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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A7385 it is the complementary color #A58C7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A7385. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A7385 shade: #5F7380, #708593, #8197A6, #92A9B9 and #A3BBCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A7385. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A7385 shade: #5A7385, #496172, #384F5F, #273D4C and #162B39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A7385 shade: #5A7385, #5A6885, #5A5C85, #645A85 and #705A85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A7385 shade: #5A7385, #5A6885, #5A5C85 and #5A5A85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A7385 shade matches the following richer shades: #5A7385, #487697, #3679A9, #247CBB and #127FCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A7385 shade: #5A7385, #6D7073, #7F6D61, #916A4F and #A3673C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A7385 shade: #5A8580, #5A7F85, #5A7385, #5A6885 and #5A5D85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A7385 shade: #394954, #4A5E6C, #5A7385, #6D889C and #869CAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A7385 shade: #5A7385, #755A85 and #84855A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A7385 shade: #5A7385, #855A73 and #73855A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A7385 shade: #5A7385, #755A85, #856C5A and #6B855A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A7385 shade: #5A7385, #815A85, #856C5A and #5E855A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 14 / 0 / 48

HEX #5A7385

RGB 90 115 133

HSL 205.12, 0.19%, 0.44%

LAB 47.14, -4.51, -12.84

 

Complementary color

CMYK 0 / 15 / 26 / 35

HEX #A58C7A

RGB 165 140 122

HSL 25.12, 0.19%, 0.56%

LAB 60.03, 6.57, 13.11

 

CMYK 26 / 10 / 0 / 50

HEX #5F7380

RGB 95 115 128

HSL 203.64, 0.15%, 0.44%

LAB 47.3, -4.19, -9.59

 

CMYK 24 / 10 / 0 / 42

HEX #708593

RGB 112 133 147

HSL 204, 0.14%, 0.51%

LAB 54.37, -4.27, -10.02

 

CMYK 22 / 9 / 0 / 35

HEX #8197A6

RGB 129 151 166

HSL 204.32, 0.17%, 0.58%

LAB 61.27, -4.35, -10.45

 

CMYK 21 / 9 / 0 / 27

HEX #92A9B9

RGB 146 169 185

HSL 204.62, 0.22%, 0.65%

LAB 68.01, -4.43, -10.87

 

CMYK 20 / 8 / 0 / 20

HEX #A3BBCC

RGB 163 187 204

HSL 204.88, 0.29%, 0.72%

LAB 74.63, -4.51, -11.3

 

CMYK 32 / 14 / 0 / 48

HEX #5A7385

RGB 90 115 133

HSL 205.12, 0.19%, 0.44%

LAB 47.14, -4.51, -12.84

 

CMYK 36 / 15 / 0 / 55

HEX #496172

RGB 73 97 114

HSL 204.88, 0.22%, 0.37%

LAB 39.88, -4.37, -12.49

 

CMYK 41 / 17 / 0 / 63

HEX #384F5F

RGB 56 79 95

HSL 204.62, 0.26%, 0.3%

LAB 32.39, -4.18, -12.15

 

CMYK 49 / 20 / 0 / 70

HEX #273D4C

RGB 39 61 76

HSL 204.32, 0.32%, 0.23%

LAB 24.61, -3.92, -11.84

 

CMYK 61 / 25 / 0 / 78

HEX #162B39

RGB 22 43 57

HSL 204, 0.44%, 0.15%

LAB 16.47, -3.48, -11.55

 

CMYK 32 / 14 / 0 / 48

HEX #5A7385

RGB 90 115 133

HSL 205.12, 0.19%, 0.44%

LAB 47.14, -4.51, -12.84

 

CMYK 32 / 22 / 0 / 48

HEX #5A6885

RGB 90 104 133

HSL 220.47, 0.19%, 0.44%

LAB 43.9, 2.05, -17.78

 

CMYK 32 / 31 / 0 / 48

HEX #5A5C85

RGB 90 92 133

HSL 237.21, 0.19%, 0.44%

LAB 40.45, 9.45, -23.1

 

