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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A67F5 it is the complementary color #A5980A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A67F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A67F5 shade: #5F67F0, #7079FF, #818BFF, #929DFF and #A3AFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A67F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A67F5 shade: #5A67F5, #4955E2, #3843CF, #2731BC and #161FA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A67F5 shade: #5B68F5, #775BF5, #A15BF5, #CB5BF5 and #F45BF5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A67F5 shade: #5B68F5 and #5B5BF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A67F5 shade matches the following richer shades: #5B68F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A67F5 shade: #5B68F5, #6973E7, #777FD9, #858BCB and #9396BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A67F5 shade: #5BBCF5, #5B93F5, #5B6AF5, #745BF5 and #9E5BF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A67F5 shade: #0D20F0, #3444F3, #5B68F5, #828BF7 and #A9AFFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A67F5 shade: #5A67F5, #F55BE6 and #A8F55B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A67F5 shade: #5A67F5, #F55B6A and #6AF55B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A67F5 shade: #5A67F5, #F55BE6, #F5E65B and #5BF56A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A67F5 shade: #5A67F5, #F55BB7, #F5E65B and #5BF598

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 58 / 0 / 4

HEX #5A67F5

RGB 90 103 245

HSL 234.97, 0.89%, 0.66%

LAB 50.06, 37.95, -72.83

 

Complementary color

CMYK 0 / 8 / 94 / 35

HEX #A5980A

RGB 165 152 10

HSL 54.97, 0.89%, 0.34%

LAB 62.06, -8.61, 64.15

 

CMYK 60 / 57 / 0 / 6

HEX #5F67F0

RGB 95 103 240

HSL 236.69, 0.83%, 0.66%

LAB 50.01, 37.11, -70.1

 

CMYK 56 / 53 / 0 / 0

HEX #7079FF

RGB 112 121 255

HSL 236.22, 1%, 0.72%

LAB 56.43, 34.09, -67.99

 

CMYK 49 / 45 / 0 / 0

HEX #818BFF

RGB 129 139 255

HSL 235.24, 1%, 0.75%

LAB 61.96, 26.86, -59.05

 

CMYK 43 / 38 / 0 / 0

HEX #929DFF

RGB 146 157 255

HSL 233.94, 1%, 0.79%

LAB 67.61, 20.33, -50.01

 

CMYK 36 / 31 / 0 / 0

HEX #A3AFFF

RGB 163 175 255

HSL 232.17, 1%, 0.82%

LAB 73.33, 14.47, -40.95

 

CMYK 63 / 58 / 0 / 4

HEX #5A67F5

RGB 90 103 245

HSL 234.97, 0.89%, 0.66%

LAB 50.06, 37.95, -72.83

 

CMYK 68 / 62 / 0 / 11

HEX #4955E2

RGB 73 85 226

HSL 235.29, 0.73%, 0.59%

LAB 43.37, 40.13, -73.09

 

CMYK 73 / 68 / 0 / 19

HEX #3843CF

RGB 56 67 207

HSL 235.63, 0.61%, 0.52%

LAB 36.67, 42.58, -73.21

 

CMYK 79 / 74 / 0 / 26

HEX #2731BC

RGB 39 49 188

HSL 235.97, 0.66%, 0.45%

LAB 30.06, 45.23, -73.02

 

CMYK 87 / 82 / 0 / 34

HEX #161FA9

RGB 22 31 169

HSL 236.33, 0.77%, 0.37%

LAB 23.72, 47.75, -72.19

 

CMYK 63 / 58 / 0 / 4

HEX #5B68F5

RGB 91 104 245

HSL 234.94, 0.89%, 0.66%

LAB 50.35, 37.5, -72.34

 

CMYK 51 / 63 / 0 / 4

HEX #775BF5

RGB 119 91 245

HSL 250.91, 0.89%, 0.66%

LAB 49.49, 49.73, -73.66

 

CMYK 34 / 63 / 0 / 4

HEX #A15BF5

RGB 161 91 245

HSL 267.27, 0.89%, 0.66%

LAB 53.66, 57.87, -66.71

 

CMYK 17 / 63 / 0 / 4

HEX #CB5BF5

RGB 203 91 245

HSL 283.64, 0.89%, 0.66%

LAB 58.76, 67.02, -58.23

 

CMYK 0 / 63 / 0 / 4

HEX #F45BF5

RGB 244 91 245

HSL 299.61, 0.89%, 0.66%

LAB 64.41, 76.36, -48.91

 

CMYK 63 / 58 / 0 / 4

HEX #5B68F5

RGB 91 104 245

HSL 234.94, 0.89%, 0.66%

LAB 50.35, 37.5, -72.34

 

CMYK 63 / 63 / 0 / 4

HEX #5B5BF5

RGB 91 91 245

HSL 240, 0.89%, 0.66%

LAB 47.36, 45.25, -77.22

 

CMYK 63 / 58 / 0 / 4

HEX #5B68F5

RGB 91 104 245

HSL 234.94, 0.89%, 0.66%

LAB 50.35, 37.5, -72.34

 

CMYK 63 / 58 / 0 / 4

HEX #5B68F5

RGB 91 104 245

HSL 234.94, 0.89%, 0.66%

LAB 50.35, 37.5, -72.34

 

CMYK 55 / 50 / 0 / 9

HEX #6973E7

RGB 105 115 231

HSL 235.24, 0.72%, 0.66%

LAB 52.99, 28.79, -60.22

 

