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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A6337 it is the complementary color #A59CC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A6337. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A6337 shade: #5F6332, #707545, #818758, #92996B and #A3AB7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A6337. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A6337 shade: #5A6337, #495124, #383F11, #272D00 and #161B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A6337 shade: #596236, #625F36, #625336, #624736 and #623B36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A6337 shade: #596236, #4D6236, #416236, #366236 and #366242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A6337 shade matches the following richer shades: #596236, #606F29, #687B1D, #6F8711 and #769404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A6337 shade: #596236, #525642, #4A494F, #433D5B and #3C3167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A6337 shade: #625336, #625F36, #596236, #4D6236 and #426236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A6337 shade: #292D19, #414827, #596236, #717D44 and #899753

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A6337 shade: #5A6337, #366248 and #593662

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A6337 shade: #5A6337, #365962 and #623659

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A6337 shade: #5A6337, #366248, #3F3662 and #623650

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A6337 shade: #5A6337, #366255, #3F3662 and #623643

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 44 / 61

HEX #5A6337

RGB 90 99 55

HSL 72.27, 0.29%, 0.3%

LAB 40.2, -11.29, 23.8

 

Complementary color

CMYK 18 / 22 / 0 / 22

HEX #A59CC8

RGB 165 156 200

HSL 252.27, 0.29%, 0.7%

LAB 66.48, 12.28, -21.39

 

CMYK 4 / 0 / 49 / 61

HEX #5F6332

RGB 95 99 50

HSL 64.9, 0.33%, 0.29%

LAB 40.55, -9.64, 27.15

 

CMYK 4 / 0 / 41 / 54

HEX #707545

RGB 112 117 69

HSL 66.25, 0.26%, 0.36%

LAB 47.75, -9.98, 25.83

 

CMYK 4 / 0 / 35 / 47

HEX #818758

RGB 129 135 88

HSL 67.66, 0.21%, 0.44%

LAB 54.76, -10.22, 24.57

 

CMYK 5 / 0 / 30 / 40

HEX #92996B

RGB 146 153 107

HSL 69.13, 0.18%, 0.51%

LAB 61.62, -10.39, 23.39

 

CMYK 5 / 0 / 26 / 33

HEX #A3AB7E

RGB 163 171 126

HSL 70.67, 0.21%, 0.58%

LAB 68.33, -10.53, 22.29

 

CMYK 9 / 0 / 44 / 61

HEX #5A6337

RGB 90 99 55

HSL 72.27, 0.29%, 0.3%

LAB 40.2, -11.29, 23.8

 

CMYK 10 / 0 / 56 / 68

HEX #495124

RGB 73 81 36

HSL 70.67, 0.38%, 0.23%

LAB 32.76, -11.01, 25.14

 

CMYK 11 / 0 / 73 / 75

HEX #383F11

RGB 56 63 17

HSL 69.13, 0.58%, 0.16%

LAB 25.06, -10.5, 26.27

 

CMYK 13 / 0 / 100 / 82

HEX #272D00

RGB 39 45 0

HSL 68, 1%, 0.09%

LAB 17.03, -9.7, 24.32

 

CMYK 19 / 0 / 100 / 89

HEX #161B00

RGB 22 27 0

HSL 71.11, 1%, 0.05%

LAB 8.61, -7.49, 12.75

 

CMYK 9 / 0 / 45 / 62

HEX #596236

RGB 89 98 54

HSL 72.27, 0.29%, 0.3%

LAB 39.79, -11.3, 23.84

 

CMYK 0 / 3 / 45 / 62

HEX #625F36

RGB 98 95 54

HSL 55.91, 0.29%, 0.3%

LAB 39.66, -5.5, 23.84

 

CMYK 0 / 15 / 45 / 62

HEX #625336

RGB 98 83 54

HSL 39.55, 0.29%, 0.3%

LAB 36.08, 1.68, 19.27

 

