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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AB549 it is the complementary color #A54AB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AB549. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AB549 shade: #5FB544, #70C757, #81D96A, #92EB7D and #A3FD90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AB549. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AB549 shade: #5AB549, #49A336, #389123, #277F10 and #166D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AB549 shade: #59B648, #77B648, #95B648, #B2B648 and #B69C48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AB549 shade: #59B648, #48B654, #48B672, #48B690 and #48B6AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AB549 shade matches the following richer shades: #59B648, #4BCA34, #3DDF1F and #2FF40A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AB549 shade: #59B648, #68A15D, #768D71, #847886 and #92639B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AB549 shade: #95B648, #78B648, #5AB648, #48B653 and #48B670

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AB549 shade: #3C7B31, #4B983C, #59B648, #74C266 and #8FCD83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AB549 shade: #5AB549, #48B2B6 and #B64886

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AB549 shade: #5AB549, #485AB6 and #B6485A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AB549 shade: #5AB549, #48B2B6, #A448B6 and #B64C48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AB549 shade: #5AB549, #4891B6, #A448B6 and #B66D48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 60 / 29

HEX #5AB549

RGB 90 181 73

HSL 110.56, 0.43%, 0.5%

LAB 66.29, -47.98, 45.89

 

Complementary color

CMYK 9 / 59 / 0 / 29

HEX #A54AB6

RGB 165 74 182

HSL 290.56, 0.43%, 0.5%

LAB 47.33, 53.29, -40.88

 

CMYK 48 / 0 / 62 / 29

HEX #5FB544

RGB 95 181 68

HSL 105.66, 0.45%, 0.49%

LAB 66.44, -47.03, 48.37

 

CMYK 44 / 0 / 56 / 22

HEX #70C757

RGB 112 199 87

HSL 106.61, 0.5%, 0.56%

LAB 72.88, -47.17, 47.31

 

CMYK 41 / 0 / 51 / 15

HEX #81D96A

RGB 129 217 106

HSL 107.57, 0.59%, 0.63%

LAB 79.23, -47.16, 46.14

 

CMYK 38 / 0 / 47 / 8

HEX #92EB7D

RGB 146 235 125

HSL 108.55, 0.73%, 0.71%

LAB 85.51, -47.08, 44.94

 

CMYK 36 / 0 / 43 / 1

HEX #A3FD90

RGB 163 253 144

HSL 109.54, 0.96%, 0.78%

LAB 91.71, -46.94, 43.76

 

CMYK 50 / 0 / 60 / 29

HEX #5AB549

RGB 90 181 73

HSL 110.56, 0.43%, 0.5%

LAB 66.29, -47.98, 45.89

 

CMYK 55 / 0 / 67 / 36

HEX #49A336

RGB 73 163 54

HSL 109.54, 0.5%, 0.43%

LAB 59.78, -47.64, 46.88

 

CMYK 61 / 0 / 76 / 43

HEX #389123

RGB 56 145 35

HSL 108.55, 0.61%, 0.35%

LAB 53.18, -46.95, 47.43

 

CMYK 69 / 0 / 87 / 50

HEX #277F10

RGB 39 127 16

HSL 107.57, 0.78%, 0.28%

LAB 46.51, -45.67, 46.96

 

CMYK 80 / 0 / 100 / 57

HEX #166D00

RGB 22 109 0

HSL 107.89, 1%, 0.21%

LAB 39.76, -43.51, 44.83

 

CMYK 51 / 0 / 60 / 29

HEX #59B648

RGB 89 182 72

HSL 110.73, 0.43%, 0.5%

LAB 66.56, -48.77, 46.64

 

CMYK 35 / 0 / 60 / 29

HEX #77B648

RGB 119 182 72

HSL 94.36, 0.43%, 0.5%

LAB 67.91, -39.16, 48.53

 

CMYK 18 / 0 / 60 / 29

HEX #95B648

RGB 149 182 72

HSL 78, 0.43%, 0.5%

LAB 69.69, -27.83, 51.02

 

