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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AAE37 it is the complementary color #A551C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AAE37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AAE37 shade: #5FAE32, #70C045, #81D258, #92E46B and #A3F67E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AAE37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AAE37 shade: #5AAE37, #499C24, #388A11, #277800 and #166600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AAE37 shade: #5AAE37, #7AAE37, #9AAE37, #AEA237 and #AE8137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AAE37 shade: #5AAE37, #3AAE37, #37AE54, #37AE74 and #37AE94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AAE37 shade matches the following richer shades: #5AAE37, #52C024 and #4AD311

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AAE37 shade: #5AAE37, #619B49, #69895C, #71766E and #786481

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AAE37 shade: #9AAE37, #7AAE37, #5AAE37, #3BAE37 and #37AE52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AAE37 shade: #396F23, #498F2D, #5AAE37, #6DC549 and #86CF68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AAE37 shade: #5AAE37, #37AEA2 and #AE378A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AAE37 shade: #5AAE37, #375AAE and #AE375A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AAE37 shade: #5AAE37, #37AEA2, #8A37AE and #AE3743

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AAE37 shade: #5AAE37, #3796AE, #8A37AE and #AE4E37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 68 / 32

HEX #5AAE37

RGB 90 174 55

HSL 102.35, 0.52%, 0.45%

LAB 63.93, -46.94, 51.11

 

Complementary color

CMYK 18 / 60 / 0 / 22

HEX #A551C8

RGB 165 81 200

HSL 282.35, 0.52%, 0.55%

LAB 49.56, 53.57, -47.78

 

CMYK 45 / 0 / 71 / 32

HEX #5FAE32

RGB 95 174 50

HSL 98.23, 0.55%, 0.44%

LAB 64.11, -45.78, 53.32

 

CMYK 42 / 0 / 64 / 25

HEX #70C045

RGB 112 192 69

HSL 99.02, 0.49%, 0.51%

LAB 70.58, -46.1, 52.71

 

CMYK 39 / 0 / 58 / 18

HEX #81D258

RGB 129 210 88

HSL 99.84, 0.58%, 0.58%

LAB 76.96, -46.24, 51.78

 

CMYK 36 / 0 / 53 / 11

HEX #92E46B

RGB 146 228 107

HSL 100.66, 0.69%, 0.66%

LAB 83.26, -46.26, 50.7

 

CMYK 34 / 0 / 49 / 4

HEX #A3F67E

RGB 163 246 126

HSL 101.5, 0.87%, 0.73%

LAB 89.49, -46.21, 49.57

 

CMYK 48 / 0 / 68 / 32

HEX #5AAE37

RGB 90 174 55

HSL 102.35, 0.52%, 0.45%

LAB 63.93, -46.94, 51.11

 

CMYK 53 / 0 / 77 / 39

HEX #499C24

RGB 73 156 36

HSL 101.5, 0.63%, 0.38%

LAB 57.39, -46.39, 51.41

 

CMYK 59 / 0 / 88 / 46

HEX #388A11

RGB 56 138 17

HSL 100.66, 0.78%, 0.3%

LAB 50.76, -45.41, 50.68

 

CMYK 68 / 0 / 100 / 53

HEX #277800

RGB 39 120 0

HSL 100.5, 1%, 0.24%

LAB 44.04, -43.82, 48.4

 

CMYK 78 / 0 / 100 / 60

HEX #166600

RGB 22 102 0

HSL 107.06, 1%, 0.2%

LAB 37.25, -41.16, 42.83

 

CMYK 48 / 0 / 68 / 32

HEX #5AAE37

RGB 90 174 55

HSL 102.35, 0.52%, 0.45%

LAB 63.93, -46.94, 51.11

 

CMYK 30 / 0 / 68 / 32

HEX #7AAE37

RGB 122 174 55

HSL 86.22, 0.52%, 0.45%

LAB 65.5, -35.93, 53.23

 

