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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A7AB8 it is the complementary color #A58547. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A7AB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A7AB8 shade: #5F7AB3, #708CC6, #819ED9, #92B0EC and #A3C2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A7AB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A7AB8 shade: #5A7AB8, #4968A5, #385692, #27447F and #16326C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A7AB8 shade: #5A7AB8, #5A61B8, #6D5AB8, #865AB8 and #A05AB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A7AB8 shade: #5A7AB8, #5A61B8 and #5A5AB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A7AB8 shade matches the following richer shades: #5A7AB8, #4774CB, #346EDE and #2168F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A7AB8 shade: #5A7AB8, #6D80A5, #808692, #938C7F and #A6926C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A7AB8 shade: #5AADB8, #5A94B8, #5A7BB8, #5A62B8 and #6B5AB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A7AB8 shade: #395487, #4666A3, #5A7AB8, #7791C4 and #94A9D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A7AB8 shade: #5A7AB8, #AA5AB8 and #A1B85A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A7AB8 shade: #5A7AB8, #B85A7B and #7BB85A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A7AB8 shade: #5A7AB8, #AA5AB8, #B8975A and #68B85A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A7AB8 shade: #5A7AB8, #B85AAA, #B8975A and #5AB868

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 34 / 0 / 28

HEX #5A7AB8

RGB 90 122 184

HSL 219.57, 0.4%, 0.54%

LAB 51.33, 6.33, -36.21

 

Complementary color

CMYK 0 / 19 / 57 / 35

HEX #A58547

RGB 165 133 71

HSL 39.57, 0.4%, 0.46%

LAB 57.3, 4.6, 37.64

 

CMYK 47 / 32 / 0 / 30

HEX #5F7AB3

RGB 95 122 179

HSL 220.71, 0.36%, 0.54%

LAB 51.39, 6.01, -33.21

 

CMYK 43 / 29 / 0 / 22

HEX #708CC6

RGB 112 140 198

HSL 220.47, 0.43%, 0.61%

LAB 58.3, 5.37, -33.19

 

CMYK 41 / 27 / 0 / 15

HEX #819ED9

RGB 129 158 217

HSL 220.23, 0.54%, 0.68%

LAB 65.07, 4.83, -33.22

 

CMYK 38 / 25 / 0 / 7

HEX #92B0EC

RGB 146 176 236

HSL 220, 0.7%, 0.75%

LAB 71.7, 4.37, -33.27

 

CMYK 36 / 24 / 0 / 0

HEX #A3C2FF

RGB 163 194 255

HSL 219.78, 1%, 0.82%

LAB 78.22, 3.97, -33.36

 

CMYK 51 / 34 / 0 / 28

HEX #5A7AB8

RGB 90 122 184

HSL 219.57, 0.4%, 0.54%

LAB 51.33, 6.33, -36.21

 

CMYK 56 / 37 / 0 / 35

HEX #4968A5

RGB 73 104 165

HSL 219.78, 0.39%, 0.47%

LAB 44.28, 7.27, -36.31

 

CMYK 62 / 41 / 0 / 43

HEX #385692

RGB 56 86 146

HSL 220, 0.45%, 0.4%

LAB 37.06, 8.48, -36.46

 

CMYK 69 / 46 / 0 / 50

HEX #27447F

RGB 39 68 127

HSL 220.23, 0.53%, 0.33%

LAB 29.66, 10.1, -36.65

 

CMYK 80 / 54 / 0 / 58

HEX #16326C

RGB 22 50 108

HSL 220.47, 0.66%, 0.25%

LAB 22.07, 12.37, -36.85

 

CMYK 51 / 34 / 0 / 28

HEX #5A7AB8

RGB 90 122 184

HSL 219.57, 0.4%, 0.54%

LAB 51.33, 6.33, -36.21

 

CMYK 51 / 47 / 0 / 28

HEX #5A61B8

RGB 90 97 184

HSL 235.53, 0.4%, 0.54%

LAB 44.5, 21.74, -47.04

 