CMYK 2 / 0 / 60 / 29

HEX #B2B648

RGB 178 182 72

HSL 62.18, 0.43%, 0.5%

LAB 71.82, -15.9, 53.96

 

CMYK 0 / 14 / 60 / 29

HEX #B69C48

RGB 182 156 72

HSL 45.82, 0.43%, 0.5%

LAB 65.11, -0.53, 46.63

 

CMYK 51 / 0 / 60 / 29

HEX #59B648

RGB 89 182 72

HSL 110.73, 0.43%, 0.5%

LAB 66.56, -48.77, 46.64

 

CMYK 60 / 0 / 54 / 29

HEX #48B654

RGB 72 182 84

HSL 126.55, 0.43%, 0.5%

LAB 66.12, -51.67, 40.33

 

CMYK 60 / 0 / 37 / 29

HEX #48B672

RGB 72 182 114

HSL 142.91, 0.43%, 0.5%

LAB 66.56, -46.83, 25.53

 

CMYK 60 / 0 / 21 / 29

HEX #48B690

RGB 72 182 144

HSL 159.27, 0.43%, 0.5%

LAB 67.16, -40.53, 10.12

 

CMYK 60 / 0 / 5 / 29

HEX #48B6AD

RGB 72 182 173

HSL 175.09, 0.43%, 0.5%

LAB 67.91, -33.23, -4.77

 

CMYK 51 / 0 / 60 / 29

HEX #59B648

RGB 89 182 72

HSL 110.73, 0.43%, 0.5%

LAB 66.56, -48.77, 46.64

 

CMYK 63 / 0 / 74 / 21

HEX #4BCA34

RGB 75 202 52

HSL 110.8, 0.59%, 0.5%

LAB 72.22, -61.43, 60.56

 

CMYK 73 / 0 / 86 / 13

HEX #3DDF1F

RGB 61 223 31

HSL 110.63, 0.76%, 0.5%

LAB 78.38, -71.93, 71.93

 

CMYK 81 / 0 / 96 / 4

HEX #2FF40A

RGB 47 244 10

HSL 110.51, 0.92%, 0.5%

LAB 84.65, -80.39, 80.03

 

CMYK 51 / 0 / 60 / 29

HEX #59B648

RGB 89 182 72

HSL 110.73, 0.43%, 0.5%

LAB 66.56, -48.77, 46.64

 

CMYK 35 / 0 / 42 / 37

HEX #68A15D

RGB 104 161 93

HSL 110.29, 0.27%, 0.5%

LAB 60.98, -32.29, 29.61

 

CMYK 16 / 0 / 20 / 45

HEX #768D71

RGB 118 141 113

HSL 109.29, 0.11%, 0.5%

LAB 56.18, -13.85, 12.26

 

CMYK 1 / 10 / 0 / 47

HEX #847886

RGB 132 120 134

HSL 291.43, 0.06%, 0.5%

LAB 51.9, 7.33, -5.95

 

CMYK 6 / 36 / 0 / 39

HEX #92639B

RGB 146 99 155

HSL 290.36, 0.22%, 0.5%

LAB 48.76, 28.93, -22.95

 

CMYK 18 / 0 / 60 / 29

HEX #95B648

RGB 149 182 72

HSL 78, 0.43%, 0.5%

LAB 69.69, -27.83, 51.02

 

CMYK 34 / 0 / 60 / 29

HEX #78B648

RGB 120 182 72

HSL 93.82, 0.43%, 0.5%

LAB 67.96, -38.81, 48.61

 

CMYK 51 / 0 / 60 / 29

HEX #5AB648

RGB 90 182 72

HSL 110.18, 0.43%, 0.5%

LAB 66.59, -48.49, 46.69

 

CMYK 60 / 0 / 54 / 29

HEX #48B653

RGB 72 182 83

HSL 126, 0.43%, 0.5%

LAB 66.1, -51.81, 40.8

 

