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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A6DFF it is the complementary color #A59200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A6DFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A6DFF shade: #5F6DFA, #707FFF, #8191FF, #92A3FF and #A3B5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A6DFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A6DFF shade: #5A6DFF, #495BEC, #3849D9, #2737C6 and #1625B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A6DFF shade: #5B6EFF, #755BFF, #A15BFF, #CD5BFF and #F95BFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A6DFF shade: #5B6EFF and #5B5BFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A6DFF shade matches the following richer shades: #5B6EFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A6DFF shade: #5B6EFF, #6978F1, #7682E4, #838DD7 and #9097CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A6DFF shade: #5BC5FF, #5B9AFF, #5B6EFF, #745BFF and #9F5BFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A6DFF shade: #0925FF, #324AFF, #5B6EFF, #8593FF and #AEB7FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A6DFF shade: #5A6DFF, #FF5BF1 and #B0FF5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A6DFF shade: #5A6DFF, #FF5B6E and #6EFF5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A6DFF shade: #5A6DFF, #FF5BF1, #FFEB5B and #5BFF69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A6DFF shade: #5A6DFF, #FF5BC0, #FFEB5B and #5BFF9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 57 / 0 / 0

HEX #5A6DFF

RGB 90 109 255

HSL 233.09, 1%, 0.68%

LAB 52.21, 37.63, -74.89

 

Complementary color

CMYK 0 / 12 / 100 / 35

HEX #A59200

RGB 165 146 0

HSL 53.09, 1%, 0.32%

LAB 60.39, -5.54, 64.38

 

CMYK 62 / 56 / 0 / 2

HEX #5F6DFA

RGB 95 109 250

HSL 234.58, 0.94%, 0.68%

LAB 52.14, 36.75, -72.21

 

CMYK 56 / 50 / 0 / 0

HEX #707FFF

RGB 112 127 255

HSL 233.71, 1%, 0.72%

LAB 57.89, 30.51, -65.64

 

CMYK 49 / 43 / 0 / 0

HEX #8191FF

RGB 129 145 255

HSL 232.38, 1%, 0.75%

LAB 63.46, 23.35, -56.66

 

CMYK 43 / 36 / 0 / 0

HEX #92A3FF

RGB 146 163 255

HSL 230.64, 1%, 0.79%

LAB 69.13, 16.9, -47.61

 

CMYK 36 / 29 / 0 / 0

HEX #A3B5FF

RGB 163 181 255

HSL 228.26, 1%, 0.82%

LAB 74.86, 11.13, -38.57

 

CMYK 65 / 57 / 0 / 0

HEX #5A6DFF

RGB 90 109 255

HSL 233.09, 1%, 0.68%

LAB 52.21, 37.63, -74.89

 

CMYK 69 / 61 / 0 / 7

HEX #495BEC

RGB 73 91 236

HSL 233.37, 0.81%, 0.61%

LAB 45.57, 39.86, -75.14

 

CMYK 74 / 66 / 0 / 15

HEX #3849D9

RGB 56 73 217

HSL 233.66, 0.68%, 0.54%

LAB 38.93, 42.39, -75.26

 

CMYK 80 / 72 / 0 / 22

HEX #2737C6

RGB 39 55 198

HSL 233.96, 0.67%, 0.46%

LAB 32.35, 45.16, -75.12

 

CMYK 88 / 79 / 0 / 30

HEX #1625B3

RGB 22 37 179

HSL 234.27, 0.78%, 0.39%

LAB 26.01, 47.92, -74.41

 

CMYK 64 / 57 / 0 / 0

HEX #5B6EFF

RGB 91 110 255

HSL 233.05, 1%, 0.68%

LAB 52.5, 37.18, -74.4

 

CMYK 54 / 64 / 0 / 0

HEX #755BFF

RGB 117 91 255

HSL 249.51, 1%, 0.68%

LAB 50.08, 52.28, -78.28

 

CMYK 37 / 64 / 0 / 0

HEX #A15BFF

RGB 161 91 255

HSL 265.61, 1%, 0.68%

LAB 54.32, 60.28, -71.19

 

CMYK 20 / 64 / 0 / 0

HEX #CD5BFF

RGB 205 91 255

HSL 281.71, 1%, 0.68%

LAB 59.6, 69.44, -62.41

 

CMYK 2 / 64 / 0 / 0

HEX #F95BFF

RGB 249 91 255

HSL 297.8, 1%, 0.68%

LAB 65.63, 79.12, -52.45

 

CMYK 64 / 57 / 0 / 0

HEX #5B6EFF

RGB 91 110 255

HSL 233.05, 1%, 0.68%

LAB 52.5, 37.18, -74.4

 

CMYK 64 / 64 / 0 / 0

HEX #5B5BFF

RGB 91 91 255

HSL 240, 1%, 0.68%

LAB 48.17, 48.43, -81.48

 

CMYK 64 / 57 / 0 / 0

HEX #5B6EFF

RGB 91 110 255

HSL 233.05, 1%, 0.68%

LAB 52.5, 37.18, -74.4

 

CMYK 64 / 57 / 0 / 0

HEX #5B6EFF

RGB 91 110 255

HSL 233.05, 1%, 0.68%

LAB 52.5, 37.18, -74.4

 

CMYK 56 / 50 / 0 / 5

HEX #6978F1

RGB 105 120 241

HSL 233.38, 0.83%, 0.68%

LAB 54.85, 28.95, -62.8

 

