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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AA521 it is the complementary color #A55ADE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AA521. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AA521 shade: #5FA51C, #70B72F, #81C942, #92DB55 and #A3ED68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AA521. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AA521 shade: #5AA521, #49930E, #388100, #276F00 and #165D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AA521 shade: #5AA620, #7EA620, #A2A620, #A68520 and #A66220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AA521 shade: #5AA620, #36A620, #20A62F, #20A653 and #20A677

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AA521 shade matches the following richer shades: #5AA620, #58B610 and #55C600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AA521 shade: #5AA620, #5C9530, #5E8541, #607551 and #636561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AA521 shade: #A1A620, #7EA620, #5AA620, #37A620 and #20A62E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AA521 shade: #346113, #47831A, #5AA620, #6DC827 and #82D940

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AA521 shade: #5AA521, #20A686 and #A6208F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AA521 shade: #5AA521, #205AA6 and #A6205A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AA521 shade: #5AA521, #20A686, #6C20A6 and #A6203F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AA521 shade: #5AA521, #209DA6, #6C20A6 and #A62920

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 80 / 35

HEX #5AA521

RGB 90 165 33

HSL 94.09, 0.67%, 0.39%

LAB 60.95, -44.85, 56.03

 

Complementary color

CMYK 26 / 59 / 0 / 13

HEX #A55ADE

RGB 165 90 222

HSL 274.09, 0.67%, 0.61%

LAB 52.49, 53.9, -55.65

 

CMYK 42 / 0 / 83 / 35

HEX #5FA51C

RGB 95 165 28

HSL 90.66, 0.71%, 0.38%

LAB 61.16, -43.41, 57.73

 

CMYK 39 / 0 / 74 / 28

HEX #70B72F

RGB 112 183 47

HSL 91.32, 0.59%, 0.45%

LAB 67.66, -44.02, 58.24

 

CMYK 36 / 0 / 67 / 21

HEX #81C942

RGB 129 201 66

HSL 92, 0.56%, 0.52%

LAB 74.08, -44.4, 57.95

 

CMYK 33 / 0 / 61 / 14

HEX #92DB55

RGB 146 219 85

HSL 92.69, 0.65%, 0.6%

LAB 80.42, -44.62, 57.23

 

CMYK 31 / 0 / 56 / 7

HEX #A3ED68

RGB 163 237 104

HSL 93.38, 0.79%, 0.67%

LAB 86.68, -44.72, 56.29

 

CMYK 45 / 0 / 80 / 35

HEX #5AA521

RGB 90 165 33

HSL 94.09, 0.67%, 0.39%

LAB 60.95, -44.85, 56.03

 

CMYK 50 / 0 / 90 / 42

HEX #49930E

RGB 73 147 14

HSL 93.38, 0.83%, 0.32%

LAB 54.36, -43.95, 54.69

 

CMYK 57 / 0 / 100 / 49

HEX #388100

RGB 56 129 0

HSL 93.95, 1%, 0.25%

LAB 47.68, -42.58, 51.52

 

CMYK 65 / 0 / 100 / 56

HEX #276F00

RGB 39 111 0

HSL 98.92, 1%, 0.22%

LAB 40.9, -40.55, 45.92

 

CMYK 76 / 0 / 100 / 64

HEX #165D00

RGB 22 93 0

HSL 105.81, 1%, 0.18%

LAB 33.98, -38.04, 40.23

 

CMYK 46 / 0 / 81 / 35

HEX #5AA620

RGB 90 166 32

HSL 94.03, 0.68%, 0.39%

LAB 61.26, -45.3, 56.62

 

CMYK 24 / 0 / 81 / 35

HEX #7EA620

RGB 126 166 32

HSL 77.91, 0.68%, 0.39%

LAB 63.19, -32.02, 59.09

 

CMYK 2 / 0 / 81 / 35

HEX #A2A620

RGB 162 166 32

HSL 61.79, 0.68%, 0.39%

LAB 65.79, -16.74, 62.4

 