CMYK 41 / 51 / 0 / 28

HEX #6D5AB8

RGB 109 90 184

HSL 252.13, 0.4%, 0.54%

LAB 44.27, 30.59, -47.32

 

CMYK 27 / 51 / 0 / 28

HEX #865AB8

RGB 134 90 184

HSL 268.09, 0.4%, 0.54%

LAB 46.77, 37.1, -43.19

 

CMYK 13 / 51 / 0 / 28

HEX #A05AB8

RGB 160 90 184

HSL 284.68, 0.4%, 0.54%

LAB 49.79, 44.3, -38.2

 

CMYK 51 / 34 / 0 / 28

HEX #5A7AB8

RGB 90 122 184

HSL 219.57, 0.4%, 0.54%

LAB 51.33, 6.33, -36.21

 

CMYK 51 / 47 / 0 / 28

HEX #5A61B8

RGB 90 97 184

HSL 235.53, 0.4%, 0.54%

LAB 44.5, 21.74, -47.04

 

CMYK 51 / 51 / 0 / 28

HEX #5A5AB8

RGB 90 90 184

HSL 240, 0.4%, 0.54%

LAB 42.68, 26.12, -49.95

 

CMYK 51 / 34 / 0 / 28

HEX #5A7AB8

RGB 90 122 184

HSL 219.57, 0.4%, 0.54%

LAB 51.33, 6.33, -36.21

 

CMYK 65 / 43 / 0 / 20

HEX #4774CB

RGB 71 116 203

HSL 219.55, 0.56%, 0.54%

LAB 49.67, 12.46, -49.8

 

CMYK 77 / 50 / 0 / 13

HEX #346EDE

RGB 52 110 222

HSL 219.53, 0.72%, 0.54%

LAB 48.46, 20.44, -62.59

 

CMYK 86 / 57 / 0 / 5

HEX #2168F1

RGB 33 104 241

HSL 219.52, 0.88%, 0.54%

LAB 47.72, 29.78, -74.5

 

CMYK 51 / 34 / 0 / 28

HEX #5A7AB8

RGB 90 122 184

HSL 219.57, 0.4%, 0.54%

LAB 51.33, 6.33, -36.21

 

CMYK 34 / 22 / 0 / 35

HEX #6D80A5

RGB 109 128 165

HSL 219.64, 0.24%, 0.54%

LAB 53.39, 2.29, -21.95

 

CMYK 12 / 8 / 0 / 43

HEX #808692

RGB 128 134 146

HSL 220, 0.08%, 0.54%

LAB 55.8, 0.34, -7.18

 

CMYK 0 / 5 / 14 / 42

HEX #938C7F

RGB 147 140 127

HSL 39, 0.08%, 0.54%

LAB 58.5, 0.26, 7.87

 

CMYK 0 / 12 / 35 / 35

HEX #A6926C

RGB 166 146 108

HSL 39.31, 0.25%, 0.54%

LAB 61.44, 1.71, 22.9

 

CMYK 51 / 6 / 0 / 28

HEX #5AADB8

RGB 90 173 184

HSL 187.02, 0.4%, 0.54%

LAB 66.15, -22.16, -13.41

 

CMYK 51 / 20 / 0 / 28

HEX #5A94B8

RGB 90 148 184

HSL 202.98, 0.4%, 0.54%

LAB 58.8, -8.79, -24.59

 

CMYK 51 / 33 / 0 / 28

HEX #5A7BB8

RGB 90 123 184

HSL 218.94, 0.4%, 0.54%

LAB 51.61, 5.73, -35.77

 

CMYK 51 / 47 / 0 / 28

HEX #5A62B8

RGB 90 98 184

HSL 234.89, 0.4%, 0.54%

LAB 44.76, 21.12, -46.62

 

CMYK 42 / 51 / 0 / 28

HEX #6B5AB8

RGB 107 90 184

HSL 250.85, 0.4%, 0.54%

LAB 44.09, 30.09, -47.62

 

