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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A839A it is the complementary color #A57C65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A839A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A839A shade: #5F8395, #7095A8, #81A7BB, #92B9CE and #A3CBE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A839A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A839A shade: #5A839A, #497187, #385F74, #274D61 and #163B4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A839A shade: #5A839A, #5A729A, #5A619A, #655A9A and #765A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A839A shade: #5A839A, #5A729A, #5A619A and #5A5A9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A839A shade matches the following richer shades: #5A839A, #4688AE, #328EC1, #1F94D5 and #0B99E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A839A shade: #5A839A, #6E7D86, #827872, #95725E and #A96D4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A839A shade: #5A9A8E, #5A949A, #5A839A, #5A729A and #5A629A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A839A shade: #3C5766, #4B6D80, #5A839A, #7197AC and #8BAABB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A839A shade: #5A839A, #7D5A9A and #9A975A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A839A shade: #5A839A, #9A5A83 and #839A5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A839A shade: #5A839A, #7D5A9A, #9A705A and #779A5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A839A shade: #5A839A, #905A9A, #9A705A and #649A5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 15 / 0 / 40

HEX #5A839A

RGB 90 131 154

HSL 201.56, 0.26%, 0.48%

LAB 52.66, -7.95, -16.79

 

Complementary color

CMYK 0 / 25 / 39 / 35

HEX #A57C65

RGB 165 124 101

HSL 21.56, 0.26%, 0.52%

LAB 55.44, 12.76, 18.74

 

CMYK 36 / 12 / 0 / 42

HEX #5F8395

RGB 95 131 149

HSL 200, 0.22%, 0.48%

LAB 52.77, -7.91, -13.7

 

CMYK 33 / 11 / 0 / 34

HEX #7095A8

RGB 112 149 168

HSL 200.36, 0.24%, 0.55%

LAB 59.68, -8, -14.08

 

CMYK 31 / 11 / 0 / 27

HEX #81A7BB

RGB 129 167 187

HSL 200.69, 0.3%, 0.62%

LAB 66.44, -8.07, -14.46

 

CMYK 29 / 10 / 0 / 19

HEX #92B9CE

RGB 146 185 206

HSL 201, 0.38%, 0.69%

LAB 73.07, -8.14, -14.84

 

CMYK 28 / 10 / 0 / 12

HEX #A3CBE1

RGB 163 203 225

HSL 201.29, 0.51%, 0.76%

LAB 79.58, -8.2, -15.23

 

CMYK 42 / 15 / 0 / 40

HEX #5A839A

RGB 90 131 154

HSL 201.56, 0.26%, 0.48%

LAB 52.66, -7.95, -16.79

 

CMYK 46 / 16 / 0 / 47

HEX #497187

RGB 73 113 135

HSL 201.29, 0.3%, 0.41%

LAB 45.6, -7.74, -16.46

 

CMYK 52 / 18 / 0 / 55

HEX #385F74

RGB 56 95 116

HSL 201, 0.35%, 0.34%

LAB 38.35, -7.43, -16.14

 

CMYK 60 / 21 / 0 / 62

HEX #274D61

RGB 39 77 97

HSL 200.69, 0.43%, 0.27%

LAB 30.88, -6.97, -15.81

 

CMYK 72 / 24 / 0 / 69

HEX #163B4E

RGB 22 59 78

HSL 200.36, 0.56%, 0.2%

LAB 23.16, -6.19, -15.46

 

CMYK 42 / 15 / 0 / 40

HEX #5A839A

RGB 90 131 154

HSL 201.56, 0.26%, 0.48%

LAB 52.66, -7.95, -16.79

 

CMYK 42 / 26 / 0 / 40

HEX #5A729A

RGB 90 114 154

HSL 217.5, 0.26%, 0.48%

LAB 47.68, 1.99, -24.44

 

CMYK 42 / 37 / 0 / 40

HEX #5A619A

RGB 90 97 154

HSL 233.44, 0.26%, 0.48%

LAB 42.85, 12.43, -31.98

 