CMYK 25 / 32 / 0 / 48

HEX #645A85

RGB 100 90 133

HSL 253.95, 0.19%, 0.44%

LAB 40.76, 13.92, -22.55

 

CMYK 16 / 32 / 0 / 48

HEX #705A85

RGB 112 90 133

HSL 270.7, 0.19%, 0.44%

LAB 41.92, 17.94, -20.65

 

CMYK 32 / 14 / 0 / 48

HEX #5A7385

RGB 90 115 133

HSL 205.12, 0.19%, 0.44%

LAB 47.14, -4.51, -12.84

 

CMYK 32 / 22 / 0 / 48

HEX #5A6885

RGB 90 104 133

HSL 220.47, 0.19%, 0.44%

LAB 43.9, 2.05, -17.78

 

CMYK 32 / 31 / 0 / 48

HEX #5A5C85

RGB 90 92 133

HSL 237.21, 0.19%, 0.44%

LAB 40.45, 9.45, -23.1

 

CMYK 32 / 32 / 0 / 48

HEX #5A5A85

RGB 90 90 133

HSL 240, 0.19%, 0.44%

LAB 39.88, 10.7, -23.98

 

CMYK 32 / 14 / 0 / 48

HEX #5A7385

RGB 90 115 133

HSL 205.12, 0.19%, 0.44%

LAB 47.14, -4.51, -12.84

 

CMYK 52 / 22 / 0 / 41

HEX #487697

RGB 72 118 151

HSL 205.06, 0.35%, 0.44%

LAB 47.71, -6.01, -22.71

 

CMYK 68 / 28 / 0 / 34

HEX #3679A9

RGB 54 121 169

HSL 205.04, 0.52%, 0.44%

LAB 48.67, -5.44, -31.82

 

CMYK 81 / 34 / 0 / 27

HEX #247CBB

RGB 36 124 187

HSL 205.03, 0.68%, 0.44%

LAB 49.95, -3.09, -40.25

 

CMYK 91 / 38 / 0 / 19

HEX #127FCE

RGB 18 127 206

HSL 205.21, 0.84%, 0.44%

LAB 51.57, 1, -48.56

 

CMYK 32 / 14 / 0 / 48

HEX #5A7385

RGB 90 115 133

HSL 205.12, 0.19%, 0.44%

LAB 47.14, -4.51, -12.84

 

CMYK 5 / 3 / 0 / 55

HEX #6D7073

RGB 109 112 115

HSL 210, 0.03%, 0.44%

LAB 47.08, -0.51, -2.07

 

CMYK 0 / 14 / 24 / 50

HEX #7F6D61

RGB 127 109 97

HSL 24, 0.13%, 0.44%

LAB 47.38, 5.04, 9.32

 

CMYK 0 / 27 / 46 / 43

HEX #916A4F

RGB 145 106 79

HSL 24.55, 0.29%, 0.44%

LAB 48.12, 12.02, 21.25

 

CMYK 0 / 37 / 63 / 36

HEX #A3673C

RGB 163 103 60

HSL 25.05, 0.46%, 0.44%

LAB 49.27, 19.83, 33.89

 

CMYK 32 / 0 / 4 / 48

HEX #5A8580

RGB 90 133 128

HSL 173.02, 0.19%, 0.44%

LAB 52.41, -15.93, -2.05

 

CMYK 32 / 5 / 0 / 48

HEX #5A7F85

RGB 90 127 133

HSL 188.37, 0.19%, 0.44%

LAB 50.74, -11.37, -7.43

 

CMYK 32 / 14 / 0 / 48

HEX #5A7385

RGB 90 115 133

HSL 205.12, 0.19%, 0.44%

LAB 47.14, -4.51, -12.84

 

CMYK 32 / 22 / 0 / 48

HEX #5A6885

RGB 90 104 133

HSL 220.47, 0.19%, 0.44%

LAB 43.9, 2.05, -17.78

 