CMYK 11 / 0 / 68 / 32

HEX #9AAE37

RGB 154 174 55

HSL 70.08, 0.52%, 0.45%

LAB 67.59, -23.1, 56.04

 

CMYK 0 / 7 / 68 / 32

HEX #AEA237

RGB 174 162 55

HSL 53.95, 0.52%, 0.45%

LAB 65.84, -8.34, 54.78

 

CMYK 0 / 26 / 68 / 32

HEX #AE8137

RGB 174 129 55

HSL 37.31, 0.52%, 0.45%

LAB 57.05, 9.68, 45.58

 

CMYK 48 / 0 / 68 / 32

HEX #5AAE37

RGB 90 174 55

HSL 102.35, 0.52%, 0.45%

LAB 63.93, -46.94, 51.11

 

CMYK 67 / 0 / 68 / 32

HEX #3AAE37

RGB 58 174 55

HSL 118.49, 0.52%, 0.45%

LAB 62.88, -55.19, 49.67

 

CMYK 68 / 0 / 52 / 32

HEX #37AE54

RGB 55 174 84

HSL 134.62, 0.52%, 0.45%

LAB 63.11, -52.23, 36.56

 

CMYK 68 / 0 / 33 / 32

HEX #37AE74

RGB 55 174 116

HSL 150.76, 0.52%, 0.45%

LAB 63.63, -46.5, 20.43

 

CMYK 68 / 0 / 15 / 32

HEX #37AE94

RGB 55 174 148

HSL 166.89, 0.52%, 0.45%

LAB 64.34, -39.04, 3.81

 

CMYK 48 / 0 / 68 / 32

HEX #5AAE37

RGB 90 174 55

HSL 102.35, 0.52%, 0.45%

LAB 63.93, -46.94, 51.11

 

CMYK 57 / 0 / 81 / 25

HEX #52C024

RGB 82 192 36

HSL 102.31, 0.68%, 0.45%

LAB 69.2, -57.26, 62.7

 

CMYK 65 / 0 / 92 / 17

HEX #4AD311

RGB 74 211 17

HSL 102.37, 0.85%, 0.45%

LAB 74.88, -66.23, 71.45

 

CMYK 48 / 0 / 68 / 32

HEX #5AAE37

RGB 90 174 55

HSL 102.35, 0.52%, 0.45%

LAB 63.93, -46.94, 51.11

 

CMYK 37 / 0 / 53 / 39

HEX #619B49

RGB 97 155 73

HSL 102.44, 0.36%, 0.45%

LAB 58.48, -34.67, 36.78

 

CMYK 23 / 0 / 33 / 46

HEX #69895C

RGB 105 137 92

HSL 102.67, 0.2%, 0.45%

LAB 53.67, -20.25, 20.58

 

CMYK 4 / 0 / 7 / 54

HEX #71766E

RGB 113 118 110

HSL 97.5, 0.04%, 0.45%

LAB 49, -3.5, 3.75

 

CMYK 7 / 22 / 0 / 49

HEX #786481

RGB 120 100 129

HSL 281.38, 0.13%, 0.45%

LAB 45.21, 13.76, -13.14

 

CMYK 11 / 0 / 68 / 32

HEX #9AAE37

RGB 154 174 55

HSL 70.08, 0.52%, 0.45%

LAB 67.59, -23.1, 56.04

 

CMYK 30 / 0 / 68 / 32

HEX #7AAE37

RGB 122 174 55

HSL 86.22, 0.52%, 0.45%

LAB 65.5, -35.93, 53.23

 

CMYK 48 / 0 / 68 / 32

HEX #5AAE37

RGB 90 174 55

HSL 102.35, 0.52%, 0.45%

LAB 63.93, -46.94, 51.11

 

CMYK 66 / 0 / 68 / 32

HEX #3BAE37

RGB 59 174 55

HSL 117.98, 0.52%, 0.45%

LAB 62.91, -54.98, 49.71

 

CMYK 68 / 0 / 53 / 32

HEX #37AE52

RGB 55 174 82

HSL 133.61, 0.52%, 0.45%

LAB 63.09, -52.53, 37.53

 

