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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AB5FF it is the complementary color #A54A00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AB5FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AB5FF shade: #5FB5FA, #70C7FF, #81D9FF, #92EBFF and #A3FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AB5FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AB5FF shade: #5AB5FF, #49A3EC, #3891D9, #277FC6 and #166DB3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AB5FF shade: #5BB5FF, #5B89FF, #5B5DFF, #855BFF and #B15BFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AB5FF shade: #5BB5FF, #5B89FF, #5B5DFF and #5B5BFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AB5FF shade matches the following richer shades: #5BB5FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AB5FF shade: #5BB5FF, #69B4F1, #76B3E4, #83B1D7 and #90B0CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AB5FF shade: #5BFFEE, #5BE3FF, #5BB8FF, #5B8CFF and #5B61FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AB5FF shade: #0990FF, #32A3FF, #5BB5FF, #85C8FF and #AEDAFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AB5FF shade: #5AB5FF, #C35BFF and #F9FF5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AB5FF shade: #5AB5FF, #FF5BB8 and #B8FF5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AB5FF shade: #5AB5FF, #C35BFF, #FFA25B and #97FF5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AB5FF shade: #5AB5FF, #F45BFF, #FFA25B and #66FF5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 29 / 0 / 0

HEX #5AB5FF

RGB 90 181 255

HSL 206.91, 1%, 0.68%

LAB 71.17, -4.87, -44.59

 

Complementary color

CMYK 0 / 55 / 100 / 35

HEX #A54A00

RGB 165 74 0

HSL 26.91, 1%, 0.32%

LAB 42.61, 34.33, 52.65

 

CMYK 62 / 28 / 0 / 2

HEX #5FB5FA

RGB 95 181 250

HSL 206.71, 0.94%, 0.68%

LAB 71.13, -5.63, -41.94

 

CMYK 56 / 22 / 0 / 0

HEX #70C7FF

RGB 112 199 255

HSL 203.5, 1%, 0.72%

LAB 76.99, -10.66, -35.48

 

CMYK 49 / 15 / 0 / 0

HEX #81D9FF

RGB 129 217 255

HSL 198.1, 1%, 0.75%

LAB 82.65, -16.51, -26.71

 

CMYK 43 / 8 / 0 / 0

HEX #92EBFF

RGB 146 235 255

HSL 191.01, 1%, 0.79%

LAB 88.33, -21.69, -18.04

 

CMYK 36 / 1 / 0 / 0

HEX #A3FDFF

RGB 163 253 255

HSL 181.3, 1%, 0.82%

LAB 93.99, -26.31, -9.48

 

CMYK 65 / 29 / 0 / 0

HEX #5AB5FF

RGB 90 181 255

HSL 206.91, 1%, 0.68%

LAB 71.17, -4.87, -44.59

 

CMYK 69 / 31 / 0 / 7

HEX #49A3EC

RGB 73 163 236

HSL 206.87, 0.81%, 0.61%

LAB 64.7, -3.71, -44.46

 

CMYK 74 / 33 / 0 / 15

HEX #3891D9

RGB 56 145 217

HSL 206.83, 0.68%, 0.54%

LAB 58.13, -2.28, -44.31

 

CMYK 80 / 36 / 0 / 22

HEX #277FC6

RGB 39 127 198

HSL 206.79, 0.67%, 0.46%

LAB 51.48, -0.48, -44.13

 

CMYK 88 / 39 / 0 / 30

HEX #166DB3

RGB 22 109 179

HSL 206.75, 0.78%, 0.39%

LAB 44.75, 1.81, -43.89

 

CMYK 64 / 29 / 0 / 0

HEX #5BB5FF

RGB 91 181 255

HSL 207.07, 1%, 0.68%

LAB 71.21, -4.71, -44.54

 

CMYK 64 / 46 / 0 / 0

HEX #5B89FF

RGB 91 137 255

HSL 223.17, 1%, 0.68%

LAB 59.28, 20.82, -63.46

 

CMYK 64 / 64 / 0 / 0

HEX #5B5DFF

RGB 91 93 255

HSL 239.27, 1%, 0.68%

LAB 48.6, 47.27, -80.77

 

CMYK 48 / 64 / 0 / 0

HEX #855BFF

RGB 133 91 255

HSL 255.37, 1%, 0.68%

LAB 51.48, 55.01, -75.93

 

CMYK 31 / 64 / 0 / 0

HEX #B15BFF

RGB 177 91 255

HSL 271.46, 1%, 0.68%

LAB 56.14, 63.52, -68.16

 

CMYK 64 / 29 / 0 / 0

HEX #5BB5FF

RGB 91 181 255

HSL 207.07, 1%, 0.68%

LAB 71.21, -4.71, -44.54

 

CMYK 64 / 46 / 0 / 0

HEX #5B89FF

RGB 91 137 255

HSL 223.17, 1%, 0.68%

LAB 59.28, 20.82, -63.46

 

CMYK 64 / 64 / 0 / 0

HEX #5B5DFF

RGB 91 93 255

HSL 239.27, 1%, 0.68%

LAB 48.6, 47.27, -80.77

 

CMYK 64 / 64 / 0 / 0

HEX #5B5BFF

RGB 91 91 255

HSL 240, 1%, 0.68%

LAB 48.17, 48.43, -81.48

 

CMYK 64 / 29 / 0 / 0

HEX #5BB5FF

RGB 91 181 255

HSL 207.07, 1%, 0.68%

LAB 71.21, -4.71, -44.54

 

CMYK 64 / 29 / 0 / 0

HEX #5BB5FF

RGB 91 181 255

HSL 207.07, 1%, 0.68%

LAB 71.21, -4.71, -44.54

 