CMYK 0 / 28 / 45 / 62

HEX #624736

RGB 98 71 54

HSL 23.18, 0.29%, 0.3%

LAB 32.63, 9.09, 14.74

 

CMYK 0 / 40 / 45 / 62

HEX #623B36

RGB 98 59 54

HSL 6.82, 0.29%, 0.3%

LAB 29.39, 16.57, 10.34

 

CMYK 9 / 0 / 45 / 62

HEX #596236

RGB 89 98 54

HSL 72.27, 0.29%, 0.3%

LAB 39.79, -11.3, 23.84

 

CMYK 21 / 0 / 45 / 62

HEX #4D6236

RGB 77 98 54

HSL 88.64, 0.29%, 0.3%

LAB 38.86, -16.5, 22.47

 

CMYK 34 / 0 / 45 / 62

HEX #416236

RGB 65 98 54

HSL 105, 0.29%, 0.3%

LAB 38.07, -21.35, 21.29

 

CMYK 45 / 0 / 45 / 62

HEX #366236

RGB 54 98 54

HSL 120, 0.29%, 0.3%

LAB 37.46, -25.37, 20.39

 

CMYK 45 / 0 / 33 / 62

HEX #366242

RGB 54 98 66

HSL 136.36, 0.29%, 0.3%

LAB 37.69, -23.1, 13.58

 

CMYK 9 / 0 / 45 / 62

HEX #596236

RGB 89 98 54

HSL 72.27, 0.29%, 0.3%

LAB 39.79, -11.3, 23.84

 

CMYK 14 / 0 / 63 / 56

HEX #606F29

RGB 96 111 41

HSL 72.86, 0.46%, 0.3%

LAB 44.26, -16.74, 36.16

 

CMYK 15 / 0 / 76 / 52

HEX #687B1D

RGB 104 123 29

HSL 72.13, 0.62%, 0.3%

LAB 48.51, -20.35, 45.89

 

CMYK 18 / 0 / 87 / 47

HEX #6F8711

RGB 111 135 17

HSL 72.2, 0.78%, 0.3%

LAB 52.67, -23.89, 53.46

 

CMYK 20 / 0 / 97 / 42

HEX #769404

RGB 118 148 4

HSL 72.5, 0.95%, 0.3%

LAB 57.11, -27.58, 59.6

 

CMYK 9 / 0 / 45 / 62

HEX #596236

RGB 89 98 54

HSL 72.27, 0.29%, 0.3%

LAB 39.79, -11.3, 23.84

 

CMYK 5 / 0 / 23 / 66

HEX #525642

RGB 82 86 66

HSL 72, 0.13%, 0.3%

LAB 35.68, -5.56, 11.14

 

CMYK 6 / 8 / 0 / 69

HEX #4A494F

RGB 74 73 79

HSL 250, 0.04%, 0.3%

LAB 31.31, 1.76, -3.42

 

CMYK 26 / 33 / 0 / 64

HEX #433D5B

RGB 67 61 91

HSL 252, 0.2%, 0.3%

LAB 27.53, 10.01, -16.97

 

CMYK 42 / 52 / 0 / 60

HEX #3C3167

RGB 60 49 103

HSL 252.22, 0.36%, 0.3%

LAB 24.12, 19.41, -30.18

 

CMYK 0 / 15 / 45 / 62

HEX #625336

RGB 98 83 54

HSL 39.55, 0.29%, 0.3%

LAB 36.08, 1.68, 19.27

 

CMYK 0 / 3 / 45 / 62

HEX #625F36

RGB 98 95 54

HSL 55.91, 0.29%, 0.3%

LAB 39.66, -5.5, 23.84

 

CMYK 9 / 0 / 45 / 62

HEX #596236

RGB 89 98 54

HSL 72.27, 0.29%, 0.3%

LAB 39.79, -11.3, 23.84

 

CMYK 21 / 0 / 45 / 62

HEX #4D6236

RGB 77 98 54

HSL 88.64, 0.29%, 0.3%

LAB 38.86, -16.5, 22.47

 