CMYK 58 / 38 / 0 / 47

HEX #395487

RGB 57 84 135

HSL 219.23, 0.41%, 0.38%

LAB 35.91, 6.09, -31.59

 

CMYK 57 / 37 / 0 / 36

HEX #4666A3

RGB 70 102 163

HSL 219.35, 0.4%, 0.46%

LAB 43.43, 7.18, -36.48

 

CMYK 51 / 34 / 0 / 28

HEX #5A7AB8

RGB 90 122 184

HSL 219.57, 0.4%, 0.54%

LAB 51.33, 6.33, -36.21

 

CMYK 39 / 26 / 0 / 23

HEX #7791C4

RGB 119 145 196

HSL 219.74, 0.39%, 0.62%

LAB 60.03, 3.77, -29.34

 

CMYK 29 / 19 / 0 / 18

HEX #94A9D1

RGB 148 169 209

HSL 219.34, 0.4%, 0.7%

LAB 68.95, 1.88, -22.71

 

CMYK 51 / 34 / 0 / 28

HEX #5A7AB8

RGB 90 122 184

HSL 219.57, 0.4%, 0.54%

LAB 51.33, 6.33, -36.21

 

CMYK 8 / 51 / 0 / 28

HEX #AA5AB8

RGB 170 90 184

HSL 291.06, 0.4%, 0.54%

LAB 51.06, 47.12, -36.12

 

CMYK 13 / 0 / 51 / 28

HEX #A1B85A

RGB 161 184 90

HSL 74.68, 0.4%, 0.54%

LAB 71.28, -22.37, 44.68

 

CMYK 51 / 34 / 0 / 28

HEX #5A7AB8

RGB 90 122 184

HSL 219.57, 0.4%, 0.54%

LAB 51.33, 6.33, -36.21

 

CMYK 0 / 51 / 33 / 28

HEX #B85A7B

RGB 184 90 123

HSL 338.94, 0.4%, 0.54%

LAB 50.61, 41.57, -0.66

 

CMYK 33 / 0 / 51 / 28

HEX #7BB85A

RGB 123 184 90

HSL 98.94, 0.4%, 0.54%

LAB 68.92, -36.72, 41.28

 

CMYK 51 / 34 / 0 / 28

HEX #5A7AB8

RGB 90 122 184

HSL 219.57, 0.4%, 0.54%

LAB 51.33, 6.33, -36.21

 

CMYK 8 / 51 / 0 / 28

HEX #AA5AB8

RGB 170 90 184

HSL 291.06, 0.4%, 0.54%

LAB 51.06, 47.12, -36.12

 

CMYK 0 / 18 / 51 / 28

HEX #B8975A

RGB 184 151 90

HSL 38.94, 0.4%, 0.54%

LAB 64.21, 4.54, 36.56

 

CMYK 43 / 0 / 51 / 28

HEX #68B85A

RGB 104 184 90

HSL 111.06, 0.4%, 0.54%

LAB 67.99, -42.99, 39.94

 

CMYK 51 / 34 / 0 / 28

HEX #5A7AB8

RGB 90 122 184

HSL 219.57, 0.4%, 0.54%

LAB 51.33, 6.33, -36.21

 

CMYK 0 / 51 / 8 / 28

HEX #B85AAA

RGB 184 90 170

HSL 308.94, 0.4%, 0.54%

LAB 52.29, 48.62, -25.91

 

CMYK 0 / 18 / 51 / 28

HEX #B8975A

RGB 184 151 90

HSL 38.94, 0.4%, 0.54%

LAB 64.21, 4.54, 36.56

 

CMYK 51 / 0 / 43 / 28

HEX #5AB868

RGB 90 184 104

HSL 128.94, 0.4%, 0.54%

LAB 67.62, -45.02, 32.27

 

Description

Color code: HEX #5A7AB8 | qconv.com Color code: HEX #5A7AB8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 122 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 122 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 34 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 34% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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