CMYK 34 / 42 / 0 / 40

HEX #655A9A

RGB 101 90 154

HSL 250.31, 0.26%, 0.48%

LAB 41.86, 19.92, -33.46

 

CMYK 23 / 42 / 0 / 40

HEX #765A9A

RGB 118 90 154

HSL 266.25, 0.26%, 0.48%

LAB 43.5, 25.02, -30.77

 

CMYK 42 / 15 / 0 / 40

HEX #5A839A

RGB 90 131 154

HSL 201.56, 0.26%, 0.48%

LAB 52.66, -7.95, -16.79

 

CMYK 42 / 26 / 0 / 40

HEX #5A729A

RGB 90 114 154

HSL 217.5, 0.26%, 0.48%

LAB 47.68, 1.99, -24.44

 

CMYK 42 / 37 / 0 / 40

HEX #5A619A

RGB 90 97 154

HSL 233.44, 0.26%, 0.48%

LAB 42.85, 12.43, -31.98

 

CMYK 42 / 42 / 0 / 40

HEX #5A5A9A

RGB 90 90 154

HSL 240, 0.26%, 0.48%

LAB 40.93, 16.82, -35

 

CMYK 42 / 15 / 0 / 40

HEX #5A839A

RGB 90 131 154

HSL 201.56, 0.26%, 0.48%

LAB 52.66, -7.95, -16.79

 

CMYK 60 / 22 / 0 / 32

HEX #4688AE

RGB 70 136 174

HSL 201.92, 0.43%, 0.48%

LAB 53.99, -9.49, -26.38

 

CMYK 74 / 26 / 0 / 24

HEX #328EC1

RGB 50 142 193

HSL 201.4, 0.59%, 0.48%

LAB 55.96, -9.77, -34.21

 

CMYK 85 / 31 / 0 / 16

HEX #1F94D5

RGB 31 148 213

HSL 201.43, 0.75%, 0.48%

LAB 58.3, -7.93, -41.84

 

CMYK 95 / 34 / 0 / 9

HEX #0B99E9

RGB 11 153 233

HSL 201.62, 0.91%, 0.48%

LAB 60.55, -4.39, -49.43

 

CMYK 42 / 15 / 0 / 40

HEX #5A839A

RGB 90 131 154

HSL 201.56, 0.26%, 0.48%

LAB 52.66, -7.95, -16.79

 

CMYK 18 / 7 / 0 / 47

HEX #6E7D86

RGB 110 125 134

HSL 202.5, 0.1%, 0.48%

LAB 51.5, -3.46, -6.75

 

CMYK 0 / 8 / 12 / 49

HEX #827872

RGB 130 120 114

HSL 22.5, 0.07%, 0.48%

LAB 51.14, 2.73, 4.67

 

CMYK 0 / 23 / 37 / 42

HEX #95725E

RGB 149 114 94

HSL 21.82, 0.23%, 0.48%

LAB 50.96, 10.91, 16.4

 

CMYK 0 / 36 / 56 / 34

HEX #A96D4B

RGB 169 109 75

HSL 21.7, 0.39%, 0.48%

LAB 51.7, 20.22, 28.72

 

CMYK 42 / 0 / 8 / 40

HEX #5A9A8E

RGB 90 154 142

HSL 168.75, 0.26%, 0.48%

LAB 59.19, -23.51, -0.15

 

CMYK 42 / 4 / 0 / 40

HEX #5A949A

RGB 90 148 154

HSL 185.63, 0.26%, 0.48%

LAB 57.74, -17.31, -9.14

 

CMYK 42 / 15 / 0 / 40

HEX #5A839A

RGB 90 131 154

HSL 201.56, 0.26%, 0.48%

LAB 52.66, -7.95, -16.79

 

CMYK 42 / 26 / 0 / 40

HEX #5A729A

RGB 90 114 154

HSL 217.5, 0.26%, 0.48%

LAB 47.68, 1.99, -24.44

 