CMYK 49 / 0 / 68 / 56

HEX #396F23

RGB 57 111 35

HSL 102.63, 0.52%, 0.29%

LAB 41.78, -32.95, 35.6

 

CMYK 49 / 0 / 69 / 44

HEX #498F2D

RGB 73 143 45

HSL 102.86, 0.52%, 0.37%

LAB 53.22, -40.47, 43.68

 

CMYK 48 / 0 / 68 / 32

HEX #5AAE37

RGB 90 174 55

HSL 102.35, 0.52%, 0.45%

LAB 63.93, -46.94, 51.11

 

CMYK 45 / 0 / 63 / 23

HEX #6DC549

RGB 109 197 73

HSL 102.58, 0.52%, 0.53%

LAB 72, -48.72, 52.54

 

CMYK 35 / 0 / 50 / 19

HEX #86CF68

RGB 134 207 104

HSL 102.52, 0.52%, 0.61%

LAB 76.49, -41.52, 43.82

 

CMYK 48 / 0 / 68 / 32

HEX #5AAE37

RGB 90 174 55

HSL 102.35, 0.52%, 0.45%

LAB 63.93, -46.94, 51.11

 

CMYK 68 / 0 / 7 / 32

HEX #37AEA2

RGB 55 174 162

HSL 173.95, 0.52%, 0.45%

LAB 64.72, -35.3, -3.42

 

CMYK 0 / 68 / 21 / 32

HEX #AE378A

RGB 174 55 138

HSL 318.15, 0.52%, 0.45%

LAB 43.6, 56.5, -20.4

 

CMYK 48 / 0 / 68 / 32

HEX #5AAE37

RGB 90 174 55

HSL 102.35, 0.52%, 0.45%

LAB 63.93, -46.94, 51.11

 

CMYK 68 / 48 / 0 / 32

HEX #375AAE

RGB 55 90 174

HSL 222.35, 0.52%, 0.45%

LAB 39.88, 15.89, -48.69

 

CMYK 0 / 68 / 48 / 32

HEX #AE375A

RGB 174 55 90

HSL 342.35, 0.52%, 0.45%

LAB 41.95, 50.87, 6.8

 

CMYK 48 / 0 / 68 / 32

HEX #5AAE37

RGB 90 174 55

HSL 102.35, 0.52%, 0.45%

LAB 63.93, -46.94, 51.11

 

CMYK 68 / 0 / 7 / 32

HEX #37AEA2

RGB 55 174 162

HSL 173.95, 0.52%, 0.45%

LAB 64.72, -35.3, -3.42

 

CMYK 21 / 68 / 0 / 32

HEX #8A37AE

RGB 138 55 174

HSL 281.85, 0.52%, 0.45%

LAB 39.9, 53.88, -48.25

 

CMYK 0 / 68 / 61 / 32

HEX #AE3743

RGB 174 55 67

HSL 353.95, 0.52%, 0.45%

LAB 41.43, 49.02, 20.43

 

CMYK 48 / 0 / 68 / 32

HEX #5AAE37

RGB 90 174 55

HSL 102.35, 0.52%, 0.45%

LAB 63.93, -46.94, 51.11

 

CMYK 68 / 14 / 0 / 32

HEX #3796AE

RGB 55 150 174

HSL 192.1, 0.52%, 0.45%

LAB 57.73, -19.82, -20.67

 

CMYK 21 / 68 / 0 / 32

HEX #8A37AE

RGB 138 55 174

HSL 281.85, 0.52%, 0.45%

LAB 39.9, 53.88, -48.25

 

CMYK 0 / 55 / 68 / 32

HEX #AE4E37

RGB 174 78 55

HSL 11.6, 0.52%, 0.45%

LAB 45.25, 37.62, 32.33

 

Description

Color code: HEX #5AAE37 | qconv.com Color code: HEX #5AAE37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 174 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 174 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 68 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 68% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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