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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AB952 it is the complementary color #A546AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AB952. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AB952 shade: #5FB94D, #70CB60, #81DD73, #92EF86 and #A3FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AB952. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AB952 shade: #5AB952, #49A73F, #38952C, #278319 and #167106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AB952 shade: #59B851, #74B851, #90B851, #ACB851 and #B8A751

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AB952 shade: #59B851, #51B864, #51B880, #51B89C and #51B7B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AB952 shade matches the following richer shades: #59B851, #48CB3D, #37DF29 and #26F315

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AB952 shade: #59B851, #69A464, #7A9078, #8B7C8C and #9C68A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AB952 shade: #90B851, #75B851, #59B851, #51B864 and #51B87F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AB952 shade: #3A8134, #489E40, #59B851, #75C36E and #91CF8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AB952 shade: #5AB952, #51ACB8 and #B85182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AB952 shade: #5AB952, #5159B8 and #B85159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AB952 shade: #5AB952, #51ACB8, #AF51B8 and #B85D51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AB952 shade: #5AB952, #518DB8, #AF51B8 and #B87C51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 56 / 27

HEX #5AB952

RGB 90 185 82

HSL 115.34, 0.42%, 0.52%

LAB 67.64, -48.52, 43.25

 

Complementary color

CMYK 5 / 60 / 0 / 32

HEX #A546AD

RGB 165 70 173

HSL 295.34, 0.42%, 0.48%

LAB 46.17, 53.44, -37.44

 

CMYK 49 / 0 / 58 / 27

HEX #5FB94D

RGB 95 185 77

HSL 110, 0.44%, 0.51%

LAB 67.77, -47.69, 45.81

 

CMYK 45 / 0 / 53 / 20

HEX #70CB60

RGB 112 203 96

HSL 111.03, 0.51%, 0.59%

LAB 74.19, -47.76, 44.63

 

CMYK 42 / 0 / 48 / 13

HEX #81DD73

RGB 129 221 115

HSL 112.08, 0.61%, 0.66%

LAB 80.53, -47.7, 43.41

 

CMYK 39 / 0 / 44 / 6

HEX #92EF86

RGB 146 239 134

HSL 113.14, 0.77%, 0.73%

LAB 86.78, -47.58, 42.19

 

CMYK 36 / 0 / 40 / 0

HEX #A3FF99

RGB 163 255 153

HSL 114.12, 1%, 0.8%

LAB 92.4, -46.55, 40.27

 

CMYK 51 / 0 / 56 / 27

HEX #5AB952

RGB 90 185 82

HSL 115.34, 0.42%, 0.52%

LAB 67.64, -48.52, 43.25

 

CMYK 56 / 0 / 62 / 35

HEX #49A73F

RGB 73 167 63

HSL 114.23, 0.45%, 0.45%

LAB 61.14, -48.27, 44.43

 

CMYK 62 / 0 / 70 / 42

HEX #38952C

RGB 56 149 44

HSL 113.14, 0.54%, 0.38%

LAB 54.57, -47.68, 45.35

 

CMYK 70 / 0 / 81 / 49

HEX #278319

RGB 39 131 25

HSL 112.08, 0.68%, 0.31%

LAB 47.92, -46.56, 45.62

 

CMYK 81 / 0 / 95 / 56

HEX #167106

RGB 22 113 6

HSL 111.03, 0.9%, 0.23%

LAB 41.21, -44.56, 44.52

 

CMYK 52 / 0 / 56 / 28

HEX #59B851

RGB 89 184 81

HSL 115.34, 0.42%, 0.52%

LAB 67.28, -48.52, 43.29

 

CMYK 37 / 0 / 56 / 28

HEX #74B851

RGB 116 184 81

HSL 99.61, 0.42%, 0.52%

LAB 68.45, -40.16, 44.97

 

CMYK 22 / 0 / 56 / 28

HEX #90B851

RGB 144 184 81

HSL 83.3, 0.42%, 0.52%

LAB 70.04, -29.94, 47.22

 

