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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AAE10 it is the complementary color #A551EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AAE10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AAE10 shade: #5FAE0B, #70C01E, #81D231, #92E444 and #A3F657

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AAE10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AAE10 shade: #5AAE10, #499C00, #388A00, #277800 and #166600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AAE10 shade: #59AC10, #83AC10, #ACAB10, #AC8110 and #AC5610

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AAE10 shade: #59AC10, #2FAC10, #10AC1B, #10AC45 and #10AC6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AAE10 shade matches the following richer shades: #59AC10 and #58BB00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AAE10 shade: #59AC10, #5A9D1F, #5B8E2E, #5C7E3D and #5D6F4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AAE10 shade: #ACAA10, #85AC10, #5BAC10, #31AC10 and #10AC17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AAE10 shade: #326109, #45860C, #59AC10, #6CD213 and #81EA24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AAE10 shade: #5AAE10, #10AC80 and #AC109A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AAE10 shade: #5AAE10, #105BAC and #AC105B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AAE10 shade: #5AAE10, #10AC80, #6010AC and #AC103C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AAE10 shade: #5AAE10, #10AAAC, #6010AC and #AC1210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 91 / 32

HEX #5AAE10

RGB 90 174 16

HSL 91.9, 0.83%, 0.37%

LAB 63.74, -49.08, 62.51

 

Complementary color

CMYK 31 / 66 / 0 / 6

HEX #A551EF

RGB 165 81 239

HSL 271.9, 0.83%, 0.63%

LAB 51.97, 62.11, -66.06

 

CMYK 45 / 0 / 94 / 32

HEX #5FAE0B

RGB 95 174 11

HSL 89.08, 0.88%, 0.36%

LAB 63.94, -47.6, 63.52

 

CMYK 42 / 0 / 84 / 25

HEX #70C01E

RGB 112 192 30

HSL 89.63, 0.73%, 0.44%

LAB 70.34, -48.57, 65.7

 

CMYK 39 / 0 / 77 / 18

HEX #81D231

RGB 129 210 49

HSL 90.19, 0.64%, 0.51%

LAB 76.67, -49.24, 66.55

 

CMYK 36 / 0 / 70 / 11

HEX #92E444

RGB 146 228 68

HSL 90.75, 0.75%, 0.58%

LAB 82.92, -49.7, 66.58

 

CMYK 34 / 0 / 65 / 4

HEX #A3F657

RGB 163 246 87

HSL 91.32, 0.9%, 0.65%

LAB 89.1, -50, 66.12

 

CMYK 48 / 0 / 91 / 32

HEX #5AAE10

RGB 90 174 16

HSL 91.9, 0.83%, 0.37%

LAB 63.74, -49.08, 62.51

 

CMYK 53 / 0 / 100 / 39

HEX #499C00

RGB 73 156 0

HSL 91.92, 1%, 0.31%

LAB 57.26, -47.79, 59.33

 

CMYK 59 / 0 / 100 / 46

HEX #388A00

RGB 56 138 0

HSL 95.65, 1%, 0.27%

LAB 50.71, -45.96, 53.91

 

CMYK 68 / 0 / 100 / 53

HEX #277800

RGB 39 120 0

HSL 100.5, 1%, 0.24%

LAB 44.04, -43.82, 48.4

 

CMYK 78 / 0 / 100 / 60

HEX #166600

RGB 22 102 0

HSL 107.06, 1%, 0.2%

LAB 37.25, -41.16, 42.83

 

CMYK 48 / 0 / 91 / 33

HEX #59AC10

RGB 89 172 16

HSL 91.92, 0.83%, 0.37%

LAB 63.07, -48.62, 61.93

 

CMYK 24 / 0 / 91 / 33

HEX #83AC10

RGB 131 172 16

HSL 75.77, 0.83%, 0.37%

LAB 65.25, -33.3, 64.63

 

