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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AA5FC it is the complementary color #A55A03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AA5FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AA5FC shade: #5FA5F7, #70B7FF, #81C9FF, #92DBFF and #A3EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AA5FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AA5FC shade: #5AA5FC, #4993E9, #3881D6, #276FC3 and #165DB0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AA5FC shade: #5AA4FB, #5A79FB, #665AFB, #915AFB and #BD5AFB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AA5FC shade: #5AA4FB, #5A79FB and #5A5AFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AA5FC shade matches the following richer shades: #5AA4FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AA5FC shade: #5AA4FB, #67A5EE, #75A6E0, #82A7D2 and #90A8C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AA5FC shade: #5AFBFB, #5AD0FB, #5AA5FB, #5A7AFB and #645AFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AA5FC shade: #0978F9, #318EFA, #5AA4FB, #82BAFC and #AAD1FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AA5FC shade: #5AA5FC, #D05AFB and #E6FB5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AA5FC shade: #5AA5FC, #FB5AA5 and #A5FB5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AA5FC shade: #5AA5FC, #D05AFB, #FBB05A and #85FB5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AA5FC shade: #5AA5FC, #FB5AF6, #FBB05A and #5AFB5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 35 / 0 / 1

HEX #5AA5FC

RGB 90 165 252

HSL 212.22, 0.96%, 0.67%

LAB 66.61, 3.15, -50.16

 

Complementary color

CMYK 0 / 45 / 98 / 35

HEX #A55A03

RGB 165 90 3

HSL 32.22, 0.96%, 0.33%

LAB 46.07, 25.79, 53.97

 

CMYK 62 / 33 / 0 / 3

HEX #5FA5F7

RGB 95 165 247

HSL 212.37, 0.9%, 0.67%

LAB 66.56, 2.37, -47.48

 

CMYK 56 / 28 / 0 / 0

HEX #70B7FF

RGB 112 183 255

HSL 210.21, 1%, 0.72%

LAB 72.58, -2, -42.33

 

CMYK 49 / 21 / 0 / 0

HEX #81C9FF

RGB 129 201 255

HSL 205.71, 1%, 0.75%

LAB 78.26, -8.16, -33.45

 

CMYK 43 / 14 / 0 / 0

HEX #92DBFF

RGB 146 219 255

HSL 199.82, 1%, 0.79%

LAB 83.96, -13.62, -24.65

 

CMYK 36 / 7 / 0 / 0

HEX #A3EDFF

RGB 163 237 255

HSL 191.74, 1%, 0.82%

LAB 89.66, -18.48, -15.95

 

CMYK 64 / 35 / 0 / 1

HEX #5AA5FC

RGB 90 165 252

HSL 212.22, 0.96%, 0.67%

LAB 66.61, 3.15, -50.16

 

CMYK 69 / 37 / 0 / 9

HEX #4993E9

RGB 73 147 233

HSL 212.25, 0.78%, 0.6%

LAB 60.04, 4.5, -50.16

 

CMYK 74 / 40 / 0 / 16

HEX #3881D6

RGB 56 129 214

HSL 212.28, 0.66%, 0.53%

LAB 53.38, 6.16, -50.16

 

CMYK 80 / 43 / 0 / 24

HEX #276FC3

RGB 39 111 195

HSL 212.31, 0.67%, 0.46%

LAB 46.63, 8.23, -50.13

 

CMYK 88 / 47 / 0 / 31

HEX #165DB0

RGB 22 93 176

HSL 212.34, 0.78%, 0.39%

LAB 39.81, 10.86, -50.05

 

CMYK 64 / 35 / 0 / 2

HEX #5AA4FB

RGB 90 164 251

HSL 212.42, 0.95%, 0.67%

LAB 66.28, 3.39, -50.12

 

CMYK 64 / 52 / 0 / 2

HEX #5A79FB

RGB 90 121 251

HSL 228.45, 0.95%, 0.67%

LAB 54.88, 29.01, -68.35

 

CMYK 59 / 64 / 0 / 2

HEX #665AFB

RGB 102 90 251

HSL 244.47, 0.95%, 0.67%

LAB 48.39, 49.3, -78.86

 

CMYK 42 / 64 / 0 / 2

HEX #915AFB

RGB 145 90 251

HSL 260.5, 0.95%, 0.67%

LAB 52.17, 56.67, -72.53

 

CMYK 25 / 64 / 0 / 2

HEX #BD5AFB

RGB 189 90 251

HSL 276.89, 0.95%, 0.67%

LAB 57.17, 65.62, -64.21

 

CMYK 64 / 35 / 0 / 2

HEX #5AA4FB

RGB 90 164 251

HSL 212.42, 0.95%, 0.67%

LAB 66.28, 3.39, -50.12

 

CMYK 64 / 52 / 0 / 2

HEX #5A79FB

RGB 90 121 251

HSL 228.45, 0.95%, 0.67%

LAB 54.88, 29.01, -68.35

 

CMYK 64 / 64 / 0 / 2

HEX #5A5AFB

RGB 90 90 251

HSL 240, 0.95%, 0.67%

LAB 47.56, 47.6, -80.25

 

CMYK 64 / 35 / 0 / 2

HEX #5AA4FB

RGB 90 164 251

HSL 212.42, 0.95%, 0.67%

LAB 66.28, 3.39, -50.12

 

CMYK 64 / 35 / 0 / 2

HEX #5AA4FB

RGB 90 164 251

HSL 212.42, 0.95%, 0.67%

LAB 66.28, 3.39, -50.12

 

