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Color name
HEX #5A5FA4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A5FA4 it is the complementary color #A5A05B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A5FA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A5FA4 shade: #5F5F9F, #7071B2, #8183C5, #9295D8 and #A3A7EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A5FA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A5FA4 shade: #5A5FA4, #494D91, #383B7E, #27296B and #161758

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A5FA4 shade: #5A5FA4, #695AA4, #7D5AA4, #915AA4 and #A45AA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A5FA4 shade: #5A5FA4 and #5A5AA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A5FA4 shade matches the following richer shades: #5A5FA4, #454DB9, #313BCD, #1C29E2 and #0818F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A5FA4 shade: #5A5FA4, #6F718F, #83837B, #989566 and #ADA651

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A5FA4 shade: #5A88A4, #5A74A4, #5A60A4, #685AA4 and #7B5AA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A5FA4 shade: #3D406F, #4B5089, #5A5FA4, #7579B3 and #8F93C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A5FA4 shade: #5A5FA4, #A45A9B and #7EA45A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A5FA4 shade: #5A5FA4, #A45A60 and #60A45A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A5FA4 shade: #5A5FA4, #A45A9B, #A49E5A and #5AA463

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A5FA4 shade: #5A5FA4, #A45A85, #A49E5A and #5AA479

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 42 / 0 / 36

HEX #5A5FA4

RGB 90 95 164

HSL 235.95, 0.29%, 0.5%

LAB 42.82, 16.72, -37.96

 

Complementary color

CMYK 0 / 3 / 45 / 35

HEX #A5A05B

RGB 165 160 91

HSL 55.95, 0.29%, 0.5%

LAB 64.88, -8.28, 36.48

 

CMYK 40 / 40 / 0 / 38

HEX #5F5F9F

RGB 95 95 159

HSL 240, 0.25%, 0.5%

LAB 42.94, 16.55, -34.77

 

CMYK 37 / 37 / 0 / 30

HEX #7071B2

RGB 112 113 178

HSL 239.09, 0.3%, 0.57%

LAB 50.06, 15.71, -34.63

 

CMYK 35 / 34 / 0 / 23

HEX #8183C5

RGB 129 131 197

HSL 238.24, 0.37%, 0.64%

LAB 57.01, 15, -34.55

 

CMYK 32 / 31 / 0 / 15

HEX #9295D8

RGB 146 149 216

HSL 237.43, 0.47%, 0.71%

LAB 63.81, 14.38, -34.53

 

CMYK 31 / 29 / 0 / 8

HEX #A3A7EB

RGB 163 167 235

HSL 236.67, 0.64%, 0.78%

LAB 70.47, 13.83, -34.54

 

CMYK 45 / 42 / 0 / 36

HEX #5A5FA4

RGB 90 95 164

HSL 235.95, 0.29%, 0.5%

LAB 42.82, 16.72, -37.96

 

CMYK 50 / 47 / 0 / 43

HEX #494D91

RGB 73 77 145

HSL 236.67, 0.33%, 0.43%

LAB 35.53, 17.87, -38.22

 

CMYK 56 / 53 / 0 / 51

HEX #383B7E

RGB 56 59 126

HSL 237.43, 0.38%, 0.36%

LAB 28.05, 19.33, -38.55

 

CMYK 64 / 62 / 0 / 58

HEX #27296B

RGB 39 41 107

HSL 238.24, 0.47%, 0.29%

LAB 20.36, 21.22, -38.93

 

CMYK 75 / 74 / 0 / 65

HEX #161758

RGB 22 23 88

HSL 239.09, 0.6%, 0.22%

LAB 12.53, 23.68, -39.18

 

CMYK 45 / 42 / 0 / 36

HEX #5A5FA4

RGB 90 95 164

HSL 235.95, 0.29%, 0.5%

LAB 42.82, 16.72, -37.96

 

CMYK 36 / 45 / 0 / 36

HEX #695AA4

RGB 105 90 164

HSL 252.16, 0.29%, 0.5%

LAB 42.76, 23.86, -37.98

 