CMYK 0 / 1 / 91 / 33

HEX #ACAB10

RGB 172 171 16

HSL 59.62, 0.83%, 0.37%

LAB 67.97, -15.31, 68.07

 

CMYK 0 / 25 / 91 / 33

HEX #AC8110

RGB 172 129 16

HSL 43.46, 0.83%, 0.37%

LAB 56.59, 7.27, 59.2

 

CMYK 0 / 50 / 91 / 33

HEX #AC5610

RGB 172 86 16

HSL 26.92, 0.83%, 0.37%

LAB 46.26, 31.16, 51.29

 

CMYK 48 / 0 / 91 / 33

HEX #59AC10

RGB 89 172 16

HSL 91.92, 0.83%, 0.37%

LAB 63.07, -48.62, 61.93

 

CMYK 73 / 0 / 91 / 33

HEX #2FAC10

RGB 47 172 16

HSL 108.08, 0.83%, 0.37%

LAB 61.78, -59.08, 60.33

 

CMYK 91 / 0 / 84 / 33

HEX #10AC1B

RGB 16 172 27

HSL 124.23, 0.83%, 0.37%

LAB 61.39, -62.39, 57.45

 

CMYK 91 / 0 / 60 / 33

HEX #10AC45

RGB 16 172 69

HSL 140.38, 0.83%, 0.37%

LAB 61.69, -58.57, 41.99

 

CMYK 91 / 0 / 35 / 33

HEX #10AC6F

RGB 16 172 111

HSL 156.54, 0.83%, 0.37%

LAB 62.31, -51.28, 21.25

 

CMYK 48 / 0 / 91 / 33

HEX #59AC10

RGB 89 172 16

HSL 91.92, 0.83%, 0.37%

LAB 63.07, -48.62, 61.93

 

CMYK 53 / 0 / 100 / 27

HEX #58BB00

RGB 88 187 0

HSL 91.76, 1%, 0.37%

LAB 67.74, -54.89, 67.8

 

CMYK 48 / 0 / 91 / 33

HEX #59AC10

RGB 89 172 16

HSL 91.92, 0.83%, 0.37%

LAB 63.07, -48.62, 61.93

 

CMYK 43 / 0 / 80 / 38

HEX #5A9D1F

RGB 90 157 31

HSL 91.9, 0.67%, 0.37%

LAB 58.4, -41.66, 54.26

 

CMYK 36 / 0 / 68 / 44

HEX #5B8E2E

RGB 91 142 46

HSL 91.88, 0.51%, 0.37%

LAB 53.78, -33.73, 44.1

 

CMYK 27 / 0 / 52 / 51

HEX #5C7E3D

RGB 92 126 61

HSL 91.38, 0.35%, 0.37%

LAB 48.93, -24.12, 31.33

 

CMYK 16 / 0 / 31 / 56

HEX #5D6F4D

RGB 93 111 77

HSL 91.76, 0.18%, 0.37%

LAB 44.56, -13.48, 16.79

 

CMYK 0 / 1 / 91 / 33

HEX #ACAA10

RGB 172 170 16

HSL 59.23, 0.83%, 0.37%

LAB 67.69, -14.8, 67.85

 

CMYK 23 / 0 / 91 / 33

HEX #85AC10

RGB 133 172 16

HSL 75, 0.83%, 0.37%

LAB 65.38, -32.49, 64.79

 

CMYK 47 / 0 / 91 / 33

HEX #5BAC10

RGB 91 172 16

HSL 91.15, 0.83%, 0.37%

LAB 63.15, -47.99, 62.03

 

CMYK 72 / 0 / 91 / 33

HEX #31AC10

RGB 49 172 16

HSL 107.31, 0.83%, 0.37%

LAB 61.82, -58.72, 60.38

 

CMYK 91 / 0 / 87 / 33

HEX #10AC17

RGB 16 172 23

HSL 122.69, 0.83%, 0.37%

LAB 61.37, -62.59, 58.4

 