CMYK 57 / 31 / 0 / 7

HEX #67A5EE

RGB 103 165 238

HSL 212.44, 0.8%, 0.67%

LAB 66.49, 1.02, -42.65

 

CMYK 48 / 26 / 0 / 12

HEX #75A6E0

RGB 117 166 224

HSL 212.52, 0.63%, 0.67%

LAB 66.85, -0.7, -34.36

 

CMYK 38 / 20 / 0 / 18

HEX #82A7D2

RGB 130 167 210

HSL 212.25, 0.47%, 0.67%

LAB 67.3, -1.86, -25.88

 

CMYK 27 / 15 / 0 / 23

HEX #90A8C5

RGB 144 168 197

HSL 212.83, 0.31%, 0.67%

LAB 68, -1.69, -17.56

 

CMYK 64 / 0 / 0 / 2

HEX #5AFBFB

RGB 90 251 251

HSL 180, 0.95%, 0.67%

LAB 90.84, -41.04, -12.37

 

CMYK 64 / 17 / 0 / 2

HEX #5AD0FB

RGB 90 208 251

HSL 196.02, 0.95%, 0.67%

LAB 78.61, -20.46, -30.91

 

CMYK 64 / 34 / 0 / 2

HEX #5AA5FB

RGB 90 165 251

HSL 212.05, 0.95%, 0.67%

LAB 66.56, 2.82, -49.69

 

CMYK 64 / 51 / 0 / 2

HEX #5A7AFB

RGB 90 122 251

HSL 228.07, 0.95%, 0.67%

LAB 55.13, 28.41, -67.94

 

CMYK 60 / 64 / 0 / 2

HEX #645AFB

RGB 100 90 251

HSL 243.73, 0.95%, 0.67%

LAB 48.24, 49.01, -79.1

 

CMYK 96 / 52 / 0 / 2

HEX #0978F9

RGB 9 120 249

HSL 212.25, 0.95%, 0.51%

LAB 52.21, 21.71, -71.67

 

CMYK 80 / 43 / 0 / 2

HEX #318EFA

RGB 49 142 250

HSL 212.24, 0.95%, 0.59%

LAB 58.88, 10.69, -61.43

 

CMYK 64 / 35 / 0 / 2

HEX #5AA4FB

RGB 90 164 251

HSL 212.42, 0.95%, 0.67%

LAB 66.28, 3.39, -50.12

 

CMYK 48 / 26 / 0 / 1

HEX #82BAFC

RGB 130 186 252

HSL 212.46, 0.95%, 0.75%

LAB 74.12, -0.68, -38.25

 

CMYK 33 / 17 / 0 / 1

HEX #AAD1FD

RGB 170 209 253

HSL 211.81, 0.95%, 0.83%

LAB 82.51, -2.69, -25.69

 

CMYK 64 / 35 / 0 / 1

HEX #5AA5FC

RGB 90 165 252

HSL 212.22, 0.96%, 0.67%

LAB 66.61, 3.15, -50.16

 

CMYK 17 / 64 / 0 / 2

HEX #D05AFB

RGB 208 90 251

HSL 283.98, 0.95%, 0.67%

LAB 59.61, 69.73, -60.17

 

CMYK 8 / 0 / 64 / 2

HEX #E6FB5A

RGB 230 251 90

HSL 67.83, 0.95%, 0.67%

LAB 94.55, -27.19, 71.93

 

CMYK 64 / 35 / 0 / 1

HEX #5AA5FC

RGB 90 165 252

HSL 212.22, 0.96%, 0.67%

LAB 66.61, 3.15, -50.16

 

CMYK 0 / 64 / 34 / 2

HEX #FB5AA5

RGB 251 90 165

HSL 332.05, 0.95%, 0.67%

LAB 62.12, 67.54, -7.16

 

CMYK 34 / 0 / 64 / 2

HEX #A5FB5A

RGB 165 251 90

HSL 92.05, 0.95%, 0.67%

LAB 90.66, -51.16, 66.63

 

CMYK 64 / 35 / 0 / 1

HEX #5AA5FC

RGB 90 165 252

HSL 212.22, 0.96%, 0.67%

LAB 66.61, 3.15, -50.16

 

CMYK 17 / 64 / 0 / 2

HEX #D05AFB

RGB 208 90 251

HSL 283.98, 0.95%, 0.67%

LAB 59.61, 69.73, -60.17

 

CMYK 0 / 30 / 64 / 2

HEX #FBB05A

RGB 251 176 90

HSL 32.05, 0.95%, 0.67%

LAB 77.46, 19.19, 53.96

 

CMYK 47 / 0 / 64 / 2

HEX #85FB5A

RGB 133 251 90

HSL 103.98, 0.95%, 0.67%

LAB 89.26, -61.1, 64.72

 

CMYK 64 / 35 / 0 / 1

HEX #5AA5FC

RGB 90 165 252

HSL 212.22, 0.96%, 0.67%

LAB 66.61, 3.15, -50.16

 

CMYK 0 / 64 / 2 / 2

HEX #FB5AF6

RGB 251 90 246

HSL 301.86, 0.95%, 0.67%

LAB 65.34, 78.5, -47.93

 

CMYK 0 / 30 / 64 / 2

HEX #FBB05A

RGB 251 176 90

HSL 32.05, 0.95%, 0.67%

LAB 77.46, 19.19, 53.96

 

CMYK 64 / 0 / 62 / 2

HEX #5AFB5F

RGB 90 251 95

HSL 121.86, 0.95%, 0.67%

LAB 87.97, -71.02, 60.88

 

Description

Color code: HEX #5AA5FC | qconv.com Color code: HEX #5AA5FC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 165 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 165 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 35 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 35% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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