CMYK 24 / 45 / 0 / 36

HEX #7D5AA4

RGB 125 90 164

HSL 268.38, 0.29%, 0.5%

LAB 44.73, 29.61, -34.73

 

CMYK 12 / 45 / 0 / 36

HEX #915AA4

RGB 145 90 164

HSL 284.59, 0.29%, 0.5%

LAB 46.99, 35.64, -31.02

 

CMYK 0 / 45 / 1 / 36

HEX #A45AA3

RGB 164 90 163

HSL 300.81, 0.29%, 0.5%

LAB 49.31, 41.28, -26.64

 

CMYK 45 / 42 / 0 / 36

HEX #5A5FA4

RGB 90 95 164

HSL 235.95, 0.29%, 0.5%

LAB 42.82, 16.72, -37.96

 

CMYK 45 / 45 / 0 / 36

HEX #5A5AA4

RGB 90 90 164

HSL 240, 0.29%, 0.5%

LAB 41.48, 19.86, -40.09

 

CMYK 45 / 42 / 0 / 36

HEX #5A5FA4

RGB 90 95 164

HSL 235.95, 0.29%, 0.5%

LAB 42.82, 16.72, -37.96

 

CMYK 63 / 58 / 0 / 27

HEX #454DB9

RGB 69 77 185

HSL 235.86, 0.46%, 0.5%

LAB 37.98, 30.54, -58.21

 

CMYK 76 / 71 / 0 / 20

HEX #313BCD

RGB 49 59 205

HSL 236.15, 0.61%, 0.5%

LAB 34.37, 45.99, -75.84

 

CMYK 88 / 82 / 0 / 11

HEX #1C29E2

RGB 28 41 226

HSL 236.06, 0.78%, 0.5%

LAB 32.53, 61, -91.03

 

CMYK 97 / 90 / 0 / 4

HEX #0818F6

RGB 8 24 246

HSL 235.97, 0.94%, 0.5%

LAB 32.61, 72.53, -102.28

 

CMYK 45 / 42 / 0 / 36

HEX #5A5FA4

RGB 90 95 164

HSL 235.95, 0.29%, 0.5%

LAB 42.82, 16.72, -37.96

 

CMYK 22 / 21 / 0 / 44

HEX #6F718F

RGB 111 113 143

HSL 236.25, 0.13%, 0.5%

LAB 48.48, 6.09, -16.59

 

CMYK 0 / 0 / 6 / 49

HEX #83837B

RGB 131 131 123

HSL 60, 0.03%, 0.5%

LAB 54.54, -1.54, 4.32

 

CMYK 0 / 2 / 33 / 40

HEX #989566

RGB 152 149 102

HSL 56.4, 0.2%, 0.5%

LAB 60.9, -6.48, 25.27

 

CMYK 0 / 4 / 53 / 32

HEX #ADA651

RGB 173 166 81

HSL 55.43, 0.36%, 0.5%

LAB 67.09, -9.03, 44.34

 

CMYK 45 / 17 / 0 / 36

HEX #5A88A4

RGB 90 136 164

HSL 202.7, 0.29%, 0.5%

LAB 54.51, -7.93, -19.75

 

CMYK 45 / 29 / 0 / 36

HEX #5A74A4

RGB 90 116 164

HSL 218.92, 0.29%, 0.5%

LAB 48.69, 3.77, -28.74

 

CMYK 45 / 41 / 0 / 36

HEX #5A60A4

RGB 90 96 164

HSL 235.14, 0.29%, 0.5%

LAB 43.09, 16.09, -37.53

 

CMYK 37 / 45 / 0 / 36

HEX #685AA4

RGB 104 90 164

HSL 251.35, 0.29%, 0.5%

LAB 42.67, 23.58, -38.13

 

CMYK 25 / 45 / 0 / 36

HEX #7B5AA4

RGB 123 90 164

HSL 266.76, 0.29%, 0.5%

LAB 44.52, 29.02, -35.07

 

