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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A6493 it is the complementary color #A59B6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A6493. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A6493 shade: #5F648E, #7076A1, #8188B4, #929AC7 and #A3ACDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A6493. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A6493 shade: #5A6493, #495280, #38406D, #272E5A and #161C47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A6493 shade: #596391, #5E5991, #6D5991, #7C5991 and #8B5991

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A6493 shade: #596391 and #595991

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A6493 shade matches the following richer shades: #596391, #4656A4, #334AB7, #203ECA and #0D31DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A6493 shade: #596391, #6C6F7E, #7F7B6B, #928758 and #A59445

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A6493 shade: #598191, #597291, #596391, #5D5991 and #6C5991

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A6493 shade: #39405E, #495177, #596391, #6D77A6 and #878FB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A6493 shade: #5A6493, #915990 and #799159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A6493 shade: #5A6493, #915963 and #639159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A6493 shade: #5A6493, #915990, #918759 and #59915A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A6493 shade: #5A6493, #91597F, #918759 and #59916A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 32 / 0 / 42

HEX #5A6493

RGB 90 100 147

HSL 229.47, 0.24%, 0.46%

LAB 43.35, 8.48, -27.01

 

Complementary color

CMYK 0 / 6 / 35 / 35

HEX #A59B6C

RGB 165 155 108

HSL 49.47, 0.24%, 0.54%

LAB 63.77, -3.63, 26

 

CMYK 33 / 30 / 0 / 44

HEX #5F648E

RGB 95 100 142

HSL 233.62, 0.2%, 0.46%

LAB 43.51, 8.56, -23.75

 

CMYK 30 / 27 / 0 / 37

HEX #7076A1

RGB 112 118 161

HSL 232.65, 0.21%, 0.54%

LAB 50.66, 8.05, -23.81

 

CMYK 28 / 24 / 0 / 29

HEX #8188B4

RGB 129 136 180

HSL 231.76, 0.25%, 0.61%

LAB 57.63, 7.61, -23.93

 

CMYK 27 / 23 / 0 / 22

HEX #929AC7

RGB 146 154 199

HSL 230.94, 0.32%, 0.68%

LAB 64.44, 7.23, -24.08

 

CMYK 25 / 21 / 0 / 15

HEX #A3ACDA

RGB 163 172 218

HSL 230.18, 0.43%, 0.75%

LAB 71.11, 6.89, -24.26

 

CMYK 39 / 32 / 0 / 42

HEX #5A6493

RGB 90 100 147

HSL 229.47, 0.24%, 0.46%

LAB 43.35, 8.48, -27.01

 

CMYK 43 / 36 / 0 / 50

HEX #495280

RGB 73 82 128

HSL 230.18, 0.27%, 0.39%

LAB 36, 9.2, -27.08

 

CMYK 49 / 41 / 0 / 57

HEX #38406D

RGB 56 64 109

HSL 230.94, 0.32%, 0.32%

LAB 28.41, 10.11, -27.23

 

CMYK 57 / 49 / 0 / 65

HEX #272E5A

RGB 39 46 90

HSL 231.76, 0.4%, 0.25%

LAB 20.53, 11.37, -27.5

 

CMYK 69 / 61 / 0 / 72

HEX #161C47

RGB 22 28 71

HSL 232.65, 0.53%, 0.18%

LAB 12.33, 13.21, -27.87

 

CMYK 39 / 32 / 0 / 43

HEX #596391

RGB 89 99 145

HSL 229.29, 0.24%, 0.46%

LAB 42.9, 8.23, -26.52

 

CMYK 35 / 39 / 0 / 43

HEX #5E5991

RGB 94 89 145

HSL 245.36, 0.24%, 0.46%

LAB 40.52, 15.95, -30.21

 

CMYK 25 / 39 / 0 / 43

HEX #6D5991

RGB 109 89 145

HSL 261.43, 0.24%, 0.46%

LAB 41.91, 20.54, -27.94

 

CMYK 14 / 39 / 0 / 43

HEX #7C5991

RGB 124 89 145

HSL 277.5, 0.24%, 0.46%

LAB 43.47, 25.35, -25.39

 

CMYK 4 / 39 / 0 / 43

HEX #8B5991

RGB 139 89 145

HSL 293.57, 0.24%, 0.46%

LAB 45.19, 30.29, -22.59

 

CMYK 39 / 32 / 0 / 43

HEX #596391

RGB 89 99 145

HSL 229.29, 0.24%, 0.46%

LAB 42.9, 8.23, -26.52

 

CMYK 39 / 39 / 0 / 43

HEX #595991

RGB 89 89 145

HSL 240, 0.24%, 0.46%

LAB 40.1, 14.49, -30.9

 

CMYK 39 / 32 / 0 / 43

HEX #596391

RGB 89 99 145

HSL 229.29, 0.24%, 0.46%

LAB 42.9, 8.23, -26.52

 

CMYK 57 / 48 / 0 / 36

HEX #4656A4

RGB 70 86 164

HSL 229.79, 0.4%, 0.46%

LAB 38.96, 17.72, -44.19

 

CMYK 72 / 60 / 0 / 28

HEX #334AB7

RGB 51 74 183

HSL 229.55, 0.56%, 0.46%

LAB 36.02, 29.09, -60.25

 

CMYK 84 / 69 / 0 / 21

HEX #203ECA

RGB 32 62 202

HSL 229.41, 0.73%, 0.46%

LAB 34.02, 41.88, -74.71

 

CMYK 94 / 78 / 0 / 13

HEX #0D31DD

RGB 13 49 221

HSL 229.62, 0.89%, 0.46%

LAB 32.92, 55.14, -87.52

 