CMYK 0 / 20 / 81 / 35

HEX #A68520

RGB 166 133 32

HSL 45.22, 0.68%, 0.39%

LAB 57.06, 2.74, 54.81

 

CMYK 0 / 41 / 81 / 35

HEX #A66220

RGB 166 98 32

HSL 29.55, 0.68%, 0.39%

LAB 48.19, 22.45, 46.7

 

CMYK 46 / 0 / 81 / 35

HEX #5AA620

RGB 90 166 32

HSL 94.03, 0.68%, 0.39%

LAB 61.26, -45.3, 56.62

 

CMYK 67 / 0 / 81 / 35

HEX #36A620

RGB 54 166 32

HSL 110.15, 0.68%, 0.39%

LAB 60.03, -55.04, 55.03

 

CMYK 81 / 0 / 72 / 35

HEX #20A62F

RGB 32 166 47

HSL 126.72, 0.68%, 0.39%

LAB 59.69, -57.6, 49.35

 

CMYK 81 / 0 / 50 / 35

HEX #20A653

RGB 32 166 83

HSL 142.84, 0.68%, 0.39%

LAB 60.07, -53.02, 33.2

 

CMYK 81 / 0 / 28 / 35

HEX #20A677

RGB 32 166 119

HSL 158.96, 0.68%, 0.39%

LAB 60.7, -45.84, 14.7

 

CMYK 46 / 0 / 81 / 35

HEX #5AA620

RGB 90 166 32

HSL 94.03, 0.68%, 0.39%

LAB 61.26, -45.3, 56.62

 

CMYK 52 / 0 / 91 / 29

HEX #58B610

RGB 88 182 16

HSL 93.98, 0.84%, 0.39%

LAB 66.19, -52.73, 64.53

 

CMYK 57 / 0 / 100 / 22

HEX #55C600

RGB 85 198 0

HSL 94.24, 1%, 0.39%

LAB 71.09, -59.62, 70.39

 

CMYK 46 / 0 / 81 / 35

HEX #5AA620

RGB 90 166 32

HSL 94.03, 0.68%, 0.39%

LAB 61.26, -45.3, 56.62

 

CMYK 38 / 0 / 68 / 42

HEX #5C9530

RGB 92 149 48

HSL 93.86, 0.51%, 0.39%

LAB 56.07, -36.34, 45.7

 

CMYK 29 / 0 / 51 / 48

HEX #5E8541

RGB 94 133 65

HSL 94.41, 0.34%, 0.39%

LAB 51.31, -26.33, 32.16

 

CMYK 18 / 0 / 31 / 54

HEX #607551

RGB 96 117 81

HSL 95, 0.18%, 0.39%

LAB 46.72, -14.91, 17.39

 

CMYK 2 / 0 / 4 / 60

HEX #636561

RGB 99 101 97

HSL 90, 0.02%, 0.39%

LAB 42.5, -1.6, 1.98

 

CMYK 3 / 0 / 81 / 35

HEX #A1A620

RGB 161 166 32

HSL 62.24, 0.68%, 0.39%

LAB 65.71, -17.18, 62.3

 

CMYK 24 / 0 / 81 / 35

HEX #7EA620

RGB 126 166 32

HSL 77.91, 0.68%, 0.39%

LAB 63.19, -32.02, 59.09

 

CMYK 46 / 0 / 81 / 35

HEX #5AA620

RGB 90 166 32

HSL 94.03, 0.68%, 0.39%

LAB 61.26, -45.3, 56.62

 

CMYK 67 / 0 / 81 / 35

HEX #37A620

RGB 55 166 32

HSL 109.7, 0.68%, 0.39%

LAB 60.06, -54.83, 55.06

 

CMYK 81 / 0 / 72 / 35

HEX #20A62E

RGB 32 166 46

HSL 126.27, 0.68%, 0.39%

LAB 59.69, -57.69, 49.73

 