CMYK 7 / 0 / 56 / 28

HEX #ACB851

RGB 172 184 81

HSL 66.99, 0.42%, 0.52%

LAB 71.99, -18.72, 49.97

 

CMYK 0 / 9 / 56 / 28

HEX #B8A751

RGB 184 167 81

HSL 50.1, 0.42%, 0.52%

LAB 68.33, -4.87, 46.03

 

CMYK 52 / 0 / 56 / 28

HEX #59B851

RGB 89 184 81

HSL 115.34, 0.42%, 0.52%

LAB 67.28, -48.52, 43.29

 

CMYK 56 / 0 / 46 / 28

HEX #51B864

RGB 81 184 100

HSL 131.07, 0.42%, 0.52%

LAB 67.24, -47.97, 33.78

 

CMYK 56 / 0 / 30 / 28

HEX #51B880

RGB 81 184 128

HSL 147.38, 0.42%, 0.52%

LAB 67.72, -42.94, 19.64

 

CMYK 56 / 0 / 15 / 28

HEX #51B89C

RGB 81 184 156

HSL 163.69, 0.42%, 0.52%

LAB 68.34, -36.74, 5.25

 

CMYK 56 / 1 / 0 / 28

HEX #51B7B8

RGB 81 183 184

HSL 180.58, 0.42%, 0.52%

LAB 68.81, -29.02, -9.47

 

CMYK 52 / 0 / 56 / 28

HEX #59B851

RGB 89 184 81

HSL 115.34, 0.42%, 0.52%

LAB 67.28, -48.52, 43.29

 

CMYK 65 / 0 / 70 / 20

HEX #48CB3D

RGB 72 203 61

HSL 115.35, 0.58%, 0.52%

LAB 72.51, -61.71, 57.58

 

CMYK 75 / 0 / 82 / 13

HEX #37DF29

RGB 55 223 41

HSL 115.38, 0.74%, 0.52%

LAB 78.31, -72.4, 69.53

 

CMYK 84 / 0 / 91 / 5

HEX #26F315

RGB 38 243 21

HSL 115.41, 0.9%, 0.52%

LAB 84.26, -80.79, 78.51

 

CMYK 52 / 0 / 56 / 28

HEX #59B851

RGB 89 184 81

HSL 115.34, 0.42%, 0.52%

LAB 67.28, -48.52, 43.29

 

CMYK 36 / 0 / 39 / 36

HEX #69A464

RGB 105 164 100

HSL 115.31, 0.26%, 0.52%

LAB 62.06, -32.29, 27.3

 

CMYK 15 / 0 / 17 / 44

HEX #7A9078

RGB 122 144 120

HSL 115, 0.1%, 0.52%

LAB 57.5, -12.69, 10.17

 

CMYK 1 / 11 / 0 / 45

HEX #8B7C8C

RGB 139 124 140

HSL 296.25, 0.07%, 0.52%

LAB 53.81, 8.8, -6.56

 

CMYK 2 / 35 / 0 / 37

HEX #9C68A0

RGB 156 104 160

HSL 295.71, 0.23%, 0.52%

LAB 51.27, 30.41, -21.93

 

CMYK 22 / 0 / 56 / 28

HEX #90B851

RGB 144 184 81

HSL 83.3, 0.42%, 0.52%

LAB 70.04, -29.94, 47.22

 

CMYK 36 / 0 / 56 / 28

HEX #75B851

RGB 117 184 81

HSL 99.03, 0.42%, 0.52%

LAB 68.5, -39.82, 45.04

 

CMYK 52 / 0 / 56 / 28

HEX #59B851

RGB 89 184 81

HSL 115.34, 0.42%, 0.52%

LAB 67.28, -48.52, 43.29

 

CMYK 56 / 0 / 46 / 28

HEX #51B864

RGB 81 184 100

HSL 131.07, 0.42%, 0.52%

LAB 67.24, -47.97, 33.78

 

