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Color name
HEX #5A75D7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A75D7 it is the complementary color #A58A28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A75D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A75D7 shade: #5F75D2, #7087E5, #8199F8, #92ABFF and #A3BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A75D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A75D7 shade: #5A75D7, #4963C4, #3851B1, #273F9E and #162D8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A75D7 shade: #5A75D7, #615AD7, #835AD7, #A45AD7 and #C65AD7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A75D7 shade: #5A75D7 and #5A5AD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A75D7 shade matches the following richer shades: #5A75D7, #4A6CE7 and #3962F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A75D7 shade: #5A75D7, #6B7FC6, #7B88B6, #8C91A5 and #9C9B95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A75D7 shade: #5AB8D7, #5A96D7, #5A75D7, #615AD7 and #825AD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A75D7 shade: #2B49B3, #3959CF, #5A75D7, #7B91DF and #9DADE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A75D7 shade: #5A75D7, #D55AD7 and #A7D75A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A75D7 shade: #5A75D7, #D75A75 and #75D75A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A75D7 shade: #5A75D7, #D55AD7, #D7BC5A and #5CD75A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A75D7 shade: #5A75D7, #D75AB3, #D7BC5A and #5AD77E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 46 / 0 / 16

HEX #5A75D7

RGB 90 117 215

HSL 227.04, 0.61%, 0.6%

LAB 51.61, 19.43, -53.46

 

Complementary color

CMYK 0 / 16 / 76 / 35

HEX #A58A28

RGB 165 138 40

HSL 47.04, 0.61%, 0.4%

LAB 58.35, -0.16, 53.05

 

CMYK 55 / 44 / 0 / 18

HEX #5F75D2

RGB 95 117 210

HSL 228.52, 0.56%, 0.6%

LAB 51.62, 18.81, -50.6

 

CMYK 51 / 41 / 0 / 10

HEX #7087E5

RGB 112 135 229

HSL 228.21, 0.69%, 0.67%

LAB 58.44, 17.61, -50.36

 

CMYK 48 / 38 / 0 / 3

HEX #8199F8

RGB 129 153 248

HSL 227.9, 0.89%, 0.74%

LAB 65.14, 16.6, -50.16

 

CMYK 43 / 33 / 0 / 0

HEX #92ABFF

RGB 146 171 255

HSL 226.24, 1%, 0.79%

LAB 71.18, 12.36, -44.38

 

CMYK 36 / 26 / 0 / 0

HEX #A3BDFF

RGB 163 189 255

HSL 223.04, 1%, 0.82%

LAB 76.92, 6.71, -35.37

 

CMYK 58 / 46 / 0 / 16

HEX #5A75D7

RGB 90 117 215

HSL 227.04, 0.61%, 0.6%

LAB 51.61, 19.43, -53.46

 

CMYK 63 / 49 / 0 / 23

HEX #4963C4

RGB 73 99 196

HSL 227.32, 0.51%, 0.53%

LAB 44.7, 21.04, -53.74

 

CMYK 68 / 54 / 0 / 31

HEX #3851B1

RGB 56 81 177

HSL 227.6, 0.52%, 0.46%

LAB 37.66, 23.03, -54.04

 

CMYK 75 / 60 / 0 / 38

HEX #273F9E

RGB 39 63 158

HSL 227.9, 0.6%, 0.39%

LAB 30.53, 25.5, -54.29

 

CMYK 84 / 68 / 0 / 45

HEX #162D8B

RGB 22 45 139

HSL 228.21, 0.73%, 0.32%

LAB 23.38, 28.58, -54.36

 

CMYK 58 / 46 / 0 / 16

HEX #5A75D7

RGB 90 117 215

HSL 227.04, 0.61%, 0.6%

LAB 51.61, 19.43, -53.46

 

CMYK 55 / 58 / 0 / 16

HEX #615AD7

RGB 97 90 215

HSL 243.36, 0.61%, 0.6%

LAB 45.3, 37.32, -63.6

 

CMYK 39 / 58 / 0 / 16

HEX #835AD7

RGB 131 90 215

HSL 259.68, 0.61%, 0.6%

LAB 48.32, 44.34, -58.58

 

CMYK 24 / 58 / 0 / 16

HEX #A45AD7

RGB 164 90 215

HSL 275.52, 0.61%, 0.6%

LAB 51.96, 52.09, -52.53

 

CMYK 8 / 58 / 0 / 16

HEX #C65AD7

RGB 198 90 215

HSL 291.84, 0.61%, 0.6%

LAB 56.31, 60.52, -45.35

 

CMYK 58 / 46 / 0 / 16

HEX #5A75D7

RGB 90 117 215

HSL 227.04, 0.61%, 0.6%

LAB 51.61, 19.43, -53.46

 

CMYK 58 / 58 / 0 / 16

HEX #5A5AD7

RGB 90 90 215

HSL 240, 0.61%, 0.6%

LAB 44.79, 36.05, -64.46

 

CMYK 58 / 46 / 0 / 16

HEX #5A75D7

RGB 90 117 215

HSL 227.04, 0.61%, 0.6%

LAB 51.61, 19.43, -53.46

 

CMYK 68 / 53 / 0 / 9

HEX #4A6CE7

RGB 74 108 231

HSL 227.01, 0.77%, 0.6%

LAB 49.44, 27.76, -66.04

 

CMYK 77 / 60 / 0 / 3

HEX #3962F8

RGB 57 98 248

HSL 227.12, 0.93%, 0.6%

LAB 47.47, 37.98, -78.79

 

CMYK 58 / 46 / 0 / 16

HEX #5A75D7

RGB 90 117 215

HSL 227.04, 0.61%, 0.6%

LAB 51.61, 19.43, -53.46

 