CMYK 45 / 41 / 0 / 15

HEX #777FD9

RGB 119 127 217

HSL 235.1, 0.56%, 0.66%

LAB 56.2, 20.39, -47.17

 

CMYK 34 / 32 / 0 / 20

HEX #858BCB

RGB 133 139 203

HSL 234.86, 0.4%, 0.66%

LAB 59.67, 13.05, -33.76

 

CMYK 22 / 21 / 0 / 26

HEX #9396BD

RGB 147 150 189

HSL 235.71, 0.24%, 0.66%

LAB 63.09, 7.4, -20.54

 

CMYK 63 / 23 / 0 / 4

HEX #5BBCF5

RGB 91 188 245

HSL 202.21, 0.89%, 0.66%

LAB 72.75, -11.7, -36.74

 

CMYK 63 / 40 / 0 / 4

HEX #5B93F5

RGB 91 147 245

HSL 218.18, 0.89%, 0.66%

LAB 61.38, 11.48, -54.61

 

CMYK 63 / 57 / 0 / 4

HEX #5B6AF5

RGB 91 106 245

HSL 234.16, 0.89%, 0.66%

LAB 50.83, 36.29, -71.57

 

CMYK 53 / 63 / 0 / 4

HEX #745BF5

RGB 116 91 245

HSL 249.74, 0.89%, 0.66%

LAB 49.24, 49.2, -74.08

 

CMYK 36 / 63 / 0 / 4

HEX #9E5BF5

RGB 158 91 245

HSL 266.1, 0.89%, 0.66%

LAB 53.32, 57.25, -67.26

 

CMYK 95 / 87 / 0 / 6

HEX #0D20F0

RGB 13 32 240

HSL 234.98, 0.9%, 0.5%

LAB 32.72, 68.41, -98.7

 

CMYK 79 / 72 / 0 / 5

HEX #3444F3

RGB 52 68 243

HSL 234.97, 0.89%, 0.58%

LAB 40.14, 53.72, -88.04

 

CMYK 63 / 58 / 0 / 4

HEX #5B68F5

RGB 91 104 245

HSL 234.94, 0.89%, 0.66%

LAB 50.35, 37.5, -72.34

 

CMYK 47 / 44 / 0 / 3

HEX #828BF7

RGB 130 139 247

HSL 235.38, 0.88%, 0.74%

LAB 61.59, 24.71, -55.24

 

CMYK 32 / 30 / 0 / 2

HEX #A9AFFA

RGB 169 175 250

HSL 235.56, 0.89%, 0.82%

LAB 73.54, 14.81, -37.89

 

CMYK 63 / 58 / 0 / 4

HEX #5A67F5

RGB 90 103 245

HSL 234.97, 0.89%, 0.66%

LAB 50.06, 37.95, -72.83

 

CMYK 0 / 63 / 6 / 4

HEX #F55BE6

RGB 245 91 230

HSL 305.84, 0.89%, 0.66%

LAB 63.84, 74.22, -41.47

 

CMYK 31 / 0 / 63 / 4

HEX #A8F55B

RGB 168 245 91

HSL 90, 0.89%, 0.66%

LAB 89.1, -47.56, 64.6

 

CMYK 63 / 58 / 0 / 4

HEX #5A67F5

RGB 90 103 245

HSL 234.97, 0.89%, 0.66%

LAB 50.06, 37.95, -72.83

 

CMYK 0 / 63 / 57 / 4

HEX #F55B6A

RGB 245 91 106

HSL 354.16, 0.89%, 0.66%

LAB 59.83, 59.93, 23.67

 

CMYK 57 / 0 / 63 / 4

HEX #6AF55B

RGB 106 245 91

HSL 114.16, 0.89%, 0.66%

LAB 86.57, -65.89, 61.09

 

CMYK 63 / 58 / 0 / 4

HEX #5A67F5

RGB 90 103 245

HSL 234.97, 0.89%, 0.66%

LAB 50.06, 37.95, -72.83

 

CMYK 0 / 63 / 6 / 4

HEX #F55BE6

RGB 245 91 230

HSL 305.84, 0.89%, 0.66%

LAB 63.84, 74.22, -41.47

 

CMYK 0 / 6 / 63 / 4

HEX #F5E65B

RGB 245 230 91

HSL 54.16, 0.89%, 0.66%

LAB 90.21, -10.97, 67.32

 

CMYK 63 / 0 / 57 / 4

HEX #5BF56A

RGB 91 245 106

HSL 125.84, 0.89%, 0.66%

LAB 86.29, -67.57, 54.25

 

CMYK 63 / 58 / 0 / 4

HEX #5A67F5

RGB 90 103 245

HSL 234.97, 0.89%, 0.66%

LAB 50.06, 37.95, -72.83

 

CMYK 0 / 63 / 25 / 4

HEX #F55BB7

RGB 245 91 183

HSL 324.16, 0.89%, 0.66%

LAB 61.92, 67.6, -17.88

 

CMYK 0 / 6 / 63 / 4

HEX #F5E65B

RGB 245 230 91

HSL 54.16, 0.89%, 0.66%

LAB 90.21, -10.97, 67.32

 

CMYK 63 / 0 / 38 / 4

HEX #5BF598

RGB 91 245 152

HSL 143.77, 0.89%, 0.66%

LAB 86.9, -60.77, 33.07

 

Description

Color code: HEX #5A67F5 | qconv.com Color code: HEX #5A67F5 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 103 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 103 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 58 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 58% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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