CMYK 39 / 32 / 0 / 43

HEX #596391

RGB 89 99 145

HSL 229.29, 0.24%, 0.46%

LAB 42.9, 8.23, -26.52

 

CMYK 14 / 12 / 0 / 51

HEX #6C6F7E

RGB 108 111 126

HSL 230, 0.08%, 0.46%

LAB 47.06, 2.16, -8.67

 

CMYK 0 / 3 / 16 / 50

HEX #7F7B6B

RGB 127 123 107

HSL 48, 0.09%, 0.46%

LAB 51.54, -1.42, 9.3

 

CMYK 0 / 8 / 40 / 43

HEX #928758

RGB 146 135 88

HSL 48.62, 0.25%, 0.46%

LAB 56.23, -3.05, 26.77

 

CMYK 0 / 10 / 58 / 35

HEX #A59445

RGB 165 148 69

HSL 49.38, 0.41%, 0.46%

LAB 61.32, -3.84, 43.33

 

CMYK 39 / 11 / 0 / 43

HEX #598191

RGB 89 129 145

HSL 197.14, 0.24%, 0.46%

LAB 51.69, -9.6, -13.04

 

CMYK 39 / 21 / 0 / 43

HEX #597291

RGB 89 114 145

HSL 213.21, 0.24%, 0.46%

LAB 47.24, -0.9, -19.81

 

CMYK 39 / 32 / 0 / 43

HEX #596391

RGB 89 99 145

HSL 229.29, 0.24%, 0.46%

LAB 42.9, 8.23, -26.52

 

CMYK 36 / 39 / 0 / 43

HEX #5D5991

RGB 93 89 145

HSL 244.29, 0.24%, 0.46%

LAB 40.44, 15.65, -30.35

 

CMYK 26 / 39 / 0 / 43

HEX #6C5991

RGB 108 89 145

HSL 260.36, 0.24%, 0.46%

LAB 41.81, 20.22, -28.1

 

CMYK 39 / 32 / 0 / 63

HEX #39405E

RGB 57 64 94

HSL 228.65, 0.25%, 0.3%

LAB 27.7, 5.53, -18.73

 

CMYK 39 / 32 / 0 / 53

HEX #495177

RGB 73 81 119

HSL 229.57, 0.24%, 0.38%

LAB 35.27, 7.08, -22.67

 

CMYK 39 / 32 / 0 / 43

HEX #596391

RGB 89 99 145

HSL 229.29, 0.24%, 0.46%

LAB 42.9, 8.23, -26.52

 

CMYK 34 / 28 / 0 / 35

HEX #6D77A6

RGB 109 119 166

HSL 229.47, 0.24%, 0.54%

LAB 50.92, 7.89, -26.34

 

CMYK 25 / 21 / 0 / 29

HEX #878FB5

RGB 135 143 181

HSL 229.57, 0.24%, 0.62%

LAB 60.01, 5.68, -20.81

 

CMYK 39 / 32 / 0 / 42

HEX #5A6493

RGB 90 100 147

HSL 229.47, 0.24%, 0.46%

LAB 43.35, 8.48, -27.01

 

CMYK 0 / 39 / 1 / 43

HEX #915990

RGB 145 89 144

HSL 301.07, 0.24%, 0.46%

LAB 45.88, 32.08, -20.87

 

CMYK 17 / 0 / 39 / 43

HEX #799159

RGB 121 145 89

HSL 85.71, 0.24%, 0.46%

LAB 57.11, -18.67, 26.97

 

CMYK 39 / 32 / 0 / 42

HEX #5A6493

RGB 90 100 147

HSL 229.47, 0.24%, 0.46%

LAB 43.35, 8.48, -27.01

 

CMYK 0 / 39 / 32 / 43

HEX #915963

RGB 145 89 99

HSL 349.29, 0.24%, 0.46%

LAB 44.33, 24.43, 4.04

 

CMYK 32 / 0 / 39 / 43

HEX #639159

RGB 99 145 89

HSL 109.29, 0.24%, 0.46%

LAB 55.71, -26.97, 24.88

 

CMYK 39 / 32 / 0 / 42

HEX #5A6493

RGB 90 100 147

HSL 229.47, 0.24%, 0.46%

LAB 43.35, 8.48, -27.01

 

CMYK 0 / 39 / 1 / 43

HEX #915990

RGB 145 89 144

HSL 301.07, 0.24%, 0.46%

LAB 45.88, 32.08, -20.87

 

CMYK 0 / 7 / 39 / 43

HEX #918759

RGB 145 135 89

HSL 49.29, 0.24%, 0.46%

LAB 56.16, -3.36, 26.1

 

CMYK 39 / 0 / 38 / 43

HEX #59915A

RGB 89 145 90

HSL 121.07, 0.24%, 0.46%

LAB 55.19, -30.25, 23.54

 

CMYK 39 / 32 / 0 / 42

HEX #5A6493

RGB 90 100 147

HSL 229.47, 0.24%, 0.46%

LAB 43.35, 8.48, -27.01

 

CMYK 0 / 39 / 12 / 43

HEX #91597F

RGB 145 89 127

HSL 319.29, 0.24%, 0.46%

LAB 45.22, 28.9, -11.65

 

CMYK 0 / 7 / 39 / 43

HEX #918759

RGB 145 135 89

HSL 49.29, 0.24%, 0.46%

LAB 56.16, -3.36, 26.1

 

CMYK 39 / 0 / 27 / 43

HEX #59916A

RGB 89 145 106

HSL 138.21, 0.24%, 0.46%

LAB 55.5, -27.32, 15.02

 

Description

Color code: HEX #5A6493 | qconv.com Color code: HEX #5A6493 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 100 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 100 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 32 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 32% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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