CMYK 60 / 0 / 38 / 29

HEX #48B670

RGB 72 182 112

HSL 141.82, 0.43%, 0.5%

LAB 66.52, -47.2, 26.54

 

CMYK 51 / 0 / 60 / 52

HEX #3C7B31

RGB 60 123 49

HSL 111.08, 0.43%, 0.34%

LAB 46.11, -35.66, 33.75

 

CMYK 51 / 0 / 61 / 40

HEX #4B983C

RGB 75 152 60

HSL 110.22, 0.43%, 0.42%

LAB 56.37, -42.05, 40.4

 

CMYK 51 / 0 / 60 / 29

HEX #59B648

RGB 89 182 72

HSL 110.73, 0.43%, 0.5%

LAB 66.56, -48.77, 46.64

 

CMYK 40 / 0 / 47 / 24

HEX #74C266

RGB 116 194 102

HSL 110.87, 0.43%, 0.58%

LAB 71.73, -41.95, 38.72

 

CMYK 30 / 0 / 36 / 20

HEX #8FCD83

RGB 143 205 131

HSL 110.27, 0.43%, 0.66%

LAB 76.76, -33.92, 30.7

 

CMYK 50 / 0 / 60 / 29

HEX #5AB549

RGB 90 181 73

HSL 110.56, 0.43%, 0.5%

LAB 66.29, -47.98, 45.89

 

CMYK 60 / 2 / 0 / 29

HEX #48B2B6

RGB 72 178 182

HSL 182.18, 0.43%, 0.5%

LAB 66.97, -28.81, -11.14

 

CMYK 0 / 60 / 26 / 29

HEX #B64886

RGB 182 72 134

HSL 326.18, 0.43%, 0.5%

LAB 47.37, 51.07, -12.12

 

CMYK 50 / 0 / 60 / 29

HEX #5AB549

RGB 90 181 73

HSL 110.56, 0.43%, 0.5%

LAB 66.29, -47.98, 45.89

 

CMYK 60 / 51 / 0 / 29

HEX #485AB6

RGB 72 90 182

HSL 230.18, 0.43%, 0.5%

LAB 41.32, 21.74, -51.03

 

CMYK 0 / 60 / 51 / 29

HEX #B6485A

RGB 182 72 90

HSL 350.18, 0.43%, 0.5%

LAB 46.07, 46.09, 12.77

 

CMYK 50 / 0 / 60 / 29

HEX #5AB549

RGB 90 181 73

HSL 110.56, 0.43%, 0.5%

LAB 66.29, -47.98, 45.89

 

CMYK 60 / 2 / 0 / 29

HEX #48B2B6

RGB 72 178 182

HSL 182.18, 0.43%, 0.5%

LAB 66.97, -28.81, -11.14

 

CMYK 10 / 60 / 0 / 29

HEX #A448B6

RGB 164 72 182

HSL 290.18, 0.43%, 0.5%

LAB 46.85, 53.97, -41.66

 

CMYK 0 / 58 / 60 / 29

HEX #B64C48

RGB 182 76 72

HSL 2.18, 0.43%, 0.5%

LAB 46.42, 42.73, 24.12

 

CMYK 50 / 0 / 60 / 29

HEX #5AB549

RGB 90 181 73

HSL 110.56, 0.43%, 0.5%

LAB 66.29, -47.98, 45.89

 

CMYK 60 / 20 / 0 / 29

HEX #4891B6

RGB 72 145 182

HSL 200.18, 0.43%, 0.5%

LAB 57.08, -11.58, -26.17

 

CMYK 10 / 60 / 0 / 29

HEX #A448B6

RGB 164 72 182

HSL 290.18, 0.43%, 0.5%

LAB 46.85, 53.97, -41.66

 

CMYK 0 / 40 / 60 / 29

HEX #B66D48

RGB 182 109 72

HSL 20.18, 0.43%, 0.5%

LAB 53.33, 25.44, 32.79

 

Description

Color code: HEX #5AB549 | qconv.com Color code: HEX #5AB549 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 181 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 181 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 60 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 60% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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