CMYK 32 / 30 / 0 / 48

HEX #5A5D85

RGB 90 93 133

HSL 235.81, 0.19%, 0.44%

LAB 40.73, 8.83, -22.66

 

CMYK 32 / 13 / 0 / 67

HEX #394954

RGB 57 73 84

HSL 204.44, 0.19%, 0.28%

LAB 30.1, -3.32, -8.6

 

CMYK 31 / 13 / 0 / 58

HEX #4A5E6C

RGB 74 94 108

HSL 204.71, 0.19%, 0.36%

LAB 38.8, -3.9, -10.44

 

CMYK 32 / 14 / 0 / 48

HEX #5A7385

RGB 90 115 133

HSL 205.12, 0.19%, 0.44%

LAB 47.14, -4.51, -12.84

 

CMYK 30 / 13 / 0 / 39

HEX #6D889C

RGB 109 136 156

HSL 205.53, 0.19%, 0.52%

LAB 55.34, -4.69, -13.78

 

CMYK 22 / 9 / 0 / 33

HEX #869CAC

RGB 134 156 172

HSL 205.26, 0.19%, 0.6%

LAB 63.2, -4.12, -10.91

 

CMYK 32 / 14 / 0 / 48

HEX #5A7385

RGB 90 115 133

HSL 205.12, 0.19%, 0.44%

LAB 47.14, -4.51, -12.84

 

CMYK 12 / 32 / 0 / 48

HEX #755A85

RGB 117 90 133

HSL 277.67, 0.19%, 0.44%

LAB 42.44, 19.65, -19.81

 

CMYK 1 / 0 / 32 / 48

HEX #84855A

RGB 132 133 90

HSL 61.4, 0.19%, 0.44%

LAB 54.47, -7.6, 23.12

 

CMYK 32 / 14 / 0 / 48

HEX #5A7385

RGB 90 115 133

HSL 205.12, 0.19%, 0.44%

LAB 47.14, -4.51, -12.84

 

CMYK 0 / 32 / 14 / 48

HEX #855A73

RGB 133 90 115

HSL 325.12, 0.19%, 0.44%

LAB 43.56, 21.76, -7.01

 

CMYK 14 / 0 / 32 / 48

HEX #73855A

RGB 115 133 90

HSL 85.12, 0.19%, 0.44%

LAB 53.12, -14.56, 21.09

 

CMYK 32 / 14 / 0 / 48

HEX #5A7385

RGB 90 115 133

HSL 205.12, 0.19%, 0.44%

LAB 47.14, -4.51, -12.84

 

CMYK 12 / 32 / 0 / 48

HEX #755A85

RGB 117 90 133

HSL 277.67, 0.19%, 0.44%

LAB 42.44, 19.65, -19.81

 

CMYK 0 / 19 / 32 / 48

HEX #856C5A

RGB 133 108 90

HSL 25.12, 0.19%, 0.44%

LAB 47.56, 7.09, 13.81

 

CMYK 20 / 0 / 32 / 48

HEX #6B855A

RGB 107 133 90

HSL 96.28, 0.19%, 0.44%

LAB 52.55, -17.71, 20.22

 

CMYK 32 / 14 / 0 / 48

HEX #5A7385

RGB 90 115 133

HSL 205.12, 0.19%, 0.44%

LAB 47.14, -4.51, -12.84

 

CMYK 3 / 32 / 0 / 48

HEX #815A85

RGB 129 90 133

HSL 294.42, 0.19%, 0.44%

LAB 43.76, 23.81, -17.67

 

CMYK 0 / 19 / 32 / 48

HEX #856C5A

RGB 133 108 90

HSL 25.12, 0.19%, 0.44%

LAB 47.56, 7.09, 13.81

 

CMYK 29 / 0 / 32 / 48

HEX #5E855A

RGB 94 133 90

HSL 114.42, 0.19%, 0.44%

LAB 51.72, -22.59, 18.96

 

Description

Color code: HEX #5A7385 | qconv.com Color code: HEX #5A7385 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 115 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 115 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 14 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 14% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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