CMYK 56 / 0 / 31 / 28

HEX #51B87F

RGB 81 184 127

HSL 146.8, 0.42%, 0.52%

LAB 67.7, -43.14, 20.15

 

CMYK 55 / 0 / 60 / 49

HEX #3A8134

RGB 58 129 52

HSL 115.32, 0.43%, 0.35%

LAB 48.07, -38.43, 34.51

 

CMYK 54 / 0 / 59 / 38

HEX #489E40

RGB 72 158 64

HSL 114.89, 0.42%, 0.44%

LAB 58.23, -44.88, 40.62

 

CMYK 52 / 0 / 56 / 28

HEX #59B851

RGB 89 184 81

HSL 115.34, 0.42%, 0.52%

LAB 67.28, -48.52, 43.29

 

CMYK 40 / 0 / 44 / 24

HEX #75C36E

RGB 117 195 110

HSL 115.06, 0.41%, 0.6%

LAB 72.19, -40.95, 35.28

 

CMYK 30 / 0 / 33 / 19

HEX #91CF8B

RGB 145 207 139

HSL 114.71, 0.41%, 0.68%

LAB 77.58, -32.95, 27.66

 

CMYK 51 / 0 / 56 / 27

HEX #5AB952

RGB 90 185 82

HSL 115.34, 0.42%, 0.52%

LAB 67.64, -48.52, 43.25

 

CMYK 56 / 7 / 0 / 28

HEX #51ACB8

RGB 81 172 184

HSL 186.99, 0.42%, 0.52%

LAB 65.53, -23.55, -14.39

 

CMYK 0 / 56 / 29 / 28

HEX #B85182

RGB 184 81 130

HSL 331.46, 0.42%, 0.52%

LAB 49.11, 46.96, -7.06

 

CMYK 51 / 0 / 56 / 27

HEX #5AB952

RGB 90 185 82

HSL 115.34, 0.42%, 0.52%

LAB 67.64, -48.52, 43.25

 

CMYK 56 / 52 / 0 / 28

HEX #5159B8

RGB 81 89 184

HSL 235.34, 0.42%, 0.52%

LAB 41.77, 24.83, -51.44

 

CMYK 0 / 56 / 52 / 28

HEX #B85159

RGB 184 81 89

HSL 355.34, 0.42%, 0.52%

LAB 48, 42.39, 16.08

 

CMYK 51 / 0 / 56 / 27

HEX #5AB952

RGB 90 185 82

HSL 115.34, 0.42%, 0.52%

LAB 67.64, -48.52, 43.25

 

CMYK 56 / 7 / 0 / 28

HEX #51ACB8

RGB 81 172 184

HSL 186.99, 0.42%, 0.52%

LAB 65.53, -23.55, -14.39

 

CMYK 5 / 56 / 0 / 28

HEX #AF51B8

RGB 175 81 184

HSL 294.76, 0.42%, 0.52%

LAB 50.05, 52.97, -37.67

 

CMYK 0 / 49 / 56 / 28

HEX #B85D51

RGB 184 93 81

HSL 6.99, 0.42%, 0.52%

LAB 50.23, 35.59, 23.8

 

CMYK 51 / 0 / 56 / 27

HEX #5AB952

RGB 90 185 82

HSL 115.34, 0.42%, 0.52%

LAB 67.64, -48.52, 43.25

 

CMYK 56 / 23 / 0 / 28

HEX #518DB8

RGB 81 141 184

HSL 205.05, 0.42%, 0.52%

LAB 56.35, -6.86, -28.42

 

CMYK 5 / 56 / 0 / 28

HEX #AF51B8

RGB 175 81 184

HSL 294.76, 0.42%, 0.52%

LAB 50.05, 52.97, -37.67

 

CMYK 0 / 33 / 56 / 28

HEX #B87C51

RGB 184 124 81

HSL 25.05, 0.42%, 0.52%

LAB 57.27, 18.69, 32.76

 

Description

Color code: HEX #5AB952 | qconv.com Color code: HEX #5AB952 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 185 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 185 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 56 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 56% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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