CMYK 48 / 43 / 0 / 11

HEX #7682E4

RGB 118 130 228

HSL 233.45, 0.67%, 0.68%

LAB 57.48, 21.64, -51.3

 

CMYK 39 / 34 / 0 / 16

HEX #838DD7

RGB 131 141 215

HSL 232.86, 0.51%, 0.68%

LAB 60.59, 14.61, -39.08

 

CMYK 29 / 25 / 0 / 21

HEX #9097CA

RGB 144 151 202

HSL 232.76, 0.35%, 0.68%

LAB 63.61, 9.08, -27.04

 

CMYK 64 / 23 / 0 / 0

HEX #5BC5FF

RGB 91 197 255

HSL 201.22, 1%, 0.68%

LAB 75.69, -13.36, -37.56

 

CMYK 64 / 40 / 0 / 0

HEX #5B9AFF

RGB 91 154 255

HSL 216.95, 1%, 0.68%

LAB 63.8, 10.7, -56.24

 

CMYK 64 / 57 / 0 / 0

HEX #5B6EFF

RGB 91 110 255

HSL 233.05, 1%, 0.68%

LAB 52.5, 37.18, -74.4

 

CMYK 55 / 64 / 0 / 0

HEX #745BFF

RGB 116 91 255

HSL 249.15, 1%, 0.68%

LAB 50, 52.12, -78.41

 

CMYK 38 / 64 / 0 / 0

HEX #9F5BFF

RGB 159 91 255

HSL 264.88, 1%, 0.68%

LAB 54.1, 59.89, -71.55

 

CMYK 96 / 85 / 0 / 0

HEX #0925FF

RGB 9 37 255

HSL 233.17, 1%, 0.52%

LAB 35.2, 70.74, -103.01

 

CMYK 80 / 71 / 0 / 0

HEX #324AFF

RGB 50 74 255

HSL 232.98, 1%, 0.6%

LAB 42.45, 54.17, -90.95

 

CMYK 64 / 57 / 0 / 0

HEX #5B6EFF

RGB 91 110 255

HSL 233.05, 1%, 0.68%

LAB 52.5, 37.18, -74.4

 

CMYK 48 / 42 / 0 / 0

HEX #8593FF

RGB 133 147 255

HSL 233.11, 1%, 0.76%

LAB 64.22, 23.07, -55.43

 

CMYK 32 / 28 / 0 / 0

HEX #AEB7FF

RGB 174 183 255

HSL 233.33, 1%, 0.84%

LAB 76.12, 13.01, -36.55

 

CMYK 65 / 57 / 0 / 0

HEX #5A6DFF

RGB 90 109 255

HSL 233.09, 1%, 0.68%

LAB 52.21, 37.63, -74.89

 

CMYK 0 / 64 / 5 / 0

HEX #FF5BF1

RGB 255 91 241

HSL 305.12, 1%, 0.68%

LAB 65.82, 78.28, -44.36

 

CMYK 31 / 0 / 64 / 0

HEX #B0FF5B

RGB 176 255 91

HSL 88.9, 1%, 0.68%

LAB 92.36, -49, 68.23

 

CMYK 65 / 57 / 0 / 0

HEX #5A6DFF

RGB 90 109 255

HSL 233.09, 1%, 0.68%

LAB 52.21, 37.63, -74.89

 

CMYK 0 / 64 / 57 / 0

HEX #FF5B6E

RGB 255 91 110

HSL 353.05, 1%, 0.68%

LAB 61.54, 63.38, 23.93

 

CMYK 57 / 0 / 64 / 0

HEX #6EFF5B

RGB 110 255 91

HSL 113.05, 1%, 0.68%

LAB 89.67, -68.45, 64.54

 

CMYK 65 / 57 / 0 / 0

HEX #5A6DFF

RGB 90 109 255

HSL 233.09, 1%, 0.68%

LAB 52.21, 37.63, -74.89

 

CMYK 0 / 64 / 5 / 0

HEX #FF5BF1

RGB 255 91 241

HSL 305.12, 1%, 0.68%

LAB 65.82, 78.28, -44.36

 

CMYK 0 / 8 / 64 / 0

HEX #FFEB5B

RGB 255 235 91

HSL 52.68, 1%, 0.68%

LAB 92.32, -9.36, 69.8

 

CMYK 64 / 0 / 59 / 0

HEX #5BFF69

RGB 91 255 105

HSL 125.12, 1%, 0.68%

LAB 89.28, -71.09, 58.16

 

CMYK 65 / 57 / 0 / 0

HEX #5A6DFF

RGB 90 109 255

HSL 233.09, 1%, 0.68%

LAB 52.21, 37.63, -74.89

 

CMYK 0 / 64 / 25 / 0

HEX #FF5BC0

RGB 255 91 192

HSL 323.05, 1%, 0.68%

LAB 63.79, 71.44, -20.03

 

CMYK 0 / 8 / 64 / 0

HEX #FFEB5B

RGB 255 235 91

HSL 52.68, 1%, 0.68%

LAB 92.32, -9.36, 69.8

 

CMYK 64 / 0 / 40 / 0

HEX #5BFF9A

RGB 91 255 154

HSL 143.05, 1%, 0.68%

LAB 89.9, -64.15, 36.03

 

Description

Color code: HEX #5A6DFF | qconv.com Color code: HEX #5A6DFF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 109 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 109 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 57 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 57% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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