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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AAB4D it is the complementary color #A554B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AAB4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AAB4D shade: #5FAB48, #70BD5B, #81CF6E, #92E181 and #A3F394

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AAB4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AAB4D shade: #5AAB4D, #49993A, #388727, #277514 and #166301

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AAB4D shade: #5AAC4D, #74AC4D, #8DAC4D, #A7AC4D and #AC974D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AAB4D shade: #5AAC4D, #4DAC59, #4DAC73, #4DAC8D and #4DACA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AAB4D shade matches the following richer shades: #5AAC4D, #4BC039, #3DD425 and #2EE910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AAB4D shade: #5AAC4D, #699861, #778375, #866F8A and #955B9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AAB4D shade: #8EAC4D, #75AC4D, #5BAC4D, #4DAC58 and #4DAC71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AAB4D shade: #3C7333, #4B8F40, #5AAC4D, #73BB67 and #8DC784

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AAB4D shade: #5AAB4D, #4DA7AC and #AC4D81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AAB4D shade: #5AAB4D, #4D5BAC and #AC4D5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AAB4D shade: #5AAB4D, #4DA7AC, #9E4DAC and #AC524D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AAB4D shade: #5AAB4D, #4D8BAC, #9E4DAC and #AC6E4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 55 / 33

HEX #5AAB4D

RGB 90 171 77

HSL 111.7, 0.38%, 0.49%

LAB 63.21, -43.42, 40.39

 

Complementary color

CMYK 7 / 53 / 0 / 30

HEX #A554B2

RGB 165 84 178

HSL 291.7, 0.38%, 0.51%

LAB 48.95, 47.6, -35.99

 

CMYK 44 / 0 / 58 / 33

HEX #5FAB48

RGB 95 171 72

HSL 106.06, 0.41%, 0.48%

LAB 63.36, -42.47, 43.03

 

CMYK 41 / 0 / 52 / 26

HEX #70BD5B

RGB 112 189 91

HSL 107.14, 0.43%, 0.55%

LAB 69.89, -42.48, 41.84

 

CMYK 38 / 0 / 47 / 19

HEX #81CF6E

RGB 129 207 110

HSL 108.25, 0.5%, 0.62%

LAB 76.33, -42.39, 40.62

 

CMYK 35 / 0 / 43 / 12

HEX #92E181

RGB 146 225 129

HSL 109.38, 0.62%, 0.69%

LAB 82.67, -42.24, 39.41

 

CMYK 33 / 0 / 39 / 5

HEX #A3F394

RGB 163 243 148

HSL 110.53, 0.8%, 0.77%

LAB 88.93, -42.06, 38.24

 

CMYK 47 / 0 / 55 / 33

HEX #5AAB4D

RGB 90 171 77

HSL 111.7, 0.38%, 0.49%

LAB 63.21, -43.42, 40.39

 

CMYK 52 / 0 / 62 / 40

HEX #49993A

RGB 73 153 58

HSL 110.53, 0.45%, 0.41%

LAB 56.59, -43.27, 41.57

 

CMYK 59 / 0 / 71 / 47

HEX #388727

RGB 56 135 39

HSL 109.38, 0.55%, 0.34%

LAB 49.88, -42.82, 42.48

 

CMYK 67 / 0 / 83 / 54

HEX #277514

RGB 39 117 20

HSL 108.25, 0.71%, 0.27%

LAB 43.07, -41.84, 42.64

 

CMYK 78 / 0 / 99 / 61

HEX #166301

RGB 22 99 1

HSL 107.14, 0.98%, 0.2%

LAB 36.17, -40.08, 41.67

 

CMYK 48 / 0 / 55 / 33

HEX #5AAC4D

RGB 90 172 77

HSL 111.79, 0.38%, 0.49%

LAB 63.52, -43.84, 40.77

 

CMYK 33 / 0 / 55 / 33

HEX #74AC4D

RGB 116 172 77

HSL 95.37, 0.38%, 0.49%

LAB 64.77, -35.23, 42.55

 