CMYK 42 / 36 / 0 / 40

HEX #5A629A

RGB 90 98 154

HSL 232.5, 0.26%, 0.48%

LAB 43.13, 11.8, -31.54

 

CMYK 41 / 15 / 0 / 60

HEX #3C5766

RGB 60 87 102

HSL 201.43, 0.26%, 0.32%

LAB 35.47, -5.79, -11.85

 

CMYK 41 / 15 / 0 / 50

HEX #4B6D80

RGB 75 109 128

HSL 201.51, 0.26%, 0.4%

LAB 44.22, -6.9, -14.37

 

CMYK 42 / 15 / 0 / 40

HEX #5A839A

RGB 90 131 154

HSL 201.56, 0.26%, 0.48%

LAB 52.66, -7.95, -16.79

 

CMYK 34 / 12 / 0 / 33

HEX #7197AC

RGB 113 151 172

HSL 201.36, 0.26%, 0.56%

LAB 60.45, -7.78, -15.18

 

CMYK 26 / 9 / 0 / 27

HEX #8BAABB

RGB 139 170 187

HSL 201.25, 0.26%, 0.64%

LAB 67.89, -6.7, -12.21

 

CMYK 42 / 15 / 0 / 40

HEX #5A839A

RGB 90 131 154

HSL 201.56, 0.26%, 0.48%

LAB 52.66, -7.95, -16.79

 

CMYK 19 / 42 / 0 / 40

HEX #7D5A9A

RGB 125 90 154

HSL 272.81, 0.26%, 0.48%

LAB 44.24, 27.19, -29.56

 

CMYK 0 / 2 / 42 / 40

HEX #9A975A

RGB 154 151 90

HSL 57.19, 0.26%, 0.48%

LAB 61.43, -8.19, 32.48

 

CMYK 42 / 15 / 0 / 40

HEX #5A839A

RGB 90 131 154

HSL 201.56, 0.26%, 0.48%

LAB 52.66, -7.95, -16.79

 

CMYK 0 / 42 / 15 / 40

HEX #9A5A83

RGB 154 90 131

HSL 321.56, 0.26%, 0.48%

LAB 46.74, 32.23, -11.65

 

CMYK 15 / 0 / 42 / 40

HEX #839A5A

RGB 131 154 90

HSL 81.56, 0.26%, 0.48%

LAB 60.49, -19.22, 30.92

 

CMYK 42 / 15 / 0 / 40

HEX #5A839A

RGB 90 131 154

HSL 201.56, 0.26%, 0.48%

LAB 52.66, -7.95, -16.79

 

CMYK 19 / 42 / 0 / 40

HEX #7D5A9A

RGB 125 90 154

HSL 272.81, 0.26%, 0.48%

LAB 44.24, 27.19, -29.56

 

CMYK 0 / 27 / 42 / 40

HEX #9A705A

RGB 154 112 90

HSL 20.63, 0.26%, 0.48%

LAB 50.92, 13.68, 18.76

 

CMYK 23 / 0 / 42 / 40

HEX #779A5A

RGB 119 154 90

HSL 92.81, 0.26%, 0.48%

LAB 59.68, -23.9, 29.72

 

CMYK 42 / 15 / 0 / 40

HEX #5A839A

RGB 90 131 154

HSL 201.56, 0.26%, 0.48%

LAB 52.66, -7.95, -16.79

 

CMYK 6 / 42 / 0 / 40

HEX #905A9A

RGB 144 90 154

HSL 290.63, 0.26%, 0.48%

LAB 46.41, 33.21, -26.02

 

CMYK 0 / 27 / 42 / 40

HEX #9A705A

RGB 154 112 90

HSL 20.63, 0.26%, 0.48%

LAB 50.92, 13.68, 18.76

 

CMYK 35 / 0 / 42 / 40

HEX #649A5A

RGB 100 154 90

HSL 110.63, 0.26%, 0.48%

LAB 58.56, -30.81, 28.06

 

Description

Color code: HEX #5A839A | qconv.com Color code: HEX #5A839A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 131 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 131 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 15 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 15% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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