CMYK 46 / 0 / 80 / 62

HEX #346113

RGB 52 97 19

HSL 94.62, 0.67%, 0.23%

LAB 36.61, -29.8, 36.98

 

CMYK 46 / 0 / 80 / 49

HEX #47831A

RGB 71 131 26

HSL 94.29, 0.67%, 0.31%

LAB 49.06, -37.52, 46.77

 

CMYK 46 / 0 / 81 / 35

HEX #5AA620

RGB 90 166 32

HSL 94.03, 0.68%, 0.39%

LAB 61.26, -45.3, 56.62

 

CMYK 46 / 0 / 81 / 22

HEX #6DC827

RGB 109 200 39

HSL 93.91, 0.67%, 0.47%

LAB 72.7, -52.31, 65.46

 

CMYK 40 / 0 / 71 / 15

HEX #82D940

RGB 130 217 64

HSL 94.12, 0.67%, 0.55%

LAB 78.89, -50.83, 63.69

 

CMYK 45 / 0 / 80 / 35

HEX #5AA521

RGB 90 165 33

HSL 94.09, 0.67%, 0.39%

LAB 60.95, -44.85, 56.03

 

CMYK 81 / 0 / 19 / 35

HEX #20A686

RGB 32 166 134

HSL 165.67, 0.68%, 0.39%

LAB 61.05, -42.15, 6.83

 

CMYK 0 / 81 / 14 / 35

HEX #A6208F

RGB 166 32 143

HSL 310.3, 0.68%, 0.39%

LAB 39.79, 62.77, -29.49

 

CMYK 45 / 0 / 80 / 35

HEX #5AA521

RGB 90 165 33

HSL 94.09, 0.67%, 0.39%

LAB 60.95, -44.85, 56.03

 

CMYK 81 / 46 / 0 / 35

HEX #205AA6

RGB 32 90 166

HSL 214.03, 0.68%, 0.39%

LAB 38.5, 9.73, -46.21

 

CMYK 0 / 81 / 46 / 35

HEX #A6205A

RGB 166 32 90

HSL 334.03, 0.68%, 0.39%

LAB 37.62, 56.46, 0.37

 

CMYK 45 / 0 / 80 / 35

HEX #5AA521

RGB 90 165 33

HSL 94.09, 0.67%, 0.39%

LAB 60.95, -44.85, 56.03

 

CMYK 81 / 0 / 19 / 35

HEX #20A686

RGB 32 166 134

HSL 165.67, 0.68%, 0.39%

LAB 61.05, -42.15, 6.83

 

CMYK 35 / 81 / 0 / 35

HEX #6C20A6

RGB 108 32 166

HSL 274.03, 0.68%, 0.39%

LAB 31.75, 55.6, -56.87

 

CMYK 0 / 81 / 62 / 35

HEX #A6203F

RGB 166 32 63

HSL 346.12, 0.68%, 0.39%

LAB 36.93, 54.35, 16.73

 

CMYK 45 / 0 / 80 / 35

HEX #5AA521

RGB 90 165 33

HSL 94.09, 0.67%, 0.39%

LAB 60.95, -44.85, 56.03

 

CMYK 81 / 5 / 0 / 35

HEX #209DA6

RGB 32 157 166

HSL 184.03, 0.68%, 0.39%

LAB 59.14, -28.78, -14.04

 

CMYK 35 / 81 / 0 / 35

HEX #6C20A6

RGB 108 32 166

HSL 274.03, 0.68%, 0.39%

LAB 31.75, 55.6, -56.87

 

CMYK 0 / 75 / 81 / 35

HEX #A62920

RGB 166 41 32

HSL 4.03, 0.68%, 0.39%

LAB 37.48, 49.99, 36.33

 

Description

Color code: HEX #5AA521 | qconv.com Color code: HEX #5AA521 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 165 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 165 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 80 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 80% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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