CMYK 18 / 0 / 55 / 33

HEX #8DAC4D

RGB 141 172 77

HSL 79.58, 0.38%, 0.49%

LAB 66.29, -25.72, 44.72

 

CMYK 3 / 0 / 55 / 33

HEX #A7AC4D

RGB 167 172 77

HSL 63.16, 0.38%, 0.49%

LAB 68.21, -15.03, 47.43

 

CMYK 0 / 12 / 55 / 33

HEX #AC974D

RGB 172 151 77

HSL 46.74, 0.38%, 0.49%

LAB 62.88, -1.77, 41.35

 

CMYK 48 / 0 / 55 / 33

HEX #5AAC4D

RGB 90 172 77

HSL 111.79, 0.38%, 0.49%

LAB 63.52, -43.84, 40.77

 

CMYK 55 / 0 / 48 / 33

HEX #4DAC59

RGB 77 172 89

HSL 127.58, 0.38%, 0.49%

LAB 63.18, -45.82, 34.25

 

CMYK 55 / 0 / 33 / 33

HEX #4DAC73

RGB 77 172 115

HSL 144, 0.38%, 0.49%

LAB 63.61, -41.31, 21.05

 

CMYK 55 / 0 / 18 / 33

HEX #4DAC8D

RGB 77 172 141

HSL 160.42, 0.38%, 0.49%

LAB 64.17, -35.69, 7.53

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA6

RGB 77 172 166

HSL 176.21, 0.38%, 0.49%

LAB 64.83, -29.36, -5.42

 

CMYK 48 / 0 / 55 / 33

HEX #5AAC4D

RGB 90 172 77

HSL 111.79, 0.38%, 0.49%

LAB 63.52, -43.84, 40.77

 

CMYK 61 / 0 / 70 / 25

HEX #4BC039

RGB 75 192 57

HSL 112, 0.54%, 0.49%

LAB 69.11, -57.58, 55.58

 

CMYK 71 / 0 / 83 / 17

HEX #3DD425

RGB 61 212 37

HSL 111.77, 0.7%, 0.49%

LAB 74.96, -68.32, 67.51

 

CMYK 80 / 0 / 93 / 9

HEX #2EE910

RGB 46 233 16

HSL 111.71, 0.87%, 0.49%

LAB 81.23, -77.33, 76.64

 

CMYK 48 / 0 / 55 / 33

HEX #5AAC4D

RGB 90 172 77

HSL 111.79, 0.38%, 0.49%

LAB 63.52, -43.84, 40.77

 

CMYK 31 / 0 / 36 / 40

HEX #699861

RGB 105 152 97

HSL 111.27, 0.22%, 0.49%

LAB 58.34, -27.01, 24.02

 

CMYK 9 / 0 / 11 / 49

HEX #778375

RGB 119 131 117

HSL 111.43, 0.06%, 0.49%

LAB 53.43, -7.23, 6.07

 

CMYK 3 / 20 / 0 / 46

HEX #866F8A

RGB 134 111 138

HSL 291.11, 0.11%, 0.49%

LAB 49.82, 14.18, -11.4

 

CMYK 6 / 42 / 0 / 38

HEX #955B9E

RGB 149 91 158

HSL 291.94, 0.27%, 0.49%

LAB 47.42, 35.06, -26.78

 

CMYK 17 / 0 / 55 / 33

HEX #8EAC4D

RGB 142 172 77

HSL 78.95, 0.38%, 0.49%

LAB 66.36, -25.32, 44.81

 

CMYK 32 / 0 / 55 / 33

HEX #75AC4D

RGB 117 172 77

HSL 94.74, 0.38%, 0.49%

LAB 64.82, -34.87, 42.63

 

CMYK 47 / 0 / 55 / 33

HEX #5BAC4D

RGB 91 172 77

HSL 111.16, 0.38%, 0.49%

LAB 63.56, -43.54, 40.83

 

CMYK 55 / 0 / 49 / 33

HEX #4DAC58

RGB 77 172 88

HSL 126.95, 0.38%, 0.49%

LAB 63.17, -45.96, 34.75

 