CMYK 33 / 0 / 45 / 62

HEX #426236

RGB 66 98 54

HSL 103.64, 0.29%, 0.3%

LAB 38.13, -20.97, 21.38

 

CMYK 9 / 0 / 44 / 82

HEX #292D19

RGB 41 45 25

HSL 72, 0.29%, 0.14%

LAB 17.55, -5.91, 12.37

 

CMYK 10 / 0 / 46 / 72

HEX #414827

RGB 65 72 39

HSL 72.73, 0.3%, 0.22%

LAB 29.17, -9.08, 18.83

 

CMYK 9 / 0 / 45 / 62

HEX #596236

RGB 89 98 54

HSL 72.27, 0.29%, 0.3%

LAB 39.79, -11.3, 23.84

 

CMYK 10 / 0 / 46 / 51

HEX #717D44

RGB 113 125 68

HSL 72.63, 0.3%, 0.38%

LAB 50.21, -14.07, 29.5

 

CMYK 9 / 0 / 45 / 41

HEX #899753

RGB 137 151 83

HSL 72.35, 0.29%, 0.46%

LAB 59.96, -16.08, 34.03

 

CMYK 9 / 0 / 44 / 61

HEX #5A6337

RGB 90 99 55

HSL 72.27, 0.29%, 0.3%

LAB 40.2, -11.29, 23.8

 

CMYK 45 / 0 / 27 / 62

HEX #366248

RGB 54 98 72

HSL 144.55, 0.29%, 0.3%

LAB 37.82, -21.82, 10.13

 

CMYK 9 / 45 / 0 / 62

HEX #593662

RGB 89 54 98

HSL 287.73, 0.29%, 0.3%

LAB 28.5, 24.03, -19.81

 

CMYK 9 / 0 / 44 / 61

HEX #5A6337

RGB 90 99 55

HSL 72.27, 0.29%, 0.3%

LAB 40.2, -11.29, 23.8

 

CMYK 45 / 9 / 0 / 62

HEX #365962

RGB 54 89 98

HSL 192.27, 0.29%, 0.3%

LAB 35.62, -9.97, -9.16

 

CMYK 0 / 45 / 9 / 62

HEX #623659

RGB 98 54 89

HSL 312.27, 0.29%, 0.3%

LAB 29.3, 25.3, -12.64

 

CMYK 9 / 0 / 44 / 61

HEX #5A6337

RGB 90 99 55

HSL 72.27, 0.29%, 0.3%

LAB 40.2, -11.29, 23.8

 

CMYK 45 / 0 / 27 / 62

HEX #366248

RGB 54 98 72

HSL 144.55, 0.29%, 0.3%

LAB 37.82, -21.82, 10.13

 

CMYK 36 / 45 / 0 / 62

HEX #3F3662

RGB 63 54 98

HSL 252.27, 0.29%, 0.3%

LAB 25.49, 15.4, -24.73

 

CMYK 0 / 45 / 18 / 62

HEX #623650

RGB 98 54 80

HSL 324.55, 0.29%, 0.3%

LAB 28.94, 23.62, -7.32

 

CMYK 9 / 0 / 44 / 61

HEX #5A6337

RGB 90 99 55

HSL 72.27, 0.29%, 0.3%

LAB 40.2, -11.29, 23.8

 

CMYK 45 / 0 / 13 / 62

HEX #366255

RGB 54 98 85

HSL 162.27, 0.29%, 0.3%

LAB 38.16, -18.7, 2.65

 

CMYK 36 / 45 / 0 / 62

HEX #3F3662

RGB 63 54 98

HSL 252.27, 0.29%, 0.3%

LAB 25.49, 15.4, -24.73

 

CMYK 0 / 45 / 32 / 62

HEX #623643

RGB 98 54 67

HSL 342.27, 0.29%, 0.3%

LAB 28.49, 21.46, 0.55

 

Description

Color code: HEX #5A6337 | qconv.com Color code: HEX #5A6337 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 99 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 99 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 44 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 44% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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