CMYK 56 / 25 / 0 / 5

HEX #69B4F1

RGB 105 180 241

HSL 206.91, 0.83%, 0.68%

LAB 70.87, -6.01, -37.45

 

CMYK 48 / 21 / 0 / 11

HEX #76B3E4

RGB 118 179 228

HSL 206.73, 0.67%, 0.68%

LAB 70.66, -6.5, -30.66

 

CMYK 39 / 18 / 0 / 16

HEX #83B1D7

RGB 131 177 215

HSL 207.14, 0.51%, 0.68%

LAB 70.3, -5.75, -24.04

 

CMYK 29 / 13 / 0 / 21

HEX #90B0CA

RGB 144 176 202

HSL 206.9, 0.35%, 0.68%

LAB 70.35, -4.85, -16.76

 

CMYK 64 / 0 / 7 / 0

HEX #5BFFEE

RGB 91 255 238

HSL 173.78, 1%, 0.68%

LAB 91.65, -46.07, -4.42

 

CMYK 64 / 11 / 0 / 0

HEX #5BE3FF

RGB 91 227 255

HSL 190.24, 1%, 0.68%

LAB 84.16, -28.56, -24.52

 

CMYK 64 / 28 / 0 / 0

HEX #5BB8FF

RGB 91 184 255

HSL 205.98, 1%, 0.68%

LAB 72.04, -6.36, -43.23

 

CMYK 64 / 45 / 0 / 0

HEX #5B8CFF

RGB 91 140 255

HSL 222.07, 1%, 0.68%

LAB 60.07, 19.02, -62.2

 

CMYK 64 / 62 / 0 / 0

HEX #5B61FF

RGB 91 97 255

HSL 237.8, 1%, 0.68%

LAB 49.49, 44.94, -79.32

 

CMYK 96 / 44 / 0 / 0

HEX #0990FF

RGB 9 144 255

HSL 207.07, 1%, 0.52%

LAB 59.18, 9.17, -63.73

 

CMYK 80 / 36 / 0 / 0

HEX #32A3FF

RGB 50 163 255

HSL 206.93, 1%, 0.6%

LAB 65.04, 0.21, -54.35

 

CMYK 64 / 29 / 0 / 0

HEX #5BB5FF

RGB 91 181 255

HSL 207.07, 1%, 0.68%

LAB 71.21, -4.71, -44.54

 

CMYK 48 / 22 / 0 / 0

HEX #85C8FF

RGB 133 200 255

HSL 207.05, 1%, 0.76%

LAB 78.18, -6.73, -33.56

 

CMYK 32 / 15 / 0 / 0

HEX #AEDAFF

RGB 174 218 255

HSL 207.41, 1%, 0.84%

LAB 85.18, -5.83, -22.66

 

CMYK 65 / 29 / 0 / 0

HEX #5AB5FF

RGB 90 181 255

HSL 206.91, 1%, 0.68%

LAB 71.17, -4.87, -44.59

 

CMYK 24 / 64 / 0 / 0

HEX #C35BFF

RGB 195 91 255

HSL 278.05, 1%, 0.68%

LAB 58.32, 67.29, -64.53

 

CMYK 2 / 0 / 64 / 0

HEX #F9FF5B

RGB 249 255 91

HSL 62.2, 1%, 0.68%

LAB 96.99, -21.49, 74.52

 

CMYK 65 / 29 / 0 / 0

HEX #5AB5FF

RGB 90 181 255

HSL 206.91, 1%, 0.68%

LAB 71.17, -4.87, -44.59

 

CMYK 0 / 64 / 28 / 0

HEX #FF5BB8

RGB 255 91 184

HSL 325.98, 1%, 0.68%

LAB 63.51, 70.46, -15.9

 

CMYK 28 / 0 / 64 / 0

HEX #B8FF5B

RGB 184 255 91

HSL 85.98, 1%, 0.68%

LAB 92.78, -46.21, 68.81

 

CMYK 65 / 29 / 0 / 0

HEX #5AB5FF

RGB 90 181 255

HSL 206.91, 1%, 0.68%

LAB 71.17, -4.87, -44.59

 

CMYK 24 / 64 / 0 / 0

HEX #C35BFF

RGB 195 91 255

HSL 278.05, 1%, 0.68%

LAB 58.32, 67.29, -64.53

 

CMYK 0 / 36 / 64 / 0

HEX #FFA25B

RGB 255 162 91

HSL 25.98, 1%, 0.68%

LAB 74.73, 28.19, 50.5

 

CMYK 41 / 0 / 64 / 0

HEX #97FF5B

RGB 151 255 91

HSL 98.05, 1%, 0.68%

LAB 91.17, -57.2, 66.6

 

CMYK 65 / 29 / 0 / 0

HEX #5AB5FF

RGB 90 181 255

HSL 206.91, 1%, 0.68%

LAB 71.17, -4.87, -44.59

 

CMYK 4 / 64 / 0 / 0

HEX #F45BFF

RGB 244 91 255

HSL 295.98, 1%, 0.68%

LAB 64.91, 78.01, -53.63

 

CMYK 0 / 36 / 64 / 0

HEX #FFA25B

RGB 255 162 91

HSL 25.98, 1%, 0.68%

LAB 74.73, 28.19, 50.5

 

CMYK 60 / 0 / 64 / 0

HEX #66FF5B

RGB 102 255 91

HSL 115.98, 1%, 0.68%

LAB 89.44, -70.27, 64.22

 

Description

Color code: HEX #5AB5FF | qconv.com Color code: HEX #5AB5FF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 181 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 181 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 29 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 29% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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