24%

LAB 33.73, -32.57, 27.8

 

CMYK 66 / 54 / 0 / 64

HEX #1F2A5B

RGB 31 42 91

HSL 229, 0.49%, 0.24%

LAB 18.81, 12.76, -30.95

 

CMYK 0 / 66 / 1 / 64

HEX #5B1F5A

RGB 91 31 90

HSL 301, 0.49%, 0.24%

LAB 23.48, 35.86, -22.42

 

CMYK 0 / 11 / 66 / 65

HEX #5A501F

RGB 90 80 31

HSL 49.83, 0.49%, 0.24%

LAB 34, -2.68, 29.7

 

CMYK 66 / 0 / 45 / 64

HEX #1F5B32

RGB 31 91 50

HSL 139, 0.49%, 0.24%

LAB 33.99, -29.62, 18.06

 

CMYK 66 / 54 / 0 / 64

HEX #1F2A5B

RGB 31 42 91

HSL 229, 0.49%, 0.24%

LAB 18.81, 12.76, -30.95

 

CMYK 0 / 66 / 21 / 64

HEX #5B1F48

RGB 91 31 72

HSL 319, 0.49%, 0.24%

LAB 22.56, 32.61, -11.79

 

Description

Color code: HEX #5A501F | qconv.com Color code: HEX #5A501F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 80 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 80 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 66 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 66% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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