CMYK 48 / 0 / 91 / 62

HEX #326109

RGB 50 97 9

HSL 92.05, 0.83%, 0.21%

LAB 36.46, -31.09, 40.01

 

CMYK 49 / 0 / 91 / 47

HEX #45860C

RGB 69 134 12

HSL 91.97, 0.84%, 0.29%

LAB 49.91, -40.09, 51.24

 

CMYK 48 / 0 / 91 / 33

HEX #59AC10

RGB 89 172 16

HSL 91.92, 0.83%, 0.37%

LAB 63.07, -48.62, 61.93

 

CMYK 49 / 0 / 91 / 18

HEX #6CD213

RGB 108 210 19

HSL 92.04, 0.83%, 0.45%

LAB 75.66, -57.12, 72.25

 

CMYK 45 / 0 / 85 / 8

HEX #81EA24

RGB 129 234 36

HSL 91.82, 0.83%, 0.53%

LAB 83.78, -59.19, 76.39

 

CMYK 48 / 0 / 91 / 32

HEX #5AAE10

RGB 90 174 16

HSL 91.9, 0.83%, 0.37%

LAB 63.74, -49.08, 62.51

 

CMYK 91 / 0 / 26 / 33

HEX #10AC80

RGB 16 172 128

HSL 163.08, 0.83%, 0.37%

LAB 62.65, -47.38, 12.42

 

CMYK 0 / 91 / 10 / 33

HEX #AC109A

RGB 172 16 154

HSL 306.92, 0.83%, 0.37%

LAB 40.37, 68.75, -35.19

 

CMYK 48 / 0 / 91 / 32

HEX #5AAE10

RGB 90 174 16

HSL 91.9, 0.83%, 0.37%

LAB 63.74, -49.08, 62.51

 

CMYK 91 / 47 / 0 / 33

HEX #105BAC

RGB 16 91 172

HSL 211.15, 0.83%, 0.37%

LAB 38.85, 10.17, -49.23

 

CMYK 0 / 91 / 47 / 33

HEX #AC105B

RGB 172 16 91

HSL 331.15, 0.83%, 0.37%

LAB 37.66, 61.52, -0.07

 

CMYK 48 / 0 / 91 / 32

HEX #5AAE10

RGB 90 174 16

HSL 91.9, 0.83%, 0.37%

LAB 63.74, -49.08, 62.51

 

CMYK 91 / 0 / 26 / 33

HEX #10AC80

RGB 16 172 128

HSL 163.08, 0.83%, 0.37%

LAB 62.65, -47.38, 12.42

 

CMYK 44 / 91 / 0 / 33

HEX #6010AC

RGB 96 16 172

HSL 270.77, 0.83%, 0.37%

LAB 28.99, 60.02, -65.06

 

CMYK 0 / 91 / 65 / 33

HEX #AC103C

RGB 172 16 60

HSL 343.08, 0.83%, 0.37%

LAB 36.87, 59.32, 18.81

 

CMYK 48 / 0 / 91 / 32

HEX #5AAE10

RGB 90 174 16

HSL 91.9, 0.83%, 0.37%

LAB 63.74, -49.08, 62.51

 

CMYK 91 / 1 / 0 / 33

HEX #10AAAC

RGB 16 170 172

HSL 180.77, 0.83%, 0.37%

LAB 63.21, -34.26, -11.31

 

CMYK 44 / 91 / 0 / 33

HEX #6010AC

RGB 96 16 172

HSL 270.77, 0.83%, 0.37%

LAB 28.99, 60.02, -65.06

 

CMYK 0 / 90 / 91 / 33

HEX #AC1210

RGB 172 18 16

HSL 0.77, 0.83%, 0.37%

LAB 36.44, 57.44, 44.01

 

Description

Color code: HEX #5AAE10 | qconv.com Color code: HEX #5AAE10 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 174 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 174 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 91 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 91% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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