CMYK 46 / 36 / 0 / 22

HEX #6B7FC6

RGB 107 127 198

HSL 226.81, 0.44%, 0.6%

LAB 54.43, 11.77, -39.28

 

CMYK 32 / 25 / 0 / 29

HEX #7B88B6

RGB 123 136 182

HSL 226.78, 0.29%, 0.6%

LAB 57.27, 6.32, -25.66

 

CMYK 15 / 12 / 0 / 35

HEX #8C91A5

RGB 140 145 165

HSL 228, 0.12%, 0.6%

LAB 60.38, 2.42, -11.13

 

CMYK 0 / 1 / 4 / 39

HEX #9C9B95

RGB 156 155 149

HSL 51.43, 0.03%, 0.6%

LAB 63.9, -0.76, 3.26

 

CMYK 58 / 14 / 0 / 16

HEX #5AB8D7

RGB 90 184 215

HSL 194.88, 0.61%, 0.6%

LAB 70.43, -18.92, -24.01

 

CMYK 58 / 30 / 0 / 16

HEX #5A96D7

RGB 90 150 215

HSL 211.2, 0.61%, 0.6%

LAB 60.69, -0.29, -39.09

 

CMYK 58 / 46 / 0 / 16

HEX #5A75D7

RGB 90 117 215

HSL 227.04, 0.61%, 0.6%

LAB 51.61, 19.43, -53.46

 

CMYK 55 / 58 / 0 / 16

HEX #615AD7

RGB 97 90 215

HSL 243.36, 0.61%, 0.6%

LAB 45.3, 37.32, -63.6

 

CMYK 40 / 58 / 0 / 16

HEX #825AD7

RGB 130 90 215

HSL 259.2, 0.61%, 0.6%

LAB 48.22, 44.11, -58.75

 

CMYK 76 / 59 / 0 / 30

HEX #2B49B3

RGB 43 73 179

HSL 226.76, 0.61%, 0.44%

LAB 35.07, 27.28, -59.46

 

CMYK 72 / 57 / 0 / 19

HEX #3959CF

RGB 57 89 207

HSL 227.2, 0.61%, 0.52%

LAB 42.03, 28.92, -64.44

 

CMYK 58 / 46 / 0 / 16

HEX #5A75D7

RGB 90 117 215

HSL 227.04, 0.61%, 0.6%

LAB 51.61, 19.43, -53.46

 

CMYK 45 / 35 / 0 / 13

HEX #7B91DF

RGB 123 145 223

HSL 226.8, 0.61%, 0.68%

LAB 61.47, 12.5, -42.19

 

CMYK 32 / 25 / 0 / 9

HEX #9DADE7

RGB 157 173 231

HSL 227.03, 0.61%, 0.76%

LAB 71.44, 7.77, -30.9

 

CMYK 58 / 46 / 0 / 16

HEX #5A75D7

RGB 90 117 215

HSL 227.04, 0.61%, 0.6%

LAB 51.61, 19.43, -53.46

 

CMYK 1 / 58 / 0 / 16

HEX #D55AD7

RGB 213 90 215

HSL 299.04, 0.61%, 0.6%

LAB 58.38, 64.3, -41.95

 

CMYK 22 / 0 / 58 / 16

HEX #A7D75A

RGB 167 215 90

HSL 83.04, 0.61%, 0.6%

LAB 80.49, -34.82, 55.46

 

CMYK 58 / 46 / 0 / 16

HEX #5A75D7

RGB 90 117 215

HSL 227.04, 0.61%, 0.6%

LAB 51.61, 19.43, -53.46

 

CMYK 0 / 58 / 46 / 16

HEX #D75A75

RGB 215 90 117

HSL 347.04, 0.61%, 0.6%

LAB 55.12, 51.47, 10

 

CMYK 46 / 0 / 58 / 16

HEX #75D75A

RGB 117 215 90

HSL 107.04, 0.61%, 0.6%

LAB 77.95, -51.82, 51.88

 

CMYK 58 / 46 / 0 / 16

HEX #5A75D7

RGB 90 117 215

HSL 227.04, 0.61%, 0.6%

LAB 51.61, 19.43, -53.46

 

CMYK 1 / 58 / 0 / 16

HEX #D55AD7

RGB 213 90 215

HSL 299.04, 0.61%, 0.6%

LAB 58.38, 64.3, -41.95

 

CMYK 0 / 13 / 58 / 16

HEX #D7BC5A

RGB 215 188 90

HSL 47.04, 0.61%, 0.6%

LAB 76.77, -2.11, 52.2

 

CMYK 57 / 0 / 58 / 16

HEX #5CD75A

RGB 92 215 90

HSL 119.04, 0.61%, 0.6%

LAB 77.05, -58.54, 50.61

 

CMYK 58 / 46 / 0 / 16

HEX #5A75D7

RGB 90 117 215

HSL 227.04, 0.61%, 0.6%

LAB 51.61, 19.43, -53.46

 

CMYK 0 / 58 / 17 / 16

HEX #D75AB3

RGB 215 90 179

HSL 317.28, 0.61%, 0.6%

LAB 57.09, 59.08, -23.37

 

CMYK 0 / 13 / 58 / 16

HEX #D7BC5A

RGB 215 188 90

HSL 47.04, 0.61%, 0.6%

LAB 76.77, -2.11, 52.2

 

CMYK 58 / 0 / 41 / 16

HEX #5AD77E

RGB 90 215 126

HSL 137.28, 0.61%, 0.6%

LAB 77.45, -53.94, 33.74

 

Description

Color code: HEX #5A75D7 | qconv.com Color code: HEX #5A75D7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 117 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 117 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 46 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 46% 0% 16% C M Y K

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Provide designers and agencies with accurate color values.

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