CMYK 45 / 42 / 0 / 56

HEX #3D406F

RGB 61 64 111

HSL 236.4, 0.29%, 0.34%

LAB 28.92, 12.18, -27.67

 

CMYK 45 / 42 / 0 / 46

HEX #4B5089

RGB 75 80 137

HSL 235.16, 0.29%, 0.42%

LAB 36.06, 13.87, -32.5

 

CMYK 45 / 42 / 0 / 36

HEX #5A5FA4

RGB 90 95 164

HSL 235.95, 0.29%, 0.5%

LAB 42.82, 16.72, -37.96

 

CMYK 35 / 32 / 0 / 30

HEX #7579B3

RGB 117 121 179

HSL 236.13, 0.29%, 0.58%

LAB 52.63, 12.6, -31.16

 

CMYK 26 / 24 / 0 / 24

HEX #8F93C1

RGB 143 147 193

HSL 235.2, 0.29%, 0.66%

LAB 62.13, 8.82, -24.28

 

CMYK 45 / 42 / 0 / 36

HEX #5A5FA4

RGB 90 95 164

HSL 235.95, 0.29%, 0.5%

LAB 42.82, 16.72, -37.96

 

CMYK 0 / 45 / 5 / 36

HEX #A45A9B

RGB 164 90 155

HSL 307.3, 0.29%, 0.5%

LAB 48.97, 39.8, -22.44

 

CMYK 23 / 0 / 45 / 36

HEX #7EA45A

RGB 126 164 90

HSL 90.81, 0.29%, 0.5%

LAB 63.11, -26.19, 34.16

 

CMYK 45 / 42 / 0 / 36

HEX #5A5FA4

RGB 90 95 164

HSL 235.95, 0.29%, 0.5%

LAB 42.82, 16.72, -37.96

 

CMYK 0 / 45 / 41 / 36

HEX #A45A60

RGB 164 90 96

HSL 355.14, 0.29%, 0.5%

LAB 47.04, 30.92, 10.07

 

CMYK 41 / 0 / 45 / 36

HEX #60A45A

RGB 96 164 90

HSL 115.14, 0.29%, 0.5%

LAB 61.46, -36.76, 31.73

 

CMYK 45 / 42 / 0 / 36

HEX #5A5FA4

RGB 90 95 164

HSL 235.95, 0.29%, 0.5%

LAB 42.82, 16.72, -37.96

 

CMYK 0 / 45 / 5 / 36

HEX #A45A9B

RGB 164 90 155

HSL 307.3, 0.29%, 0.5%

LAB 48.97, 39.8, -22.44

 

CMYK 0 / 4 / 45 / 36

HEX #A49E5A

RGB 164 158 90

HSL 55.14, 0.29%, 0.5%

LAB 64.23, -7.74, 36.17

 

CMYK 45 / 0 / 40 / 36

HEX #5AA463

RGB 90 164 99

HSL 127.3, 0.29%, 0.5%

LAB 61.33, -37.2, 26.74

 

CMYK 45 / 42 / 0 / 36

HEX #5A5FA4

RGB 90 95 164

HSL 235.95, 0.29%, 0.5%

LAB 42.82, 16.72, -37.96

 

CMYK 0 / 45 / 19 / 36

HEX #A45A85

RGB 164 90 133

HSL 325.14, 0.29%, 0.5%

LAB 48.13, 36.05, -10.62

 

CMYK 0 / 4 / 45 / 36

HEX #A49E5A

RGB 164 158 90

HSL 55.14, 0.29%, 0.5%

LAB 64.23, -7.74, 36.17

 

CMYK 45 / 0 / 26 / 36

HEX #5AA479

RGB 90 164 121

HSL 145.14, 0.29%, 0.5%

LAB 61.74, -33.11, 15.28

 

Description

Color code: HEX #5A5FA4 | qconv.com Color code: HEX #5A5FA4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 95 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 95 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 42 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 42% 0% 36% C M Y K

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Provide designers and agencies with accurate color values.

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