CMYK 55 / 0 / 34 / 33

HEX #4DAC71

RGB 77 172 113

HSL 142.74, 0.38%, 0.49%

LAB 63.57, -41.69, 22.08

 

CMYK 48 / 0 / 56 / 55

HEX #3C7333

RGB 60 115 51

HSL 111.56, 0.39%, 0.33%

LAB 43.45, -31.85, 29.58

 

CMYK 48 / 0 / 55 / 44

HEX #4B8F40

RGB 75 143 64

HSL 111.65, 0.38%, 0.41%

LAB 53.5, -37.75, 35.09

 

CMYK 48 / 0 / 55 / 33

HEX #5AAC4D

RGB 90 172 77

HSL 111.79, 0.38%, 0.49%

LAB 63.52, -43.84, 40.77

 

CMYK 39 / 0 / 45 / 27

HEX #73BB67

RGB 115 187 103

HSL 111.43, 0.38%, 0.57%

LAB 69.59, -39.06, 35.52

 

CMYK 29 / 0 / 34 / 22

HEX #8DC784

RGB 141 199 132

HSL 111.94, 0.37%, 0.65%

LAB 74.94, -31.64, 27.73

 

CMYK 47 / 0 / 55 / 33

HEX #5AAB4D

RGB 90 171 77

HSL 111.7, 0.38%, 0.49%

LAB 63.21, -43.42, 40.39

 

CMYK 55 / 3 / 0 / 33

HEX #4DA7AC

RGB 77 167 172

HSL 183.16, 0.38%, 0.49%

LAB 63.5, -25.23, -10.75

 

CMYK 0 / 55 / 25 / 33

HEX #AC4D81

RGB 172 77 129

HSL 327.16, 0.38%, 0.49%

LAB 46.53, 44.87, -10.51

 

CMYK 47 / 0 / 55 / 33

HEX #5AAB4D

RGB 90 171 77

HSL 111.7, 0.38%, 0.49%

LAB 63.21, -43.42, 40.39

 

CMYK 55 / 47 / 0 / 33

HEX #4D5BAC

RGB 77 91 172

HSL 231.16, 0.38%, 0.49%

LAB 41.28, 18.72, -45.2

 

CMYK 0 / 55 / 47 / 33

HEX #AC4D5B

RGB 172 77 91

HSL 351.16, 0.38%, 0.49%

LAB 45.41, 40.23, 10.99

 

CMYK 47 / 0 / 55 / 33

HEX #5AAB4D

RGB 90 171 77

HSL 111.7, 0.38%, 0.49%

LAB 63.21, -43.42, 40.39

 

CMYK 55 / 3 / 0 / 33

HEX #4DA7AC

RGB 77 167 172

HSL 183.16, 0.38%, 0.49%

LAB 63.5, -25.23, -10.75

 

CMYK 8 / 55 / 0 / 33

HEX #9E4DAC

RGB 158 77 172

HSL 291.16, 0.38%, 0.49%

LAB 46.39, 48, -36.58

 

CMYK 0 / 52 / 55 / 33

HEX #AC524D

RGB 172 82 77

HSL 3.16, 0.38%, 0.49%

LAB 46.1, 36.37, 20.41

 

CMYK 47 / 0 / 55 / 33

HEX #5AAB4D

RGB 90 171 77

HSL 111.7, 0.38%, 0.49%

LAB 63.21, -43.42, 40.39

 

CMYK 55 / 19 / 0 / 33

HEX #4D8BAC

RGB 77 139 172

HSL 200.84, 0.38%, 0.49%

LAB 55.09, -10.34, -23.51

 

CMYK 8 / 55 / 0 / 33

HEX #9E4DAC

RGB 158 77 172

HSL 291.16, 0.38%, 0.49%

LAB 46.39, 48, -36.58

 

CMYK 0 / 36 / 55 / 33

HEX #AC6E4D

RGB 172 110 77

HSL 20.84, 0.38%, 0.49%

LAB 52.35, 21.1, 28.5

 

Description

Color code: HEX #5AAB4D | qconv.com Color code: HEX #5AAB4D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 171 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 171 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 55 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 55% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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